. . . . . "In a Sentimental Mood"@en . . . . . . "In a Sentimental Mood est un morceau de jazz compos\u00E9 par Duke Ellington en 1935. Ellington et son orchestre l'ont enregistr\u00E9 la m\u00EAme ann\u00E9e. Les paroles ont \u00E9t\u00E9 \u00E9crites par la suite par Irving Mills et . In a Sentimental Mood utilise une technique musicale appel\u00E9e le contrepoint. La structure de la pi\u00E8ce est AABA de 32 mesures. La tonalit\u00E9 originale est Fa majeur pour les A et R\u00E9 b\u00E9mol majeur pour le B. En 1962, Duke Ellington en a enregistr\u00E9 une version plus intimiste, avec le saxophoniste John Coltrane, Duke Ellington & John Coltrane."@fr . . . . "\"In a Sentimental Mood\" is a jazz composition by Duke Ellington. He composed the piece in 1935 and recorded it with his orchestra during the same year. Lyrics were written by Manny Kurtz; Ellington's manager Irving Mills gave himself a percentage of the publishing, so the song was credited to all three. Other popular versions in 1935/36 were by Benny Goodman and by Mills Blue Rhythm Band."@en . . . . . . . . . . . . . . . "1086401499"^^ . . . . . . . . . . . . . . . . "In a Sentimental Mood (englisch: In einer gef\u00FChlvollen Stimmung) ist eine Jazz-Komposition von Duke Ellington, die im Jahr 1935 entstand und zun\u00E4chst von ihm mit seinem Orchester aufgenommen wurde. Sp\u00E4ter schrieb Manny Kurtz einen Text zum Lied; neben ihm ist Irving Mills als Textautor eingetragen. Der Song entwickelte sich sp\u00E4ter zum Jazzstandard."@de . . . . . . . . "\u300C\u30A4\u30F3\u30FB\u30A2\u30FB\u30BB\u30F3\u30C1\u30E1\u30F3\u30BF\u30EB\u30FB\u30E0\u30FC\u30C9 (In a Sentimental Mood)\u300D\u306F\u3001\u30C7\u30E5\u30FC\u30AF\u30FB\u30A8\u30EA\u30F3\u30C8\u30F3\u304C1935\u5E74\u306B\u4F5C\u66F2\u3057\u305F\u30B8\u30E3\u30BA\u306E\u697D\u66F2\u3002\u5F8C\u306B\u30DE\u30CB\u30FC\u30FB\u30AB\u30FC\u30C4\u306B\u3088\u3063\u3066\u6B4C\u8A5E\u304C\u8FFD\u52A0\u3055\u308C\u3001\u6B4C\u66F2\u3068\u3057\u3066\u3082\u89AA\u3057\u307E\u308C\u3066\u3044\u308B\u3002 1935\u5E744\u670830\u65E5\u3001\u30C7\u30E5\u30FC\u30AF\u30FB\u30A8\u30EA\u30F3\u30C8\u30F3\u30FB\u30AA\u30FC\u30B1\u30B9\u30C8\u30E9\u306F\u30D6\u30E9\u30F3\u30BA\u30A6\u30A3\u30C3\u30AF\u30FB\u30EC\u30B3\u30FC\u30C9\u306B\u304A\u3044\u3066\u3001\u306E\u30A2\u30EB\u30C8\u30FB\u30B5\u30C3\u30AF\u30B9\u3092\u30D5\u30A3\u30FC\u30C1\u30E3\u30FC\u3057\u305F\u521D\u9332\u97F3\u3092\u884C\u3063\u305F\u3002\u540C\u65E5\u306E\u30BB\u30C3\u30B7\u30E7\u30F3\u306B\u306F\u30B8\u30E7\u30CB\u30FC\u30FB\u30DB\u30C3\u30B8\u30B9\uFF08\u30A2\u30EB\u30C8\u30FB\u30B5\u30C3\u30AF\u30B9\uFF09\u3001\u30CF\u30EA\u30FC\u30FB\u30AB\u30FC\u30CD\u30A4\uFF08\u30A2\u30EB\u30C8\u30FB\u30B5\u30C3\u30AF\u30B9\u3001\u30D0\u30EA\u30C8\u30F3\u30FB\u30B5\u30C3\u30AF\u30B9\uFF09\u3001\u30EC\u30C3\u30AF\u30B9\u30FB\u30B9\u30C1\u30E5\u30EF\u30FC\u30C8\uFF08\u30B3\u30EB\u30CD\u30C3\u30C8\uFF09\u3089\u3082\u53C2\u52A0\u3057\u3066\u3044\u308B\u3002\u30AA\u30EA\u30B8\u30CA\u30EB\u306E\u30EC\u30B3\u30FC\u30C9\u756A\u53F7\u306F\u300CBr 7461\u300D\u3067\u3001B\u9762\u306B\u306F\u300C\u30B7\u30E7\u30A6\u30DC\u30FC\u30C8\u30FB\u30B7\u30E3\u30C3\u30D5\u30EB\u300D\u304C\u53CE\u9332\u3055\u308C\u305F\u3002 \u30A8\u30EA\u30F3\u30C8\u30F3\u697D\u56E3\u306E\u521D\u9332\u97F3\u306F\u30DD\u30C3\u30D7\u30FB\u30C1\u30E3\u30FC\u30C8\u306714\u4F4D\u3092\u8A18\u9332\u3057\u30011936\u5E74\u306B\u306F\u30D9\u30CB\u30FC\u30FB\u30B0\u30C3\u30C9\u30DE\u30F3\u697D\u56E3\u3084\u3082\u30DD\u30C3\u30D7\u30FB\u30C1\u30E3\u30FC\u30C8\u5165\u308A\u3057\u305F\u3002 \u30A8\u30EA\u30F3\u30C8\u30F3\u306F1962\u5E749\u670826\u65E5\u3001\u30B8\u30E7\u30F3\u30FB\u30B3\u30EB\u30C8\u30EC\u30FC\u30F3\u3068\u306E\u5171\u6F14\u30A2\u30EB\u30D0\u30E0\u300E\u30C7\u30E5\u30FC\u30AF\u30FB\u30A8\u30EA\u30F3\u30C8\u30F3&\u30B8\u30E7\u30F3\u30FB\u30B3\u30EB\u30C8\u30EC\u30FC\u30F3\u300F\u3067\u3053\u306E\u66F2\u3092\u518D\u6F14\u3057\u3066\u304A\u308A\u3001\u3053\u306E\u5171\u6F14\u30F4\u30A1\u30FC\u30B8\u30E7\u30F3\u306F2005\u5E74\u306E\u30A2\u30E1\u30EA\u30AB\u6620\u753B\u300EPrime\u300F\u306E\u30B5\u30A6\u30F3\u30C9\u30C8\u30E9\u30C3\u30AF\u3067\u3082\u4F7F\u7528\u3055\u308C\u305F\u3002\u307E\u305F\u3001\u30AA\u30EA\u30B8\u30CA\u30EB\u30FB\u30F4\u30A1\u30FC\u30B8\u30E7\u30F3\u306E\u9332\u97F3\u306B\u53C2\u52A0\u3057\u305F\u30B8\u30E7\u30CB\u30FC\u30FB\u30DB\u30C3\u30B8\u30B9\u306F\u3001\u81EA\u8EAB\u306E\u30EA\u30FC\u30C0\u30FC\u30FB\u30A2\u30EB\u30D0\u30E0\u300EThe Eleventh Hour\u300F\uFF081963\u5E74\uFF09\u3067\u3082\u3053\u306E\u66F2\u3092\u6F14\u594F\u3057\u305F\u3002"@ja . "In a Sentimental Mood est un morceau de jazz compos\u00E9 par Duke Ellington en 1935. Ellington et son orchestre l'ont enregistr\u00E9 la m\u00EAme ann\u00E9e. Les paroles ont \u00E9t\u00E9 \u00E9crites par la suite par Irving Mills et . In a Sentimental Mood utilise une technique musicale appel\u00E9e le contrepoint. La structure de la pi\u00E8ce est AABA de 32 mesures. La tonalit\u00E9 originale est Fa majeur pour les A et R\u00E9 b\u00E9mol majeur pour le B. En 1962, Duke Ellington en a enregistr\u00E9 une version plus intimiste, avec le saxophoniste John Coltrane, Duke Ellington & John Coltrane."@fr . "In a Sentimental Mood \u00E8 una composizione jazz di Duke Ellington, eseguita anche come canzone. Ellington compose il pezzo nel 1935 e lo registr\u00F2 con la sua orchestra nello stesso anno. Le parole della canzone furono scritte, pi\u00F9 tardi, da Irving Mills e . Secondo Ellington, la canzone sarebbe nata a Durham, nella Carolina del Nord. \u00ABAvevamo danzato in un magazzino di tabacco e, dopo, un mio amico, dirigente della North Carolina Mutual Insurance Company, diede una festa per noi. Stavo suonando il pianoforte quando un altro nostro amico ebbe dei problemi con due ragazze. Per rappacificarli, composi questa canzone l\u00E0 per l\u00E0, con una ragazza su ciascun lato del pianoforte.\u00BB La registrazione originale comprende assoli di Otto Hardwicke, Harry Carney, Lawrence Brown e Rex Stewart. Tra le versioni di questo standard, si ricorda quella eseguita da Ellington con John Coltrane, presente sugli album Duke Ellington & John Coltrane e Coltrane for Lovers. Tra gli artisti che hanno eseguito In a Sentimental Mood si ricordano: Phyllis Hyman, Michel Petrucciani, Billy Eckstine, Ella Fitzgerald, Sarah Vaughan, Art Tatum, Bill Evans, Stan Getz, Django Reinhardt, Lucky Thompson, Jay McShann, Benny Goodman, , Billy Joel, Nancy Wilson, Dexter Gordon, Sonny Rollins, Chet Baker, e Daniel Barenboim."@it . "In a Sentimental Mood"@en . . "\u30A4\u30F3\u30FB\u30A2\u30FB\u30BB\u30F3\u30C1\u30E1\u30F3\u30BF\u30EB\u30FB\u30E0\u30FC\u30C9"@ja . . . . . . . . . . "In a Sentimental Mood"@de . . "In a Sentimental Mood (esperante sentimental-humore) estas kanto, kiun verkis Duke Ellington en la jaro 1935, surdiskigonte \u011Din poste kun sia orkestro. Pli malfrue Manny Kurtz verkis tekston pri la kanto; krom li anka\u016D Irving Mills estas nomita kiel tekstverkisto. La kanto fari\u011Dis pli malfrue al \u0135aza normkanto."@eo . . . . . . "In a Sentimental Mood (esperante sentimental-humore) estas kanto, kiun verkis Duke Ellington en la jaro 1935, surdiskigonte \u011Din poste kun sia orkestro. Pli malfrue Manny Kurtz verkis tekston pri la kanto; krom li anka\u016D Irving Mills estas nomita kiel tekstverkisto. La kanto fari\u011Dis pli malfrue al \u0135aza normkanto."@eo . . . . . "In a Sentimental Mood"@it . . . . . . . . . "6684"^^ . . . . . . . . . . . . "2300422"^^ . . "In a Sentimental Mood (englisch: In einer gef\u00FChlvollen Stimmung) ist eine Jazz-Komposition von Duke Ellington, die im Jahr 1935 entstand und zun\u00E4chst von ihm mit seinem Orchester aufgenommen wurde. Sp\u00E4ter schrieb Manny Kurtz einen Text zum Lied; neben ihm ist Irving Mills als Textautor eingetragen. Der Song entwickelte sich sp\u00E4ter zum Jazzstandard."@de . . . . "\"In a Sentimental Mood\" is een jazzcompositie van de Amerikaanse bigbandleider en componist Duke Ellington. Ellington componeerde het in 1935 en nam het nog datzelfde jaar, op 30 april, op met zijn orkest, met een solo door altsaxofonist Otto Hardwick. Het nummer kwam uit op plaat (op het label ) en werd meteen een hit: het haalde nummer 14 in de Amerikaanse poplijsten. Andere artiesten scoorden in die jaren eveneens met het nummer: Benny Goodman (1936, nummer 13 in de lijsten) en (1936, nummer 19). Het was zeer populair en werd de herkenningsmelodie voor negen radio-shows in Amerika. en schreven er later een tekst voor."@nl . . . "In a Sentimental Mood"@eo . . . . . . . . . . . "In a Sentimental Mood"@nl . . . . . . . "composition"@en . . . . "In a Sentimental Mood"@en . . . . . . "1935"^^ . . . . . . . "\"In a Sentimental Mood\" is a jazz composition by Duke Ellington. He composed the piece in 1935 and recorded it with his orchestra during the same year. Lyrics were written by Manny Kurtz; Ellington's manager Irving Mills gave himself a percentage of the publishing, so the song was credited to all three. Other popular versions in 1935/36 were by Benny Goodman and by Mills Blue Rhythm Band."@en . "\"In a Sentimental Mood\" is een jazzcompositie van de Amerikaanse bigbandleider en componist Duke Ellington. Ellington componeerde het in 1935 en nam het nog datzelfde jaar, op 30 april, op met zijn orkest, met een solo door altsaxofonist Otto Hardwick. Het nummer kwam uit op plaat (op het label ) en werd meteen een hit: het haalde nummer 14 in de Amerikaanse poplijsten. Andere artiesten scoorden in die jaren eveneens met het nummer: Benny Goodman (1936, nummer 13 in de lijsten) en (1936, nummer 19). Het was zeer populair en werd de herkenningsmelodie voor negen radio-shows in Amerika. en schreven er later een tekst voor. Volgens Ellington schreef hij het nummer tijdens een feestje in Durham, waar een kennis problemen kreeg met twee dames. \"Om de boel te sussen, componeerde ik het ter plekke, met een chick aan beide kanten van de piano.\" Volgens Ellington-biograaf was de song een bewerking van een melodielijn van Hardwick. Ellington nam zijn bekendste versie op met saxofonist John Coltrane (op de platen '' en ''). Het werk is talloze malen door andere artiesten gespeeld en opgenomen, waaronder Phyllis Hyman, Ella Fitzgerald, Sarah Vaughan, Art Tatum, Bill Evans, Stan Getz, Django Reinhardt, Lucky Thompson, Jay McShann, Sonny Rollins, Thelonious Monk (met ), Billy Joel en Daniel Barenboim met Ren\u00E9e Fleming. Een van Ellingtons uitvoeringen was de herkenningsmelodie voor het televisieprogramma waarin de Nederlandse schrijver Simon Carmiggelt zijn 'Kronkels' voorlas. In een interview vertelde Carmiggelt dat het epische (verhalende) muziek is, waarna je 'alles kunt vertellen, want deze muziek past overal bij'."@nl . . "In a Sentimental Mood"@fr . . . . . . "In a Sentimental Mood \u00E8 una composizione jazz di Duke Ellington, eseguita anche come canzone. Ellington compose il pezzo nel 1935 e lo registr\u00F2 con la sua orchestra nello stesso anno. Le parole della canzone furono scritte, pi\u00F9 tardi, da Irving Mills e . Secondo Ellington, la canzone sarebbe nata a Durham, nella Carolina del Nord. \u00ABAvevamo danzato in un magazzino di tabacco e, dopo, un mio amico, dirigente della North Carolina Mutual Insurance Company, diede una festa per noi. Stavo suonando il pianoforte quando un altro nostro amico ebbe dei problemi con due ragazze. Per rappacificarli, composi questa canzone l\u00E0 per l\u00E0, con una ragazza su ciascun lato del pianoforte.\u00BB La registrazione originale comprende assoli di Otto Hardwicke, Harry Carney, Lawrence Brown e Rex Stewart."@it . "\u300C\u30A4\u30F3\u30FB\u30A2\u30FB\u30BB\u30F3\u30C1\u30E1\u30F3\u30BF\u30EB\u30FB\u30E0\u30FC\u30C9 (In a Sentimental Mood)\u300D\u306F\u3001\u30C7\u30E5\u30FC\u30AF\u30FB\u30A8\u30EA\u30F3\u30C8\u30F3\u304C1935\u5E74\u306B\u4F5C\u66F2\u3057\u305F\u30B8\u30E3\u30BA\u306E\u697D\u66F2\u3002\u5F8C\u306B\u30DE\u30CB\u30FC\u30FB\u30AB\u30FC\u30C4\u306B\u3088\u3063\u3066\u6B4C\u8A5E\u304C\u8FFD\u52A0\u3055\u308C\u3001\u6B4C\u66F2\u3068\u3057\u3066\u3082\u89AA\u3057\u307E\u308C\u3066\u3044\u308B\u3002 1935\u5E744\u670830\u65E5\u3001\u30C7\u30E5\u30FC\u30AF\u30FB\u30A8\u30EA\u30F3\u30C8\u30F3\u30FB\u30AA\u30FC\u30B1\u30B9\u30C8\u30E9\u306F\u30D6\u30E9\u30F3\u30BA\u30A6\u30A3\u30C3\u30AF\u30FB\u30EC\u30B3\u30FC\u30C9\u306B\u304A\u3044\u3066\u3001\u306E\u30A2\u30EB\u30C8\u30FB\u30B5\u30C3\u30AF\u30B9\u3092\u30D5\u30A3\u30FC\u30C1\u30E3\u30FC\u3057\u305F\u521D\u9332\u97F3\u3092\u884C\u3063\u305F\u3002\u540C\u65E5\u306E\u30BB\u30C3\u30B7\u30E7\u30F3\u306B\u306F\u30B8\u30E7\u30CB\u30FC\u30FB\u30DB\u30C3\u30B8\u30B9\uFF08\u30A2\u30EB\u30C8\u30FB\u30B5\u30C3\u30AF\u30B9\uFF09\u3001\u30CF\u30EA\u30FC\u30FB\u30AB\u30FC\u30CD\u30A4\uFF08\u30A2\u30EB\u30C8\u30FB\u30B5\u30C3\u30AF\u30B9\u3001\u30D0\u30EA\u30C8\u30F3\u30FB\u30B5\u30C3\u30AF\u30B9\uFF09\u3001\u30EC\u30C3\u30AF\u30B9\u30FB\u30B9\u30C1\u30E5\u30EF\u30FC\u30C8\uFF08\u30B3\u30EB\u30CD\u30C3\u30C8\uFF09\u3089\u3082\u53C2\u52A0\u3057\u3066\u3044\u308B\u3002\u30AA\u30EA\u30B8\u30CA\u30EB\u306E\u30EC\u30B3\u30FC\u30C9\u756A\u53F7\u306F\u300CBr 7461\u300D\u3067\u3001B\u9762\u306B\u306F\u300C\u30B7\u30E7\u30A6\u30DC\u30FC\u30C8\u30FB\u30B7\u30E3\u30C3\u30D5\u30EB\u300D\u304C\u53CE\u9332\u3055\u308C\u305F\u3002 \u30A8\u30EA\u30F3\u30C8\u30F3\u697D\u56E3\u306E\u521D\u9332\u97F3\u306F\u30DD\u30C3\u30D7\u30FB\u30C1\u30E3\u30FC\u30C8\u306714\u4F4D\u3092\u8A18\u9332\u3057\u30011936\u5E74\u306B\u306F\u30D9\u30CB\u30FC\u30FB\u30B0\u30C3\u30C9\u30DE\u30F3\u697D\u56E3\u3084\u3082\u30DD\u30C3\u30D7\u30FB\u30C1\u30E3\u30FC\u30C8\u5165\u308A\u3057\u305F\u3002 \u30A8\u30EA\u30F3\u30C8\u30F3\u306F1962\u5E749\u670826\u65E5\u3001\u30B8\u30E7\u30F3\u30FB\u30B3\u30EB\u30C8\u30EC\u30FC\u30F3\u3068\u306E\u5171\u6F14\u30A2\u30EB\u30D0\u30E0\u300E\u30C7\u30E5\u30FC\u30AF\u30FB\u30A8\u30EA\u30F3\u30C8\u30F3&\u30B8\u30E7\u30F3\u30FB\u30B3\u30EB\u30C8\u30EC\u30FC\u30F3\u300F\u3067\u3053\u306E\u66F2\u3092\u518D\u6F14\u3057\u3066\u304A\u308A\u3001\u3053\u306E\u5171\u6F14\u30F4\u30A1\u30FC\u30B8\u30E7\u30F3\u306F2005\u5E74\u306E\u30A2\u30E1\u30EA\u30AB\u6620\u753B\u300EPrime\u300F\u306E\u30B5\u30A6\u30F3\u30C9\u30C8\u30E9\u30C3\u30AF\u3067\u3082\u4F7F\u7528\u3055\u308C\u305F\u3002\u307E\u305F\u3001\u30AA\u30EA\u30B8\u30CA\u30EB\u30FB\u30F4\u30A1\u30FC\u30B8\u30E7\u30F3\u306E\u9332\u97F3\u306B\u53C2\u52A0\u3057\u305F\u30B8\u30E7\u30CB\u30FC\u30FB\u30DB\u30C3\u30B8\u30B9\u306F\u3001\u81EA\u8EAB\u306E\u30EA\u30FC\u30C0\u30FC\u30FB\u30A2\u30EB\u30D0\u30E0\u300EThe Eleventh Hour\u300F\uFF081963\u5E74\uFF09\u3067\u3082\u3053\u306E\u66F2\u3092\u6F14\u594F\u3057\u305F\u3002"@ja . . .