. . . . . . . . . . . . . . . . . . . . . . . "\u5937\u914B\u5217\u50CF"@ja . . "Ish\u016Bretsuz\u014D (\u5937\u914B\u5217\u50CF), also known as or A Series of Paintings of Ainu Chieftains or Portraits of Ezo Chieftains, is a series of twelve painted portraits, dating to 1790, of Ainu elders in the aftermath of the Menashi\u2013Kunashir rebellion. They are by the Japanese artist and Matsumae Domain retainer Kakizaki Haky\u014D (1764\u20131826). Eleven of the twelve paintings survive, in the collection of the Mus\u00E9e des Beaux-Arts et d'Arch\u00E9ologie de Besan\u00E7on. A number of preparatory drawings and copies are to be found in collections in Japan. The clothing worn and other accoutrements depicted help cast light on late eighteenth-century connections between the indigenous inhabitants of Ezochi, the Wajin, China, and Russia. The portrait of Ininkari from the series also represents the earliest known documentation of brown bears (Ursus arctos) with white pelage, the so-called \"Ininkari bears\" that are to be found on Kunashir (Kunashiri) and Iturup (Etorofu) in the disputed Southern Kurils."@en . . . . "24604"^^ . "\u300E\u5937\u914B\u5217\u50CF\u300F\uFF08\u3044\u3057\u3085\u3046\u308C\u3064\u305E\u3046\uFF09\u306F\u3001\u6C5F\u6238\u6642\u4EE3\u5F8C\u671F\u306E\u677E\u524D\u85E9\u306E\u5BB6\u8001\u3067\u3001\u753B\u5BB6\u3068\u3057\u3066\u3082\u9AD8\u540D\u306A\u8823\u5D0E\u6CE2\u97FF\u304C\u3001\u5317\u6D77\u9053\u6771\u90E8\u3084\u56FD\u5F8C\u5CF6\u306E\u30A2\u30A4\u30CC\u4E59\u540D\u305F\u3061\u3092\u30E2\u30C1\u30FC\u30D5\u306B\u63CF\u3044\u305F\u9023\u4F5C\u8096\u50CF\u753B\u3067\u3042\u308B\u3002"@ja . . . . . . . . "\u300A\u5937\u914B\u5217\u50CF\u300B\u662F\u6C5F\u6237\u65F6\u4EE3\u540E\u671F\u677E\u524D\u85E9\u7684\u5BB6\u8001\u3001\u753B\u5BB6\u8823\u5D0E\u6CE2\u97FF\u7684\u4E00\u7EC4\u8096\u50CF\u753B\uFF0C\u7ED8\u5236\u4E86\u5F53\u65F6\u963F\u4F0A\u52AA\u4EBA\u7684\u5341\u4E8C\u540D\u9996\u9886\u3002"@zh . . . . . . . . . . . . . . . . . . . . . . "\u5937\u914B\u5217\u50CF"@zh . . . . . . . "70971045"^^ . . . "Ish\u016Bretsuz\u014D"@en . . . . . . . . . . . . . . "1122657410"^^ . . "\u300A\u5937\u914B\u5217\u50CF\u300B\u662F\u6C5F\u6237\u65F6\u4EE3\u540E\u671F\u677E\u524D\u85E9\u7684\u5BB6\u8001\u3001\u753B\u5BB6\u8823\u5D0E\u6CE2\u97FF\u7684\u4E00\u7EC4\u8096\u50CF\u753B\uFF0C\u7ED8\u5236\u4E86\u5F53\u65F6\u963F\u4F0A\u52AA\u4EBA\u7684\u5341\u4E8C\u540D\u9996\u9886\u3002"@zh . . . . . . . . . . . . . . . . . . . . . . . "Ish\u016Bretsuz\u014D (\u5937\u914B\u5217\u50CF), also known as or A Series of Paintings of Ainu Chieftains or Portraits of Ezo Chieftains, is a series of twelve painted portraits, dating to 1790, of Ainu elders in the aftermath of the Menashi\u2013Kunashir rebellion. They are by the Japanese artist and Matsumae Domain retainer Kakizaki Haky\u014D (1764\u20131826). Eleven of the twelve paintings survive, in the collection of the Mus\u00E9e des Beaux-Arts et d'Arch\u00E9ologie de Besan\u00E7on. A number of preparatory drawings and copies are to be found in collections in Japan. The clothing worn and other accoutrements depicted help cast light on late eighteenth-century connections between the indigenous inhabitants of Ezochi, the Wajin, China, and Russia. The portrait of Ininkari from the series also represents the earliest known documentation of b"@en . . . . . . . . . . . . . . . . "\u300E\u5937\u914B\u5217\u50CF\u300F\uFF08\u3044\u3057\u3085\u3046\u308C\u3064\u305E\u3046\uFF09\u306F\u3001\u6C5F\u6238\u6642\u4EE3\u5F8C\u671F\u306E\u677E\u524D\u85E9\u306E\u5BB6\u8001\u3067\u3001\u753B\u5BB6\u3068\u3057\u3066\u3082\u9AD8\u540D\u306A\u8823\u5D0E\u6CE2\u97FF\u304C\u3001\u5317\u6D77\u9053\u6771\u90E8\u3084\u56FD\u5F8C\u5CF6\u306E\u30A2\u30A4\u30CC\u4E59\u540D\u305F\u3061\u3092\u30E2\u30C1\u30FC\u30D5\u306B\u63CF\u3044\u305F\u9023\u4F5C\u8096\u50CF\u753B\u3067\u3042\u308B\u3002"@ja . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .