. . . . . "James Whale"@in . . . . . "James Whale (Dudley, 22 juli 1889 \u2013 Hollywood, 29 mei 1957) was een Brits filmregisseur."@nl . . . . . . . "\u30B8\u30A7\u30A4\u30E0\u30BA\u30FB\u30DB\u30A8\u30FC\u30EB\uFF08James Whale, 1889\u5E747\u670822\u65E5 - 1957\u5E745\u670829\u65E5\uFF09\u306F\u3001\u30A4\u30AE\u30EA\u30B9\u51FA\u8EAB\u306E\u6620\u753B\u76E3\u7763\u3002\u30DB\u30E9\u30FC\u6620\u753B\u306E\u5236\u4F5C\u3067\u3088\u304F\u77E5\u3089\u308C\u3066\u304A\u308A\u3001\u4EE3\u8868\u4F5C\u306F\u300E\u900F\u660E\u4EBA\u9593\u300F\u3001\u300E\u30D5\u30E9\u30F3\u30B1\u30F3\u30B7\u30E5\u30BF\u30A4\u30F3\u300F\u3001\u300E\u30D5\u30E9\u30F3\u30B1\u30F3\u30B7\u30E5\u30BF\u30A4\u30F3\u306E\u82B1\u5AC1\u300F\u306A\u3069\u3002"@ja . . . . . . "16074"^^ . . . "James WHALE (n. la 22-an de julio 1889 - m. la 29-an de majo 1957) estis usona kaj britdevena filmre\u011Disoro. Li plej fami\u011Dis pro siaj klasikaj hororaj filmoj, interalie , , kaj . Tiuj tri filmoj vici\u011Dis inter la plej grandaj komercaj sukcesoj de Universal Pictures en la 1930-aj jaroj. Li anka\u016D filmis The Old Dark House en 1932."@eo . . . . . . . "1957-05-29"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . "James Whale"@es . . . . "James Whale on the set of Bride of Frankenstein, 1935."@en . . . . . . . . "James Whale"@nl . . . . . "James Whale (Dudley, 22 juli 1889 \u2013 Hollywood, 29 mei 1957) was een Brits filmregisseur."@nl . . . "James Whale"@eu . . . . . . . "James Whale (* 22. Juli 1889 in Dudley, Worcestershire, England; \u2020 29. Mai 1957 in Hollywood, Kalifornien) war ein britischer Regisseur. Obwohl er auch Filme f\u00FCr andere Genres drehte, ist er vor allem durch seine Horrorfilme Frankenstein, Das Haus des Grauens, Der Unsichtbare und Frankensteins Braut bekannt. Er gilt als Vater des klassischen Hollywood-Horrorfilms."@de . . . "1120599871"^^ . . . "James Whale (Dudley, Worcestershire, 1889ko uztailaren 22a - Los Angeles, 1957ko maiatzaren 29a) britainiar jatorriko estatubatuar zinemagilea eta antzerkigilea izan zen. Umorezko marrazkilaria zen. Lehen Mundu Gerran kontzentrazio-eremu batean egon ondoren, antzerkian ari izan zen antzezle, dekoratugile eta zuzendari gisa; Journey\u00B4s End antzerki-lanak arrakasta handia izan zuen eta Hollywoodeko ateak ireki zizkion. Lehen filma antzerki-lan horren egokitzapena izan zen, Journey\u00B4s End (1930). Antzerki-lanen egokitzapen batzuk egin ondoren, Universal produkzio-etxean hasi zen lanean. Han egin zituen filmik hoberenak, beldurrezko generoko maisulanak, eta arrakasta handia izan zuen: Frankenstein (1931), Mary Shelleyren eleberriaren egokitzapenik ospetsuena eta bikainena; The Old Dark House (1932, Etxe Zahar Iluna), The Invisible Man(1933, Gizon ikusezina), H.G. Wellsen eleberrian oinarritua; The Bride of Frankenstein (1935, Frankensteinen andregaia). Gero melodramak, gerraren aurkako filmak, musikalak egin zituen. 1940 inguruan zinema utzi eta pinturari ekin zion. Filmak: Waterloo Bridge (1931), The Kiss Before the Mirror (1933), One More River (1934), Remember Last Night? (1935), Show Boat (1936), Sinners in Paradise (1938), Port of Seven Seas (1938), The Man in the Iron Mask (1939)."@eu . . . "James Whale"@it . . . . . "James Whale"@de . . . . . . . . . . "James Whale (Dudley, 22 de juliol de 1889 - Los Angeles, 29 de maig de 1957) va ser un actor, director de cinema i director de teatre angl\u00E8s. Iniciat al teatre, el 1930 es va mudar als Estats Units, on va destacar en el cinema de terror. Es va retirar del cinema en els anys 1940. James Whale va ser un innovador del cinema de Hollywood, encara que \u00E9s especialment conegut per les seves pel\u00B7l\u00EDcules de terror Frankenstein, La n\u00FAvia de Frankenstein, o ."@ca . . . . . . . . . "\u0414\u0436\u0435\u0439\u043C\u0441 \u0423\u044D\u0439\u043B (\u0430\u043D\u0433\u043B. James Whale; 22 \u0438\u044E\u043B\u044F 1889, \u0414\u0430\u0434\u043B\u0438, \u0412\u0443\u0441\u0442\u0435\u0440\u0448\u0438\u0440, \u0412\u0435\u043B\u0438\u043A\u043E\u0431\u0440\u0438\u0442\u0430\u043D\u0438\u044F \u2014 29 \u043C\u0430\u044F 1957, \u0413\u043E\u043B\u043B\u0438\u0432\u0443\u0434, \u041A\u0430\u043B\u0438\u0444\u043E\u0440\u043D\u0438\u044F, \u0421\u0428\u0410) \u2014 \u0430\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u0438\u0439 \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440 \u0442\u0435\u0430\u0442\u0440\u0430 \u0438 \u043A\u0438\u043D\u043E, \u0430\u043A\u0442\u0451\u0440. \u041D\u0430\u0438\u0431\u043E\u043B\u044C\u0448\u0443\u044E \u043F\u043E\u043F\u0443\u043B\u044F\u0440\u043D\u043E\u0441\u0442\u044C \u043F\u043E\u043B\u0443\u0447\u0438\u043B \u043A\u0430\u043A \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440 \u0444\u0438\u043B\u044C\u043C\u043E\u0432 \u0443\u0436\u0430\u0441\u043E\u0432 \u00AB\u0424\u0440\u0430\u043D\u043A\u0435\u043D\u0448\u0442\u0435\u0439\u043D\u00BB (1931), \u00AB\u0421\u0442\u0430\u0440\u044B\u0439 \u0442\u0451\u043C\u043D\u044B\u0439 \u0434\u043E\u043C\u00BB (1932), \u00AB\u0427\u0435\u043B\u043E\u0432\u0435\u043A-\u043D\u0435\u0432\u0438\u0434\u0438\u043C\u043A\u0430\u00BB (1933) \u0438 \u00AB\u041D\u0435\u0432\u0435\u0441\u0442\u0430 \u0424\u0440\u0430\u043D\u043A\u0435\u043D\u0448\u0442\u0435\u0439\u043D\u0430\u00BB (1935). 29 \u043C\u0430\u044F 1957 \u0433\u043E\u0434\u0430 \u0432 \u041A\u0430\u043B\u0438\u0444\u043E\u0440\u043D\u0438\u0438 \u043E\u043D \u043F\u043E\u043A\u043E\u043D\u0447\u0438\u043B \u0436\u0438\u0437\u043D\u044C \u0441\u0430\u043C\u043E\u0443\u0431\u0438\u0439\u0441\u0442\u0432\u043E\u043C, \u0443\u0442\u043E\u043F\u0438\u0432\u0448\u0438\u0441\u044C \u0432 \u0441\u043E\u0431\u0441\u0442\u0432\u0435\u043D\u043D\u043E\u043C \u0431\u0430\u0441\u0441\u0435\u0439\u043D\u0435."@ru . . . . . . . . . . . . . . "1919"^^ . . . . "1919"^^ . . . "James Whale (22 Juli 1889 \u2013 29 Mei 1957) adalah seorang sutradara film, sutradara teater dan aktor Inggris. Ia paling diingat atas empat -nya: Frankenstein (1931), (1932), The Invisible Man (1933) dan Bride of Frankenstein (1935). Whale juga menyutradarai film-film dalam genre lainnya, yang meliputi apa yang dianggap menjadi versi film definitif dari musikal Show Boat (1936). Ia menjadi makin lekat dengan kaitannya pada horor, tetapi beberapa film horornya jatuh pada ketidakjelasan."@in . . . "James Whale (Dudley, 22 de julho de 1889 \u2013 29 de maio de 1957) foi um cineasta brit\u00E2nico radicado nos Estados Unidos da Am\u00E9rica, melhor conhecido pelo seu trabalho em filmes de horror bastante populares, principalmente Frankenstein (1931), A noiva de Frankenstein (1935) e O homem invis\u00EDvel (1933)."@pt . . . . . "James Whale, f\u00F6dd 22 juli 1889 i Dudley i Worcestershire, d\u00F6d 29 maj 1957 i Hollywood i Los Angeles, var en brittisk teater- och filmregiss\u00F6r. Han \u00E4r idag mest h\u00E5gkommen f\u00F6r sina skr\u00E4ckfilmer, s\u00E5som Frankenstein (1931), \u00D6verraskade av natten (1932) och Frankensteins brud (1934)."@sv . . . . . . . . . . "James Whale (Dudley, 22 de juliol de 1889 - Los Angeles, 29 de maig de 1957) va ser un actor, director de cinema i director de teatre angl\u00E8s. Iniciat al teatre, el 1930 es va mudar als Estats Units, on va destacar en el cinema de terror. Es va retirar del cinema en els anys 1940. James Whale va ser un innovador del cinema de Hollywood, encara que \u00E9s especialment conegut per les seves pel\u00B7l\u00EDcules de terror Frankenstein, La n\u00FAvia de Frankenstein, o ."@ca . . . . . . . . "James Whale, n\u00E9 le 22 juillet 1889 \u00E0 Dudley dans le Worcestershire en Angleterre au Royaume-Uni et mort le 29 mai 1957 \u00E0 Hollywood \u00E0 Los Angeles aux \u00C9tats-Unis, est un r\u00E9alisateur britannique, connu pour avoir mis en sc\u00E8ne Frankenstein, Une soir\u00E9e \u00E9trange, L'Homme invisible, La Fianc\u00E9e de Frankenstein ainsi que Show Boat."@fr . . . . . . . . . . . . . . . . . . . . . . . . . . "Pierre Foegel"@en . . "actor"@en . . . . . . . . . ""@en . . "1889"^^ . . . . . . . . . . . . . . . . . . "James WHALE (n. la 22-an de julio 1889 - m. la 29-an de majo 1957) estis usona kaj britdevena filmre\u011Disoro. Li plej fami\u011Dis pro siaj klasikaj hororaj filmoj, interalie , , kaj . Tiuj tri filmoj vici\u011Dis inter la plej grandaj komercaj sukcesoj de Universal Pictures en la 1930-aj jaroj. Li anka\u016D filmis The Old Dark House en 1932."@eo . . . . . . . . . . . . . . . "James Whale, n\u00E9 le 22 juillet 1889 \u00E0 Dudley dans le Worcestershire en Angleterre au Royaume-Uni et mort le 29 mai 1957 \u00E0 Hollywood \u00E0 Los Angeles aux \u00C9tats-Unis, est un r\u00E9alisateur britannique, connu pour avoir mis en sc\u00E8ne Frankenstein, Une soir\u00E9e \u00E9trange, L'Homme invisible, La Fianc\u00E9e de Frankenstein ainsi que Show Boat."@fr . "\u0423\u044D\u0439\u043B, \u0414\u0436\u0435\u0439\u043C\u0441"@ru . . "\uC81C\uC784\uC2A4 \uC6E8\uC77C(James Whale, 1889\uB144 7\uC6D4 22\uC77C ~ 1957\uB144 1889\uB144 7\uC6D4 22\uC77C)\uC740 \uC789\uAE00\uB79C\uB4DC\uC758 \uC601\uD654 \uAC10\uB3C5\uC774\uB2E4."@ko . . "51804"^^ . . . . . . . . "\u8A79\u59C6\u65AF\u00B7\u60E0\u5C14\uFF08James Whale\uFF0C1889\u5E746\u670822\u65E5\uFF0D1957\u5E745\u670829\u65E5\uFF09\u662F\u4E00\u540D\u82F1\u56FD\u7535\u5F71\u5BFC\u6F14\u3001\u8BDD\u5267\u5BFC\u6F14\u548C\u6F14\u5458\u3002\u4ED6\u4E3B\u8981\u4EE5\u62CD\u6050\u6016\u7535\u5F71\u77E5\u540D\uFF0C\u6240\u62CD\u5F71\u7247\u5305\u62EC\u300A\u79D1\u5B66\u602A\u4EBA\u300B\uFF081931\uFF09\u3001\u300A\u300B\uFF081932\uFF09\u3001\u300A\u300B\uFF081933\uFF09\u548C\u300A\u79D1\u5B66\u602A\u4EBA\u7684\u65B0\u5A18\u300B\uFF081935\uFF09\u3002\u60E0\u5C14\u4E5F\u62CD\u8FC7\u5341\u51E0\u90E8\u5176\u4ED6\u7C7B\u578B\u7684\u7535\u5F71\uFF0C\u5176\u4E2D\u5305\u62EC\u300A\u300B\uFF081936\uFF09\uFF0C\u5B83\u88AB\u8BA4\u4E3A\u662F\u540C\u540D\u97F3\u4E50\u5267\u7684\u6743\u5A01\u6539\u7F16\u3002\u540E\u6765\u4ED6\u5BF9\u6050\u6016\u7247\u8D8A\u6765\u8D8A\u4E0D\u611F\u5174\u8DA3\uFF0C\u4F46\u4ED6\u7684\u8BB8\u591A\u975E\u6050\u6016\u7535\u5F71\u90FD\u88AB\u57CB\u6CA1\u3002"@zh . "1889-07-22"^^ . . . . . . . . . . . . . "James Whale (Dudley, 22 de julho de 1889 \u2013 29 de maio de 1957) foi um cineasta brit\u00E2nico radicado nos Estados Unidos da Am\u00E9rica, melhor conhecido pelo seu trabalho em filmes de horror bastante populares, principalmente Frankenstein (1931), A noiva de Frankenstein (1935) e O homem invis\u00EDvel (1933)."@pt . . . . . . . . "James Whale"@sv . . . . . . . . . "\uC81C\uC784\uC2A4 \uC6E8\uC77C(James Whale, 1889\uB144 7\uC6D4 22\uC77C ~ 1957\uB144 1889\uB144 7\uC6D4 22\uC77C)\uC740 \uC789\uAE00\uB79C\uB4DC\uC758 \uC601\uD654 \uAC10\uB3C5\uC774\uB2E4."@ko . . . . . ""@en . . "James Whale (Dudley Staffs, 22 de julio de 1889 - Los \u00C1ngeles, 29 de mayo de 1957)\u200B fue un director de cine ingl\u00E9s. Iniciado en el teatro en 1930 se mud\u00F3 a los Estados Unidos,\u200B donde destac\u00F3 en el cine de terror.\u200B Whale, abiertamente homosexual,\u200B fue un innovador del cine de Hollywood aunque es especialmente conocido por sus pel\u00EDculas de terror\u200B Frankenstein (1931)\u200B, (El caser\u00F3n de las sombras) (1932)\u200B y Bride of Frankenstein (La novia de Frankenstein)\u200B (1935)."@es . "James Whale"@en . . . . . "James Whale"@fr . . . . . . . . . . . "1957"^^ . . . . . "James Whale"@pt . . . "\u30B8\u30A7\u30A4\u30E0\u30BA\u30FB\u30DB\u30A8\u30FC\u30EB\uFF08James Whale, 1889\u5E747\u670822\u65E5 - 1957\u5E745\u670829\u65E5\uFF09\u306F\u3001\u30A4\u30AE\u30EA\u30B9\u51FA\u8EAB\u306E\u6620\u753B\u76E3\u7763\u3002\u30DB\u30E9\u30FC\u6620\u753B\u306E\u5236\u4F5C\u3067\u3088\u304F\u77E5\u3089\u308C\u3066\u304A\u308A\u3001\u4EE3\u8868\u4F5C\u306F\u300E\u900F\u660E\u4EBA\u9593\u300F\u3001\u300E\u30D5\u30E9\u30F3\u30B1\u30F3\u30B7\u30E5\u30BF\u30A4\u30F3\u300F\u3001\u300E\u30D5\u30E9\u30F3\u30B1\u30F3\u30B7\u30E5\u30BF\u30A4\u30F3\u306E\u82B1\u5AC1\u300F\u306A\u3069\u3002"@ja . . . . "\u0414\u0436\u0435\u0439\u043C\u0441 \u0423\u044D\u0439\u043B (\u0430\u043D\u0433\u043B. James Whale; 22 \u0438\u044E\u043B\u044F 1889, \u0414\u0430\u0434\u043B\u0438, \u0412\u0443\u0441\u0442\u0435\u0440\u0448\u0438\u0440, \u0412\u0435\u043B\u0438\u043A\u043E\u0431\u0440\u0438\u0442\u0430\u043D\u0438\u044F \u2014 29 \u043C\u0430\u044F 1957, \u0413\u043E\u043B\u043B\u0438\u0432\u0443\u0434, \u041A\u0430\u043B\u0438\u0444\u043E\u0440\u043D\u0438\u044F, \u0421\u0428\u0410) \u2014 \u0430\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u0438\u0439 \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440 \u0442\u0435\u0430\u0442\u0440\u0430 \u0438 \u043A\u0438\u043D\u043E, \u0430\u043A\u0442\u0451\u0440. \u041D\u0430\u0438\u0431\u043E\u043B\u044C\u0448\u0443\u044E \u043F\u043E\u043F\u0443\u043B\u044F\u0440\u043D\u043E\u0441\u0442\u044C \u043F\u043E\u043B\u0443\u0447\u0438\u043B \u043A\u0430\u043A \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440 \u0444\u0438\u043B\u044C\u043C\u043E\u0432 \u0443\u0436\u0430\u0441\u043E\u0432 \u00AB\u0424\u0440\u0430\u043D\u043A\u0435\u043D\u0448\u0442\u0435\u0439\u043D\u00BB (1931), \u00AB\u0421\u0442\u0430\u0440\u044B\u0439 \u0442\u0451\u043C\u043D\u044B\u0439 \u0434\u043E\u043C\u00BB (1932), \u00AB\u0427\u0435\u043B\u043E\u0432\u0435\u043A-\u043D\u0435\u0432\u0438\u0434\u0438\u043C\u043A\u0430\u00BB (1933) \u0438 \u00AB\u041D\u0435\u0432\u0435\u0441\u0442\u0430 \u0424\u0440\u0430\u043D\u043A\u0435\u043D\u0448\u0442\u0435\u0439\u043D\u0430\u00BB (1935). \u0421 \u043D\u0430\u0447\u0430\u043B\u043E\u043C \u041F\u0435\u0440\u0432\u043E\u0439 \u043C\u0438\u0440\u043E\u0432\u043E\u0439 \u0432\u043E\u0439\u043D\u044B \u0423\u044D\u0439\u043B \u043F\u043E\u0441\u0442\u0443\u043F\u0438\u043B \u0432 \u0431\u0440\u0438\u0442\u0430\u043D\u0441\u043A\u0443\u044E \u0430\u0440\u043C\u0438\u044E \u0438 \u0441\u043B\u0443\u0436\u0438\u043B \u043E\u0444\u0438\u0446\u0435\u0440\u043E\u043C. \u041D\u0430\u0445\u043E\u0434\u044F\u0441\u044C \u0432 \u043D\u0435\u043C\u0435\u0446\u043A\u043E\u043C \u043F\u043B\u0435\u043D\u0443, \u043D\u0430\u0447\u0430\u043B \u0443\u0432\u043B\u0435\u043A\u0430\u0442\u044C\u0441\u044F \u0434\u0440\u0430\u043C\u0430\u0442\u0443\u0440\u0433\u0438\u0435\u0439. \u041F\u043E\u0441\u043B\u0435 \u043E\u0441\u0432\u043E\u0431\u043E\u0436\u0434\u0435\u043D\u0438\u044F \u0432 \u043A\u043E\u043D\u0446\u0435 \u0432\u043E\u0439\u043D\u044B \u0441\u0442\u0430\u043B \u0430\u043A\u0442\u0451\u0440\u043E\u043C, \u0441\u0446\u0435\u043D\u043E\u0433\u0440\u0430\u0444\u043E\u043C \u0438 \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440\u043E\u043C. \u0423\u0441\u043F\u0435\u0445 \u0435\u0433\u043E \u0441\u043F\u0435\u043A\u0442\u0430\u043A\u043B\u044F \u00AB\u041A\u043E\u043D\u0435\u0446 \u043F\u0443\u0442\u0438\u00BB(1928) \u043F\u0440\u0438\u0432\u0451\u043B \u043A \u043F\u0435\u0440\u0435\u0435\u0437\u0434\u0443 \u0432 \u0421\u0428\u0410. \u041E\u043D \u0441\u0442\u0430\u0432\u0438\u043B \u043F\u044C\u0435\u0441\u044B \u043D\u0430 \u0411\u0440\u043E\u0434\u0432\u0435\u0435, \u0430 \u0437\u0430\u0442\u0435\u043C \u0437\u0430\u043D\u044F\u043B\u0441\u044F \u0440\u0435\u0436\u0438\u0441\u0441\u0443\u0440\u043E\u0439 \u0432 \u0413\u043E\u043B\u043B\u0438\u0432\u0443\u0434\u0435. \u041C\u0435\u0436\u0434\u0443 1931 \u0438 1937 \u0433\u043E\u0434\u0430\u043C\u0438 \u0423\u044D\u0439\u043B \u0441\u043D\u044F\u043B \u0434\u044E\u0436\u0438\u043D\u0443 \u0444\u0438\u043B\u044C\u043C\u043E\u0432 \u0434\u043B\u044F Universal Pictures, \u0440\u0430\u0437\u0432\u0438\u0432\u0430\u044F \u0441\u0432\u043E\u0439 \u0441\u0442\u0438\u043B\u044C, \u043E\u0442\u043C\u0435\u0447\u0435\u043D\u043D\u044B\u0439 \u0432\u043B\u0438\u044F\u043D\u0438\u0435\u043C \u043D\u0435\u043C\u0435\u0446\u043A\u043E\u0433\u043E \u044D\u043A\u0441\u043F\u0440\u0435\u0441\u0441\u0438\u043E\u043D\u0438\u0437\u043C\u0430. \u041D\u0430 \u043F\u0438\u043A\u0435 \u0441\u0432\u043E\u0435\u0439 \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440\u0441\u043A\u043E\u0439 \u043A\u0430\u0440\u044C\u0435\u0440\u044B \u043E\u043D \u043F\u043E\u0441\u0442\u0430\u0432\u0438\u043B \u0444\u0438\u043B\u044C\u043C \u00AB\u0414\u043E\u0440\u043E\u0433\u0430 \u043D\u0430\u0437\u0430\u0434\u00BB (1937), \u043F\u0440\u043E\u0434\u043E\u043B\u0436\u0435\u043D\u0438\u0435 \u0444\u0438\u043B\u044C\u043C\u0430 \u00AB\u041D\u0430 \u0417\u0430\u043F\u0430\u0434\u043D\u043E\u043C \u0444\u0440\u043E\u043D\u0442\u0435 \u0431\u0435\u0437 \u043F\u0435\u0440\u0435\u043C\u0435\u043D\u00BB. \u0421\u0442\u0443\u0434\u0438\u0439\u043D\u043E\u0435 \u0432\u043C\u0435\u0448\u0430\u0442\u0435\u043B\u044C\u0441\u0442\u0432\u043E, \u0432\u043E\u0437\u043C\u043E\u0436\u043D\u043E, \u0432\u044B\u0437\u0432\u0430\u043D\u043D\u043E\u0435 \u043F\u043E\u043B\u0438\u0442\u0438\u0447\u0435\u0441\u043A\u0438\u043C \u0434\u0430\u0432\u043B\u0435\u043D\u0438\u0435\u043C \u0441\u043E \u0441\u0442\u043E\u0440\u043E\u043D\u044B \u0413\u0435\u0440\u043C\u0430\u043D\u0438\u0438, \u043F\u0440\u0438\u0432\u0435\u043B\u043E \u043A \u0438\u0441\u043A\u0430\u0436\u0435\u043D\u0438\u044E \u0438\u0437\u043D\u0430\u0447\u0430\u043B\u044C\u043D\u043E\u0433\u043E \u0437\u0430\u043C\u044B\u0441\u043B\u0430 \u0423\u044D\u0439\u043B\u0430, \u0430 \u0442\u0430\u043A\u0436\u0435 \u043A \u043F\u0440\u043E\u0432\u0430\u043B\u0443 \u0444\u0438\u043B\u044C\u043C\u0430 \u0443 \u043A\u0440\u0438\u0442\u0438\u043A\u043E\u0432 \u0438 \u0437\u0440\u0438\u0442\u0435\u043B\u0435\u0439. \u041F\u043E\u0441\u043B\u0435 \u0447\u0435\u0440\u0435\u0434\u044B \u043A\u0430\u0441\u0441\u043E\u0432\u044B\u0445 \u0440\u0430\u0437\u043E\u0447\u0430\u0440\u043E\u0432\u0430\u043D\u0438\u0439 \u043A 1941 \u0433\u043E\u0434\u0443 \u0435\u0433\u043E \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440\u0441\u043A\u0430\u044F \u043A\u0430\u0440\u044C\u0435\u0440\u0430 \u0431\u044B\u043B\u0430 \u0444\u0430\u043A\u0442\u0438\u0447\u0435\u0441\u043A\u0438 \u0437\u0430\u043A\u043E\u043D\u0447\u0435\u043D\u0430, \u0445\u043E\u0442\u044F \u043F\u043E\u0441\u043B\u0435\u0434\u043D\u0438\u0439 \u043A\u043E\u0440\u043E\u0442\u043A\u043E\u043C\u0435\u0442\u0440\u0430\u0436\u043D\u044B\u0439 \u0444\u0438\u043B\u044C\u043C \u043E\u043D \u0441\u043D\u044F\u043B \u0432 1950 \u0433\u043E\u0434\u0443. 29 \u043C\u0430\u044F 1957 \u0433\u043E\u0434\u0430 \u0432 \u041A\u0430\u043B\u0438\u0444\u043E\u0440\u043D\u0438\u0438 \u043E\u043D \u043F\u043E\u043A\u043E\u043D\u0447\u0438\u043B \u0436\u0438\u0437\u043D\u044C \u0441\u0430\u043C\u043E\u0443\u0431\u0438\u0439\u0441\u0442\u0432\u043E\u043C, \u0443\u0442\u043E\u043F\u0438\u0432\u0448\u0438\u0441\u044C \u0432 \u0441\u043E\u0431\u0441\u0442\u0432\u0435\u043D\u043D\u043E\u043C \u0431\u0430\u0441\u0441\u0435\u0439\u043D\u0435."@ru . . . . "Hollywood, Los Angeles, California U.S."@en . . . . . . . "James Whale (Dudley, 22 luglio 1889 \u2013 Hollywood, 29 maggio 1957) \u00E8 stato un regista britannico naturalizzato statunitense noto per aver diretto film come Frankenstein (1931), L'uomo invisibile (1933) e La moglie di Frankenstein (1935)."@it . . . . . . "\u30B8\u30A7\u30A4\u30E0\u30BA\u30FB\u30DB\u30A8\u30FC\u30EB"@ja . . . . . "James Whale"@pl . . . . . . . . . "\u8A79\u59C6\u65AF\u00B7\u60E0\u5C14"@zh . . "James Whale"@ca . . "James Whale (* 22. Juli 1889 in Dudley, Worcestershire, England; \u2020 29. Mai 1957 in Hollywood, Kalifornien) war ein britischer Regisseur. Obwohl er auch Filme f\u00FCr andere Genres drehte, ist er vor allem durch seine Horrorfilme Frankenstein, Das Haus des Grauens, Der Unsichtbare und Frankensteins Braut bekannt. Er gilt als Vater des klassischen Hollywood-Horrorfilms."@de . "James Whale (ur. 22 lipca 1889 w Dudley, zm. 29 maja 1957 w Los Angeles) \u2013 brytyjski re\u017Cyser filmowy i teatralny, pracuj\u0105cy w Stanach Zjednoczonych. Urodzi\u0142 si\u0119 w biednej rodzinie w miasteczku g\u00F3rniczym. Po wybuchu I wojny \u015Bwiatowej wst\u0105pi\u0142 ochotniczo do armii, walczy\u0142 na froncie, zosta\u0142 schwytany przez Niemc\u00F3w i osadzony w obozie jenieckim. Po wojnie zosta\u0142 zwolniony, zaj\u0105\u0142 si\u0119 re\u017Cyseri\u0105 filmow\u0105. W 1930, po przeniesieniu si\u0119 do USA, wyre\u017Cyserowa\u0142 filmow\u0105 wersj\u0119 dramatu R.C. Sherriffa Kres wycieczki. W tym samym czasie Howard Hughes poprosi\u0142 go o pomoc przy re\u017Cyserowaniu wysokobud\u017Cetowego dramatu o pilotach I wojny \u015Bwiatowej Anio\u0142owie piekie\u0142, w 1931 zosta\u0142 zaanga\u017Cowany przez Universal Studios do re\u017Cyserii Waterloo Bridge, adaptacji sztuki Roberta E. Sherwooda. W tym samym roku wielki sukces i miano \u201Emistrza horroru\u201D przyni\u00F3s\u0142 mu film Frankenstein (adaptacja powie\u015Bci Mary Shelley), do kt\u00F3rego zaanga\u017Cowa\u0142 ma\u0142o znanego w\u00F3wczas brytyjskiego aktora Borisa Karloffa. W 1935 nakr\u0119ci\u0142 kontynuacj\u0119 tego filmu pt. Narzeczona Frankensteina. Sukcesy przynios\u0142a mu r\u00F3wnie\u017C adaptacja powie\u015Bci J.B. Priestleya Stary mroczny dom (1932) i adaptacja powie\u015Bci H.G. Wellsa Niewidzialny cz\u0142owiek. W 1936 wyre\u017Cyserowa\u0142 dramat muzyczny Statek komediant\u00F3w, w 1937 dramat Droga powrotna i komedi\u0119 Przygoda pod Pary\u017Cem, w 1938 dramat Port siedmiu m\u00F3rz, a w 1939 adaptacj\u0119 powie\u015Bci Wicehrabia de Bragelonne Alexandre Dumasa Cz\u0142owiek w \u017Celaznej masce. Otwarcie przyznawa\u0142 si\u0119 do swojego homoseksualizmu. Jego filmy doprowadzi\u0142y do ugruntowania horroru jako gatunku filmowego i do pojawienia si\u0119 fascynacji filmami grozy na ca\u0142ym \u015Bwiecie. W 1998 powsta\u0142 film biograficzny o Jamesie Whale'u Bogowie i potwory w re\u017Cyserii Billa Condona."@pl . . . . . . . . "James Whale (Dudley Staffs, 22 de julio de 1889 - Los \u00C1ngeles, 29 de mayo de 1957)\u200B fue un director de cine ingl\u00E9s. Iniciado en el teatro en 1930 se mud\u00F3 a los Estados Unidos,\u200B donde destac\u00F3 en el cine de terror.\u200B Whale, abiertamente homosexual,\u200B fue un innovador del cine de Hollywood aunque es especialmente conocido por sus pel\u00EDculas de terror\u200B Frankenstein (1931)\u200B, (El caser\u00F3n de las sombras) (1932)\u200B y Bride of Frankenstein (La novia de Frankenstein)\u200B (1935). Tras haber sido el director mejor pagado en Hollywood durante los a\u00F1os 1930,\u200B trabajando con estudios como Universal, Warner Bros., Metro-Goldwyn-Mayer y Columbia o fundando su propia productora cinematogr\u00E1fica,\u200B en la d\u00E9cada de los a\u00F1os 1940 se retir\u00F3 del cine.\u200B En su trayectoria obtuvo 4 nominaciones y un \u00FAnico galard\u00F3n en el Festival de Venecia con The Invisible Man (El hombre invisible)\u200B (1933).\u200B"@es . . . . . . . . . . . . . . . "James Whale"@en . . . "James Whale (Dudley, Worcestershire, 1889ko uztailaren 22a - Los Angeles, 1957ko maiatzaren 29a) britainiar jatorriko estatubatuar zinemagilea eta antzerkigilea izan zen. Umorezko marrazkilaria zen. Lehen Mundu Gerran kontzentrazio-eremu batean egon ondoren, antzerkian ari izan zen antzezle, dekoratugile eta zuzendari gisa; Journey\u00B4s End antzerki-lanak arrakasta handia izan zuen eta Hollywoodeko ateak ireki zizkion."@eu . . . . . . . "1952"^^ . . "James Whale (22 Juli 1889 \u2013 29 Mei 1957) adalah seorang sutradara film, sutradara teater dan aktor Inggris. Ia paling diingat atas empat -nya: Frankenstein (1931), (1932), The Invisible Man (1933) dan Bride of Frankenstein (1935). Whale juga menyutradarai film-film dalam genre lainnya, yang meliputi apa yang dianggap menjadi versi film definitif dari musikal Show Boat (1936). Ia menjadi makin lekat dengan kaitannya pada horor, tetapi beberapa film horornya jatuh pada ketidakjelasan."@in . . . . "James Whale (Dudley, 22 luglio 1889 \u2013 Hollywood, 29 maggio 1957) \u00E8 stato un regista britannico naturalizzato statunitense noto per aver diretto film come Frankenstein (1931), L'uomo invisibile (1933) e La moglie di Frankenstein (1935). Dopo aver raggiunto la fama internazionale con il dramma teatrale Journey's End, cominci\u00F2 a lavorare come regista cinematografico trasferendosi a Hollywood agli albori del cinema sonoro; dopo alcune collaborazioni minori fu notato da Carl Laemmle Jr., produttore degli Universal Studios, che gli propose nel 1931 di realizzare Frankenstein, primo adattamento cinematografico sonoro dell'omonimo romanzo di Mary Shelley che si rivel\u00F2 poi un successo, inaugurando una lunga serie di film oltre che una mitologia e uno stile che ebbero vasta influenza nelle successive pellicole di genere horror. Negli anni successivi ottenne la definitiva consacrazione internazionale con i film L'uomo invisibile e La moglie di Frankenstein, che, insieme al Frankenstein del 1931, furono in seguito oggetto di numerosi sequel e remake. Dotato di qualit\u00E0 geniali di composizione e concentrazione drammatica, \u00E8 considerato uno degli innovatori del cinema americano. Fu uno dei primi gay dichiarati del mondo di Hollywood e per questo fu oggetto di scherno e di emarginazione al punto da essere sbeffeggiato come \"Queen of Hollywood\". Dopo la sua morte, nonostante avesse diretto anche film di genere diverso, il suo nome rest\u00F2 legato ai film di genere horror e fantascientifico che ne avevano determinato il successo agli inizi della carriera come L'uomo invisibile e i due su Frankenstein, entrati nell'immaginario collettivo."@it . . . . . . . . . "James Whale, f\u00F6dd 22 juli 1889 i Dudley i Worcestershire, d\u00F6d 29 maj 1957 i Hollywood i Los Angeles, var en brittisk teater- och filmregiss\u00F6r. Han \u00E4r idag mest h\u00E5gkommen f\u00F6r sina skr\u00E4ckfilmer, s\u00E5som Frankenstein (1931), \u00D6verraskade av natten (1932) och Frankensteins brud (1934)."@sv . . "James Whale"@en . . . "1957-05-29"^^ . . . . "Jimmy."@en . . . . . "James Whale (ur. 22 lipca 1889 w Dudley, zm. 29 maja 1957 w Los Angeles) \u2013 brytyjski re\u017Cyser filmowy i teatralny, pracuj\u0105cy w Stanach Zjednoczonych. Urodzi\u0142 si\u0119 w biednej rodzinie w miasteczku g\u00F3rniczym. Po wybuchu I wojny \u015Bwiatowej wst\u0105pi\u0142 ochotniczo do armii, walczy\u0142 na froncie, zosta\u0142 schwytany przez Niemc\u00F3w i osadzony w obozie jenieckim. Po wojnie zosta\u0142 zwolniony, zaj\u0105\u0142 si\u0119 re\u017Cyseri\u0105 filmow\u0105. W 1930, po przeniesieniu si\u0119 do USA, wyre\u017Cyserowa\u0142 filmow\u0105 wersj\u0119 dramatu R.C. Sherriffa Kres wycieczki. W tym samym czasie Howard Hughes poprosi\u0142 go o pomoc przy re\u017Cyserowaniu wysokobud\u017Cetowego dramatu o pilotach I wojny \u015Bwiatowej Anio\u0142owie piekie\u0142, w 1931 zosta\u0142 zaanga\u017Cowany przez Universal Studios do re\u017Cyserii Waterloo Bridge, adaptacji sztuki Roberta E. Sherwooda. W tym samym roku wielki sukc"@pl . . . "1889-07-22"^^ . . . . . . "James Whale"@eo . . . . . . "\u8A79\u59C6\u65AF\u00B7\u60E0\u5C14\uFF08James Whale\uFF0C1889\u5E746\u670822\u65E5\uFF0D1957\u5E745\u670829\u65E5\uFF09\u662F\u4E00\u540D\u82F1\u56FD\u7535\u5F71\u5BFC\u6F14\u3001\u8BDD\u5267\u5BFC\u6F14\u548C\u6F14\u5458\u3002\u4ED6\u4E3B\u8981\u4EE5\u62CD\u6050\u6016\u7535\u5F71\u77E5\u540D\uFF0C\u6240\u62CD\u5F71\u7247\u5305\u62EC\u300A\u79D1\u5B66\u602A\u4EBA\u300B\uFF081931\uFF09\u3001\u300A\u300B\uFF081932\uFF09\u3001\u300A\u300B\uFF081933\uFF09\u548C\u300A\u79D1\u5B66\u602A\u4EBA\u7684\u65B0\u5A18\u300B\uFF081935\uFF09\u3002\u60E0\u5C14\u4E5F\u62CD\u8FC7\u5341\u51E0\u90E8\u5176\u4ED6\u7C7B\u578B\u7684\u7535\u5F71\uFF0C\u5176\u4E2D\u5305\u62EC\u300A\u300B\uFF081936\uFF09\uFF0C\u5B83\u88AB\u8BA4\u4E3A\u662F\u540C\u540D\u97F3\u4E50\u5267\u7684\u6743\u5A01\u6539\u7F16\u3002\u540E\u6765\u4ED6\u5BF9\u6050\u6016\u7247\u8D8A\u6765\u8D8A\u4E0D\u611F\u5174\u8DA3\uFF0C\u4F46\u4ED6\u7684\u8BB8\u591A\u975E\u6050\u6016\u7535\u5F71\u90FD\u88AB\u57CB\u6CA1\u3002"@zh . . . "James Whale (22 July 1889 \u2013 29 May 1957) was an English film director, theatre director and actor, who spent the greater part of his career in Hollywood. He is best remembered for several horror films: Frankenstein (1931), The Old Dark House (1932), The Invisible Man (1933) and Bride of Frankenstein (1935), all considered classics. Whale also directed films in other genres, including the 1936 film version of the musical Show Boat."@en . . . . ""@en . . . . "\uC81C\uC784\uC2A4 \uC6E8\uC77C"@ko . . . . . . . . . . . . . . . . . . . "James Whale (22 July 1889 \u2013 29 May 1957) was an English film director, theatre director and actor, who spent the greater part of his career in Hollywood. He is best remembered for several horror films: Frankenstein (1931), The Old Dark House (1932), The Invisible Man (1933) and Bride of Frankenstein (1935), all considered classics. Whale also directed films in other genres, including the 1936 film version of the musical Show Boat. Whale was born into a large family in Dudley, Worcestershire now Metropolitan Borough of Dudley. He discovered his artistic talent early on and studied art. With the outbreak of World War I he enlisted in the British Army and became an officer. He was captured by the Germans and during his time as a prisoner of war he realised he was interested in drama. Following his release at the end of the war he became an actor, set designer and director. His success directing the 1928 play Journey's End led to his move to the US, first to direct the play on Broadway and then to Hollywood, California, to direct films. He lived in Hollywood for the rest of his life, most of that time with his longtime romantic partner, producer David Lewis. Apart from Journey's End (1930), which was released by Tiffany Films, and Hell's Angels (1930), released by United Artists, he directed a dozen films for Universal Pictures between 1931 and 1937, developing a style characterised by the influence of German Expressionism and a highly mobile camera. At the height of his career as a director, Whale directed The Road Back (1937), a sequel to All Quiet on the Western Front. Studio interference, possibly spurred by political pressure from Nazi Germany, led to the film's being altered from Whale's vision, and it was a critical failure. A run of box-office disappointments followed and, while he would make one final short film in 1950, by 1941 his film directing career was effectively over. He continued to direct for the stage and also rediscovered his love for painting and travel. His investments made him wealthy and he lived a comfortable retirement until suffering strokes in 1956 that robbed him of his vigor and left him in pain. He committed suicide on 29 May 1957 by drowning himself in his swimming pool. Whale was openly gay throughout his career, something that was very rare in the 1920s and 1930s. As knowledge of his sexual orientation has become more widespread, some of his films, Bride of Frankenstein in particular, have been interpreted as having a gay subtext and it has been claimed that his refusal to remain in the closet led to the end of his career."@en . . "To ALL I LOVE,\nDo not grieve for me. My nerves are all shot and for the last year I have been in agony day and night\u2014except when I sleep with sleeping pills\u2014and any peace I have by day is when I am drugged by pills.\nI have had a wonderful life but it is over and my nerves get worse and I am afraid they will have to take me away. So please forgive me, all those I love and may God forgive me too, but I cannot bear the agony and it [is] best for everyone this way. The future is just old age and illness and pain. Goodbye and thank you for all your love. I must have peace and this is the only way."@en . . . . .