. . . . "Laya, Jean Louis"@en . . . . "Jean-Louis Laya"@it . . . . "Jean-Louis Laya"@en . . . "yes"@en . "Jean-Louis Laya, f\u00F6dd 4 december 1761 i Paris, d\u00F6d 25 augusti 1833 i Meudon, var en fransk dramatiker. Laya var professor i litteraturhistoria vid Facult\u00E9 des lettres i Paris. Han v\u00E4ckte uppseende med sorgespelet Jean Calas (1789) och det dj\u00E4rva L\u2019ami des lois (1793), vars uppf\u00F6rande undertrycktes av Paris\u2019 kommunalstyrelse, men \u00E5ter till\u00E4ts genom konventets beslut. Laya skrev dessutom bland annat drama Falkland (1798; Falkland eller samvetet, 1823), i vars huvudroll Fran\u00E7ois-Joseph Talma gl\u00E4nste. Layas Oenvres utgavs 1833 i fem band."@sv . . . . . "April 2017"@en . "Jean-Louis Laya (* 4. Dezember 1761 in Paris; \u2020 25. August 1833 in Meudon) war ein franz\u00F6sischer Schriftsteller, Hochschulprofessor und Mitglied der Acad\u00E9mie fran\u00E7aise."@de . . . "Jean-Louis Laya (4 December 1761, Paris \u2013 25 August 1833, Meudon) was a French playwright. He wrote his first comedy in collaboration with Gabriel-Marie Legouv\u00E9 in 1785. The piece, however, though accepted by the Com\u00E9die fran\u00E7aise, was never represented. In 1789 he produced a plea for religious toleration in the form of a five-act tragedy in verse, Jean Calas. In his next work, the injustice of the disgrace cast on a family by the crime of one of its members formed the theme of Les Dangers de l'opinion (1790). It is by his Ami des lois (1793) that Laya is best remembered. This energetic protest against mob rule, with its scarcely veiled characterizations of Robespierre as Nomophage and of Marat as Duricrne, was an act of the highest courage, for the play was produced at the Th\u00E9\u00E2tre Fran\u00E7ais (temporarily Th\u00E9\u00E2tre de la Nation) only nineteen days before the execution of Louis XVI. Ten days after its first production the piece was prohibited by the Commune, but the public demanded its representation; the mayor of Paris was compelled to appeal to the National Convention, and the piece was played while some 30,000 Parisians guarded the hall. Laya went into hiding, and several persons convicted of having a copy of the obnoxious play in their possession were guillotined. At the end of the Terror Laya returned to Paris. In 1813 he replaced Delille in the Paris chair of literary history and French poetry; he was admitted to the Acad\u00E9mie fran\u00E7aise in 1817. Laya produced in 1797 Les Deux Stuarts, and in 1799 Falkland, the title-role of which provided Talma with one of his finest opportunities. Laya's works, which chiefly owe their interest to the circumstances attending their production, were collected in 1836-1837. His son, L\u00E9on, was also a playwright."@en . "1082748531"^^ . . . . "Jean-Louis Laya n\u00E9 \u00E0 Paris (paroisse Saint-Sulpice) le 4 d\u00E9cembre 1761 et mort \u00E0 Meudon le 25 ao\u00FBt 1833, est un auteur dramatique et critique litt\u00E9raire fran\u00E7ais. Il est le fils de Louis Laya, ma\u00EEtre charron, et d'Anne Billet. Par sa m\u00E8re, il est le cousin germain d'Ad\u00E9la\u00EFde Gillette Dufrenoy (n\u00E9e Billet \u00E9pouse Simon Petit Dufrenoy). Il est le p\u00E8re du dramaturge L\u00E9on Laya (1810-1872) et de l'avocat et litt\u00E9rateur Alexandre Laya (1809-1883)."@fr . . "InternetArchiveBot"@en . "Jean-Louis Laya (Parigi, 4 dicembre 1761 \u2013 Meudon, 25 agosto 1833) \u00E8 stato un drammaturgo e critico letterario francese."@it . "16"^^ . . . . "Jean-Louis Laya (4 December 1761, Paris \u2013 25 August 1833, Meudon) was a French playwright. He wrote his first comedy in collaboration with Gabriel-Marie Legouv\u00E9 in 1785. The piece, however, though accepted by the Com\u00E9die fran\u00E7aise, was never represented. In 1789 he produced a plea for religious toleration in the form of a five-act tragedy in verse, Jean Calas. In his next work, the injustice of the disgrace cast on a family by the crime of one of its members formed the theme of Les Dangers de l'opinion (1790)."@en . . . "4227"^^ . . "310"^^ . . . . . . . . . . . "Jean-Louis Laya"@sv . . . . . . . "\u0416\u0430\u043D-\u041B\u0443\u0438 \u041B\u0430\u0439\u044F (\u0444\u0440. Jean-Louis Laya; 4 \u0434\u0435\u043A\u0430\u0431\u0440\u044F 1761, \u041F\u0430\u0440\u0438\u0436 \u2014 25 \u0430\u0432\u0433\u0443\u0441\u0442\u0430 1833, \u041C\u0451\u0434\u043E\u043D) \u2014 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u0441\u043A\u0438\u0439 \u0434\u0440\u0430\u043C\u0430\u0442\u0443\u0440\u0433, \u043F\u043E\u044D\u0442, \u043B\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043D\u044B\u0439 \u043A\u0440\u0438\u0442\u0438\u043A, \u043F\u0435\u0434\u0430\u0433\u043E\u0433, \u043F\u0440\u043E\u0444\u0435\u0441\u0441\u043E\u0440 \u0438\u0441\u0442\u043E\u0440\u0438\u0438 \u043B\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044B \u0438 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u0441\u043A\u043E\u0439 \u043F\u043E\u044D\u0437\u0438\u0438 \u0432 \u0421\u043E\u0440\u0431\u043E\u043D\u043D\u0435. \u0427\u043B\u0435\u043D \u0424\u0440\u0430\u043D\u0446\u0443\u0437\u0441\u043A\u043E\u0439 \u0430\u043A\u0430\u0434\u0435\u043C\u0438\u0438 (\u043A\u0440\u0435\u0441\u043B\u043E \u2116 25) \u0441 1817 \u043F\u043E 1833 \u0433\u043E\u0434."@ru . . . . "Jean-Louis Laya n\u00E9 \u00E0 Paris (paroisse Saint-Sulpice) le 4 d\u00E9cembre 1761 et mort \u00E0 Meudon le 25 ao\u00FBt 1833, est un auteur dramatique et critique litt\u00E9raire fran\u00E7ais. Il est le fils de Louis Laya, ma\u00EEtre charron, et d'Anne Billet. Par sa m\u00E8re, il est le cousin germain d'Ad\u00E9la\u00EFde Gillette Dufrenoy (n\u00E9e Billet \u00E9pouse Simon Petit Dufrenoy). Il est le p\u00E8re du dramaturge L\u00E9on Laya (1810-1872) et de l'avocat et litt\u00E9rateur Alexandre Laya (1809-1883)."@fr . . "\u041B\u0430\u0439\u044F, \u0416\u0430\u043D-\u041B\u0443\u0438"@ru . . . . . . . . . . . . . . "Jean-Louis Laya (* 4. Dezember 1761 in Paris; \u2020 25. August 1833 in Meudon) war ein franz\u00F6sischer Schriftsteller, Hochschulprofessor und Mitglied der Acad\u00E9mie fran\u00E7aise."@de . . "\u0416\u0430\u043D-\u041B\u0443\u0438 \u041B\u0430\u0439\u044F (\u0444\u0440. Jean-Louis Laya; 4 \u0434\u0435\u043A\u0430\u0431\u0440\u044F 1761, \u041F\u0430\u0440\u0438\u0436 \u2014 25 \u0430\u0432\u0433\u0443\u0441\u0442\u0430 1833, \u041C\u0451\u0434\u043E\u043D) \u2014 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u0441\u043A\u0438\u0439 \u0434\u0440\u0430\u043C\u0430\u0442\u0443\u0440\u0433, \u043F\u043E\u044D\u0442, \u043B\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043D\u044B\u0439 \u043A\u0440\u0438\u0442\u0438\u043A, \u043F\u0435\u0434\u0430\u0433\u043E\u0433, \u043F\u0440\u043E\u0444\u0435\u0441\u0441\u043E\u0440 \u0438\u0441\u0442\u043E\u0440\u0438\u0438 \u043B\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044B \u0438 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u0441\u043A\u043E\u0439 \u043F\u043E\u044D\u0437\u0438\u0438 \u0432 \u0421\u043E\u0440\u0431\u043E\u043D\u043D\u0435. \u0427\u043B\u0435\u043D \u0424\u0440\u0430\u043D\u0446\u0443\u0437\u0441\u043A\u043E\u0439 \u0430\u043A\u0430\u0434\u0435\u043C\u0438\u0438 (\u043A\u0440\u0435\u0441\u043B\u043E \u2116 25) \u0441 1817 \u043F\u043E 1833 \u0433\u043E\u0434."@ru . . . "Jean-Louis Laya"@fr . . . . . . . . "Jean-Louis Laya, f\u00F6dd 4 december 1761 i Paris, d\u00F6d 25 augusti 1833 i Meudon, var en fransk dramatiker. Laya var professor i litteraturhistoria vid Facult\u00E9 des lettres i Paris. Han v\u00E4ckte uppseende med sorgespelet Jean Calas (1789) och det dj\u00E4rva L\u2019ami des lois (1793), vars uppf\u00F6rande undertrycktes av Paris\u2019 kommunalstyrelse, men \u00E5ter till\u00E4ts genom konventets beslut. Laya skrev dessutom bland annat drama Falkland (1798; Falkland eller samvetet, 1823), i vars huvudroll Fran\u00E7ois-Joseph Talma gl\u00E4nste. Layas Oenvres utgavs 1833 i fem band."@sv . . . . "Jean-Louis Laya (Parigi, 4 dicembre 1761 \u2013 Meudon, 25 agosto 1833) \u00E8 stato un drammaturgo e critico letterario francese."@it . . . . . . . . "Jean-Louis Laya"@de . . . "628744"^^ . .