"John Parry (harpist)"@en . . . . . "John Parry (n\u00E9 Parri Ddall de Rhiwabon vers 1710 sur la p\u00E9ninsule de Ll\u0177n, dans le Caernarfonshire, et mort en octobre 1782 \u00E0 Ruabon) est un des plus c\u00E9l\u00E8bres harpistes du Pays de Galles. Aveugle de naissance, il fut d'abord adopt\u00E9 par la famille Griffiths, propri\u00E9taires du domaine de Cefn Amwlch \u00E0 Bryn Cynan (Ll\u0177n), qui lui offrirent une harpe traditionnelle. Il entra comme musicien au service de Watkin Williams-Wynn, d\u00E9put\u00E9 et industriel de Ruabon, et s'imposa comme un ma\u00EEtre de la musique baroque. Il v\u00E9cut pour l'essentiel au manoir de Wynnstay mais \u00E9tait souvent invit\u00E9 \u00E0 donner des concerts dans l'h\u00F4tel particulier londonien des Williams-Wynn, o\u00F9 il jouait de la harpe pour l'\u00E9lite culturelle de la capitale. Parry fut admis comme membre de la en 1763."@fr . . "4330776"^^ . . . . . . . "John Parry (n\u00E9 Parri Ddall de Rhiwabon vers 1710 sur la p\u00E9ninsule de Ll\u0177n, dans le Caernarfonshire, et mort en octobre 1782 \u00E0 Ruabon) est un des plus c\u00E9l\u00E8bres harpistes du Pays de Galles. Aveugle de naissance, il fut d'abord adopt\u00E9 par la famille Griffiths, propri\u00E9taires du domaine de Cefn Amwlch \u00E0 Bryn Cynan (Ll\u0177n), qui lui offrirent une harpe traditionnelle. Il entra comme musicien au service de Watkin Williams-Wynn, d\u00E9put\u00E9 et industriel de Ruabon, et s'imposa comme un ma\u00EEtre de la musique baroque. Il v\u00E9cut pour l'essentiel au manoir de Wynnstay mais \u00E9tait souvent invit\u00E9 \u00E0 donner des concerts dans l'h\u00F4tel particulier londonien des Williams-Wynn, o\u00F9 il jouait de la harpe pour l'\u00E9lite culturelle de la capitale. Parry fut admis comme membre de la en 1763. Il inspira en 1757 le po\u00E8me The Bard \u00E0 Thomas Gray. On lui attribue souvent la composition de l\u2019Antient British Music (1741), d'abord simplement nomm\u00E9e aria (qu'il aurait dict\u00E9 \u00E0 son compatriote Evan Williams), et qui est aujourd'hui mondialement connue sous le titre Deck the Halls with Boughs of Holly. Elle a paru en son temps sous le titre Nos Galan (\u00AB Saint-Sylvestre \u00BB) dans le recueil Musical and Poetical Relicks of the Welsh Bards (1784) d'Edward Jones. Parry fut inhum\u00E9 dans l'\u00E9glise paroissiale de Ruabon le 10 octobre 1782. Son fils, (1742\u20131791), fut un peintre accompli. Plusieurs de ses \u0153uvres, dont quelques portraits de son p\u00E8re, sont aujourd'hui expos\u00E9s au Mus\u00E9e national de Cardiff."@fr . . . "John Parry (c.1710 \u2013 October 1782), known as Parri Ddall, Rhiwabon (or, in English, Blind Parry of Ruabon) was born in the Ll\u0177n Peninsula, Caernarfonshire, now Gwynedd, in Wales, and was blind from birth. Parry remained with the Williams-Wynn family until his death in 1782. He was buried at Ruabon Parish Church on 10 October 1782. John Parry's son, William Parry (1742\u20131791), was an accomplished artist. Many of his works, including portraits of his father, are held by the National Museum in Cardiff."@en . . . . . . . . . . . . . . . . . "John Parry (harpiste)"@fr . . . . . . . . . "1099997018"^^ . . . . . . . . . . . . . . . . . . . . "John Parry (c.1710 \u2013 October 1782), known as Parri Ddall, Rhiwabon (or, in English, Blind Parry of Ruabon) was born in the Ll\u0177n Peninsula, Caernarfonshire, now Gwynedd, in Wales, and was blind from birth. His first patrons were the Griffiths family, of the Cefn Amwlch estate at Bryn Cynan on Pen Ll\u0177n, who provided the young Parry with a Welsh triple harp. He later became harpist to Sir Watkin Williams-Wynn at Wynnstay, Ruabon and became a master of the High Baroque. He lived on the Wynnstay estate but spent much of his time at the Williams-Wynn's London home where he performed on the Welsh triple harp for London's cultural elite. Parry became a member of the Royal Society of Musicians in 1763. He inspired Thomas Gray to write his 1757 poem, The Bard. It is also claimed that Parri first wrote down \u2013 or dictated to his fellow-compiler Evan Williams \u2013 in his manuscript Antient British Music (1741) a then unnamed 'aria' which is now world-famous as \"Deck the Halls with Boughs of Holly\". It appears as \"N\u00F4s Calan\" in British Harmony Being a Collection of Antient Welsh Airs The traditional Remains of those Originally Sung By the Bards of Wales \"carefully compiled and now first published with some additional variations By John Parry Inscribed with all due Esteem and Gratitude to Sir Watkin Williams Wynn Bart.\" It was subsequently published and named \"Nos Galan\" (in English, \"New Year's Eve\") in Musical and Poetical Relicks of the Welsh Bards (1784) by Edward Jones. Parry remained with the Williams-Wynn family until his death in 1782. He was buried at Ruabon Parish Church on 10 October 1782. John Parry's son, William Parry (1742\u20131791), was an accomplished artist. Many of his works, including portraits of his father, are held by the National Museum in Cardiff."@en . . "3542"^^ . . . . . . . . . . . . . .