. . . "Kanjinch\u014D"@en . . . . "Kanjinch\u014D (\u52E7\u9032\u5E33 A Lista de Assinaturas?) \u00E9 uma pe\u00E7a japonesa de teatro no estilo kabuki escrita por baseada na pe\u00E7a Noh Ataka. \u00C9 uma das pe\u00E7as mais populares do repert\u00F3rio kabuki moderno. Pertencente ao repert\u00F3rio da associa\u00E7\u00E3o de Naritaya e K\u014Dritaya, a pe\u00E7a foi inicialmente encenada em mar\u00E7o de 1840, no teatro em Edo. , e Ichikawa Danj\u016Br\u014D VIII interpretaram os pap\u00E9is principais de , e respectivamente. A linhagem de e t\u00EAm sido particularmente renomado por interpretar o papel de Benkei em Kanjinch\u014D.Apesar de sustentar o mesmo nome e conceito geral de narrativa de uma pe\u00E7a de 1702, uma das , acredita-se que a vers\u00E3o moderna de Kanjinch\u014D, que remonta \u00E0 1840, n\u00E3o derive diretamente da pe\u00E7a aragoto ou esteja conectada a ela. O filme Tora no o wo fumu otokotachi, de Akira Kurosawa, \u00E9 parcialmente baseado na pe\u00E7a."@pt . . . "\u529D\u8FDB\u5E10\uFF08\u65E5\u8BED\uFF1A\u52E7\u9032\u5E33\uFF0F\u304B\u3093\u3058\u3093\u3061\u3087\u3046 Kanjincho\uFF09\u662F\uFF08\u4F5C\u8BCD\uFF09\uFF08\u4F5C\u66F2\uFF09\u5728\u80FD\u7684\u6F14\u76EE\u300A\u5B89\u5B85\u300B\u7684\u57FA\u7840\u4E0A\u6539\u7F16\u800C\u6210\u7684\u6B4C\u821E\u4F0E\u5267\u76EE\uFF0C\u662F\u65E5\u672C\u6B4C\u821E\u4F0E\u5341\u516B\u756A\u4E4B\u4E00\u3002"@zh . . . "\u0643\u0627\u0646\u062C\u064A\u0646\u062A\u0634\u0648"@ar . . . "\u0643\u0627\u0646\u062C\u064A\u0646\u062A\u0634\u0648 (\u0628\u0627\u0644\u064A\u0627\u0628\u0627\u0646\u064A\u0629: \u52E7\u9032\u5E33) \u0647\u064A \u0645\u0633\u0631\u062D\u064A\u0629 \u0643\u0627\u0628\u0648\u0643\u064A \u064A\u0627\u0628\u0627\u0646\u064A\u0629 \u0623\u0644\u0641\u0647\u0627 \u0646\u0627\u0645\u064A\u0643\u064A \u063A\u0648\u0647\u064A\u0647 \u0627\u0644\u062B\u0627\u0644\u062B \u0628\u0646\u0627\u0621 \u0639\u0644\u0649 \u0645\u0633\u0631\u062D\u064A\u0629 \u0623\u062A\u0627\u0643\u0627 \u0645\u0646 \u0641\u0646 \u0627\u0644\u0646\u0648. \u062A\u0639\u062A\u0628\u0631 \u0643\u0627\u0646\u062C\u064A\u0646\u062A\u0634\u0648 \u0623\u062D\u062F \u0623\u0634\u0647\u0631 \u0645\u0633\u0631\u062D\u064A\u0627\u062A \u0645\u0633\u0631\u062D \u0627\u0644\u0643\u0627\u0628\u0648\u0643\u064A \u0641\u064A \u0627\u0644\u0639\u0635\u0631 \u0627\u0644\u062D\u062F\u064A\u062B. \u0623\u062F\u064A\u062A \u0627\u0644\u0645\u0633\u0631\u062D\u064A\u0629 \u0644\u0644\u0645\u0631\u0629 \u0627\u0644\u0623\u0648\u0644\u0649 \u0639\u0627\u0645 1840 \u0641\u064A \u0643\u0627\u0648\u0627\u0631\u0627\u0632\u0627\u0643\u064A-\u0632\u0627 \u0641\u064A \u0625\u062F\u0648."@ar . "Kanjinch\u014D (\u52E7\u9032\u5E33, The Subscription List) is a kabuki dance-drama by , based on the Noh play Ataka. It is one of the most popular plays in the modern kabuki repertory. Belonging to the repertories of the Naritaya and K\u014Dritaya guilds, the play was first performed in March 1840 at the Kawarazaki-za, in Edo. Ichikawa Ebiz\u014D V, , and Ichikawa Danj\u016Br\u014D VIII played the leading roles of Benkei, Togashi, and Yoshitsune, respectively. The lines of Ichikawa Danj\u016Br\u014D and Matsumoto K\u014Dshir\u014D have come to be particularly celebrated for playing the role of Benkei in Kanjinch\u014D."@en . . . . . . "Kanjinch\u014D (\u52E7\u9032\u5E33, \u00AB le registre de souscription \u00BB) est une pi\u00E8ce classique du r\u00E9pertoire kabuki, cr\u00E9\u00E9e en 1840 par Namiki Gohei III et fond\u00E9e sur Ataka, une pi\u00E8ce du th\u00E9\u00E2tre n\u00F4. C'est une des pi\u00E8ces les plus populaires du r\u00E9pertoire du kabuki. Un film d'Akira Kurosawa, Les Hommes qui march\u00E8rent sur la queue du tigre est partiellement bas\u00E9 sur Kanjinch\u014D. En mars 2007, Ichikawa Danj\u016Br\u014D XII et son fils Ichikawa Ebiz\u014D XI ont repr\u00E9sent\u00E9 Kanjinch\u014D et Momijigari \u00E0 l'Op\u00E9ra de Paris (Palais Garnier)."@fr . . . "3647957"^^ . . . . "March 1840,"@en . "Yoshitsune, Benkei, Togashi"@en . . . . . . "Kanjinch\u014D"@en . . "Kanjinch\u014D (\u52E7\u9032\u5E33, The Subscription List) is a kabuki dance-drama by , based on the Noh play Ataka. It is one of the most popular plays in the modern kabuki repertory. Belonging to the repertories of the Naritaya and K\u014Dritaya guilds, the play was first performed in March 1840 at the Kawarazaki-za, in Edo. Ichikawa Ebiz\u014D V, , and Ichikawa Danj\u016Br\u014D VIII played the leading roles of Benkei, Togashi, and Yoshitsune, respectively. The lines of Ichikawa Danj\u016Br\u014D and Matsumoto K\u014Dshir\u014D have come to be particularly celebrated for playing the role of Benkei in Kanjinch\u014D. Kanjinch\u014D was the first kabuki played adapted closely from the Noh theater. Though bearing the same name and general narrative concept as a 1702 play, one of the Kabuki J\u016Bhachiban, the modern version of Kanjinch\u014D, going back to 1840, is believed to not be directly derived from or connected to this earlier aragoto piece. Akira Kurosawa's film The Men who Tread on the Tiger's Tail is partly based on Kanjinch\u014D. Kanjinch\u014D is performed so often that it is said that seasoned kabuki actors consider it an insult to be asked to rehearse it."@en . . . . . . "\u52E7\u9032\u5E33\uFF08\u304B\u3093\u3058\u3093\u3061\u3087\u3046\uFF09\u306F\u3001\u5982\u610F\u306E\u6E21\u3057\u3067\u306E\u51FA\u6765\u4E8B\u3092\u57FA\u8EF8\u306B\u3057\u305F\u80FD\u306E\u6F14\u76EE\u300E\u5B89\u5B85\u300F\u3092\u5143\u306B\u5275\u3089\u308C\u305F\u7FA9\u7D4C\u3068\u5F01\u6176\u3092\u984C\u6750\u3068\u3057\u305F\u6B4C\u821E\u4F0E\u306E\u6F14\u76EE\u3002\u6B4C\u821E\u4F0E\u5341\u516B\u756A\u306E\u4E00\u3064\u3067\u3001\u677E\u7FBD\u76EE\u7269\u306E\u5148\u99C6\u3051\u3068\u306A\u3063\u305F\u4F5C\u54C1\u3067\u3042\u308B\u3002\u3042\u304F\u307E\u3067\u3082\u5F8C\u306E\u6642\u4EE3\u306B\u5275\u3089\u308C\u305F\u8A71\u3067\u3001\u53F2\u5B9F\u3067\u306F\u306A\u3044\u304C\u3001\u6B4C\u821E\u4F0E\u4EE5\u5916\u3067\u3082\u591A\u304F\u306E\u30C9\u30E9\u30DE\u3084\u30A2\u30CB\u30E1\u306A\u3069\u3067\u3082\u53D6\u308A\u4E0A\u3052\u3089\u308C\u308B\u307B\u3069\u89AA\u3057\u307E\u308C\u3066\u308B\u4F5C\u54C1\u3067\u3042\u308B\u3002"@ja . "\u52E7\u9032\u5E33"@ja . . . "\u529D\u8FDB\u5E10\uFF08\u65E5\u8BED\uFF1A\u52E7\u9032\u5E33\uFF0F\u304B\u3093\u3058\u3093\u3061\u3087\u3046 Kanjincho\uFF09\u662F\uFF08\u4F5C\u8BCD\uFF09\uFF08\u4F5C\u66F2\uFF09\u5728\u80FD\u7684\u6F14\u76EE\u300A\u5B89\u5B85\u300B\u7684\u57FA\u7840\u4E0A\u6539\u7F16\u800C\u6210\u7684\u6B4C\u821E\u4F0E\u5267\u76EE\uFF0C\u662F\u65E5\u672C\u6B4C\u821E\u4F0E\u5341\u516B\u756A\u4E4B\u4E00\u3002"@zh . "\u52E7\u9032\u5E33"@en . . "\u52E7\u9032\u5E33"@en . . . . . . . . . . "jidaimono"@en . "Kanjinch\u014D"@fr . . . "\u529D\u8FDB\u5E10"@zh . . "Yoshitsune,Benkei, Togashi" . . . . . . ""@en . . . . "\u0643\u0627\u0646\u062C\u064A\u0646\u062A\u0634\u0648 (\u0628\u0627\u0644\u064A\u0627\u0628\u0627\u0646\u064A\u0629: \u52E7\u9032\u5E33) \u0647\u064A \u0645\u0633\u0631\u062D\u064A\u0629 \u0643\u0627\u0628\u0648\u0643\u064A \u064A\u0627\u0628\u0627\u0646\u064A\u0629 \u0623\u0644\u0641\u0647\u0627 \u0646\u0627\u0645\u064A\u0643\u064A \u063A\u0648\u0647\u064A\u0647 \u0627\u0644\u062B\u0627\u0644\u062B \u0628\u0646\u0627\u0621 \u0639\u0644\u0649 \u0645\u0633\u0631\u062D\u064A\u0629 \u0623\u062A\u0627\u0643\u0627 \u0645\u0646 \u0641\u0646 \u0627\u0644\u0646\u0648. \u062A\u0639\u062A\u0628\u0631 \u0643\u0627\u0646\u062C\u064A\u0646\u062A\u0634\u0648 \u0623\u062D\u062F \u0623\u0634\u0647\u0631 \u0645\u0633\u0631\u062D\u064A\u0627\u062A \u0645\u0633\u0631\u062D \u0627\u0644\u0643\u0627\u0628\u0648\u0643\u064A \u0641\u064A \u0627\u0644\u0639\u0635\u0631 \u0627\u0644\u062D\u062F\u064A\u062B. \u0623\u062F\u064A\u062A \u0627\u0644\u0645\u0633\u0631\u062D\u064A\u0629 \u0644\u0644\u0645\u0631\u0629 \u0627\u0644\u0623\u0648\u0644\u0649 \u0639\u0627\u0645 1840 \u0641\u064A \u0643\u0627\u0648\u0627\u0631\u0627\u0632\u0627\u0643\u064A-\u0632\u0627 \u0641\u064A \u0625\u062F\u0648."@ar . "c. 1160\u201380."@en . "Kanjinch\u014D (\u52E7\u9032\u5E33, \u00AB le registre de souscription \u00BB) est une pi\u00E8ce classique du r\u00E9pertoire kabuki, cr\u00E9\u00E9e en 1840 par Namiki Gohei III et fond\u00E9e sur Ataka, une pi\u00E8ce du th\u00E9\u00E2tre n\u00F4. C'est une des pi\u00E8ces les plus populaires du r\u00E9pertoire du kabuki. La pi\u00E8ce a \u00E9t\u00E9 jou\u00E9e pour la premi\u00E8re fois en mars 1840 , au Kawarazaki-za \u00E0 Edo (Tokyo). Ichikawa Ebiz\u014D V, Ichikawa Kuz\u014D II et Ichikawa Danj\u016Br\u014D VIII interpr\u00E9tant respectivement les r\u00F4les principaux de Benkei, Togashi et Yoshitsune. Les lign\u00E9es Ichikawa Danj\u016Br\u014D et Matsumoto K\u014Dshir\u014D ont \u00E9t\u00E9 particuli\u00E8rement renomm\u00E9es pour leur jeu du personnage de Benkei dans Kanjinch\u014D. Nakamura Tomij\u016Br\u014D V, Tr\u00E9sor national vivant du Japon, a \u00E9galement interpr\u00E9t\u00E9 le r\u00F4le de Benkei. Un film d'Akira Kurosawa, Les Hommes qui march\u00E8rent sur la queue du tigre est partiellement bas\u00E9 sur Kanjinch\u014D. En mars 2007, Ichikawa Danj\u016Br\u014D XII et son fils Ichikawa Ebiz\u014D XI ont repr\u00E9sent\u00E9 Kanjinch\u014D et Momijigari \u00E0 l'Op\u00E9ra de Paris (Palais Garnier)."@fr . . . . "Ichikawa Ebiz\u014D V as Benkei and Ichikawa Danj\u016Br\u014D VIII as Togashi in the 1840 production of Kanjinch\u014D"@en . . "Kanjinch\u014D"@pt . "A gate on a post road," . "shosagoto"@en . . "969415191"^^ . "\u52E7\u9032\u5E33\uFF08\u304B\u3093\u3058\u3093\u3061\u3087\u3046\uFF09\u306F\u3001\u5982\u610F\u306E\u6E21\u3057\u3067\u306E\u51FA\u6765\u4E8B\u3092\u57FA\u8EF8\u306B\u3057\u305F\u80FD\u306E\u6F14\u76EE\u300E\u5B89\u5B85\u300F\u3092\u5143\u306B\u5275\u3089\u308C\u305F\u7FA9\u7D4C\u3068\u5F01\u6176\u3092\u984C\u6750\u3068\u3057\u305F\u6B4C\u821E\u4F0E\u306E\u6F14\u76EE\u3002\u6B4C\u821E\u4F0E\u5341\u516B\u756A\u306E\u4E00\u3064\u3067\u3001\u677E\u7FBD\u76EE\u7269\u306E\u5148\u99C6\u3051\u3068\u306A\u3063\u305F\u4F5C\u54C1\u3067\u3042\u308B\u3002\u3042\u304F\u307E\u3067\u3082\u5F8C\u306E\u6642\u4EE3\u306B\u5275\u3089\u308C\u305F\u8A71\u3067\u3001\u53F2\u5B9F\u3067\u306F\u306A\u3044\u304C\u3001\u6B4C\u821E\u4F0E\u4EE5\u5916\u3067\u3082\u591A\u304F\u306E\u30C9\u30E9\u30DE\u3084\u30A2\u30CB\u30E1\u306A\u3069\u3067\u3082\u53D6\u308A\u4E0A\u3052\u3089\u308C\u308B\u307B\u3069\u89AA\u3057\u307E\u308C\u3066\u308B\u4F5C\u54C1\u3067\u3042\u308B\u3002"@ja . . . . . . "A gate on a post road,"@en . . "c. 1160\u201380." . "Kanjinch\u014D"@en . . . . . . . . . . "Kanjinch\u014D (\u52E7\u9032\u5E33 A Lista de Assinaturas?) \u00E9 uma pe\u00E7a japonesa de teatro no estilo kabuki escrita por baseada na pe\u00E7a Noh Ataka. \u00C9 uma das pe\u00E7as mais populares do repert\u00F3rio kabuki moderno. Pertencente ao repert\u00F3rio da associa\u00E7\u00E3o de Naritaya e K\u014Dritaya, a pe\u00E7a foi inicialmente encenada em mar\u00E7o de 1840, no teatro em Edo. , e Ichikawa Danj\u016Br\u014D VIII interpretaram os pap\u00E9is principais de , e respectivamente. A linhagem de e t\u00EAm sido particularmente renomado por interpretar o papel de Benkei em Kanjinch\u014D.Apesar de sustentar o mesmo nome e conceito geral de narrativa de uma pe\u00E7a de 1702, uma das , acredita-se que a vers\u00E3o moderna de Kanjinch\u014D, que remonta \u00E0 1840, n\u00E3o derive diretamente da pe\u00E7a aragoto ou esteja conectada a ela. O filme Tora no o wo fumu otokotachi, de Akira Kurosawa, \u00E9 parci"@pt . "7543"^^ . "" . . . . . . . . "" .