. . . . . . . . . "Kate JasonSmith (born 1950) is a New Zealand actor, film producer, playwright, filmmaker, photographer, and businesswoman. Based in Wellington, she has studied and worked elsewhere, including Australia, Ireland, and the United Kingdom. A feminist, as a theatre and film practitioner, she has been most recognized throughout her career for her role in establishing and producing Hens' Teeth, a platform for dozens of Kiwi female actors, musicians, and comedians that became a staple of the New Zealand theatre and comedy scene between 1988 and 1996. Her short film, Xmas for Lou (1992), won the Best Drama \u2013 Television award in the New Zealand Film and Television Awards of 1994. From 2018 on, the one-woman show I'll Tell You This for Nothing: My Mother the War Hero has received national and interna"@en . . "29527"^^ . . . . . . . . . "59345686"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . "1106939569"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . "Kate JasonSmith"@en . . . . . . "Kate JasonSmith (born 1950) is a New Zealand actor, film producer, playwright, filmmaker, photographer, and businesswoman. Based in Wellington, she has studied and worked elsewhere, including Australia, Ireland, and the United Kingdom. A feminist, as a theatre and film practitioner, she has been most recognized throughout her career for her role in establishing and producing Hens' Teeth, a platform for dozens of Kiwi female actors, musicians, and comedians that became a staple of the New Zealand theatre and comedy scene between 1988 and 1996. Her short film, Xmas for Lou (1992), won the Best Drama \u2013 Television award in the New Zealand Film and Television Awards of 1994. From 2018 on, the one-woman show I'll Tell You This for Nothing: My Mother the War Hero has received national and international praise for both the play, which she wrote, and her performance. JasonSmith is a member of the New Zealand Society of Authors/Te Puni Kaituhi O Aotearoa (PEN NZ Inc.)."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . .