. . "20951"^^ . . "Katherine Dreier"@it . . . . . . . . "Katherine Sophie Dreier (* 10. September 1877 in Brooklyn, New York; \u2020 29. M\u00E4rz 1952 ebenda) war eine amerikanische Malerin, Kunstm\u00E4zenin und Kunstsammlerin. Zusammen mit Marcel Duchamp und Man Ray war sie Mitbegr\u00FCnderin der New Yorker Kunstvereinigung Soci\u00E9t\u00E9 Anonyme Inc. und Mitglied der K\u00FCnstlergruppe Abstraction-Cr\u00E9ation. Dreier war eine Vertreterin der abstrakten Malerei."@de . . "1877-09-10"^^ . . "\u041A\u0430\u0442\u0435\u0440\u0438\u043D\u0430 \u0421\u043E\u0444\u0438 \u0414\u0440\u0435\u0439\u0435\u0440 (\u0430\u043D\u0433\u043B. Katherine Dreier; 10 \u0441\u0435\u043D\u0442\u044F\u0431\u0440\u044F 1877, \u041D\u044C\u044E-\u0419\u043E\u0440\u043A \u2014 29 \u043C\u0430\u0440\u0442\u0430 1952, \u041C\u0438\u043B\u0444\u043E\u0440\u0434, \u041A\u043E\u043D\u043D\u0435\u043A\u0442\u0438\u043A\u0443\u0442) \u2014 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u0430\u044F \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u0446\u0430-\u0430\u0431\u0441\u0442\u0440\u0430\u043A\u0446\u0438\u043E\u043D\u0438\u0441\u0442\u043A\u0430, \u043A\u043E\u043B\u043B\u0435\u043A\u0446\u0438\u043E\u043D\u0435\u0440 \u0441\u043E\u0432\u0440\u0435\u043C\u0435\u043D\u043D\u043E\u0433\u043E \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u0430."@ru . . "Katherine Sophie Dreier (September 10, 1877 \u2013 March 29, 1952) was an American artist, lecturer, patron of the arts, and social reformer. Dreier developed an interest in art at a young age and was afforded the opportunity of studying art in the United States and in Europe due to her parents' wealth and progressive attitudes. Her sister Dorothea, a Post-Impressionist painter traveled and studied with her in Europe. She was most influenced by modern art, particularly by her friend Marcel Duchamp, and due to her frustration with the poor reception that the works received, she became a supporter of other artists. She was co-founder of the Society of Independent Artists and the Soci\u00E9t\u00E9 Anonyme, which had the first permanent collection of modern art, representing 175 artists and more than 800 wor"@en . . . . . . . . . . . . . . . . . . "Katherine Sophie Dreier, f\u00F6dd 10 september 1877 i New York, d\u00F6d 29 mars 1952 i Milford, var en amerikansk konstn\u00E4r och mecenat. Katherine Dreier v\u00E4xte upp som ett av fem syskon i en v\u00E4lb\u00E4rgad familj, dotter till aff\u00E4rsmannen Theodor Dreier och Dorthea Dreier. Familjen var socialt aktiv och Katherine Dreier var fr\u00E5n unga \u00E5r engagerad i sociala och v\u00E4lg\u00F6renhetsprojekt. Omkring 1900 grundade hennes mor German House for Recreation of Women and Children, d\u00E4r Katherine Dreier var kass\u00F6r och volont\u00E4r mellan 1900 och 1909. Hon studerade konst p\u00E5 Brooklyn Art School 1895\u20131897. \u00C5r 1900 utbildade hon sig tillsammans med sin syster Dorothea p\u00E5 Pratt Institute i New York. D\u00E4refter begav hon till Europa 1902 och reste runt f\u00F6r att se de stora m\u00E4starna under tv\u00E5 \u00E5r tillsammans med sin syster. Efter sin \u00E5terkomst studerade hon f\u00F6r Walter Shirlaw. Under n\u00E5gra m\u00E5nader 1907 studerade hon i Paris f\u00F6r Rapha\u00EBl Collin och under en period 1912 f\u00F6r . N\u00E4r hon bodde i London 1911 m\u00F6tte hon och blev f\u00E4stm\u00F6 till den amerikanske m\u00E5laren Edward Trumbull. De gifte sig i Brooklyn i augusti 1911. Det visade sig dock att han redan hade fru och barn, varf\u00F6r \u00E4ktenskapet annullerades. Hon skapade en altarm\u00E5lning i kapellet p\u00E5 Saint Paul's School i Garden City, New York 1905. Hon st\u00E4llde ut i Europa och USA. Hennes f\u00F6rsta utst\u00E4llning i USA var p\u00E5 MacBeth Gallery i New York. En annan var 1913 \u00E5rs International Exhibition of Modern Art, d\u00E4r hon st\u00E4llde ut Blue Bowl och The Avenue, Holland. D\u00E4r m\u00F6tte hon Marcel Duchamp och s\u00E5g hans verk . Vasilij Kandinskij och Duchamp ut\u00F6vade b\u00E5da inflytande \u00F6ver hennes arbete, vilket m\u00E4rks i hennes Abstract Portrait of Marcel Duchamp fr\u00E5n 1918, som markerar hennes \u00F6verg\u00E5ng till modern konst. Hon var en medgrundare av Society of Independent Artists i kretsen runt Walter Arensberg samt Soci\u00E9t\u00E9 Anonyme i New York tillsammans med Man Ray och Marcel Duchamp."@sv . . "\u0643\u0627\u062B\u0631\u064A\u0646 \u0633\u0648\u0641\u064A \u062F\u0631\u064A\u0631"@ar . . "30"^^ . . . . . "Katherine Sophie Dreier (10. z\u00E1\u0159\u00ED 1877 \u2013 29. b\u0159ezna 1952) byla americk\u00E1 mal\u00ED\u0159ka, patronka um\u011Blc\u016F a soci\u00E1ln\u00ED reform\u00E1torka. Dreier se za\u010Dala zaj\u00EDmat o um\u011Bn\u00ED ji\u017E v mlad\u00E9m v\u011Bku a d\u00EDky finan\u010Dn\u011B zaji\u0161t\u011Bn\u00FDm rodi\u010D\u016Fm a jejich progresivn\u00EDm postoj\u016Fm m\u011Bla p\u0159\u00EDle\u017Eitost studovat um\u011Bn\u00ED ve Spojen\u00FDch st\u00E1tech a v Evrop\u011B. Jej\u00ED sestra Dorothea, postimpresionistick\u00E1 mal\u00ED\u0159ka, cestovala a studovala v Evrop\u011B s n\u00ED. Nejv\u00EDce ji ovliv\u0148ovalo modern\u00ED um\u011Bn\u00ED, zejm\u00E9na jej\u00ED p\u0159\u00EDtel Marcel Duchamp. Kv\u016Fli frustraci ze \u0161patn\u00E9ho p\u0159ijet\u00ED modern\u00EDch um\u011Bleck\u00FDch d\u011Bl ve spole\u010Dnosti se stala zast\u00E1ncem t\u011Bchto odm\u00EDtan\u00FDch autor\u016F. Byla spoluzakladatelkou Spole\u010Dnosti nez\u00E1visl\u00FDch um\u011Blc\u016F a Soci\u00E9t\u00E9 Anonyme, kter\u00E1 m\u011Bla prvn\u00ED st\u00E1lou sb\u00EDrku modern\u00EDho um\u011Bn\u00ED, p\u0159edstavuj\u00EDc\u00ED 175 um\u011Blc\u016F a v\u00EDce ne\u017E 800 um\u011Bleck\u00FDch d\u011Bl. Sb\u00EDrka byla v\u011Bnov\u00E1na Yaleov\u011B univerzit\u011B. Jej\u00ED d\u00EDla byla vystavena v Evrop\u011B a ve Spojen\u00FDch st\u00E1tech, v\u010Detn\u011B roku 1913. Dreier byl tak\u00E9 aktivn\u00ED sufra\u017Eetkou a jako deleg\u00E1tka se \u00FA\u010Dastnila \u0161est\u00E9ho kongresu ve \u0161v\u00E9dsk\u00E9m Stockholmu. V roce 1915 byla p\u0159edsedkyn\u00ED n\u011Bmecko-americk\u00E9ho v\u00FDboru New Suffrage v New Yorku a pokladn\u00EDkem organizace German House for Recreation of Women and Children, kterou zalo\u017Eila jej\u00ED matka. Spoluzalo\u017Eila spolek German House for Recreation of Women and Children a byla jeho prezidentkou. Dv\u011B z jej\u00EDch sester byly soci\u00E1ln\u00ED reform\u00E1torky, a ."@cs . "\u0414\u0440\u0435\u0439\u0435\u0440, \u041A\u0430\u0442\u0435\u0440\u0438\u043D\u0430"@ru . . . . "Katherine Sophie Dreier (ur. 10 wrze\u015Bnia 1877 w Brooklynie, (obecnie dzielnica Nowego Jorku), Stany Zjednoczone, zm. 29 marca 1952 w Milford, stan Connecticut) \u2013 ameryka\u0144ska malarka, wieloletnia promotorka sztuki nowoczesnej w Stanach Zjednoczonych. Przez 35 lat blisko zwi\u0105zana z francuskim malarzem Marcelem Duchampem. Dzia\u0142aczka na rzecz prawa wyborczego dla kobiet."@pl . . "Katherine Sophie Dreier (Brooklyn, 10 septembre 1877 \u2013 29 mars 1952) \u00E9tait une artiste et m\u00E9c\u00E8ne am\u00E9ricaine du mouvement dada. Elle rencontre Marcel Duchamp en 1917. C'est sur sa demande que l'\u0153uvre Tu m' (1918) fut ex\u00E9cut\u00E9e par Duchamp, consid\u00E9r\u00E9e g\u00E9n\u00E9ralement comme la \u00AB derni\u00E8re peinture \u00BB de l'artiste. Collectionneuse de l'\u0153uvre de Marcel Duchamp, d\u00E8s 1920, elle fonde avec lui le premier mus\u00E9e consacr\u00E9 \u00E0 l'art contemporain, sous le nom de Soci\u00E9t\u00E9 Anonyme, Inc.. En 1939, elle souhaite transporter le fonds de la Soci\u00E9t\u00E9 anonyme dans sa propre maison mais en 1941, l'universit\u00E9 Yale lui ouvre un espace. Elle s'opposa \u00E0 l'exposition[r\u00E9f. n\u00E9cessaire] de la Fontaine de Marcel Duchamp, l'un de ses premiers ready-made c\u00E9l\u00E8bres, du moins le plus pol\u00E9mique. En 1931, elle rejoint le groupe Abstraction-Cr\u00E9ation. Parmi ses \u0153uvres, son Abstract Portrait of Marcel Duchamp (1918) qui est conserv\u00E9 au MoMA et qui constitue la premi\u00E8re repr\u00E9sentation de l'artiste Marcel Duchamp par ses contemporains."@fr . . . . . "Katherine Sophie Dreier, f\u00F6dd 10 september 1877 i New York, d\u00F6d 29 mars 1952 i Milford, var en amerikansk konstn\u00E4r och mecenat. Katherine Dreier v\u00E4xte upp som ett av fem syskon i en v\u00E4lb\u00E4rgad familj, dotter till aff\u00E4rsmannen Theodor Dreier och Dorthea Dreier. Familjen var socialt aktiv och Katherine Dreier var fr\u00E5n unga \u00E5r engagerad i sociala och v\u00E4lg\u00F6renhetsprojekt. Omkring 1900 grundade hennes mor German House for Recreation of Women and Children, d\u00E4r Katherine Dreier var kass\u00F6r och volont\u00E4r mellan 1900 och 1909."@sv . . "Katherine Sophie Dreier (September 10, 1877 \u2013 March 29, 1952) was an American artist, lecturer, patron of the arts, and social reformer. Dreier developed an interest in art at a young age and was afforded the opportunity of studying art in the United States and in Europe due to her parents' wealth and progressive attitudes. Her sister Dorothea, a Post-Impressionist painter traveled and studied with her in Europe. She was most influenced by modern art, particularly by her friend Marcel Duchamp, and due to her frustration with the poor reception that the works received, she became a supporter of other artists. She was co-founder of the Society of Independent Artists and the Soci\u00E9t\u00E9 Anonyme, which had the first permanent collection of modern art, representing 175 artists and more than 800 works of art. The collection was donated to Yale University. Her works were exhibited in Europe and the United States, including the 1913 International Exhibition of Modern Art. Dreier was also an active suffragette, attending the sixth convention of the International Woman Suffrage Alliance in Stockholm, Sweden as a delegate. She was the head of the New York City's German-American Committee of the Woman Suffrage party in 1915 and treasurer of the organization her mother established, German House for Recreation of Women and Children. She co-founded the German House for Recreation of Women and Children, and was its president. Two of her sisters were social reformers, Mary Dreier and Margaret Dreier Robins."@en . . . . . . "45"^^ . . . "Katherine Dreier"@fr . . "1121039502"^^ . . "center"@en . . "1877-09-10"^^ . . "\u30AD\u30E3\u30B5\u30EA\u30F3\u30FB\u30BD\u30D5\u30A3\u30FB\u30C9\u30E9\u30A4\u30A2"@ja . . . . . . . . . . "\u30AD\u30E3\u30B5\u30EA\u30F3\u30FB\u30BD\u30D5\u30A3\u30FB\u30C9\u30E9\u30A4\u30A2\uFF08Katherine Sophie Dreier\u30011877\u5E749\u670810\u65E5 - 1952\u5E743\u670829\u65E5\uFF09\u306F\u30A2\u30E1\u30EA\u30AB\u5408\u8846\u56FD\u306E\u753B\u5BB6\u3001\u73FE\u4EE3\u7F8E\u8853\u306E\u53CE\u96C6\u5BB6\u3001\u30D1\u30C8\u30ED\u30F3\u3067\u3042\u308B\u3002\u30DE\u30EB\u30BB\u30EB\u30FB\u30C7\u30E5\u30B7\u30E3\u30F3\u3001\u30DE\u30F3\u30FB\u30EC\u30A4\u3068\u3068\u3082\u306B\u3001\u30CB\u30E5\u30FC\u30E8\u30FC\u30AF\u306B\u7F8E\u8853\u5BB6\u96C6\u56E3\u300CSoci\u00E9t\u00E9 Anonyme Inc.\u300D\u3092\u8A2D\u7ACB\u3057\u305F\u3002\u30A2\u30E1\u30EA\u30AB\u3067\u30E8\u30FC\u30ED\u30C3\u30D1\u306E\u73FE\u4EE3\u7F8E\u8853\u306E\u666E\u53CA\u3092\u56F3\u308A\u3001\u591A\u304F\u306E\u4F5C\u54C1\u3092\u53CE\u96C6\u3057\u305F\u3002"@ja . . "Katherine Sophie Dreier"@en . . "Katherine Sophie Dreier"@de . "Katherine Sophie Dreier (ur. 10 wrze\u015Bnia 1877 w Brooklynie, (obecnie dzielnica Nowego Jorku), Stany Zjednoczone, zm. 29 marca 1952 w Milford, stan Connecticut) \u2013 ameryka\u0144ska malarka, wieloletnia promotorka sztuki nowoczesnej w Stanach Zjednoczonych. Przez 35 lat blisko zwi\u0105zana z francuskim malarzem Marcelem Duchampem. Dzia\u0142aczka na rzecz prawa wyborczego dla kobiet."@pl . . . . . . . . "4592294"^^ . . . . . "Katherine Dreier"@sv . . . . . "Photograph of Katherine Sophie Dreier, 1910"@en . . . . . . . . . . . . . . . . . "Katherine Sophie Dreier"@cs . . . "American"@en . . . . . . . . . "Katherine Sophie Dreier (10. z\u00E1\u0159\u00ED 1877 \u2013 29. b\u0159ezna 1952) byla americk\u00E1 mal\u00ED\u0159ka, patronka um\u011Blc\u016F a soci\u00E1ln\u00ED reform\u00E1torka. Dreier se za\u010Dala zaj\u00EDmat o um\u011Bn\u00ED ji\u017E v mlad\u00E9m v\u011Bku a d\u00EDky finan\u010Dn\u011B zaji\u0161t\u011Bn\u00FDm rodi\u010D\u016Fm a jejich progresivn\u00EDm postoj\u016Fm m\u011Bla p\u0159\u00EDle\u017Eitost studovat um\u011Bn\u00ED ve Spojen\u00FDch st\u00E1tech a v Evrop\u011B. Jej\u00ED sestra Dorothea, postimpresionistick\u00E1 mal\u00ED\u0159ka, cestovala a studovala v Evrop\u011B s n\u00ED. Nejv\u00EDce ji ovliv\u0148ovalo modern\u00ED um\u011Bn\u00ED, zejm\u00E9na jej\u00ED p\u0159\u00EDtel Marcel Duchamp. Kv\u016Fli frustraci ze \u0161patn\u00E9ho p\u0159ijet\u00ED modern\u00EDch um\u011Bleck\u00FDch d\u011Bl ve spole\u010Dnosti se stala zast\u00E1ncem t\u011Bchto odm\u00EDtan\u00FDch autor\u016F. Byla spoluzakladatelkou Spole\u010Dnosti nez\u00E1visl\u00FDch um\u011Blc\u016F a Soci\u00E9t\u00E9 Anonyme, kter\u00E1 m\u011Bla prvn\u00ED st\u00E1lou sb\u00EDrku modern\u00EDho um\u011Bn\u00ED, p\u0159edstavuj\u00EDc\u00ED 175 um\u011Blc\u016F a v\u00EDce ne\u017E 800 um\u011Bleck\u00FDch d\u011Bl. Sb\u00EDrka byla v\u011Bnov\u00E1na Yaleov\u011B unive"@cs . . . . . "\u2014Aline Saarinen, art critic"@en . . "0"^^ . . . . . . . . . . "Dreier's major achievement lay neither in her writings nor in her painting, however, but in her early recognition and championship of such artists as Duchamp, and Kandinsky, as well as Klee, Gabo, Villion, L\u00E9ger and Mondrian, and in her determined attempts to create both an institution and a climate of acceptance for their work."@en . . . . . "\u2014Eleanor S. Apter"@en . . . . . . . . . "\u0643\u0627\u062B\u0631\u064A\u0646 \u0633\u0648\u0641\u064A \u062F\u0631\u064A\u0631 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Katherine Dreier)\u200F \u0647\u064A \u0631\u0633\u0627\u0645\u0629 \u0623\u0645\u0631\u064A\u0643\u064A\u0629\u060C \u0648\u0644\u062F\u062A \u0641\u064A 10 \u0633\u0628\u062A\u0645\u0628\u0631 1877 \u0641\u064A \u0628\u0631\u0648\u0643\u0644\u064A\u0646 \u0641\u064A \u0627\u0644\u0648\u0644\u0627\u064A\u0627\u062A \u0627\u0644\u0645\u062A\u062D\u062F\u0629\u060C \u0648\u062A\u0648\u0641\u064A \u0628\u0646\u0641\u0633 \u0627\u0644\u0645\u0643\u0627\u0646 \u0641\u064A 29 \u0645\u0627\u0631\u0633 1952."@ar . . . . "right"@en . . . . . . "Katherine Sophie Dreier (* 10. September 1877 in Brooklyn, New York; \u2020 29. M\u00E4rz 1952 ebenda) war eine amerikanische Malerin, Kunstm\u00E4zenin und Kunstsammlerin. Zusammen mit Marcel Duchamp und Man Ray war sie Mitbegr\u00FCnderin der New Yorker Kunstvereinigung Soci\u00E9t\u00E9 Anonyme Inc. und Mitglied der K\u00FCnstlergruppe Abstraction-Cr\u00E9ation. Dreier war eine Vertreterin der abstrakten Malerei."@de . . . "\u041A\u0430\u0442\u0435\u0440\u0438\u043D\u0430 \u0421\u043E\u0444\u0438 \u0414\u0440\u0435\u0439\u0435\u0440 (\u0430\u043D\u0433\u043B. Katherine Dreier; 10 \u0441\u0435\u043D\u0442\u044F\u0431\u0440\u044F 1877, \u041D\u044C\u044E-\u0419\u043E\u0440\u043A \u2014 29 \u043C\u0430\u0440\u0442\u0430 1952, \u041C\u0438\u043B\u0444\u043E\u0440\u0434, \u041A\u043E\u043D\u043D\u0435\u043A\u0442\u0438\u043A\u0443\u0442) \u2014 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u0430\u044F \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u0446\u0430-\u0430\u0431\u0441\u0442\u0440\u0430\u043A\u0446\u0438\u043E\u043D\u0438\u0441\u0442\u043A\u0430, \u043A\u043E\u043B\u043B\u0435\u043A\u0446\u0438\u043E\u043D\u0435\u0440 \u0441\u043E\u0432\u0440\u0435\u043C\u0435\u043D\u043D\u043E\u0433\u043E \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u0430."@ru . "Katherine Sophie Dreier (Brooklyn, 10 settembre 1877 \u2013 New York, 29 marzo 1952) \u00E8 stata una pittrice e mecenate statunitense di origine tedesca."@it . . "\u30AD\u30E3\u30B5\u30EA\u30F3\u30FB\u30BD\u30D5\u30A3\u30FB\u30C9\u30E9\u30A4\u30A2\uFF08Katherine Sophie Dreier\u30011877\u5E749\u670810\u65E5 - 1952\u5E743\u670829\u65E5\uFF09\u306F\u30A2\u30E1\u30EA\u30AB\u5408\u8846\u56FD\u306E\u753B\u5BB6\u3001\u73FE\u4EE3\u7F8E\u8853\u306E\u53CE\u96C6\u5BB6\u3001\u30D1\u30C8\u30ED\u30F3\u3067\u3042\u308B\u3002\u30DE\u30EB\u30BB\u30EB\u30FB\u30C7\u30E5\u30B7\u30E3\u30F3\u3001\u30DE\u30F3\u30FB\u30EC\u30A4\u3068\u3068\u3082\u306B\u3001\u30CB\u30E5\u30FC\u30E8\u30FC\u30AF\u306B\u7F8E\u8853\u5BB6\u96C6\u56E3\u300CSoci\u00E9t\u00E9 Anonyme Inc.\u300D\u3092\u8A2D\u7ACB\u3057\u305F\u3002\u30A2\u30E1\u30EA\u30AB\u3067\u30E8\u30FC\u30ED\u30C3\u30D1\u306E\u73FE\u4EE3\u7F8E\u8853\u306E\u666E\u53CA\u3092\u56F3\u308A\u3001\u591A\u304F\u306E\u4F5C\u54C1\u3092\u53CE\u96C6\u3057\u305F\u3002"@ja . "LightSteelBlue"@en . . . "Katherine Sophie Dreier"@en . . . . "\u0643\u0627\u062B\u0631\u064A\u0646 \u0633\u0648\u0641\u064A \u062F\u0631\u064A\u0631 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Katherine Dreier)\u200F \u0647\u064A \u0631\u0633\u0627\u0645\u0629 \u0623\u0645\u0631\u064A\u0643\u064A\u0629\u060C \u0648\u0644\u062F\u062A \u0641\u064A 10 \u0633\u0628\u062A\u0645\u0628\u0631 1877 \u0641\u064A \u0628\u0631\u0648\u0643\u0644\u064A\u0646 \u0641\u064A \u0627\u0644\u0648\u0644\u0627\u064A\u0627\u062A \u0627\u0644\u0645\u062A\u062D\u062F\u0629\u060C \u0648\u062A\u0648\u0641\u064A \u0628\u0646\u0641\u0633 \u0627\u0644\u0645\u0643\u0627\u0646 \u0641\u064A 29 \u0645\u0627\u0631\u0633 1952."@ar . . . . . . . . . . . . . . . . . "1952-03-29"^^ . . . . . . . . . "Modern art has known no other so fervent a propagandist."@en . . . . . . "Katherine Sophie Dreier"@en . . "margin-bottom:1em;"@en . . . . . . "Katherine Sophie Dreier"@pl . "1952-03-29"^^ . . "Katherine Sophie Dreier (Brooklyn, 10 settembre 1877 \u2013 New York, 29 marzo 1952) \u00E8 stata una pittrice e mecenate statunitense di origine tedesca."@it . . . . "Katherine Sophie Dreier (Brooklyn, 10 septembre 1877 \u2013 29 mars 1952) \u00E9tait une artiste et m\u00E9c\u00E8ne am\u00E9ricaine du mouvement dada. Elle rencontre Marcel Duchamp en 1917. C'est sur sa demande que l'\u0153uvre Tu m' (1918) fut ex\u00E9cut\u00E9e par Duchamp, consid\u00E9r\u00E9e g\u00E9n\u00E9ralement comme la \u00AB derni\u00E8re peinture \u00BB de l'artiste. Elle s'opposa \u00E0 l'exposition[r\u00E9f. n\u00E9cessaire] de la Fontaine de Marcel Duchamp, l'un de ses premiers ready-made c\u00E9l\u00E8bres, du moins le plus pol\u00E9mique. En 1931, elle rejoint le groupe Abstraction-Cr\u00E9ation."@fr . .