. . . . . . "Kazimir Severinovi\u010D Malevi\u010D"@it . . . . . . . . . . "Kazimir Severinovich Malevich"@en . . . . . . . . . . . . . . "The Knifegrinder, 1912"@en . . "Kazimir Malevitj"@sv . . "Kazimir Severinovitsj Malevitsj (Russisch: \u041A\u0430\u0437\u0438\u043C\u0438\u0301\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u0301\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0301\u0432\u0438\u0447; Oekra\u00EFens: \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447; Wit-Russisch: \u041A\u0430\u0437\u0456\u043C\u0435\u0301\u0440 \u041C\u0430\u043B\u0435\u0301\u0432\u0456\u0447; Pools: Kazimierz Malewicz; Duits: Kasimir Malewitsch) (Kiev, 23 februari 1879 - Leningrad, 15 mei 1935) was een Russisch en Sovjetkunstschilder die grote bekendheid in West-Europa kreeg als docent en als theoreticus van het constructivisme en het suprematisme, als moderne kunstrichtingen."@nl . . . . . . . . . . . . . . . . . . . "Kazimir Severinovi\u0109 Malevi\u0109 (ruse \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447; naski\u011Dinta la 11-an[jul.]/ 23-an de februaro 1879[greg.], mortinta la 15-an de majo 1935) estis rusa pentristo kaj artteoriulo. Kiel pioniro de geometria abstrakta arto li estis la plej grava reprezentanto de la rusa avangardo kaj la fondinto de suprematismo.Li estis influita de la franca post-impresionismo, fa\u016Dvismo kaj kubismo. Lia abstrakta pentra\u0135o Nigra kvadrato el la jaro 1915 estas konsiderata mejlo\u015Dtono de la avangardo."@eo . . . . . . . . . . . . . . . . . . . . . "Self Portrait 1910"@en . . . "Kazimir Severinovi\u010D Malevi\u010D (in ucraino: \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447?; in polacco Kazimierz Malewicz; in russo: \u041A\u0430\u0437\u0438\u043C\u0438\u0301\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u0301\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0301\u0432\u0438\u0447?; Kiev, 23 febbraio 1879 \u2013 Leningrado, 15 maggio 1935) \u00E8 stato un pittore, insegnante e urbanista russo poi sovietico, di origini polacche, nato nel Governatorato di Kiev dell'Impero russo. Fu un pioniere dell'astrattismo geometrico e delle avanguardie russe.Studi\u00F2 all'Accademia privata di Rerberg a Mosca. Nel 1913 fond\u00F2 l'avanguardia artistica chiamata suprematismo."@it . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Kazimir Malevitsj"@nl . "Kazimir Malevich"@in . . . . "Kazimir Severinovi\u0109 Malevi\u0109 (ruse \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447; naski\u011Dinta la 11-an[jul.]/ 23-an de februaro 1879[greg.], mortinta la 15-an de majo 1935) estis rusa pentristo kaj artteoriulo. Kiel pioniro de geometria abstrakta arto li estis la plej grava reprezentanto de la rusa avangardo kaj la fondinto de suprematismo.Li estis influita de la franca post-impresionismo, fa\u016Dvismo kaj kubismo. Lia abstrakta pentra\u0135o Nigra kvadrato el la jaro 1915 estas konsiderata mejlo\u015Dtono de la avangardo."@eo . . . . . . . . . "\u0643\u0627\u0632\u064A\u0645\u064A\u0631 \u0645\u0627\u0644\u064A\u0641\u064A\u062A\u0634 (\u0628\u0627\u0644\u0628\u0648\u0644\u0646\u062F\u064A\u0629: Kazimierz Malewicz)\u200F (\u0628\u0627\u0644\u0631\u0648\u0633\u064A\u0629: \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447) \u0641\u0646\u0627\u0646 \u0631\u0648\u0633\u064A\u060C (1879-1935) \u064A\u0639\u062A\u0628\u0631 \u0645\u0624\u0633\u0633 \u062D\u0631\u0643\u0629 \u0627\u0644\u0633\u0648\u0628\u0631\u0645\u0627\u062A\u0632\u0645\u060C \u0648\u0623\u062D\u062F \u0623\u0639\u0644\u0627\u0645 \u0627\u0644\u0641\u0646 \u0627\u0644\u062A\u062C\u0631\u064A\u062F\u064A \u0627\u0644\u0647\u0646\u062F\u0633\u064A\u060C \u0648\u0623\u062D\u062F \u0641\u0646\u0627\u0646\u064A \u0627\u0644\u0628\u0646\u0627\u0626\u064A\u0629 \u0627\u0644\u0631\u0648\u0633\u064A\u0629."@ar . "Kasimir Sewerinowitsch Malewitsch"@de . . . . . . . . "\u30AB\u30B8\u30DF\u30FC\u30EB\u30FB\u30DE\u30EC\u30FC\u30F4\u30A3\u30C1"@ja . . . . "\u039F \u039A\u03B1\u03B6\u03B9\u03BC\u03AF\u03C1 \u039C\u03B1\u03BB\u03AD\u03B2\u03B9\u03C4\u03C2 ( \u03A1\u03C9\u03C3\u03B9\u03BA\u03AC : \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447, \u03C0\u03BF\u03BB\u03C9\u03BD\u03B9\u03BA\u03AC : Kazimierz Malewicz (23 \u03A6\u03B5\u03B2\u03C1\u03BF\u03C5\u03B1\u03C1\u03AF\u03BF\u03C5 1879 - 15 \u039C\u03B1\u0390\u03BF\u03C5 1935) \u03AE\u03C4\u03B1\u03BD \u03A1\u03CE\u03C3\u03BF\u03C2 \u03B6\u03C9\u03B3\u03C1\u03AC\u03C6\u03BF\u03C2 \u03BA\u03B1\u03B9 \u03B8\u03B5\u03C9\u03C1\u03B7\u03C4\u03B9\u03BA\u03CC\u03C2, \u03C0\u03BF\u03C5 \u03B3\u03B5\u03BD\u03BD\u03AE\u03B8\u03B7\u03BA\u03B5 \u03B1\u03C0\u03CC \u03B3\u03BF\u03BD\u03B5\u03AF\u03C2 \u03C0\u03BF\u03BB\u03C9\u03BD\u03B9\u03BA\u03AE\u03C2 \u03BA\u03B1\u03C4\u03B1\u03B3\u03C9\u03B3\u03AE\u03C2. \u03A5\u03C0\u03AE\u03C1\u03BE\u03B5 \u03C0\u03C1\u03C9\u03C4\u03BF\u03C0\u03CC\u03C1\u03BF\u03C2 \u03C4\u03B7\u03C2 \u03BA\u03B1\u03B9 \u03BF \u03B4\u03B7\u03BC\u03B9\u03BF\u03C5\u03C1\u03B3\u03CC\u03C2 \u03C4\u03C9\u03BD Avant-garde \u03BA\u03B9\u03BD\u03B7\u03BC\u03AC\u03C4\u03C9\u03BD \u03C4\u03BF\u03C5 \u03A3\u03BF\u03C5\u03C0\u03C1\u03B5\u03BC\u03B1\u03C4\u03B9\u03C3\u03BC\u03BF\u03CD \u03BA\u03B1\u03B9 \u03C4\u03BF\u03C5 \u039A\u03BF\u03BD\u03C3\u03C4\u03C1\u03BF\u03C5\u03BA\u03C4\u03B9\u03B2\u03B9\u03C3\u03BC\u03BF\u03CD."@el . "Kazimir Severinovich Malevich (23 February [O.S. 11 February] 1879 \u2013 15 May 1935) was a Russian avant-garde artist and art theorist, whose pioneering work and writing had a profound influence on the development of abstract art in the 20th century. Born in Kiev to an ethnic Polish family, his concept of Suprematism sought to develop a form of expression that moved as far as possible from the world of natural forms (objectivity) and subject matter in order to access \"the supremacy of pure feeling\" and spirituality. Malevich is also considered to be part of the Ukrainian avant-garde (together with Alexander Archipenko, Sonia Delaunay, Aleksandra Ekster, and David Burliuk) that was shaped by Ukrainian-born artists who worked first in Ukraine and later over a geographical span between Europe and America. Early on, Malevich worked in a variety of styles, quickly assimilating the movements of Impressionism, Symbolism and Fauvism, and after visiting Paris in 1912, Cubism. Gradually simplifying his style, he developed an approach with key works consisting of pure geometric forms and their relationships to one another, set against minimal grounds. His Black Square (1915), a black square on white, represented the most radically abstract painting known to have been created so far and drew \"an uncrossable line (\u2026) between old art and new art\"; Suprematist Composition: White on White (1918), a barely differentiated off-white square superimposed on an off-white ground, would take his ideal of pure abstraction to its logical conclusion. In addition to his paintings, Malevich laid down his theories in writing, such as \"From Cubism and Futurism to Suprematism\" (1915) and The Non-Objective World: The Manifesto of Suprematism (1926). Malevich's trajectory in many ways mirrored the tumult of the decades surrounding the October Revolution (O.S.) in 1917. In its immediate aftermath, vanguard movements such as Suprematism and Vladimir Tatlin's Constructivism were encouraged by Trotskyite factions in the government. Malevich held several prominent teaching positions and received a solo show at the Sixteenth State Exhibition in Moscow in 1919. His recognition spread to the West with solo exhibitions in Warsaw and Berlin in 1927. From 1928 to 1930, he taught at the Kiev Art Institute, with Alexander Bogomazov, Victor Palmov, Vladimir Tatlin and published his articles in a Kharkiv magazine, Nova Generatsia (New Generation). But the start of repression in Ukraine against the intelligentsia forced Malevich return to modern-day Saint Petersburg. From the beginning of the 1930s, modern art was falling out of favor with the new government of Joseph Stalin. Malevich soon lost his teaching position, artworks and manuscripts were confiscated, and he was banned from making art. In 1930, he was imprisoned for two months due to suspicions raised by his trip to Poland and Germany. Forced to abandon abstraction, he painted in a representational style in the years before his death from cancer in 1935, at the age of 56. Nonetheless, his art and his writing influenced contemporaries such as El Lissitzky, Lyubov Popova and Alexander Rodchenko, as well as generations of later abstract artists, such as Ad Reinhardt and the Minimalists. He was celebrated posthumously in major exhibits at the Museum of Modern Art (1936), the Guggenheim Museum (1973) and the Stedelijk Museum in Amsterdam (1989), which has a large collection of his work. In the 1990s, the ownership claims of museums to many Malevich works began to be disputed by his heirs."@en . . . . "\u5361\u6D4E\u7C73\u5C14\u00B7\u8C22\u97E6\u91CC\u8BFA\u7EF4\u5947\u00B7\u9A6C\u5217\u7EF4\u5947\uFF08\u4FC4\u8BED\uFF1A\u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447\uFF0C1879\u5E742\u670811\u65E5\uFF0D1935\u5E745\u670815\u65E5\uFF09\uFF0C\u6216\u8BD1\u9A6C\u5217\u7EF4\u57FA\uFF0C\u662F\u4FC4\u7F57\u65AF\u81F3\u4E0A\u4E3B\u7FA9\u5275\u59CB\u4EBA\u3001\u69CB\u6210\u4E3B\u7FA9\u3001\u5E7E\u4F55\u62BD\u8C61\u6D3E\u756B\u5BB6\uFF0C\u4EE3\u8868\u4F5C\u300A\u9ED1\u65B9\u584A\u300B\uFF081915\u5E74\uFF09\u3001\u300A\u767D\u8272\u4E0A\u7684\u767D\u8272\u300B\uFF081918\u5E74\uFF09\u3002"@zh . "\u30AB\u30B8\u30DF\u30FC\u30EB\u30FB\u30BB\u30F4\u30A7\u30EA\u30FC\u30CE\u30F4\u30A3\u30C1\u30FB\u30DE\u30EC\u30FC\u30F4\u30A3\u30C1\uFF08\u30ED\u30B7\u30A2\u8A9E: \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447\uFF08\u30AB\u30BA\u30A3\u30DF\u30FC\u30EB\u30FB\u30B9\u30A3\u30F4\u30A3\u30EA\u30FC\u30CE\u30F4\u30A3\u30C1\u30E5\u30FB\u30DE\u30EA\u30A7\u30FC\u30F4\u30A3\u30C1\u30E5\uFF09\uFF1B\u30A6\u30AF\u30E9\u30A4\u30CA\u8A9E: \u041A\u0430\u0437\u0438\u043C\u0456\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447\uFF08\u30AB\u30BA\u30A3\u30DF\u30FC\u30EB\u30FB\u30BB\u30F4\u30A7\u30EB\u30A3\u30FC\u30CE\u30F4\u30A3\u30C1\u30E5\u30FB\u30DE\u30EC\u30FC\u30F4\u30A3\u30C1\u30E5\uFF09\u30011879\u5E742\u670823\u65E5\uFF08\u30E6\u30EA\u30A6\u30B9\u66A62\u670811\u65E5\uFF09 - 1935\u5E745\u670815\u65E5\uFF09\u306F\u3001\u30A6\u30AF\u30E9\u30A4\u30CA\u30FB\u30BD\u9023\u306E\u82B8\u8853\u5BB6\u3002\u7279\u306B\u753B\u5BB6\u3068\u3057\u3066\u77E5\u3089\u308C\u3001\u6226\u524D\u306B\u62BD\u8C61\u7D75\u753B\u3092\u624B\u639B\u3051\u305F\u6700\u521D\u306E\u4EBA\u7269\u3067\u3042\u308B\u3002"@ja . . . . . . . . . . "1935-05-15"^^ . . . . . . "The Knife Grinder Principle of Glittering by Kazimir Malevich.jpeg"@en . . "1935-05-15"^^ . . "\u041A\u0430\u0437\u0438\u043C\u0438\u0301\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u0301\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0301\u0432\u0438\u0447 (\u043F\u043E\u043B\u044C\u0441\u043A. Kazimierz Malewicz; 11 [23] \u0444\u0435\u0432\u0440\u0430\u043B\u044F 1879, \u041A\u0438\u0435\u0432 \u2014 15 \u043C\u0430\u044F 1935, \u041B\u0435\u043D\u0438\u043D\u0433\u0440\u0430\u0434) \u2014 \u0440\u043E\u0441\u0441\u0438\u0439\u0441\u043A\u0438\u0439 \u0438 \u0441\u043E\u0432\u0435\u0442\u0441\u043A\u0438\u0439 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A-\u0430\u0432\u0430\u043D\u0433\u0430\u0440\u0434\u0438\u0441\u0442 \u043F\u043E\u043B\u044C\u0441\u043A\u043E\u0433\u043E \u043F\u0440\u043E\u0438\u0441\u0445\u043E\u0436\u0434\u0435\u043D\u0438\u044F, \u043F\u0435\u0434\u0430\u0433\u043E\u0433, \u0442\u0435\u043E\u0440\u0435\u0442\u0438\u043A \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u0430, \u0444\u0438\u043B\u043E\u0441\u043E\u0444. \u041E\u0441\u043D\u043E\u0432\u043E\u043F\u043E\u043B\u043E\u0436\u043D\u0438\u043A \u0441\u0443\u043F\u0440\u0435\u043C\u0430\u0442\u0438\u0437\u043C\u0430 \u2014 \u043E\u0434\u043D\u043E\u0433\u043E \u0438\u0437 \u043A\u0440\u0443\u043F\u043D\u0435\u0439\u0448\u0438\u0445 \u043D\u0430\u043F\u0440\u0430\u0432\u043B\u0435\u043D\u0438\u0439 \u0430\u0431\u0441\u0442\u0440\u0430\u043A\u0446\u0438\u043E\u043D\u0438\u0437\u043C\u0430."@ru . "\u0643\u0627\u0632\u064A\u0645\u064A\u0631 \u0645\u0627\u0644\u064A\u0641\u064A\u062A\u0634"@ar . . . . . . . . "Kazimierz Malewicz (ros. \u041A\u0430\u0437\u0438\u043C\u0438\u0301\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u0301\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0301\u0432\u0438\u0447, ur. 11 lutego?/ 23 lutego 1879 w Kijowie, zm. 15 maja 1935 w Leningradzie) \u2013 rosyjski malarz, pedagog, komunistyczny filozof, teoretyk sztuki, tak\u017Ce rosyjski urz\u0119dnik pa\u0144stwowy polskiego pochodzenia czy narodowo\u015Bci. Czo\u0142owy artysta awangardy, tw\u00F3rca suprematyzmu. Zwi\u0105zany m.in. z Bubnowym Waletem, Wchutiemasem i Unowisem. Od 1918 roku urz\u0119dnik Ludowego Komisariatu O\u015Bwiaty Rosyjskiej FSRR, w 1929 roku komisarz ludowy (minister) sztuk wizualnych Rosyjskiej FSRR. Jeden z najwa\u017Cniejszych przedstawicieli oficjalnej kultury rosyjskiej i radzieckiej lat 1917\u20131935."@pl . "200"^^ . "Kazimir Severinovi\u0109 Malevi\u0109"@eo . . . . . . "1879-02-23"^^ . . . . . "Kazimir Malevich - Suprematism - Google Art Project.jpg"@en . "\u039F \u039A\u03B1\u03B6\u03B9\u03BC\u03AF\u03C1 \u039C\u03B1\u03BB\u03AD\u03B2\u03B9\u03C4\u03C2 ( \u03A1\u03C9\u03C3\u03B9\u03BA\u03AC : \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447, \u03C0\u03BF\u03BB\u03C9\u03BD\u03B9\u03BA\u03AC : Kazimierz Malewicz (23 \u03A6\u03B5\u03B2\u03C1\u03BF\u03C5\u03B1\u03C1\u03AF\u03BF\u03C5 1879 - 15 \u039C\u03B1\u0390\u03BF\u03C5 1935) \u03AE\u03C4\u03B1\u03BD \u03A1\u03CE\u03C3\u03BF\u03C2 \u03B6\u03C9\u03B3\u03C1\u03AC\u03C6\u03BF\u03C2 \u03BA\u03B1\u03B9 \u03B8\u03B5\u03C9\u03C1\u03B7\u03C4\u03B9\u03BA\u03CC\u03C2, \u03C0\u03BF\u03C5 \u03B3\u03B5\u03BD\u03BD\u03AE\u03B8\u03B7\u03BA\u03B5 \u03B1\u03C0\u03CC \u03B3\u03BF\u03BD\u03B5\u03AF\u03C2 \u03C0\u03BF\u03BB\u03C9\u03BD\u03B9\u03BA\u03AE\u03C2 \u03BA\u03B1\u03C4\u03B1\u03B3\u03C9\u03B3\u03AE\u03C2. \u03A5\u03C0\u03AE\u03C1\u03BE\u03B5 \u03C0\u03C1\u03C9\u03C4\u03BF\u03C0\u03CC\u03C1\u03BF\u03C2 \u03C4\u03B7\u03C2 \u03BA\u03B1\u03B9 \u03BF \u03B4\u03B7\u03BC\u03B9\u03BF\u03C5\u03C1\u03B3\u03CC\u03C2 \u03C4\u03C9\u03BD Avant-garde \u03BA\u03B9\u03BD\u03B7\u03BC\u03AC\u03C4\u03C9\u03BD \u03C4\u03BF\u03C5 \u03A3\u03BF\u03C5\u03C0\u03C1\u03B5\u03BC\u03B1\u03C4\u03B9\u03C3\u03BC\u03BF\u03CD \u03BA\u03B1\u03B9 \u03C4\u03BF\u03C5 \u039A\u03BF\u03BD\u03C3\u03C4\u03C1\u03BF\u03C5\u03BA\u03C4\u03B9\u03B2\u03B9\u03C3\u03BC\u03BF\u03CD."@el . . "Kazimir Sever\u00EDnovich Mal\u00E9vich (en ruso, \u041A\u0430\u0437\u0438\u043C\u0438\u0301\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u0301\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0301\u0432\u0438\u0447 11 de febrerojul./ 23 de febrero de 1879greg., Kiev\u200B - 15 de mayo de 1935, Leningrado) fue un pintor ruso de origen polaco\u200B\u200B\u200B\u200B\u200B\u200B\u200B, creador del suprematismo, uno de los movimientos de la vanguardia rusa del siglo XX. En el oto\u00F1o de 1930, el NKVD interrog\u00F3 a Kazimir Mal\u00E9vich en Leningrado. Se lo acusa de espionaje polaco y se le amenaza con la ejecuci\u00F3n. Permaneci\u00F3 en prisi\u00F3n tres meses."@es . . . "vertical"@en . "Kasimir Severinovitx Malevitx (errusieraz: \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447; polonieraz: Kazimierz Malewicz; ukraineraz: \u041A\u0430\u0437\u0438\u043C\u0456\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447; alemanez: Kasimir Malewitsch; Kiev, 1879ko otsailaren 23agreg./otsailaren 11jul. - Leningrad, 1935eko maiatzaren 15a) poloniar jatorriko ukrainar margolari eta artearen teorikoa izan zen. Geometria abstraktuaren aitzindaria eta eta suprematismo mugimenduetako partaide azpimarragarrienetakoa izan zen."@eu . . . . . . . . . . . "Kazimir Mal\u00E8vitx"@ca . . . . . "left"@en . . "\u0643\u0627\u0632\u064A\u0645\u064A\u0631 \u0645\u0627\u0644\u064A\u0641\u064A\u062A\u0634 (\u0628\u0627\u0644\u0628\u0648\u0644\u0646\u062F\u064A\u0629: Kazimierz Malewicz)\u200F (\u0628\u0627\u0644\u0631\u0648\u0633\u064A\u0629: \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447) \u0641\u0646\u0627\u0646 \u0631\u0648\u0633\u064A\u060C (1879-1935) \u064A\u0639\u062A\u0628\u0631 \u0645\u0624\u0633\u0633 \u062D\u0631\u0643\u0629 \u0627\u0644\u0633\u0648\u0628\u0631\u0645\u0627\u062A\u0632\u0645\u060C \u0648\u0623\u062D\u062F \u0623\u0639\u0644\u0627\u0645 \u0627\u0644\u0641\u0646 \u0627\u0644\u062A\u062C\u0631\u064A\u062F\u064A \u0627\u0644\u0647\u0646\u062F\u0633\u064A\u060C \u0648\u0623\u062D\u062F \u0641\u0646\u0627\u0646\u064A \u0627\u0644\u0628\u0646\u0627\u0626\u064A\u0629 \u0627\u0644\u0631\u0648\u0633\u064A\u0629."@ar . . . . . . . "Kazimir Severinovitj Malevitj (ryska: \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447; ukrainska: \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447, Kazymyr Malevytj; polska: Kazimierz Malewicz), f\u00F6dd 23 februari 1879 i guvernementet Kiev i kejsard\u00F6met Ryssland (nu Kiev oblast i Ukraina), d\u00F6d 15 maj 1935 i Leningrad i Sovjetunionen (nu Sankt Petersburg i Ryssland), var en polsk-rysk konstn\u00E4r. Han grundade suprematismen."@sv . . . "Kazimir Severinovich Malevich (em russo: \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447, em polon\u00EAs/polaco: Kazimierz Seweryn Malewicz; Kiev, 23 de fevereiro [Calend. juliano: 11 de fevereiro] 1879 \u2013 S\u00E3o Petersburgo, 15 de maio de 1935) foi um pintor abstrato russa de ascend\u00EAncia polaca. Fez parte da vanguarda russa e foi o mentor do movimento conhecido como Suprematismo."@pt . . . . . . . . . . . . . . . . . . . . . . . "Kasimir Sewerinowitsch Malewitsch (russisch \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447, wiss. Transliteration Kazimir Severinovi\u010D Malevi\u010D, ukrainisch \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447 Kasymyr Sewerynowytsch Malewytsch, polnisch Kazimierz Malewicz; * 11. Februarjul. / 23. Februar 1879greg. in Kiew; \u2020 15. Mai 1935 in Leningrad) war ein Maler und Hauptvertreter der Russischen Avantgarde, Wegbereiter des Konstruktivismus und Begr\u00FCnder des Suprematismus. Beeinflusst wurde er vom Sp\u00E4timpressionismus, vom Fauvismus und vom Kubismus. Sein abstraktes suprematistisches Gem\u00E4lde Das Schwarze Quadrat auf wei\u00DFem Grund aus dem Jahr 1915 gilt als ein Meilenstein der Malerei der Moderne und wird als \u201EIkone der Moderne\u201C bezeichnet."@de . "Kasimir Sewerinowitsch Malewitsch (russisch \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447, wiss. Transliteration Kazimir Severinovi\u010D Malevi\u010D, ukrainisch \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447 Kasymyr Sewerynowytsch Malewytsch, polnisch Kazimierz Malewicz; * 11. Februarjul. / 23. Februar 1879greg. in Kiew; \u2020 15. Mai 1935 in Leningrad) war ein Maler und Hauptvertreter der Russischen Avantgarde, Wegbereiter des Konstruktivismus und Begr\u00FCnder des Suprematismus. Beeinflusst wurde er vom Sp\u00E4timpressionismus, vom Fauvismus und vom Kubismus. Sein abstraktes suprematistisches Gem\u00E4lde Das Schwarze Quadrat auf wei\u00DFem Grund aus dem Jahr 1915 gilt als ein Meilenstein der Malerei der Moderne und wird als \u201EIkone der Moderne\u201C bezeichnet."@de . . . "Kazimir Severinovich Malevich (23 February [O.S. 11 February] 1879 \u2013 15 May 1935) was a Russian avant-garde artist and art theorist, whose pioneering work and writing had a profound influence on the development of abstract art in the 20th century. Born in Kiev to an ethnic Polish family, his concept of Suprematism sought to develop a form of expression that moved as far as possible from the world of natural forms (objectivity) and subject matter in order to access \"the supremacy of pure feeling\" and spirituality. Malevich is also considered to be part of the Ukrainian avant-garde (together with Alexander Archipenko, Sonia Delaunay, Aleksandra Ekster, and David Burliuk) that was shaped by Ukrainian-born artists who worked first in Ukraine and later over a geographical span between Europe an"@en . . . . . . "Kazimir Severinovich Malevich (23 Februari 1879 \u2013 15 Mei 1935) adalah seorang pelukis dan teoritikus seni berkebangsaan Rusia. Ia adalah seorang pelopor seni abstrak geometris dan pencetus gerakan suprematisme avant-garde."@in . . . "Kazimir Malevich"@pt . . . . "\u5361\u6D4E\u7C73\u5C14\u00B7\u8C22\u97E6\u91CC\u8BFA\u7EF4\u5947\u00B7\u9A6C\u5217\u7EF4\u5947"@zh . "An Englishman in Moscow, 1914; Black Square, 1915; White on White, 1918"@en . . . . "1121325965"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . "Kazimir Malevi\u010D"@cs . . . . "Kasimir Severinovitx Malevitx (errusieraz: \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447; polonieraz: Kazimierz Malewicz; ukraineraz: \u041A\u0430\u0437\u0438\u043C\u0456\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447; alemanez: Kasimir Malewitsch; Kiev, 1879ko otsailaren 23agreg./otsailaren 11jul. - Leningrad, 1935eko maiatzaren 15a) poloniar jatorriko ukrainar margolari eta artearen teorikoa izan zen. Geometria abstraktuaren aitzindaria eta eta suprematismo mugimenduetako partaide azpimarragarrienetakoa izan zen."@eu . "1879-02-23"^^ . . . . . . . . . . "P\u00E9int\u00E9ir a rugadh i gC\u00EDv na h\u00DAcr\u00E1ine ab ea Kazimir Severinovich Malevich (23 Feabhra (11 Feabhra sa tseanst\u00EDl), 1879\u201315 Bealtaine 1935). Le Mondrian, ina cheannr\u00F3da\u00ED luath ar an teib\u00EDocht \u00EDon san eala\u00EDn. Bhunaigh s\u00E9 an ghluaiseacht uachtara\u00EDoch sa R\u00FAis timpeall 1913. Bh\u00ED an eala\u00EDn nua-aoiseach seo bunaithe ar 4 chruth simpl\u00ED: an dronuilleog, an ciorcal, an triant\u00E1n, is an chrois. L\u00E9irigh s\u00E9 \u00EDonacht aeist\u00E9iti\u00FAil na gluaiseachta nuair a ph\u00E9inte\u00E1il cearn\u00F3g bh\u00E1n ar ch\u00FAlionad b\u00E1n."@ga . "\u041A\u0430\u0437\u0438\u043C\u0438\u0301\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u0301\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0301\u0432\u0438\u0447 (\u043F\u043E\u043B\u044C\u0441\u043A. Kazimierz Malewicz; 11 [23] \u0444\u0435\u0432\u0440\u0430\u043B\u044F 1879, \u041A\u0438\u0435\u0432 \u2014 15 \u043C\u0430\u044F 1935, \u041B\u0435\u043D\u0438\u043D\u0433\u0440\u0430\u0434) \u2014 \u0440\u043E\u0441\u0441\u0438\u0439\u0441\u043A\u0438\u0439 \u0438 \u0441\u043E\u0432\u0435\u0442\u0441\u043A\u0438\u0439 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A-\u0430\u0432\u0430\u043D\u0433\u0430\u0440\u0434\u0438\u0441\u0442 \u043F\u043E\u043B\u044C\u0441\u043A\u043E\u0433\u043E \u043F\u0440\u043E\u0438\u0441\u0445\u043E\u0436\u0434\u0435\u043D\u0438\u044F, \u043F\u0435\u0434\u0430\u0433\u043E\u0433, \u0442\u0435\u043E\u0440\u0435\u0442\u0438\u043A \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u0430, \u0444\u0438\u043B\u043E\u0441\u043E\u0444. \u041E\u0441\u043D\u043E\u0432\u043E\u043F\u043E\u043B\u043E\u0436\u043D\u0438\u043A \u0441\u0443\u043F\u0440\u0435\u043C\u0430\u0442\u0438\u0437\u043C\u0430 \u2014 \u043E\u0434\u043D\u043E\u0433\u043E \u0438\u0437 \u043A\u0440\u0443\u043F\u043D\u0435\u0439\u0448\u0438\u0445 \u043D\u0430\u043F\u0440\u0430\u0432\u043B\u0435\u043D\u0438\u0439 \u0430\u0431\u0441\u0442\u0440\u0430\u043A\u0446\u0438\u043E\u043D\u0438\u0437\u043C\u0430."@ru . . . . . . . . . "Kazimir Malevich"@en . . . . . . . . . . . "Suprematist Composition: White on White, 1918, Museum of Modern Art, New York"@en . . . "Kazimir Severinovich Malevich"@en . . . . . "Kasimir Severinovitch Malevitch (en russe : \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447 ; en polonais : Kazimierz Malewicz), n\u00E9 le 11 f\u00E9vrier 1879 (23 f\u00E9vrier 1879 dans le calendrier gr\u00E9gorien) \u00E0 Kiev (Empire russe), de parents polonais, et mort le 15 mai 1935 \u00E0 L\u00E9ningrad, \u00E0 l'\u00E2ge de 56 ans, d'un cancer, est un des premiers artistes abstraits du XXe si\u00E8cle. Peintre, dessinateur, sculpteur et th\u00E9oricien, Malevitch est le cr\u00E9ateur d'un courant artistique qu'il d\u00E9nomma \u00AB supr\u00E9matisme \u00BB."@fr . . "Persistent disruptive editing"@en . . "\uCE74\uC9C0\uBBF8\uB974 \uB9D0\uB808\uBE44\uCE58"@ko . "\u5361\u6D4E\u7C73\u5C14\u00B7\u8C22\u97E6\u91CC\u8BFA\u7EF4\u5947\u00B7\u9A6C\u5217\u7EF4\u5947\uFF08\u4FC4\u8BED\uFF1A\u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447\uFF0C1879\u5E742\u670811\u65E5\uFF0D1935\u5E745\u670815\u65E5\uFF09\uFF0C\u6216\u8BD1\u9A6C\u5217\u7EF4\u57FA\uFF0C\u662F\u4FC4\u7F57\u65AF\u81F3\u4E0A\u4E3B\u7FA9\u5275\u59CB\u4EBA\u3001\u69CB\u6210\u4E3B\u7FA9\u3001\u5E7E\u4F55\u62BD\u8C61\u6D3E\u756B\u5BB6\uFF0C\u4EE3\u8868\u4F5C\u300A\u9ED1\u65B9\u584A\u300B\uFF081915\u5E74\uFF09\u3001\u300A\u767D\u8272\u4E0A\u7684\u767D\u8272\u300B\uFF081918\u5E74\uFF09\u3002"@zh . . "Kazimierz Malewicz"@pl . . . . . "Kasimir Severinovitch Malevitch (en russe : \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447 ; en polonais : Kazimierz Malewicz), n\u00E9 le 11 f\u00E9vrier 1879 (23 f\u00E9vrier 1879 dans le calendrier gr\u00E9gorien) \u00E0 Kiev (Empire russe), de parents polonais, et mort le 15 mai 1935 \u00E0 L\u00E9ningrad, \u00E0 l'\u00E2ge de 56 ans, d'un cancer, est un des premiers artistes abstraits du XXe si\u00E8cle. Peintre, dessinateur, sculpteur et th\u00E9oricien, Malevitch est le cr\u00E9ateur d'un courant artistique qu'il d\u00E9nomma \u00AB supr\u00E9matisme \u00BB."@fr . "Kazimir Severinovich Malevich (23 Februari 1879 \u2013 15 Mei 1935) adalah seorang pelukis dan teoritikus seni berkebangsaan Rusia. Ia adalah seorang pelopor seni abstrak geometris dan pencetus gerakan suprematisme avant-garde."@in . "Kazimir Malevich"@ga . . . "\u041E\u0442\u0434\u044B\u0445 . 1908. \u0413\u0420\u041C.png"@en . . . . . . . . . . . . "Kazimir Malevich"@en . "\uCE74\uC9C0\uBBF8\uB974 \uC138\uBCA0\uB9AC\uB178\uBE44\uCE58 \uB9D0\uB808\uBE44\uCE58(\uB7EC\uC2DC\uC544\uC5B4: \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447, 1879\uB144 2\uC6D4 23\uC77C ~ 1935\uB144 5\uC6D4 15\uC77C)\uB294 \uB7EC\uC2DC\uC544\uC758 \uD654\uAC00\uC774\uB2E4. \uD0A4\uC608\uD504\uC5D0\uC11C \uCD9C\uC0DD\uD558\uC600\uACE0, \uCD08\uAE30\uC758 \uC218\uC5C5\uC740 \uC778\uC0C1\uD30C \uBC0F \uD3EC\uBE44\uC2B4\uC5D0\uC11C \uCD9C\uBC1C\uD558\uC600\uC73C\uB098 1912\uB144 \uD30C\uB9AC\uB85C \uB098\uC640 \uD034\uBE44\uC2B4\uC744 \uC811\uD558\uC5EC \uACB0\uC815\uC801\uC778 \uC601\uD5A5\uC744 \uBC1B\uC558\uB2E4. 1913\uB144 \uBC31\uC9C0(\u767D\u7D19)\uC5D0 \uAC80\uC740 \uC815\uBC29\uD615\uB9CC \uADF8\uB9B0 \uC791\uD488\uC744 \uBC1C\uD45C\uD558\uC5EC \uD654\uC81C\uB97C \uC77C\uC73C\uCF30\uACE0, \uC774 \uC791\uD488\uC744 \uACC4\uAE30\uB85C \uD558\uC5EC \uAC10\uAC01\uC758 \uAD81\uADF9\uC744 \uD0D0\uAD6C\uD558\uB294 \uC26C\uD504\uB808\uB9C8\uD2F0\uC2B4\uC758 \uAE38\uC744 \uAC1C\uCC99\uD574 \uB098\uAC14\uB2E4. 1915\uB144 \uC2DC\uC778 \uBE14\uB77C\uB514\uBBF8\uB974 \uB9C8\uC57C\uCF65\uC2A4\uD0A4\uC758 \uD611\uB825\uC73C\uB85C '\uC26C\uD504\uB808\uB9C8\uD2F0\uC2B4 \uC120\uC5B8'\uC744 \uBC1C\uD45C\uD558\uC5EC, \uB7EC\uC2DC\uC544 \uC804\uC704\uBBF8\uC220\uC758 \uAE30\uC218\uB85C\uC11C \uD65C\uC57D\uD558\uC600\uB2E4. 1919\uB144\uC5D0\uB294 \uC758 \uAD50\uC218\uAC00 \uB418\uC5C8\uACE0, 1921\uB144\uC5D0\uB294 \uC758 \uCD08\uCCAD\uC744 \uBC1B\uC558\uB2E4. 1926\uB144 \uADF8\uB294 \uB2E8\uAE30\uAC04 \uB3C5\uC77C\uC5D0 \uBA38\uBB3C\uB800\uB294\uB370 \uADC0\uAD6D \uD6C4\uC5D0 \uBB38\uD654\uC815\uCC45\uC744 \uBCC0\uACBD\uD55C \uB2F9\uAD6D\uC5D0 \uC758\uD558\uC5EC \uACF5\uC9C1\uC11C \uCD94\uBC29\uB2F9\uD558\uC600\uACE0, \uADF8 \uC774\uD6C4\uB294 \uC624\uC9C1 \uC2E4\uC6A9\uBBF8\uC220(\uC81C\uB3C4\u00B7\uC9C1\uBB3C\u00B7\uBCBD\uC9C0)\uC758 \uBD84\uC57C\uC5D0\uB9CC \uC885\uC0AC\uD558\uB2E4\uAC00 1935\uB144 \uB808\uB2CC\uADF8\uB77C\uB4DC\uC5D0\uC11C \uC0AC\uB9DD\uD558\uC600\uB2E4."@ko . . . "47478"^^ . "Kazimir Sever\u00EDnovitx Mali\u00E9vitx (en rus: \u041A\u0430\u0437\u0438\u043C\u0438\u0301\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u0301\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0301\u0432\u0438\u0447) o Kazimir Sever\u00EDnovitx Mal\u00E8vitx (en ucra\u00EFn\u00E8s: \u041A\u0430\u0437\u0438\u043C\u0438\u0301\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u0301\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0301\u0432\u0438\u0447, Kazymyr Severynovytx Mal\u00E8vytx) (a K\u00EDiv o a un poble prop de K\u00EDiv a la Gub\u00E8rnia de K\u00EDiv, Ucra\u00EFna, Imperi Rus, 23 de febrer [C.J. 11 de febrer] de 1879 - Leningrad, URSS, 15 de maig de 1935) va ser un te\u00F2ric de l'art i pintor ucra\u00EFn\u00E8s de l'Imperi rus que va n\u00E9ixer a Ucra\u00EFna al si d'una fam\u00EDlia ucra\u00EFnesa d'arrels poloneses. La seva obra escrita i pict\u00F2rica pionera va tenir una influ\u00E8ncia molt profunda en el desenvolupament de l'art abstracte del segle xx. En particular, Mal\u00E9vitx va ser l'inspirador del moviment d'avantguarda ucra\u00EFn\u00E8s i sovi\u00E8tic anomenat suprematisme. Aquest corrent, que forma part de l'abstracci\u00F3 geom\u00E8trica practicada igualment per Kandinski i Mondrian, es caracteritza per preconitzar l'\u00FAs exclusiu d'unes poques figures geom\u00E8triques i la limitaci\u00F3 dels colors, arribant fins a la monocromia. Una de les seves obres m\u00E9s conegudes \u00E9s el Quadrat negre (1915)."@ca . . . . . . . "Kazimir Malevich - 'Suprematist Composition- White on White', oil on canvas, 1918, Museum of Modern Art.jpg"@en . . "\u30AB\u30B8\u30DF\u30FC\u30EB\u30FB\u30BB\u30F4\u30A7\u30EA\u30FC\u30CE\u30F4\u30A3\u30C1\u30FB\u30DE\u30EC\u30FC\u30F4\u30A3\u30C1\uFF08\u30ED\u30B7\u30A2\u8A9E: \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447\uFF08\u30AB\u30BA\u30A3\u30DF\u30FC\u30EB\u30FB\u30B9\u30A3\u30F4\u30A3\u30EA\u30FC\u30CE\u30F4\u30A3\u30C1\u30E5\u30FB\u30DE\u30EA\u30A7\u30FC\u30F4\u30A3\u30C1\u30E5\uFF09\uFF1B\u30A6\u30AF\u30E9\u30A4\u30CA\u8A9E: \u041A\u0430\u0437\u0438\u043C\u0456\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447\uFF08\u30AB\u30BA\u30A3\u30DF\u30FC\u30EB\u30FB\u30BB\u30F4\u30A7\u30EB\u30A3\u30FC\u30CE\u30F4\u30A3\u30C1\u30E5\u30FB\u30DE\u30EC\u30FC\u30F4\u30A3\u30C1\u30E5\uFF09\u30011879\u5E742\u670823\u65E5\uFF08\u30E6\u30EA\u30A6\u30B9\u66A62\u670811\u65E5\uFF09 - 1935\u5E745\u670815\u65E5\uFF09\u306F\u3001\u30A6\u30AF\u30E9\u30A4\u30CA\u30FB\u30BD\u9023\u306E\u82B8\u8853\u5BB6\u3002\u7279\u306B\u753B\u5BB6\u3068\u3057\u3066\u77E5\u3089\u308C\u3001\u6226\u524D\u306B\u62BD\u8C61\u7D75\u753B\u3092\u624B\u639B\u3051\u305F\u6700\u521D\u306E\u4EBA\u7269\u3067\u3042\u308B\u3002"@ja . . "Black Square, 1915."@en . . . . "Suprematist works by Malevich at the 0.10 Exhibition, Petrograd, 1915"@en . . . . . . . "\u041A\u0430\u0437\u0438\u043C\u0438\u0301\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u0301\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0301\u0432\u0438\u0447 (\u043F\u043E\u043B. Kazimierz Malewicz; 11 [23] \u043B\u044E\u0442\u043E\u0433\u043E 1879, \u041A\u0438\u0457\u0432 \u2014 15 \u0442\u0440\u0430\u0432\u043D\u044F 1935, \u041B\u0435\u043D\u0456\u043D\u0433\u0440\u0430\u0434, \u0421\u0420\u0421\u0420) \u2014 \u0443\u043A\u0440\u0430\u0457\u043D\u0441\u044C\u043A\u0438\u0439 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A-\u0430\u0432\u0430\u043D\u0433\u0430\u0440\u0434\u0438\u0441\u0442, \u0432\u0438\u0437\u043D\u0430\u0447\u043D\u0438\u0439 \u0434\u0456\u044F\u0447 \u0443\u043A\u0440\u0430\u0457\u043D\u0441\u044C\u043A\u043E\u0433\u043E \u0430\u0432\u0430\u043D\u0433\u0430\u0440\u0434\u0443, \u0437\u0430\u0441\u043D\u043E\u0432\u043D\u0438\u043A \u0441\u0443\u043F\u0440\u0435\u043C\u0430\u0442\u0438\u0437\u043C\u0443, \u043E\u0434\u0438\u043D \u0437 \u0444\u0443\u043D\u0434\u0430\u0442\u043E\u0440\u0456\u0432 \u043A\u0443\u0431\u043E\u0444\u0443\u0442\u0443\u0440\u0438\u0437\u043C\u0443; \u043F\u0435\u0434\u0430\u0433\u043E\u0433, \u0442\u0435\u043E\u0440\u0435\u0442\u0438\u043A \u043C\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u0430 \u043F\u043E\u043B\u044C\u0441\u044C\u043A\u043E\u0433\u043E \u043F\u043E\u0445\u043E\u0434\u0436\u0435\u043D\u043D\u044F. \u0420\u0430\u0437\u043E\u043C \u0456\u0437 \u0412\u0435\u043B\u0438\u043C\u0438\u0440\u043E\u043C \u0425\u043B\u0454\u0431\u043D\u0438\u043A\u043E\u0432\u0438\u043C \u0431\u0443\u0432 \u0447\u043B\u0435\u043D\u043E\u043C \u00AB\u0442\u043E\u0432\u0430\u0440\u0438\u0441\u0442\u0432\u0430 \u0433\u043E\u043B\u0456\u0432 \u0437\u0435\u043C\u043D\u043E\u0457 \u043A\u0443\u043B\u0456\u00BB."@uk . . . . . . . "\u041C\u0430\u043B\u0435\u0432\u0438\u0447 \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447"@uk . . . . . . . . . . . . . . . . . . "\u0421\u0443\u043F\u0440\u0435\u043C\u0430\u0442\u0438\u0437\u043C\u00BB Suprematism, oil on canvas, 1915 Russian Museum"@en . . . . . . "Kazimir Severinovitsj Malevitsj (Russisch: \u041A\u0430\u0437\u0438\u043C\u0438\u0301\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u0301\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0301\u0432\u0438\u0447; Oekra\u00EFens: \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447; Wit-Russisch: \u041A\u0430\u0437\u0456\u043C\u0435\u0301\u0440 \u041C\u0430\u043B\u0435\u0301\u0432\u0456\u0447; Pools: Kazimierz Malewicz; Duits: Kasimir Malewitsch) (Kiev, 23 februari 1879 - Leningrad, 15 mei 1935) was een Russisch en Sovjetkunstschilder die grote bekendheid in West-Europa kreeg als docent en als theoreticus van het constructivisme en het suprematisme, als moderne kunstrichtingen."@nl . "0.1"^^ . . . "Kazimir Severinovi\u010D Malevi\u010D (rusky \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447, polsky Kazimierz Malewicz, [kaz\u026A\u02C8m\u026Ar s\u025B\u028B\u025B\u02C8r\u026Ano\u028B\u026At\u0283 m\u0251\u02C8l\u025B\u028B\u026At\u0283]), (23. \u00FAnor (gregori\u00E1nsk\u00FD kalend\u00E1\u0159) /11. \u00FAnor (juli\u00E1nsk\u00FD kalend\u00E1\u0159) 1879 Kyjev \u2013 15. kv\u011Btna 1935 Leningrad) byl polsko-ukrajinsko-rusk\u00FD mal\u00ED\u0159 a teoretik um\u011Bn\u00ED, pr\u016Fkopn\u00EDk geometrick\u00E9ho abstraktn\u00EDho um\u011Bn\u00ED a zakladatel avantgardn\u00EDho hnut\u00ED suprematismu. Po obou rodi\u010D\u00EDch byl polsk\u00E9ho p\u016Fvodu."@cs . . "Party, 1908"@en . . "Kazimir Malevich, 1915, Black Suprematic Square, oil on linen canvas, 79.5 x 79.5 cm, Tretyakov Gallery, Moscow.jpg"@en . . . . . . . . . . . . . . . . "Russian Empire \u2192 Soviet Union"@en . . . "\u041A\u0430\u0437\u0438\u043C\u0438\u0301\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u0301\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0301\u0432\u0438\u0447 (\u043F\u043E\u043B. Kazimierz Malewicz; 11 [23] \u043B\u044E\u0442\u043E\u0433\u043E 1879, \u041A\u0438\u0457\u0432 \u2014 15 \u0442\u0440\u0430\u0432\u043D\u044F 1935, \u041B\u0435\u043D\u0456\u043D\u0433\u0440\u0430\u0434, \u0421\u0420\u0421\u0420) \u2014 \u0443\u043A\u0440\u0430\u0457\u043D\u0441\u044C\u043A\u0438\u0439 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A-\u0430\u0432\u0430\u043D\u0433\u0430\u0440\u0434\u0438\u0441\u0442, \u0432\u0438\u0437\u043D\u0430\u0447\u043D\u0438\u0439 \u0434\u0456\u044F\u0447 \u0443\u043A\u0440\u0430\u0457\u043D\u0441\u044C\u043A\u043E\u0433\u043E \u0430\u0432\u0430\u043D\u0433\u0430\u0440\u0434\u0443, \u0437\u0430\u0441\u043D\u043E\u0432\u043D\u0438\u043A \u0441\u0443\u043F\u0440\u0435\u043C\u0430\u0442\u0438\u0437\u043C\u0443, \u043E\u0434\u0438\u043D \u0437 \u0444\u0443\u043D\u0434\u0430\u0442\u043E\u0440\u0456\u0432 \u043A\u0443\u0431\u043E\u0444\u0443\u0442\u0443\u0440\u0438\u0437\u043C\u0443; \u043F\u0435\u0434\u0430\u0433\u043E\u0433, \u0442\u0435\u043E\u0440\u0435\u0442\u0438\u043A \u043C\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u0430 \u043F\u043E\u043B\u044C\u0441\u044C\u043A\u043E\u0433\u043E \u043F\u043E\u0445\u043E\u0434\u0436\u0435\u043D\u043D\u044F. \u0420\u0430\u0437\u043E\u043C \u0456\u0437 \u0412\u0435\u043B\u0438\u043C\u0438\u0440\u043E\u043C \u0425\u043B\u0454\u0431\u043D\u0438\u043A\u043E\u0432\u0438\u043C \u0431\u0443\u0432 \u0447\u043B\u0435\u043D\u043E\u043C \u00AB\u0442\u043E\u0432\u0430\u0440\u0438\u0441\u0442\u0432\u0430 \u0433\u043E\u043B\u0456\u0432 \u0437\u0435\u043C\u043D\u043E\u0457 \u043A\u0443\u043B\u0456\u00BB."@uk . . . . . . . . "yes"@en . "Kazimir Severinovitj Malevitj (ryska: \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447; ukrainska: \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447, Kazymyr Malevytj; polska: Kazimierz Malewicz), f\u00F6dd 23 februari 1879 i guvernementet Kiev i kejsard\u00F6met Ryssland (nu Kiev oblast i Ukraina), d\u00F6d 15 maj 1935 i Leningrad i Sovjetunionen (nu Sankt Petersburg i Ryssland), var en polsk-rysk konstn\u00E4r. Han grundade suprematismen."@sv . . . . . . "Kazimir Severinovi\u010D Malevi\u010D (rusky \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447, polsky Kazimierz Malewicz, [kaz\u026A\u02C8m\u026Ar s\u025B\u028B\u025B\u02C8r\u026Ano\u028B\u026At\u0283 m\u0251\u02C8l\u025B\u028B\u026At\u0283]), (23. \u00FAnor (gregori\u00E1nsk\u00FD kalend\u00E1\u0159) /11. \u00FAnor (juli\u00E1nsk\u00FD kalend\u00E1\u0159) 1879 Kyjev \u2013 15. kv\u011Btna 1935 Leningrad) byl polsko-ukrajinsko-rusk\u00FD mal\u00ED\u0159 a teoretik um\u011Bn\u00ED, pr\u016Fkopn\u00EDk geometrick\u00E9ho abstraktn\u00EDho um\u011Bn\u00ED a zakladatel avantgardn\u00EDho hnut\u00ED suprematismu. Po obou rodi\u010D\u00EDch byl polsk\u00E9ho p\u016Fvodu."@cs . . . . . "Kazimir Malevich"@en . . . . . . . . . . "\u039A\u03B1\u03B6\u03B9\u03BC\u03AF\u03C1 \u039C\u03B1\u03BB\u03AD\u03B2\u03B9\u03C4\u03C2"@el . "\u041C\u0430\u043B\u0435\u0432\u0438\u0447, \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447"@ru . "Kazimierz Malewicz (ros. \u041A\u0430\u0437\u0438\u043C\u0438\u0301\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u0301\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0301\u0432\u0438\u0447, ur. 11 lutego?/ 23 lutego 1879 w Kijowie, zm. 15 maja 1935 w Leningradzie) \u2013 rosyjski malarz, pedagog, komunistyczny filozof, teoretyk sztuki, tak\u017Ce rosyjski urz\u0119dnik pa\u0144stwowy polskiego pochodzenia czy narodowo\u015Bci. Czo\u0142owy artysta awangardy, tw\u00F3rca suprematyzmu. Zwi\u0105zany m.in. z Bubnowym Waletem, Wchutiemasem i Unowisem. Od 1918 roku urz\u0119dnik Ludowego Komisariatu O\u015Bwiaty Rosyjskiej FSRR, w 1929 roku komisarz ludowy (minister) sztuk wizualnych Rosyjskiej FSRR. Jeden z najwa\u017Cniejszych przedstawicieli oficjalnej kultury rosyjskiej i radzieckiej lat 1917\u20131935. Jego tw\u00F3rczo\u015B\u0107 wywar\u0142a znacz\u0105cy wp\u0142yw na rozw\u00F3j mi\u0119dzynarodowej awangardy, w tym polskiej awangardy lat 20. XX wieku. By\u0142 zapowiedzi\u0105 minimalist\u00F3w. Do jego najs\u0142ynniejszych dzie\u0142 zalicza si\u0119 Czarny kwadrat na bia\u0142ym tle, pokazany po raz pierwszy w 1915 roku w Piotrogrodzie. Pomys\u0142 tego obrazu mia\u0142 si\u0119 narodzi\u0107 w 1913 roku, podczas pracy nad scenografi\u0105 i kostiumami do \u201Efuturystycznej opery\u201D Zwyci\u0119stwo nad s\u0142o\u0144cem Michai\u0142a Matiuszyna."@pl . . . . . . . "P\u00E9int\u00E9ir a rugadh i gC\u00EDv na h\u00DAcr\u00E1ine ab ea Kazimir Severinovich Malevich (23 Feabhra (11 Feabhra sa tseanst\u00EDl), 1879\u201315 Bealtaine 1935). Le Mondrian, ina cheannr\u00F3da\u00ED luath ar an teib\u00EDocht \u00EDon san eala\u00EDn. Bhunaigh s\u00E9 an ghluaiseacht uachtara\u00EDoch sa R\u00FAis timpeall 1913. Bh\u00ED an eala\u00EDn nua-aoiseach seo bunaithe ar 4 chruth simpl\u00ED: an dronuilleog, an ciorcal, an triant\u00E1n, is an chrois. L\u00E9irigh s\u00E9 \u00EDonacht aeist\u00E9iti\u00FAil na gluaiseachta nuair a ph\u00E9inte\u00E1il cearn\u00F3g bh\u00E1n ar ch\u00FAlionad b\u00E1n."@ga . "Kazimir Sever\u00EDnovitx Mali\u00E9vitx (en rus: \u041A\u0430\u0437\u0438\u043C\u0438\u0301\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u0301\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0301\u0432\u0438\u0447) o Kazimir Sever\u00EDnovitx Mal\u00E8vitx (en ucra\u00EFn\u00E8s: \u041A\u0430\u0437\u0438\u043C\u0438\u0301\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u0301\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0301\u0432\u0438\u0447, Kazymyr Severynovytx Mal\u00E8vytx) (a K\u00EDiv o a un poble prop de K\u00EDiv a la Gub\u00E8rnia de K\u00EDiv, Ucra\u00EFna, Imperi Rus, 23 de febrer [C.J. 11 de febrer] de 1879 - Leningrad, URSS, 15 de maig de 1935) va ser un te\u00F2ric de l'art i pintor ucra\u00EFn\u00E8s de l'Imperi rus que va n\u00E9ixer a Ucra\u00EFna al si d'una fam\u00EDlia ucra\u00EFnesa d'arrels poloneses."@ca . "Kazimir Severinovich Malevich (em russo: \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447, em polon\u00EAs/polaco: Kazimierz Seweryn Malewicz; Kiev, 23 de fevereiro [Calend. juliano: 11 de fevereiro] 1879 \u2013 S\u00E3o Petersburgo, 15 de maio de 1935) foi um pintor abstrato russa de ascend\u00EAncia polaca. Fez parte da vanguarda russa e foi o mentor do movimento conhecido como Suprematismo."@pt . . . . . "Kazimir Mal\u00E9vich"@es . . "17300"^^ . . . . . . . . . "Kazimir Malevitx"@eu . . "Kazimir Sever\u00EDnovich Mal\u00E9vich (en ruso, \u041A\u0430\u0437\u0438\u043C\u0438\u0301\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u0301\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0301\u0432\u0438\u0447 11 de febrerojul./ 23 de febrero de 1879greg., Kiev\u200B - 15 de mayo de 1935, Leningrado) fue un pintor ruso de origen polaco\u200B\u200B\u200B\u200B\u200B\u200B\u200B, creador del suprematismo, uno de los movimientos de la vanguardia rusa del siglo XX. En el oto\u00F1o de 1930, el NKVD interrog\u00F3 a Kazimir Mal\u00E9vich en Leningrado. Se lo acusa de espionaje polaco y se le amenaza con la ejecuci\u00F3n. Permaneci\u00F3 en prisi\u00F3n tres meses."@es . . . . . . . . . . . "Kasimir Malevitch"@fr . . . "\uCE74\uC9C0\uBBF8\uB974 \uC138\uBCA0\uB9AC\uB178\uBE44\uCE58 \uB9D0\uB808\uBE44\uCE58(\uB7EC\uC2DC\uC544\uC5B4: \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447, 1879\uB144 2\uC6D4 23\uC77C ~ 1935\uB144 5\uC6D4 15\uC77C)\uB294 \uB7EC\uC2DC\uC544\uC758 \uD654\uAC00\uC774\uB2E4. \uD0A4\uC608\uD504\uC5D0\uC11C \uCD9C\uC0DD\uD558\uC600\uACE0, \uCD08\uAE30\uC758 \uC218\uC5C5\uC740 \uC778\uC0C1\uD30C \uBC0F \uD3EC\uBE44\uC2B4\uC5D0\uC11C \uCD9C\uBC1C\uD558\uC600\uC73C\uB098 1912\uB144 \uD30C\uB9AC\uB85C \uB098\uC640 \uD034\uBE44\uC2B4\uC744 \uC811\uD558\uC5EC \uACB0\uC815\uC801\uC778 \uC601\uD5A5\uC744 \uBC1B\uC558\uB2E4. 1913\uB144 \uBC31\uC9C0(\u767D\u7D19)\uC5D0 \uAC80\uC740 \uC815\uBC29\uD615\uB9CC \uADF8\uB9B0 \uC791\uD488\uC744 \uBC1C\uD45C\uD558\uC5EC \uD654\uC81C\uB97C \uC77C\uC73C\uCF30\uACE0, \uC774 \uC791\uD488\uC744 \uACC4\uAE30\uB85C \uD558\uC5EC \uAC10\uAC01\uC758 \uAD81\uADF9\uC744 \uD0D0\uAD6C\uD558\uB294 \uC26C\uD504\uB808\uB9C8\uD2F0\uC2B4\uC758 \uAE38\uC744 \uAC1C\uCC99\uD574 \uB098\uAC14\uB2E4. 1915\uB144 \uC2DC\uC778 \uBE14\uB77C\uB514\uBBF8\uB974 \uB9C8\uC57C\uCF65\uC2A4\uD0A4\uC758 \uD611\uB825\uC73C\uB85C '\uC26C\uD504\uB808\uB9C8\uD2F0\uC2B4 \uC120\uC5B8'\uC744 \uBC1C\uD45C\uD558\uC5EC, \uB7EC\uC2DC\uC544 \uC804\uC704\uBBF8\uC220\uC758 \uAE30\uC218\uB85C\uC11C \uD65C\uC57D\uD558\uC600\uB2E4. 1919\uB144\uC5D0\uB294 \uC758 \uAD50\uC218\uAC00 \uB418\uC5C8\uACE0, 1921\uB144\uC5D0\uB294 \uC758 \uCD08\uCCAD\uC744 \uBC1B\uC558\uB2E4. 1926\uB144 \uADF8\uB294 \uB2E8\uAE30\uAC04 \uB3C5\uC77C\uC5D0 \uBA38\uBB3C\uB800\uB294\uB370 \uADC0\uAD6D \uD6C4\uC5D0 \uBB38\uD654\uC815\uCC45\uC744 \uBCC0\uACBD\uD55C \uB2F9\uAD6D\uC5D0 \uC758\uD558\uC5EC \uACF5\uC9C1\uC11C \uCD94\uBC29\uB2F9\uD558\uC600\uACE0, \uADF8 \uC774\uD6C4\uB294 \uC624\uC9C1 \uC2E4\uC6A9\uBBF8\uC220(\uC81C\uB3C4\u00B7\uC9C1\uBB3C\u00B7\uBCBD\uC9C0)\uC758 \uBD84\uC57C\uC5D0\uB9CC \uC885\uC0AC\uD558\uB2E4\uAC00 1935\uB144 \uB808\uB2CC\uADF8\uB77C\uB4DC\uC5D0\uC11C \uC0AC\uB9DD\uD558\uC600\uB2E4."@ko . . . . . . . . . . . . . "Kazimir Severinovi\u010D Malevi\u010D (in ucraino: \u041A\u0430\u0437\u0438\u043C\u0438\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0432\u0438\u0447?; in polacco Kazimierz Malewicz; in russo: \u041A\u0430\u0437\u0438\u043C\u0438\u0301\u0440 \u0421\u0435\u0432\u0435\u0440\u0438\u0301\u043D\u043E\u0432\u0438\u0447 \u041C\u0430\u043B\u0435\u0301\u0432\u0438\u0447?; Kiev, 23 febbraio 1879 \u2013 Leningrado, 15 maggio 1935) \u00E8 stato un pittore, insegnante e urbanista russo poi sovietico, di origini polacche, nato nel Governatorato di Kiev dell'Impero russo. Fu un pioniere dell'astrattismo geometrico e delle avanguardie russe.Studi\u00F2 all'Accademia privata di Rerberg a Mosca. Nel 1913 fond\u00F2 l'avanguardia artistica chiamata suprematismo."@it . . . . . . . .