. . ""@en . . "13119"^^ . "Stockhausen, Karlheinz. 1963. \"Arbeitsbericht 1952/53: Orientierung\". In his Texte zur elektronischen und instrumentalen Musik 1, edited by Dieter Schnebel, 32\u201338. DuMont Dokumente. Cologne: Verlag M. DuMont Schauberg."@en . "Maconie, Robin. 2005. Other Planets: The Music Of Karlheinz Stockhausen. Lanham, Maryland, Toronto, and Oxford: The Scarecrow Press. ."@en . . "1737680"^^ . . . "Kontra-Punkte"@en . . . . "Kontra-Punkte (Counter-Points, or Against-Points) is a composition for ten instruments by Karlheinz Stockhausen which resolves contrasts among six instrumental timbres, as well as extremes of note values and dynamic levels, into a homogeneous ending texture. Stockhausen described it: \"Counter-Points: a series of the most concealed and also the most conspicuous transformations and renewals\u2014with no predictable end. The same thing is never heard twice. Yet there is a distinct feeling of never falling out of an unmistakable construction of the utmost homogeneity. An underlying force that holds things together\u2014related proportions: a structure. Not the same Gestalten in a changing light. But rather this: various Gestalten in the same light, that permeates everything.\""@en . . . . "Pousseur, Henri. 1970. Fragments th\u00E9oriques I: Sur la musique exp\u00E9rimentale. \u00C9tudes de sociologie de la musique. Brussels: Editions de l\u2019Institut de Sociologie Universit\u00E9 Libre de Bruxelles."@en . . "Blumr\u00F6der, Christoph von. 1993. Die Grundlegung der Musik Karlheinz Stockhausens. Srpplement to the Archiv f\u00FCr Musikwissenschaft 32, ed. Hans Heinrich Eggebrecht. Stuttgart: Franz Steiner Verlag."@en . . . . . . . . . . . . . . . . "1953-05-26"^^ . . . ""@en . . . "Kontra-Punkte (Counter-Points, or Against-Points) is a composition for ten instruments by Karlheinz Stockhausen which resolves contrasts among six instrumental timbres, as well as extremes of note values and dynamic levels, into a homogeneous ending texture. Stockhausen described it: \"Counter-Points: a series of the most concealed and also the most conspicuous transformations and renewals\u2014with no predictable end. The same thing is never heard twice. Yet there is a distinct feeling of never falling out of an unmistakable construction of the utmost homogeneity. An underlying force that holds things together\u2014related proportions: a structure. Not the same Gestalten in a changing light. But rather this: various Gestalten in the same light, that permeates everything.\""@en . . . . . . . . . . . "Stockhausen, Karlheinz. 1964. \"Nr. 1 Kontra-Punkte f\u00FCr 10 Instrumente \". In his Texte zur Musik 2, edited by Dieter Schnebel, 20\u201321. Cologne: Verlag M. DuMont Schauberg."@en . . . . . "1088971842"^^ . "Kurtz, Michael. 1992. Stockhausen: A Biography. Translated by Richard Toop. London: Faber and Faber."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Kontra-Punkte"@en . . . . . . . . "--11-13"^^ . . . . . . . "1"^^ . . . . . . . "Wolf, Robert Erich. 1953. \"Current Chronicle: Germany\". Musical Quarterly 39, no. 4 : 604\u2013609."@en . . . . . "Assis, Gustavo Oliveira Alfaix. 2011. Em busca do som: A m\u00FAsica de Karlheinz Stockhausen nos anos 1950. S\u00E3o Paulo: Editora UNESP. ."@en .