. . "Lauro Escorel Filho (born January 5, 1950), most known as Lauro Escorel, is an American-born Brazilian cinematographer and film director. He was born during his father, a Ministry of External Relations, stay in Washington, DC. He first worked as an assistant to and Affonso Beato, and made his debut in 1971 on Leon Hirszman's S\u00E3o Bernardo, which won Gramado Film Festival Best Cinematography Award. He directed the short film Libert\u00E1rios, winner of Margarida de Prata Award from the National Conference of Bishops of Brazil, in 1976. In 1978, he would win again the Gramado Film Festival Best Cinematography Award for his work on H\u00E9ctor Babenco's L\u00FAcio Fl\u00E1vio, o Passageiro da Agonia. His first feature film, Sonho sem Fim, won the Jury Special Award at the 1986 Gramado Film Festival. Ironweed (1987), another Babenco's film, would make him more known internationally."@en . . "Cinematographer"@en . "\u042D\u0441\u043A\u043E\u0440\u0435\u043B, \u041B\u0430\u0443\u0440\u043E"@ru . . . . . . . "1950-01-05"^^ . . . . . . . . "4111"^^ . "Lauro Escorel"@en . "1074372446"^^ . . . . . . . . . "Lauro Escorel Filho"@en . . . . . "1971"^^ . . . "Lauro Escorel Filho, mais conhecido como Lauro Escorel (Washington, DC, 5 de janeiro de 1950), \u00E9 um diretor, diretor de fotografia, roteirista, produtor e fot\u00F3grafo estadunidense-brasileiro de cinema. Lauro Escorel \u00E9 irm\u00E3o do diretor Eduardo Escorel e filho de diplomata, e casado com a historiadora Marina de Mello e Souza. Foi co-diretor do filme A Fera na Selva dirigido por Paulo Betti e Eliane Giardini."@pt . . . . . . "Lauro Escorel"@pt . . . . . . . "Lauro Escorel"@en . . . . . . . . "Lauro Escorel"@de . . . . . . "\u041B\u0430\u0443\u0440\u043E \u042D\u0441\u043A\u043E\u0440\u0435\u043B-\u043C\u043B\u0430\u0434\u0448\u0438\u0439 (\u043F\u043E\u0440\u0442. Lauro Escorel Filho, 5 \u044F\u043D\u0432\u0430\u0440\u044F 1950, \u0412\u0430\u0448\u0438\u043D\u0433\u0442\u043E\u043D) \u2013 \u0431\u0440\u0430\u0437\u0438\u043B\u044C\u0441\u043A\u0438\u0439 \u0438 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u0438\u0439 \u043A\u0438\u043D\u043E\u043E\u043F\u0435\u0440\u0430\u0442\u043E\u0440, \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440 \u0438 \u043F\u0440\u043E\u0434\u044E\u0441\u0435\u0440."@ru . "Lauro Escorel de Morais Filho (* 5. Januar 1950 in Washington, D.C.) ist ein brasilianischer Kameramann."@de . . . "Lauro Escorel"@en . . . "42631554"^^ . "1950-01-05"^^ . . . . . "1971"^^ . . . . . . . . "Lauro Escorel Filho"@en . . . . . . . . . . "Lauro Escorel"@en . . . . . . . . . . . . . . . . "1950"^^ . . . . "Lauro Escorel de Morais Filho (* 5. Januar 1950 in Washington, D.C.) ist ein brasilianischer Kameramann."@de . . "\u041B\u0430\u0443\u0440\u043E \u042D\u0441\u043A\u043E\u0440\u0435\u043B-\u043C\u043B\u0430\u0434\u0448\u0438\u0439 (\u043F\u043E\u0440\u0442. Lauro Escorel Filho, 5 \u044F\u043D\u0432\u0430\u0440\u044F 1950, \u0412\u0430\u0448\u0438\u043D\u0433\u0442\u043E\u043D) \u2013 \u0431\u0440\u0430\u0437\u0438\u043B\u044C\u0441\u043A\u0438\u0439 \u0438 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u0438\u0439 \u043A\u0438\u043D\u043E\u043E\u043F\u0435\u0440\u0430\u0442\u043E\u0440, \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440 \u0438 \u043F\u0440\u043E\u0434\u044E\u0441\u0435\u0440."@ru . . "Lauro Escorel Filho, mais conhecido como Lauro Escorel (Washington, DC, 5 de janeiro de 1950), \u00E9 um diretor, diretor de fotografia, roteirista, produtor e fot\u00F3grafo estadunidense-brasileiro de cinema. Lauro Escorel \u00E9 irm\u00E3o do diretor Eduardo Escorel e filho de diplomata, e casado com a historiadora Marina de Mello e Souza. Foi co-diretor do filme A Fera na Selva dirigido por Paulo Betti e Eliane Giardini."@pt . . . . . . . . . . "Lauro Escorel Filho (born January 5, 1950), most known as Lauro Escorel, is an American-born Brazilian cinematographer and film director. He was born during his father, a Ministry of External Relations, stay in Washington, DC. He first worked as an assistant to and Affonso Beato, and made his debut in 1971 on Leon Hirszman's S\u00E3o Bernardo, which won Gramado Film Festival Best Cinematography Award. He directed the short film Libert\u00E1rios, winner of Margarida de Prata Award from the National Conference of Bishops of Brazil, in 1976. In 1978, he would win again the Gramado Film Festival Best Cinematography Award for his work on H\u00E9ctor Babenco's L\u00FAcio Fl\u00E1vio, o Passageiro da Agonia. His first feature film, Sonho sem Fim, won the Jury Special Award at the 1986 Gramado Film Festival. Ironweed (19"@en . . .