. . "\u300E\u753A\u4EBA\u8CB4\u65CF\u300F\uFF08\u3061\u3087\u3046\u306B\u3093\u304D\u305E\u304F\u3001\u72EC: Der B\u00FCrger als Edelmann\uFF09\u4F5C\u54C160\u306F\u3001\u30EA\u30D2\u30E3\u30EB\u30C8\u30FB\u30B7\u30E5\u30C8\u30E9\u30A6\u30B9\u304C\u4F5C\u66F2\u3057\u305F\u5287\u4ED8\u968F\u97F3\u697D\u3001\u304A\u3088\u3073\u305D\u306E\u629C\u7C8B\u304B\u3089\u306A\u308B\u7D44\u66F2\u3002"@ja . . "orchestral suite"@en . "1917-12-25"^^ . . "El burgu\u00E9s gentilhombre (Strauss)"@es . . "7430033"^^ . . "60"^^ . . . . . "Le bourgeois gentilhomme (in German, Der B\u00FCrger als Edelmann), Op. 60, is an orchestral suite compiled by Richard Strauss from music he wrote between 1911 and 1917. The work has a complex genesis. Originally, Strauss collaborator Hugo von Hofmannsthal had the idea of reviving Moli\u00E8re's 1670 play Le bourgeois gentilhomme, simplifying its plot, introducing a commedia dell'arte troupe, adding incidental music, and concluding what would be a long evening with a newly written one-act opera called Ariadne auf Naxos. This idea did materialize, as planned, in Stuttgart on 25 October 1912. But it was apparent that the result was too long and expensive and that many in the audience for the play were uninterested in the opera, and vice versa. Strauss and Hofmannsthal accordingly opted to separate the"@en . . . "Le bourgeois gentilhomme (Strauss)"@en . . . . . . . . . . "1095358910"^^ . . "\u300A\uD3C9\uBBFC\uADC0\uC871\u300B Op.60-2, Op.60-3(\uB3C5\uC77C\uC5B4: Der B\u00FCrger als Edelmann, \uD504\uB791\uC2A4\uC5B4: Le Bourgeois Gentilhomme)\uC740 \uB9AC\uD558\uB974\uD2B8 \uC288\uD2B8\uB77C\uC6B0\uC2A4\uAC00 \uC791\uACE1\uD55C \uBD80\uC218\uC74C\uC545\uADF9\uACFC \uADF8 \uC74C\uC545\uC744 \uC5F0\uC8FC\uD68C\uC6A9\uC73C\uB85C \uD3B8\uACE1\uD55C \uBAA8\uC74C\uACE1 \uD615\uD0DC\uC758 \uBD80\uC218\uC74C\uC545\uC774\uB2E4. \uBAB0\uB9AC\uC5D0\uB974\uC758 \uD76C\uADF9 \u3008\uD3C9\uBBFC\uADC0\uC871\u3009\uC744 \uD6C4\uACE0 \uD3F0 \uD638\uD504\uB9CC\uC2A4\uD0C8\uC774 \uAC1C\uC791 \uC0C1\uC5F0\uD588\uC744 \uB54C \uC791\uACE1\uD55C \uBD80\uC218\uC74C\uC545\uADF9\uC5D0\uC11C \uBC1C\uCDCC\uD55C \uAC83\uC774\uB2E4."@ko . . . . "M. Jourdain, Le bourgeois gentilhomme, the title character in the play."@en . . "Le bourgeois gentilhomme (in German, Der B\u00FCrger als Edelmann), Op. 60, is an orchestral suite compiled by Richard Strauss from music he wrote between 1911 and 1917. The work has a complex genesis. Originally, Strauss collaborator Hugo von Hofmannsthal had the idea of reviving Moli\u00E8re's 1670 play Le bourgeois gentilhomme, simplifying its plot, introducing a commedia dell'arte troupe, adding incidental music, and concluding what would be a long evening with a newly written one-act opera called Ariadne auf Naxos. This idea did materialize, as planned, in Stuttgart on 25 October 1912. But it was apparent that the result was too long and expensive and that many in the audience for the play were uninterested in the opera, and vice versa. Strauss and Hofmannsthal accordingly opted to separate the two works entirely. In the case of the opera, this meant Strauss composing a new \u201CPrologue\u201D for it to explain the presence of the comedians. (The revised Ariadne auf Naxos premiered four years later and has been a success ever since.) As regards the play, Hofmannsthal devised an ending closer to Moli\u00E8re's original, with Strauss adding to his existing incidental music to support the new conclusion. This premiered in 1917. An adaptation of Moliere's play by Peter Ustinov was presented and recorded in 1997 with Ustinov narrating and playing the parts, incorporating Strauss' music. It was from the now-lengthened incidental music that Strauss compiled his orchestral suite. He finished this task on Christmas Day 1917, and the resulting concert work received its premiere in Berlin on 9 April 1918 with Strauss himself conducting. The suite lasts half an hour and is in nine sections: 1. \n* Ouverture (Overture) 2. \n* Menuett (Minuet) 3. \n* Der Fechtmeister (The Fencing Master) 4. \n* Auftritt und Tanz der Schneider (Entry and Dance of the Tailors) 5. \n* Menuett des Lully (Lully's Minuet) 6. \n* Courante 7. \n* Auftritt des Cl\u00E9onte (Entry of Cl\u00E9onte; after Lully) 8. \n* Vorspiel (Intermezzo) 9. \n* Das Diner (The Dinner) Omitted from the suite were ballets added for the 1917 version of the play: one for sylphs, another for pretend-Turks. Strauss's Opus 60 is unusual among his works in having a distinct Baroque flavor. In fact he based sections 5 to 7 on music by Jean-Baptiste Lully, who had provided the original incidental music in 1670 and was as much a collaborator with Moli\u00E8re as Strauss and Hofmannsthal were centuries later. The few other so-called Neo-Classical works by Strauss also found inspiration in the French Baroque: his 1923 Dance suite after keyboard pieces by Fran\u00E7ois Couperin and his 1942 Divertimento for chamber orchestra after keyboard pieces by Couperin, Opus 86."@en . . . . . . . . . . . . . . . . . . . . "El burgu\u00E9s gentilhombre o Le Bourgeois gentilhomme, op. 60, es una suite orquestal escrita por Richard Strauss entre 1911 y 1917. La idea original de Hugo von Hofmannsthal, libretista de Strauss, tras el \u00E9xito de su colaboraci\u00F3n en Der Rosenkavalier en 1911, fue revivir la obra de Moli\u00E8re de 1670, del mismo t\u00EDtulo, El burgu\u00E9s gentilhombre, simplificando la trama, introduciendo una compa\u00F1\u00EDa de comedia del arte, a\u00F1adiendo algo de m\u00FAsica incidental y concluyendo con una \u00F3pera en un acto, Ariadne auf Naxos."@es . . "\uD3C9\uBBFC\uADC0\uC871 (\uC288\uD2B8\uB77C\uC6B0\uC2A4)"@ko . . "El burgu\u00E9s gentilhombre o Le Bourgeois gentilhomme, op. 60, es una suite orquestal escrita por Richard Strauss entre 1911 y 1917. La idea original de Hugo von Hofmannsthal, libretista de Strauss, tras el \u00E9xito de su colaboraci\u00F3n en Der Rosenkavalier en 1911, fue revivir la obra de Moli\u00E8re de 1670, del mismo t\u00EDtulo, El burgu\u00E9s gentilhombre, simplificando la trama, introduciendo una compa\u00F1\u00EDa de comedia del arte, a\u00F1adiendo algo de m\u00FAsica incidental y concluyendo con una \u00F3pera en un acto, Ariadne auf Naxos. La f\u00F3rmula, estrenada en 1912 en Stuttgart, dejando la obra teatral en su forma original, pero sustituyendo la mascarada turca por la representaci\u00F3n de una \u00F3pera de contenido cl\u00E1sico, fracas\u00F3 por su excesiva duraci\u00F3n y sus costes de montaje, por la necesidad de disponer de una compa\u00F1\u00EDa de actores y otra compa\u00F1\u00EDa de \u00F3pera. Puestos a trabajar en la separaci\u00F3n de las dos obras, se escribi\u00F3 un pr\u00F3logo cantado a la \u00F3pera para explicar la presencia de los comediantes y se traslad\u00F3 el argumento de Par\u00EDs a Viena. La \u00F3pera, revisada y ya independiente, se estren\u00F3 en el Hofoper de Viena en 1916. El burgu\u00E9s gentilhombre tambi\u00E9n fue readaptada siguiendo m\u00E1s cercanamente la obra original de Moli\u00E8re, incluyendo m\u00FAsica incidental adicional en 1917 y creando una suite orquestal. El estreno de la suite, bajo su direcci\u00F3n tuvo lugar el 31 de enero de 1920."@es . . "Le Bourgeois gentilhomme, op. 60 est une suite pour orchestre \u00E9crite par Richard Strauss (1864-1949) entre 1911 et 1917."@fr . . . . "Le Bourgeois gentilhomme, op. 60 est une suite pour orchestre \u00E9crite par Richard Strauss (1864-1949) entre 1911 et 1917."@fr . . . . . . . . . "5273"^^ . . . . . . "Le Bourgeois gentilhomme (Richard Strauss)"@fr . . . . . . . . . . . "Chamber orchestra"@en . "Der B\u00FCrger als Edelmann (op. 60b-IIIa) ist eine Orchestersuite von Richard Strauss, die er 1919 aus den Musikst\u00FCcken zur gleichnamigen Ballettkom\u00F6die (komponiert zwischen 1911 und 1917) zusammengestellt hat."@de . "\u300A\uD3C9\uBBFC\uADC0\uC871\u300B Op.60-2, Op.60-3(\uB3C5\uC77C\uC5B4: Der B\u00FCrger als Edelmann, \uD504\uB791\uC2A4\uC5B4: Le Bourgeois Gentilhomme)\uC740 \uB9AC\uD558\uB974\uD2B8 \uC288\uD2B8\uB77C\uC6B0\uC2A4\uAC00 \uC791\uACE1\uD55C \uBD80\uC218\uC74C\uC545\uADF9\uACFC \uADF8 \uC74C\uC545\uC744 \uC5F0\uC8FC\uD68C\uC6A9\uC73C\uB85C \uD3B8\uACE1\uD55C \uBAA8\uC74C\uACE1 \uD615\uD0DC\uC758 \uBD80\uC218\uC74C\uC545\uC774\uB2E4. \uBAB0\uB9AC\uC5D0\uB974\uC758 \uD76C\uADF9 \u3008\uD3C9\uBBFC\uADC0\uC871\u3009\uC744 \uD6C4\uACE0 \uD3F0 \uD638\uD504\uB9CC\uC2A4\uD0C8\uC774 \uAC1C\uC791 \uC0C1\uC5F0\uD588\uC744 \uB54C \uC791\uACE1\uD55C \uBD80\uC218\uC74C\uC545\uADF9\uC5D0\uC11C \uBC1C\uCDCC\uD55C \uAC83\uC774\uB2E4."@ko . . "The merchant gentleman"@en . "Der B\u00FCrger als Edelmann (Strauss)"@de . . . . . "1918-04-09"^^ . . . . . . "Der B\u00FCrger als Edelmann (op. 60b-IIIa) ist eine Orchestersuite von Richard Strauss, die er 1919 aus den Musikst\u00FCcken zur gleichnamigen Ballettkom\u00F6die (komponiert zwischen 1911 und 1917) zusammengestellt hat."@de . . "\u753A\u4EBA\u8CB4\u65CF (\u30EA\u30D2\u30E3\u30EB\u30C8\u30FB\u30B7\u30E5\u30C8\u30E9\u30A6\u30B9)"@ja . . "\u300E\u753A\u4EBA\u8CB4\u65CF\u300F\uFF08\u3061\u3087\u3046\u306B\u3093\u304D\u305E\u304F\u3001\u72EC: Der B\u00FCrger als Edelmann\uFF09\u4F5C\u54C160\u306F\u3001\u30EA\u30D2\u30E3\u30EB\u30C8\u30FB\u30B7\u30E5\u30C8\u30E9\u30A6\u30B9\u304C\u4F5C\u66F2\u3057\u305F\u5287\u4ED8\u968F\u97F3\u697D\u3001\u304A\u3088\u3073\u305D\u306E\u629C\u7C8B\u304B\u3089\u306A\u308B\u7D44\u66F2\u3002"@ja . . . . "TrV 228c"@en . . "Le bourgeois gentilhomme"@en . . . .