"I tentativi per ottenere la riproduzione dei colori nelle immagini cinematografiche sono stati numerosi. Nel periodo in cui le ricerche furono pi\u00F9 intense, cio\u00E8 fra il 1928 e il 1948, furono proposti pi\u00F9 di mille procedimenti diversi. Fino a quando ebbero inizio le prime esperienze concrete per ottenere immagini colorate per sintesi additiva o sottrattiva a partire da due o tre colori primari, fu tentata con successo la colorazione a mano dei singoli fotogrammi dei film."@it . "6468859"^^ . . . . . . . . . . . . . . "\u0422\u0435\u0445\u043D\u043E\u043B\u043E\u0433\u0438\u0438 \u0446\u0432\u0435\u0442\u043D\u043E\u0433\u043E \u043A\u0438\u043D\u043E \u2014 \u0441\u043E\u0432\u043E\u043A\u0443\u043F\u043D\u043E\u0441\u0442\u044C \u0442\u0435\u0445\u043D\u0438\u0447\u0435\u0441\u043A\u0438\u0445 \u0441\u0440\u0435\u0434\u0441\u0442\u0432 \u043A\u0438\u043D\u0435\u043C\u0430\u0442\u043E\u0433\u0440\u0430\u0444\u0430, \u043F\u043E\u0437\u0432\u043E\u043B\u044F\u044E\u0449\u0430\u044F \u043F\u043E\u043B\u0443\u0447\u0430\u0442\u044C \u043D\u0430 \u044D\u043A\u0440\u0430\u043D\u0435 \u0438\u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u0438\u0435 \u0432 \u0446\u0432\u0435\u0442\u0430\u0445, \u0431\u043B\u0438\u0437\u043A\u0438\u0445 \u043A \u043D\u0430\u0442\u0443\u0440\u0430\u043B\u044C\u043D\u044B\u043C. \u0412 \u0441\u043F\u0438\u0441\u043A\u0435 \u043F\u0440\u0438\u0432\u0435\u0434\u0435\u043D\u044B \u0438\u0437\u0432\u0435\u0441\u0442\u043D\u044B\u0435 \u043D\u0430 \u0441\u0435\u0433\u043E\u0434\u043D\u044F\u0448\u043D\u0438\u0439 \u0434\u0435\u043D\u044C \u0442\u0435\u0445\u043D\u043E\u043B\u043E\u0433\u0438\u0438 \u0446\u0432\u0435\u0442\u043D\u043E\u0433\u043E \u043A\u0438\u043D\u0435\u043C\u0430\u0442\u043E\u0433\u0440\u0430\u0444\u0430, \u043D\u0430\u0447\u0438\u043D\u0430\u044F \u0441 \u043F\u0435\u0440\u0432\u044B\u0445 \u043F\u043E\u043F\u044B\u0442\u043E\u043A \u043A\u043E\u043D\u0446\u0430 XIX \u0432\u0435\u043A\u0430. \u0423\u043F\u043E\u043C\u0438\u043D\u0430\u044E\u0442\u0441\u044F \u0442\u043E\u043B\u044C\u043A\u043E \u0442\u0435 \u0438\u0437 \u043F\u0440\u043E\u0446\u0435\u0441\u0441\u043E\u0432, \u043A\u043E\u0442\u043E\u0440\u044B\u0435 \u043F\u043E\u0437\u0432\u043E\u043B\u044F\u044E\u0442 \u0437\u0430\u043F\u0438\u0441\u044B\u0432\u0430\u0442\u044C \u0446\u0432\u0435\u0442 \u043D\u0430 \u043A\u0438\u043D\u043E\u043F\u043B\u0451\u043D\u043A\u0443. \u041C\u043D\u043E\u0433\u043E\u0447\u0438\u0441\u043B\u0435\u043D\u043D\u044B\u0435 \u0442\u0435\u0445\u043D\u0438\u043A\u0438 \u0440\u0430\u0441\u043A\u0440\u0430\u0441\u043A\u0438 \u0432\u0440\u0443\u0447\u043D\u0443\u044E \u0438 \u0442\u0440\u0430\u0444\u0430\u0440\u0435\u0442\u0430\u043C\u0438 \u043E\u0442\u043D\u043E\u0441\u044F\u0442\u0441\u044F \u043A \u0440\u0430\u0437\u043D\u043E\u0432\u0438\u0434\u043D\u043E\u0441\u0442\u044F\u043C \u043A\u043E\u043B\u043E\u0440\u0438\u0437\u0430\u0446\u0438\u0438."@ru . . . . . . . . . . . . . . . . . . . . . . . . "List of color film systems"@en . . "\u0421\u043F\u0438\u0441\u043E\u043A \u0442\u0435\u0445\u043D\u043E\u043B\u043E\u0433\u0438\u0439 \u0446\u0432\u0435\u0442\u043D\u043E\u0433\u043E \u043A\u0438\u043D\u043E"@ru . . . . . "This is a list of color film processes known to have been created for photographing and exhibiting motion pictures in color since the first attempts were made in the late 1890s. It is limited to \"natural color\" processes, meaning processes in which the color is photographically recorded and reproduced rather than artificially added by hand-painting, stencil coloring, or other arbitrary \"colorization\" methods."@en . . . . . . . . . "I tentativi per ottenere la riproduzione dei colori nelle immagini cinematografiche sono stati numerosi. Nel periodo in cui le ricerche furono pi\u00F9 intense, cio\u00E8 fra il 1928 e il 1948, furono proposti pi\u00F9 di mille procedimenti diversi. Fino a quando ebbero inizio le prime esperienze concrete per ottenere immagini colorate per sintesi additiva o sottrattiva a partire da due o tre colori primari, fu tentata con successo la colorazione a mano dei singoli fotogrammi dei film. Nel seguito \u00E8 riportata, senza la pretesa che sia esaustiva, date lepremesse, una lista dei vari procedimenti di cinematografia a coloriche si sono succeduti dalla fine dell'800 ai giorni nostri. Alcuni nomi sono ripetuti perch\u00E9 sono stati usati, in tempi diversi, per procedimenti diversi."@it . . . . . . . . . . "13336"^^ . . . "1017094299"^^ . . . . . . . . . . . . . . . . . . . . . . . . . "Procedimenti di cinematografia a colori"@it . . . . . . . . . . . . . . . . . "\u0422\u0435\u0445\u043D\u043E\u043B\u043E\u0433\u0438\u0438 \u0446\u0432\u0435\u0442\u043D\u043E\u0433\u043E \u043A\u0438\u043D\u043E \u2014 \u0441\u043E\u0432\u043E\u043A\u0443\u043F\u043D\u043E\u0441\u0442\u044C \u0442\u0435\u0445\u043D\u0438\u0447\u0435\u0441\u043A\u0438\u0445 \u0441\u0440\u0435\u0434\u0441\u0442\u0432 \u043A\u0438\u043D\u0435\u043C\u0430\u0442\u043E\u0433\u0440\u0430\u0444\u0430, \u043F\u043E\u0437\u0432\u043E\u043B\u044F\u044E\u0449\u0430\u044F \u043F\u043E\u043B\u0443\u0447\u0430\u0442\u044C \u043D\u0430 \u044D\u043A\u0440\u0430\u043D\u0435 \u0438\u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u0438\u0435 \u0432 \u0446\u0432\u0435\u0442\u0430\u0445, \u0431\u043B\u0438\u0437\u043A\u0438\u0445 \u043A \u043D\u0430\u0442\u0443\u0440\u0430\u043B\u044C\u043D\u044B\u043C. \u0412 \u0441\u043F\u0438\u0441\u043A\u0435 \u043F\u0440\u0438\u0432\u0435\u0434\u0435\u043D\u044B \u0438\u0437\u0432\u0435\u0441\u0442\u043D\u044B\u0435 \u043D\u0430 \u0441\u0435\u0433\u043E\u0434\u043D\u044F\u0448\u043D\u0438\u0439 \u0434\u0435\u043D\u044C \u0442\u0435\u0445\u043D\u043E\u043B\u043E\u0433\u0438\u0438 \u0446\u0432\u0435\u0442\u043D\u043E\u0433\u043E \u043A\u0438\u043D\u0435\u043C\u0430\u0442\u043E\u0433\u0440\u0430\u0444\u0430, \u043D\u0430\u0447\u0438\u043D\u0430\u044F \u0441 \u043F\u0435\u0440\u0432\u044B\u0445 \u043F\u043E\u043F\u044B\u0442\u043E\u043A \u043A\u043E\u043D\u0446\u0430 XIX \u0432\u0435\u043A\u0430. \u0423\u043F\u043E\u043C\u0438\u043D\u0430\u044E\u0442\u0441\u044F \u0442\u043E\u043B\u044C\u043A\u043E \u0442\u0435 \u0438\u0437 \u043F\u0440\u043E\u0446\u0435\u0441\u0441\u043E\u0432, \u043A\u043E\u0442\u043E\u0440\u044B\u0435 \u043F\u043E\u0437\u0432\u043E\u043B\u044F\u044E\u0442 \u0437\u0430\u043F\u0438\u0441\u044B\u0432\u0430\u0442\u044C \u0446\u0432\u0435\u0442 \u043D\u0430 \u043A\u0438\u043D\u043E\u043F\u043B\u0451\u043D\u043A\u0443. \u041C\u043D\u043E\u0433\u043E\u0447\u0438\u0441\u043B\u0435\u043D\u043D\u044B\u0435 \u0442\u0435\u0445\u043D\u0438\u043A\u0438 \u0440\u0430\u0441\u043A\u0440\u0430\u0441\u043A\u0438 \u0432\u0440\u0443\u0447\u043D\u0443\u044E \u0438 \u0442\u0440\u0430\u0444\u0430\u0440\u0435\u0442\u0430\u043C\u0438 \u043E\u0442\u043D\u043E\u0441\u044F\u0442\u0441\u044F \u043A \u0440\u0430\u0437\u043D\u043E\u0432\u0438\u0434\u043D\u043E\u0441\u0442\u044F\u043C \u043A\u043E\u043B\u043E\u0440\u0438\u0437\u0430\u0446\u0438\u0438."@ru . . . . . . . . . . . . . . "This is a list of color film processes known to have been created for photographing and exhibiting motion pictures in color since the first attempts were made in the late 1890s. It is limited to \"natural color\" processes, meaning processes in which the color is photographically recorded and reproduced rather than artificially added by hand-painting, stencil coloring, or other arbitrary \"colorization\" methods."@en . . . . . . . . . . . . . . . . . . . . . . . .