. . . . . . . . "Malvina Cornell Hoffman (June 15, 1885 \u2013 July 10, 1966) was an American sculptor and author, well known for her life-size bronze sculptures of people. She also worked in plaster and marble. Hoffman created portrait busts of working-class people and significant individuals. She was particularly known for her sculptures of dancers, such as Anna Pavlova. Her sculptures of culturally diverse people, entitled \"Hall of the Races of Mankind\", was a popular permanent exhibition at the Field Museum of Natural History in Chicago. It was featured at the Century of Progress International Exposition at the Chicago World's Fair of 1933."@en . . "Malvina Cornell Hoffman"@en . . . "Malvina Hoffman, My Mother, marble, 1918.tif"@en . . . . . . . . . . . . . . . . . . . . . "Malvina Cornell Hoffman"@en . "Sculptures of dancers and \"Hall of Man\" at the Field Museum of Natural History"@en . . "New York City, US"@en . . . "The Sacrifice war memorial"@en . . . "New York City, US"@en . . . ""@en . . . . . "Malvina Hoffman, Russian Dancers, bronze sculpture, 1911, Detroit Institute of Arts"@en . . . . . . "Bacchanale Russe"@en . "Malvina Hoffman"@es . . "Roger Parry, Malvina Hoffman, , collection of the Smithsonian Photography Initiative."@en . . . . . . . . . . . . . . . . "200"^^ . "Woman's School for Applied Design"@en . "Malvina Hoffman (Nueva York, 15 de junio de 1887 \u2013 10 de julio de 1966), fue una escultora estadounidense, famosa por sus esculturas de tama\u00F1o natural. Malvina Hoffman era la hija del pianista de conciertos Richard Hoffman. Desde temprana edad se dedic\u00F3 a la escultura. Estudi\u00F3 en la Liga de Estudiantes de Arte de Nueva York y recibi\u00F3 ayuda de diversos escultores, como Herbert Adams, George Grey Barnard y Gutzon Borglum En 1910 se traslad\u00F3 a Par\u00EDs y con el tiempo fue aceptada como estudiante por Auguste Rodin. Durante la Primera Guerra Mundial trabaj\u00F3 para la Cruz Roja. En 1930 comenz\u00F3 a trabajar para el Museo Field de Historia Natural en Chicago, Illinois, esculpiendo estatuas a tama\u00F1o natural de las diversas razas y con el tiempo acab\u00F3 105 piezas, entre cabezas y figuras a tama\u00F1o natural. Se colocaron inicialmente en el Sal\u00F3n del Hombre y su viaje para encontrar los diversos modelos son la base de su primer libro, Heads and Tales. En los a\u00F1os sesenta semejante representaci\u00F3n fue considerada racista y la colecci\u00F3n fue dispersada por el museo y gran parte de ella almacenada. Despu\u00E9s de la Segunda Guerra Mundial, Hoffman fue elegida para ejecutar esculturas para el cementerio y memorial estadounidense en \u00C9pinal cerca de los Vosgos (Francia). Marca el sitio de la sangrienta Batalla de las Ardenas. A lo largo de su carrera la fascinaron las bailarinas, y forman el tema de varias de sus piezas m\u00E1s conocidas."@es . . . . . "\u2014Malvina Hoffman, explaining that her sculptures were more than an anthropological study."@en . . . . "36491"^^ . . "To understand the submerged passion that burns in the human eye, to read the hieroglyphs of suffering etched in the lines of a human face ... to watch the gesture of a hand or listen for the false notes and the truth in a human voice, these are the mysteries that I found I must delve into and try to unravel when I made a portrait."@en . . . . . . . . . . . . . . "Samuel Bonarios Grimson"@en . "vertical"@en . . "1966-07-10"^^ . . . . . ""@en . . . . "Malvina Hoffman"@it . . . . . "Art Students League of New York"@en . . . . "1966-07-10"^^ . "International Dance"@en . . . . . . "Friendship of the English Speaking People"@en . . . . . "Malvina Hoffman, Bacchanale Russe, 1917, Caramoor Center for Music and the Arts"@en . . . "Malvina Cornell Hoffman (June 15, 1885 \u2013 July 10, 1966) was an American sculptor and author, well known for her life-size bronze sculptures of people. She also worked in plaster and marble. Hoffman created portrait busts of working-class people and significant individuals. She was particularly known for her sculptures of dancers, such as Anna Pavlova. Her sculptures of culturally diverse people, entitled \"Hall of the Races of Mankind\", was a popular permanent exhibition at the Field Museum of Natural History in Chicago. It was featured at the Century of Progress International Exposition at the Chicago World's Fair of 1933. She was commissioned to execute commemorative monuments and was awarded many prizes and honors, including a membership to the National Sculpture Society. In 1925, she was elected into the National Academy of Design as an Associate member and became a full Academician in 1931. Many of her portraits of individuals are among the collection of the New York Historical Society. She maintained a salon, a social gathering of artistic and personal acquaintances, at her Sniffen Court studio for many years. She was highly skilled in foundry techniques, often casting her own works. Hoffman published a definitive work on historical and technical aspects of bronze casting, Sculpture Inside and Out, in 1939."@en . . "905861"^^ . "Malvina Hoffman"@fr . . . "1124527193"^^ . . . . . . "Malvina Cornell Hoffman, n\u00E9e en 1885 ou 1887 \u00E0 New York, et morte le 10 juillet 1966 dans la m\u00EAme ville, est une sculptrice am\u00E9ricaine."@fr . . . . . . . . . . . . . . . . . . . "Malvina Hoffman, Richard Hoffman, 1909 .jpg"@en . . "1885-06-15"^^ . . . . . . . . . . "Malvina Hoffman"@en . . . . . . . . . . . "Malvina Hoffman (Nueva York, 15 de junio de 1887 \u2013 10 de julio de 1966), fue una escultora estadounidense, famosa por sus esculturas de tama\u00F1o natural. Malvina Hoffman era la hija del pianista de conciertos Richard Hoffman. Desde temprana edad se dedic\u00F3 a la escultura. Estudi\u00F3 en la Liga de Estudiantes de Arte de Nueva York y recibi\u00F3 ayuda de diversos escultores, como Herbert Adams, George Grey Barnard y Gutzon Borglum A lo largo de su carrera la fascinaron las bailarinas, y forman el tema de varias de sus piezas m\u00E1s conocidas."@es . . . "Malvina Hoffman (New York, 15 giugno 1885 \u2013 10 luglio 1966) \u00E8 stata una scultrice statunitense, figlia del pianista Richard Hoffman. Fin da piccola si dedica alla scultura. Nel 1910 si trasferisce a Parigi e diviene allieva di Auguste Rodin. Durante la prima guerra mondiale lavor\u00F2 per la Croce Rossa. Nel 1930 inizi\u00F2 a lavorare per il Field Museum of Natural History di Chicago. Per il museo produsse (dopo un viaggio di 2 anni nei cinque continenti) pi\u00F9 di 100 sculture in bronzo raffiguranti i diversi tipi umani del mondo."@it . . . . "Malvina Cornell Hoffman, n\u00E9e en 1885 ou 1887 \u00E0 New York, et morte le 10 juillet 1966 dans la m\u00EAme ville, est une sculptrice am\u00E9ricaine."@fr . . . . "33.0"^^ . . . . . . . . . . . . . . "1885-06-15"^^ . . . . . . "A number of artists, including Auguste Rodin"@en . "Hall of Man sculptures"@en . . . . . . . . . . . . "Malvina Hoffman, Richard Hoffman, dark brown bronze painted plaster, 1909, New York Historical Society Museum and Library"@en . . "Acad\u00E9mie Colarossi"@en . . . . . . . . "Malvina Hoffman, My Mother, marble, 1918"@en . . . . "Malvina Hoffman (New York, 15 giugno 1885 \u2013 10 luglio 1966) \u00E8 stata una scultrice statunitense, figlia del pianista Richard Hoffman. Fin da piccola si dedica alla scultura. Nel 1910 si trasferisce a Parigi e diviene allieva di Auguste Rodin. Durante la prima guerra mondiale lavor\u00F2 per la Croce Rossa. Nel 1930 inizi\u00F2 a lavorare per il Field Museum of Natural History di Chicago. Per il museo produsse (dopo un viaggio di 2 anni nei cinque continenti) pi\u00F9 di 100 sculture in bronzo raffiguranti i diversi tipi umani del mondo."@it . . . "left"@en . . . "Malvina Hoffman, Bacchanale Russe, 1917.jpg"@en . . . . . . . . . . . . . "right"@en . . . . . . . . . . .