. . . . . . . . "Max Eastley (* 1. Dezember 1944 in Torquay) ist ein britischer Bildhauer und Improvisationsmusiker (Perkussion, Gitarre, neu entwickelte Instrumente), der bei seinen Klanginstallationen kinetische Objekte mit Kl\u00E4ngen verbindet. Eastley studierte zun\u00E4chst Malerei und Graphik an der Newton Abbot Art School, um dann 1972 sein Kunststudium mit einem Bachelor an der Middlesex University abzuschlie\u00DFen. Zu seinen Werken geh\u00F6ren Kompositionen f\u00FCr Filme, Tanzst\u00FCcke und Performances, bei denen der K\u00FCnstler auch mit David Toop, Brian Eno, Peter Cusack oder Peter Greenaway zusammenarbeitete. Eastley schafft Klangskulpturen aus scheinbar einfachen Materialien: So realisierte er in Deutschland vier Au\u00DFeninstallationen aus \u00C4olsharfen, in denen Wind Kl\u00E4nge erzeugt; auch erzeugte er Kl\u00E4nge durch Eis oder Wasserkraft. Im Innenraum produzierte er Kl\u00E4nge durch strombetriebene kinetische Installationen. 2017 war Eastley als Gast des DAAD-K\u00FCnstlerprogramms in Berlin."@de . . . "Max Eastley (* 1. Dezember 1944 in Torquay) ist ein britischer Bildhauer und Improvisationsmusiker (Perkussion, Gitarre, neu entwickelte Instrumente), der bei seinen Klanginstallationen kinetische Objekte mit Kl\u00E4ngen verbindet. Eastley studierte zun\u00E4chst Malerei und Graphik an der Newton Abbot Art School, um dann 1972 sein Kunststudium mit einem Bachelor an der Middlesex University abzuschlie\u00DFen. Zu seinen Werken geh\u00F6ren Kompositionen f\u00FCr Filme, Tanzst\u00FCcke und Performances, bei denen der K\u00FCnstler auch mit David Toop, Brian Eno, Peter Cusack oder Peter Greenaway zusammenarbeitete."@de . . . . . . . . . "1107421541"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Max Eastley"@en . . . . . . . "27159"^^ . . . . . . . . . . . . . . . . "31098930"^^ . . "Max Eastley"@de . . . . . . . . . . "Max Eastley (born 1 December 1944, Torquay, Devon, England) is a British visual and sound artist. He is part of the Cape Farewell Climate Change project. He studied painting and graphic art at Newton Abbot Art School and then went on to gain a BA in Fine Art (1969\u20131972) at Middlesex University (formerly Hornsey School of Art). He is a sculptor (kinetic), musician and composer. His primary instrument is a unique electro-acoustic monochord, developed from an aeolian sculpture. 'The Arc' consists of a single string stretched lengthwise across a long piece of wood (around ten feet) which can be played with a bow, fingers or short glass rods. The end of the instrument has a microphone attached so the basic sound can be amplified, recorded and run through sound effect programs. Eastley has collaborated with many different artists and musicians on performances, installations and recordings including: David Toop, Brian Eno, Paul Burwell, Victor Gama, Hugh Davies, Steve Beresford, Peter Greenaway, Dave Hunt, David Buckland, Evan Parker, Peter Cusack, Spaceheads. From 2001\u20132002, Eastley was a visiting fellow at John Moores University Liverpool and is currently (2010 onwards) an AHRC research fellow at Oxford Brookes University researching Aeolian phenomena. On 17 May 1989, Eastley was awarded a prize in the 'Learning Spaces Category' of the working in the City European Communities Architectural Ideas Competition (University College Dublin)."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Max Eastley (born 1 December 1944, Torquay, Devon, England) is a British visual and sound artist. He is part of the Cape Farewell Climate Change project. He studied painting and graphic art at Newton Abbot Art School and then went on to gain a BA in Fine Art (1969\u20131972) at Middlesex University (formerly Hornsey School of Art). He is a sculptor (kinetic), musician and composer. His primary instrument is a unique electro-acoustic monochord, developed from an aeolian sculpture. 'The Arc' consists of a single string stretched lengthwise across a long piece of wood (around ten feet) which can be played with a bow, fingers or short glass rods. The end of the instrument has a microphone attached so the basic sound can be amplified, recorded and run through sound effect programs."@en . . . . . . . .