. . . . . . . . . . . . . . . . . . . . . . . . "\u041D\u0430\u0440\u0430\u044F\u043D\u0430 \u0411\u0445\u0430\u0442\u0442\u0430\u0442\u0438\u0440\u0438"@ru . . . . "N\u0101r\u0101ya\u1E47a Bha\u1E6D\u1E6Da de Melputt\u016Br est un \u00E9crivain de langue sanskrite du sud de l'Inde, n\u00E9 en 1560, mort vers 1645. Il est l'auteur en 1586 du N\u0101r\u0101ya\u1E47\u012Bya, un po\u00E8me adress\u00E9 au dieu K\u1E5B\u1E63\u1E47a de Guruv\u0101y\u016Br, ainsi que d'une vingtaine de livrets de th\u00E9\u00E2tre (Prabhanda), de quatre pan\u00E9gyriques des rois du Kerala, d'ouvrages de grammaire et d'herm\u00E9neutique. N\u0101r\u0101ya\u1E47a Bha\u1E6D\u1E6Da se retire \u00E0 la fin de sa vie \u00E0 M\u016Bkkola (actuelle M\u016Bkkuthala, dans le district de Malappuram), au sud du Malabar. Il y compose un hommage \u00E0 la d\u00E9esse de ce village, \u015Ar\u012Bp\u0101dasaptati, ou Exaltation des pieds fortun\u00E9s de la d\u00E9esse."@fr . . . . . . . . . . . . . . . . . . . . . . . . . . "\u041C\u0435\u043B\u043F\u0430\u0442\u0443\u0440 \u041D\u0430\u0440\u0430\u044F\u043D\u0430 \u0411\u0445\u0430\u0442\u0442\u0430\u0442\u0438\u0440\u0438 (\u043C\u0430\u043B\u0430\u044F\u043B. \u0D2E\u0D47\u0D32\u0D4D\u200D\u0D2A\u0D4D\u0D2A\u0D24\u0D42\u0D30\u0D4D\u200D \u0D28\u0D3E\u0D30\u0D3E\u0D2F\u0D23 \u0D2D\u0D1F\u0D4D\u0D1F\u0D24\u0D3F\u0D30\u0D3F; 1560\u20141648) \u2014 \u0438\u043D\u0434\u0438\u0439\u0441\u043A\u0438\u0439 \u0441\u0440\u0435\u0434\u043D\u0435\u0432\u0435\u043A\u043E\u0432\u044B\u0439 \u0441\u0430\u043D\u0441\u043A\u0440\u0438\u0442\u0441\u043A\u0438\u0439 \u043F\u043E\u044D\u0442, \u0430\u0441\u0442\u0440\u043E\u043D\u043E\u043C, \u043C\u0430\u0442\u0435\u043C\u0430\u0442\u0438\u043A \u0438 \u043B\u0438\u043D\u0433\u0432\u0438\u0441\u0442. \u0411\u043E\u043B\u0435\u0435 \u0432\u0441\u0435\u0433\u043E \u0438\u0437\u0432\u0435\u0441\u0442\u0435\u043D \u043A\u0430\u043A \u0430\u0432\u0442\u043E\u0440 \u043F\u043E\u044D\u043C\u044B \u00AB\u041D\u0430\u0440\u0430\u044F\u043D\u0438\u044F\u043C\u00BB. \u0421\u043E\u0447\u0438\u043D\u0438\u043B \u043C\u043D\u043E\u0433\u043E \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0439 \u0432 \u0436\u0430\u043D\u0440\u0435 ."@ru . . . . "N\u0101r\u0101ya\u1E47a Bha\u1E6D\u1E6Da de Melputt\u016Br est un \u00E9crivain de langue sanskrite du sud de l'Inde, n\u00E9 en 1560, mort vers 1645. Il est l'auteur en 1586 du N\u0101r\u0101ya\u1E47\u012Bya, un po\u00E8me adress\u00E9 au dieu K\u1E5B\u1E63\u1E47a de Guruv\u0101y\u016Br, ainsi que d'une vingtaine de livrets de th\u00E9\u00E2tre (Prabhanda), de quatre pan\u00E9gyriques des rois du Kerala, d'ouvrages de grammaire et d'herm\u00E9neutique. N\u0101r\u0101ya\u1E47a Bha\u1E6D\u1E6Da se retire \u00E0 la fin de sa vie \u00E0 M\u016Bkkola (actuelle M\u016Bkkuthala, dans le district de Malappuram), au sud du Malabar. Il y compose un hommage \u00E0 la d\u00E9esse de ce village, \u015Ar\u012Bp\u0101dasaptati, ou Exaltation des pieds fortun\u00E9s de la d\u00E9esse."@fr . . . . . . "\u041C\u0435\u043B\u043F\u0430\u0442\u0443\u0440 \u041D\u0430\u0440\u0430\u044F\u043D\u0430 \u0411\u0445\u0430\u0442\u0442\u0430\u0442\u0438\u0440\u0438 (\u043C\u0430\u043B\u0430\u044F\u043B. \u0D2E\u0D47\u0D32\u0D4D\u200D\u0D2A\u0D4D\u0D2A\u0D24\u0D42\u0D30\u0D4D\u200D \u0D28\u0D3E\u0D30\u0D3E\u0D2F\u0D23 \u0D2D\u0D1F\u0D4D\u0D1F\u0D24\u0D3F\u0D30\u0D3F; 1560\u20141648) \u2014 \u0438\u043D\u0434\u0438\u0439\u0441\u043A\u0438\u0439 \u0441\u0440\u0435\u0434\u043D\u0435\u0432\u0435\u043A\u043E\u0432\u044B\u0439 \u0441\u0430\u043D\u0441\u043A\u0440\u0438\u0442\u0441\u043A\u0438\u0439 \u043F\u043E\u044D\u0442, \u0430\u0441\u0442\u0440\u043E\u043D\u043E\u043C, \u043C\u0430\u0442\u0435\u043C\u0430\u0442\u0438\u043A \u0438 \u043B\u0438\u043D\u0433\u0432\u0438\u0441\u0442. \u0411\u043E\u043B\u0435\u0435 \u0432\u0441\u0435\u0433\u043E \u0438\u0437\u0432\u0435\u0441\u0442\u0435\u043D \u043A\u0430\u043A \u0430\u0432\u0442\u043E\u0440 \u043F\u043E\u044D\u043C\u044B \u00AB\u041D\u0430\u0440\u0430\u044F\u043D\u0438\u044F\u043C\u00BB. \u0421\u043E\u0447\u0438\u043D\u0438\u043B \u043C\u043D\u043E\u0433\u043E \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0439 \u0432 \u0436\u0430\u043D\u0440\u0435 ."@ru . . . . "N\u0101r\u0101ya\u1E47a Bha\u1E6D\u1E6Da"@fr . . . . . . . "8211"^^ . . . . . . . "Melputtur Narayana Bhattatiri (Malayalam: \u0D2E\u0D47\u0D32\u0D4D\u0D2A\u0D41\u0D24\u0D4D\u0D24\u0D42\u0D7C \u0D28\u0D3E\u0D30\u0D3E\u0D2F\u0D23 \u0D2D\u0D1F\u0D4D\u0D1F\u0D24\u0D3F\u0D30\u0D3F M\u0113lputt\u016Br N\u0101r\u0101ya\u1E47a Bha\u1E6D\u1E6Datiri; 1560\u20131646/1666), third student of Achyuta Pisharati, was a member of Madhava of Sangamagrama's Kerala school of astronomy and mathematics. He was a mathematical linguist (vyakarana). His most important scholarly work, Prakriya-sarvasvam, sets forth an axiomatic system elaborating on the classical system of Panini. However, he is most famous for his masterpiece, Narayaneeyam, a devotional composition in praise of Guruvayoorappan (Krishna) that is still sung at Guruvayoor Temple."@en . . . . . . . . . . "Melputtur Narayana Bhattatiri (Malayalam: \u0D2E\u0D47\u0D32\u0D4D\u0D2A\u0D41\u0D24\u0D4D\u0D24\u0D42\u0D7C \u0D28\u0D3E\u0D30\u0D3E\u0D2F\u0D23 \u0D2D\u0D1F\u0D4D\u0D1F\u0D24\u0D3F\u0D30\u0D3F M\u0113lputt\u016Br N\u0101r\u0101ya\u1E47a Bha\u1E6D\u1E6Datiri; 1560\u20131646/1666), third student of Achyuta Pisharati, was a member of Madhava of Sangamagrama's Kerala school of astronomy and mathematics. He was a mathematical linguist (vyakarana). His most important scholarly work, Prakriya-sarvasvam, sets forth an axiomatic system elaborating on the classical system of Panini. However, he is most famous for his masterpiece, Narayaneeyam, a devotional composition in praise of Guruvayoorappan (Krishna) that is still sung at Guruvayoor Temple."@en . . . "1084389278"^^ . . . . . . . . "Melpathur Narayana Bhattathiri"@en . . . . "2793100"^^ . . . . . . . . . . . .