. "200"^^ . . . . . . . . . "Tiruvaymoli ,"@en . . . . . . . . . "Nammalvar"@en . . . "Sadagopan"@en . . . "8"^^ . . . . "Srirangam temple vaikunta ekadesi1.JPG"@en . "Nammalvar (Tamil: \u0BA8\u0BAE\u0BCD\u0BAE\u0BBE\u0BB4\u0BCD\u0BB5\u0BBE\u0BB0\u0BCD, lit. 'Our Alvar') was one of the twelve Alvar saints of Tamil Nadu, India, who are known for their affiliation to the Vaishnava tradition of Hinduism. The verses of the Alvars are compiled as the Naalayira Divya Prabandham, where praises are sung of 108 temples that are classified as divine realms, called the Divya Desams. Nammalvar is considered to be the fifth in the line of the twelve Alvars. He was born in a Shudra family, but his pursuit of knowledge accorded him the respect of a Brahmin. He is highly regarded as a great mystic of the Vaishnava tradition. He is also considered to be the foremost among the twelve Alvars, and his contributions amount to 1352 among the 4000 stanzas in the Naalayira Divya Prabandam. According to traditional scriptures, Nammalvar was born in 3059 BCE in Alwarthirunagiri; historically he flourished in 8th century CE. In Hindu legends, Nammalvar remained speechless from the moment of his birth, sitting under a tamarind tree when he first interacted with Madhurakavi Alvar, who saw a bright light shining to the south, and followed it until he reached the tree where the boy was residing. The works of Nammalvar were compiled by Madhurakavi as four different works, the Tiruvaymoli (1,102 verses), Tiruviruttam (100 verses), Tiruvasiriyam (or Tiru Asiriyam - 7 verses) and Periya Tiruvantati (87 verses). The works of Nammalvar contributed to the philosophical and theological ideas of Vaishnavism. The Garudasevai festival in Nava Tirupathi, the nine Vishnu temples in Thoothukudi region, and the Araiyar Sevai during the Vaikunta Ekadasi festival in Srirangam temple are dedicated to him. The verses of Nammalvar and other Alvars are recited as a part of daily prayers and during festive occasions in several Vaishnava temples in Tamil Nadu."@en . . . . . . . . . . . . . . . . . . "yes"@en . . "27446"^^ . . "Nammalvar"@en . . . . . . . . "Sadagopan"@en . . . . . . . . . . . . . "Periya Thiru Andaathi,"@en . . . . . . . . . . . . . . . . . . . . . . "Thiru Virutham,"@en . . . . . . . . . . . . "\u041D\u0430\u043C\u043C\u0430\u043B\u044C\u0432\u0430\u0440 (\u0442\u0430\u043C. \u0BA8\u0BAE\u0BCD\u0BAE\u0BBE\u0BB4\u0BCD\u0BB5\u0BBE\u0BB0\u0BCD; 880\u2014930) \u2014 \u0438\u043D\u0434\u0438\u0439\u0441\u043A\u0438\u0439 \u043F\u043E\u044D\u0442 \u0438 \u0440\u0435\u043B\u0438\u0433\u0438\u043E\u0437\u043D\u044B\u0439 \u0434\u0435\u044F\u0442\u0435\u043B\u044C, \u043E\u0434\u0438\u043D \u0438\u0437 \u0434\u0432\u0435\u043D\u0430\u0434\u0446\u0430\u0442\u0438 \u0430\u043B\u044C\u0432\u0430\u0440\u043E\u0432 \u042E\u0436\u043D\u043E\u0439 \u0418\u043D\u0434\u0438\u0438, \u0441\u0440\u0435\u0434\u0438 \u043A\u043E\u0442\u043E\u0440\u044B\u0445 \u0441\u0447\u0438\u0442\u0430\u0435\u0442\u0441\u044F \u0432\u0435\u043B\u0438\u0447\u0430\u0439\u0448\u0438\u043C. \u041D\u0430\u043C\u043C\u0430\u043B\u044C\u0432\u0430\u0440 \u044F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u0430\u0432\u0442\u043E\u0440\u043E\u043C \u0440\u044F\u0434\u0430 \u043F\u043E\u044D\u0442\u0438\u0447\u0435\u0441\u043A\u0438\u0445 \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0439, \u043F\u043E\u0441\u0432\u044F\u0449\u0435\u043D\u043D\u044B\u0445 \u0412\u0438\u0448\u043D\u0443. \u0415\u0433\u043E \u043E\u0431\u0440\u0430\u0437 \u043D\u0430\u0445\u043E\u0434\u0438\u0442\u0441\u044F \u0432\u043E \u043C\u043D\u043E\u0433\u0438\u0445 \u0445\u0440\u0430\u043C\u0430\u0445, \u0430 \u0435\u0433\u043E \u0441\u0442\u0438\u0445\u0438 \u044F\u0432\u043B\u044F\u044E\u0442\u0441\u044F \u0447\u0430\u0441\u0442\u044C\u044E \u0440\u0438\u0442\u0443\u0430\u043B\u044C\u043D\u043E\u0433\u043E \u043F\u043E\u043A\u043B\u043E\u043D\u0435\u043D\u0438\u044F \u0432 \u0445\u0440\u0430\u043C\u0430\u0445 \u0430."@ru . "\u041D\u0430\u043C\u043C\u0430\u043B\u044C\u0432\u0430\u0440"@ru . . . . . . . . . . . . . "Naalayara Dhivya Prabandham"@en . . . . . . . . "Srirangam temple vaikunta ekadesi2.JPG"@en . . "Stucco image of Nammalvar in Kalamegha Perumal temple"@en . . "vertical"@en . . . . . . . . . . . . . . . . . . "1124650653"^^ . . . . "September 2022"@en . . . . . . . . . "Nammalvar"@en . . . . . . . . . . . "Nammalvar (aussi Nammalwar, Nammaalhvaar, Nammalhvar, Nammaalvaar ,Nammalwar) est l'un des douze Alvars, personnages de l'hindouisme c\u00E9l\u00E8bres pour leur d\u00E9votion envers le dieu Vishnu. Les Alvars sont surtout dans le sud de l'Inde, endroit d'o\u00F9 ils sont originaires. La plupart des historiens ont \u00E9crit qu'il aurait v\u00E9cu au VIIIe si\u00E8cle. Il est n\u00E9 \u00E0 Visakham, aujourd'hui (aussi connu sous le nom Tirukkurugur) dans le Tamil Nadu. Son nom signifie \u00ABnotre propre alvar (Alvar signifie plong\u00E9 en Dieu). Il \u00E9tait aussi connu comme Maran et Sadagopan (enfant prodige de la connaissance)."@fr . "right"@en . "Namm\u0101\u1E3Bv\u0101r (in caratteri tami\u1E3B: \u0BA8\u0BAE\u0BCD\u0BAE\u0BBE\u0BB4\u0BCD\u0BB5\u0BBE\u0BB0\u0BCD) \u00E8 l'epiteto (lett. \"Nostro \u0100\u1E3Bv\u0101r\") con cui \u00E8 maggiormente conosciuto colui che firm\u00F2 le proprie opere, raccolte nel N\u0101l\u0101yirativviyappirapantam, con i nomi di M\u0101\u1E5Fa\u1E49 o Ca\u1E6Dak\u014Dpa\u1E49; quindi quel celeberrimo mistico e poeta tami\u1E3B vissuto tra il IX e il X secolo (o pi\u00F9 probabilmente intorno al VII secolo), risultando il pi\u00F9 famoso e celebrato tra i dodici \u0101\u1E3Bv\u0101r, quei poeti e mistici hind\u016B, di etnia tami\u1E3B, itineranti di tempio in tempio nell'India meridionale, vissuti tra il VI e il IX secolo d.C. che veneravano, in qualit\u00E0 di Dio, la Persona suprema, M\u0101l (M\u0101y\u014D\u1E49), nome che in lingua tami\u1E3B intende indicare quella divinit\u00E0 che in sanscrito \u00E8 nominata come K\u1E5B\u1E63\u1E47a/Visn\u00F9/N\u0101r\u0101ya\u1E47a ovvero il K\u1E5B\u1E63\u1E47a della Bhagavadg\u012Bt\u0101 e il Vi\u1E63\u1E47u/N\u0101r\u0101ya\u1E47a dei primi Pur\u0101\u1E47a."@it . "Nammalvar (aussi Nammalwar, Nammaalhvaar, Nammalhvar, Nammaalvaar ,Nammalwar) est l'un des douze Alvars, personnages de l'hindouisme c\u00E9l\u00E8bres pour leur d\u00E9votion envers le dieu Vishnu. Les Alvars sont surtout dans le sud de l'Inde, endroit d'o\u00F9 ils sont originaires. La plupart des historiens ont \u00E9crit qu'il aurait v\u00E9cu au VIIIe si\u00E8cle. Il est n\u00E9 \u00E0 Visakham, aujourd'hui (aussi connu sous le nom Tirukkurugur) dans le Tamil Nadu. Son nom signifie \u00ABnotre propre alvar (Alvar signifie plong\u00E9 en Dieu). Il \u00E9tait aussi connu comme Maran et Sadagopan (enfant prodige de la connaissance)."@fr . . . . "Namm\u0101\u1E3Bv\u0101r"@it . "\u041D\u0430\u043C\u043C\u0430\u043B\u044C\u0432\u0430\u0440 (\u0442\u0430\u043C. \u0BA8\u0BAE\u0BCD\u0BAE\u0BBE\u0BB4\u0BCD\u0BB5\u0BBE\u0BB0\u0BCD; 880\u2014930) \u2014 \u0438\u043D\u0434\u0438\u0439\u0441\u043A\u0438\u0439 \u043F\u043E\u044D\u0442 \u0438 \u0440\u0435\u043B\u0438\u0433\u0438\u043E\u0437\u043D\u044B\u0439 \u0434\u0435\u044F\u0442\u0435\u043B\u044C, \u043E\u0434\u0438\u043D \u0438\u0437 \u0434\u0432\u0435\u043D\u0430\u0434\u0446\u0430\u0442\u0438 \u0430\u043B\u044C\u0432\u0430\u0440\u043E\u0432 \u042E\u0436\u043D\u043E\u0439 \u0418\u043D\u0434\u0438\u0438, \u0441\u0440\u0435\u0434\u0438 \u043A\u043E\u0442\u043E\u0440\u044B\u0445 \u0441\u0447\u0438\u0442\u0430\u0435\u0442\u0441\u044F \u0432\u0435\u043B\u0438\u0447\u0430\u0439\u0448\u0438\u043C. \u041D\u0430\u043C\u043C\u0430\u043B\u044C\u0432\u0430\u0440 \u044F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u0430\u0432\u0442\u043E\u0440\u043E\u043C \u0440\u044F\u0434\u0430 \u043F\u043E\u044D\u0442\u0438\u0447\u0435\u0441\u043A\u0438\u0445 \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0439, \u043F\u043E\u0441\u0432\u044F\u0449\u0435\u043D\u043D\u044B\u0445 \u0412\u0438\u0448\u043D\u0443. \u0415\u0433\u043E \u043E\u0431\u0440\u0430\u0437 \u043D\u0430\u0445\u043E\u0434\u0438\u0442\u0441\u044F \u0432\u043E \u043C\u043D\u043E\u0433\u0438\u0445 \u0445\u0440\u0430\u043C\u0430\u0445, \u0430 \u0435\u0433\u043E \u0441\u0442\u0438\u0445\u0438 \u044F\u0432\u043B\u044F\u044E\u0442\u0441\u044F \u0447\u0430\u0441\u0442\u044C\u044E \u0440\u0438\u0442\u0443\u0430\u043B\u044C\u043D\u043E\u0433\u043E \u043F\u043E\u043A\u043B\u043E\u043D\u0435\u043D\u0438\u044F \u0432 \u0445\u0440\u0430\u043C\u0430\u0445 \u0430. \u0412 \u0445\u0440\u043E\u043D\u043E\u043B\u043E\u0433\u0438\u0447\u0435\u0441\u043A\u043E\u043C \u043F\u043E\u0440\u044F\u0434\u043A\u0435 \u041D\u0430\u043C\u043C\u0430\u043B\u044C\u0432\u0430\u0440 \u044F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u043F\u044F\u0442\u044B\u043C \u0438\u0437 \u0434\u0432\u0435\u043D\u0430\u0434\u0446\u0430\u0442\u0438 \u0430\u043B\u044C\u0432\u0430\u0440\u043E\u0432. \u041E\u043D \u043F\u043E\u0447\u0438\u0442\u0430\u0435\u0442\u0441\u044F \u043A\u0430\u043A \u043D\u0430\u0438\u0431\u043E\u043B\u0435\u0435 \u0442\u0430\u043B\u0430\u043D\u0442\u043B\u0438\u0432\u044B\u0439 \u0441\u0440\u0435\u0434\u0438 \u043D\u0438\u0445, \u0430 \u0442\u0430\u043A\u0436\u0435 \u043D\u0430\u0438\u0431\u043E\u043B\u0435\u0435 \u043F\u043B\u043E\u0434\u043E\u0442\u0432\u043E\u0440\u043D\u044B\u0439. \u041D\u0430 \u043D\u0435\u0433\u043E \u043F\u0440\u0438\u0445\u043E\u0434\u0438\u0442\u0441\u044F 1352 \u0438\u0437 4000 \u0441\u0442\u0440\u043E\u0444 \u0432 \u0441\u0431\u043E\u0440\u043D\u0438\u043A\u0435 \u0414\u0438\u0432\u044C\u044F-\u043F\u0440\u0430\u0431\u0430\u043D\u0434\u0445\u0430. \u041D\u0435\u043A\u043E\u0442\u043E\u0440\u044B\u0435 \u0441\u0447\u0438\u0442\u0430\u044E\u0442 \u041D\u0430\u043C\u043C\u0430\u043B\u044C\u0432\u0430\u0440\u0430 \u043E\u0434\u043D\u0438\u043C \u0438\u0437 \u0442\u0440\u0435\u0445 \u0432\u0435\u043B\u0438\u043A\u0438\u0445 \u043C\u0438\u0441\u0442\u0438\u043A\u043E\u0432 \u0418\u043D\u0434\u0438\u0438 \u043D\u0430\u0440\u044F\u0434\u0443 \u0441 \u041C\u0430\u043D\u0438\u043A\u043A\u0430\u0432\u0430\u0441\u0430\u0433\u0430\u0440\u043E\u043C \u0438 \u041A\u0430\u0431\u0438\u0440\u043E\u043C. \u041F\u043E \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u0438 \u043A\u0430\u0436\u0434\u044B\u0439 \u0430\u043B\u044C\u0432\u0430\u0440 \u043F\u043E\u0447\u0438\u0442\u0430\u0435\u0442\u0441\u044F \u043A\u0430\u043A \u0432\u043E\u043F\u043B\u043E\u0449\u0435\u043D\u0438\u0435 \u043A\u0430\u043A\u043E\u0433\u043E-\u043B\u0438\u0431\u043E \u0430\u0442\u0440\u0438\u0431\u0443\u0442\u0430 \u0438\u043B\u0438 \u0441\u043F\u0443\u0442\u043D\u0438\u043A\u0430 \u0412\u0438\u0448\u043D\u0443. \u041D\u0430\u043C\u043C\u0430\u043B\u044C\u0432\u0430\u0440 \u043F\u0440\u0438\u0437\u043D\u0430\u043D \u0432\u043E\u043F\u043B\u043E\u0449\u0435\u043D\u0438\u0435\u043C \u0412\u0438\u0448\u0432\u0430\u043A\u0441\u0435\u043D\u044B."@ru . . . . . . . . . . . "Thiru Vaasiriyam,"@en . . . . . . . . . . . . "Nammalvar"@fr . . . . . . . . . . . . . . . . . . . . . "1159873"^^ . "Nammalvar (Tamil: \u0BA8\u0BAE\u0BCD\u0BAE\u0BBE\u0BB4\u0BCD\u0BB5\u0BBE\u0BB0\u0BCD, lit. 'Our Alvar') was one of the twelve Alvar saints of Tamil Nadu, India, who are known for their affiliation to the Vaishnava tradition of Hinduism. The verses of the Alvars are compiled as the Naalayira Divya Prabandham, where praises are sung of 108 temples that are classified as divine realms, called the Divya Desams. Nammalvar is considered to be the fifth in the line of the twelve Alvars. He was born in a Shudra family, but his pursuit of knowledge accorded him the respect of a Brahmin. He is highly regarded as a great mystic of the Vaishnava tradition. He is also considered to be the foremost among the twelve Alvars, and his contributions amount to 1352 among the 4000 stanzas in the Naalayira Divya Prabandam."@en . . . . . . . "Devotees during Vaikunta Ekadasi"@en . . . . . "Namm\u0101\u1E3Bv\u0101r (in caratteri tami\u1E3B: \u0BA8\u0BAE\u0BCD\u0BAE\u0BBE\u0BB4\u0BCD\u0BB5\u0BBE\u0BB0\u0BCD) \u00E8 l'epiteto (lett. \"Nostro \u0100\u1E3Bv\u0101r\") con cui \u00E8 maggiormente conosciuto colui che firm\u00F2 le proprie opere, raccolte nel N\u0101l\u0101yirativviyappirapantam, con i nomi di M\u0101\u1E5Fa\u1E49 o Ca\u1E6Dak\u014Dpa\u1E49; quindi quel celeberrimo mistico e poeta tami\u1E3B vissuto tra il IX e il X secolo (o pi\u00F9 probabilmente intorno al VII secolo), risultando il pi\u00F9 famoso e celebrato tra i dodici \u0101\u1E3Bv\u0101r, quei poeti e mistici hind\u016B, di etnia tami\u1E3B, itineranti di tempio in tempio nell'India meridionale, vissuti tra il VI e il IX secolo d.C. che veneravano, in qualit\u00E0 di Dio, la Persona suprema, M\u0101l (M\u0101y\u014D\u1E49), nome che in lingua tami\u1E3B intende indicare quella divinit\u00E0 che in sanscrito \u00E8 nominata come K\u1E5B\u1E63\u1E47a/Visn\u00F9/N\u0101r\u0101ya\u1E47a ovvero il K\u1E5B\u1E63\u1E47a della Bhagavadg\u012Bt\u0101 e il Vi\u1E63\u1E47u/N\u0101r\u0101ya\u1E47a dei primi Pur\u0101\u1E47a. Secondo le agiografie, la famiglia di Namm\u0101\u1E3Bv\u0101r, questi appellato anche come Par\u0101\u1E45kuca\u1E49 (san. Par\u0101\u1E45ku\u015Ba, \"Spinto da un altro\"), sarebbe appartenuta alla casta inferiore degli \u015B\u016Bdra, casta a cui era severamente precluso lo studio o il solo ascolto del Veda, e pi\u00F9 in generale della \u015Aruti, potendo attingere alla sola letteratura degli Itih\u0101sa/Pur\u0101\u1E47a. Non avendo figli, e preoccupati di non poter realizzare il proprio dovere familiare, i genitori di Namm\u0101\u1E3Bv\u0101r si recarono nel locale tempio di Ku\u1E5Fu\u1E45ku\u1E6Di e pregarono il brahmano che l\u00EC officiava di intercedere con la divinit\u00E0. Il brahmano ricevette in sogno il Bhagavat in persona, Vi\u1E63\u1E47u, il quale gli comunic\u00F2 di volersi incarnare nel futuro figlio degli \u015B\u016Bdra postulanti. Cos\u00EC nacque Namm\u0101\u1E3Bv\u0101r, a Kuruk\u016Br, nel regno dei P\u0101\u1E47\u1E0Dya, all'avvio del Kaliyuga, nel mese di Vaik\u0101ci e sotto il 16\u00B0 asterismo lunare detto Vic\u0101kam, quindi appena quarantatr\u00E9 giorni dopo la morte dello stesso K\u1E5B\u1E63\u1E47a il che ne sottolineerebbe l'importanza della figura. Namm\u0101\u1E3Bv\u0101r nacque gi\u00E0 immerso nel profondo sam\u0101dhi, e cos\u00EC rest\u00F2, senza mai aprire gli occhi, senza mai nutrirsi. Spaventati da tale prodigio, dopo dodici giorni i suoi genitori lo abbandonarono alla divina protezione di un albero di tamarindo (tami\u1E3B: p\u016B\u1E3Bi ; san.: cukraca\u1E47\u1E0Dik\u0101,), la pianta che rappresenta la manifestazione di \u015Ae\u1E63a, quindi la pianta che mai dorme, collocato presso il tempio di Ku\u1E5Fu\u1E45ku\u1E6Di. Namm\u0101\u1E3Bv\u0101r rest\u00F2 in profonda e assoluta meditazione sotto l'albero del tempio per sedici anni. Secondo alcune agiografie fu in quella circostanza che lo stesso Vi\u1E63\u1E47u apparve al santo tami\u1E3B per iniziarlo a quelle sacre conoscenze dei testi che gli erano precluse per la sfavorevole nascita castale. Al termine del sedicesimo anno giunse nel giardino del tempio un giovane brahmano di nome Maturakavi proveniente dal villaggio di K\u014D\u1E37\u016Br. Maturakavi giunse al cospetto di Namm\u0101\u1E3Bv\u0101r grazie a un fatto prodigioso: durante un pellegrinaggio lungo i santuari dell'India settentrionale un astro gli apparve nel cielo meridionale e il brahmano intu\u00EC di doverlo seguire. Per tre giorni segu\u00EC l'astro finch\u00E9 giunse nel giardino di Ku\u1E5Fu\u1E45ku\u1E6Di dove scorse il santo nella postura del loto e nel gesto detto dello j\u00F1\u0101namudr\u0101 (\"gesto dell'insegnamento\") proprio di un guru. Maturakavi si decise a svegliare il santo e quindi a domandargli dove vive e di cosa si nutre l'anima nel corpo; Namm\u0101\u1E3Bv\u0101r, destatosi, gli rispose che l'anima vive e si nutre del corpo, intendendo quindi, analogicamente, che ella vive in Dio e di esso si nutre. Il brahmano rest\u00F2 a tal punto profondamente turbato dalla risposta del santo che, prostratosi ai suoi piedi, dichiar\u00F2 di volerlo servire in qualit\u00E0 di discepolo per il resto della sua vita. Secondo la tradizione Namm\u0101\u1E3Bv\u0101r mor\u00EC a 35 anni, dopo lungo peregrinare presso i santuari vi\u1E63\u1E47uiti sempre alla ricerca dell'unione estatica con Dio."@it . . . . . . . .