"Concerto per organo"@it . . . "24946"^^ . . . "Soler: Concerto No. 1"@en . . . . . . . . . . . . . . . . . "\u041E\u0440\u0433\u0430\u0301\u043D\u043D\u044B\u0439 \u043A\u043E\u043D\u0446\u0435\u0301\u0440\u0442 \u2014 \u0432\u0438\u0434 \u043A\u043E\u043D\u0446\u0435\u0440\u0442\u0430 \u0434\u043B\u044F \u0441\u043E\u043B\u0438\u0440\u0443\u044E\u0449\u0435\u0433\u043E \u043E\u0440\u0433\u0430\u043D\u0430 \u0432 \u0441\u043E\u043F\u0440\u043E\u0432\u043E\u0436\u0434\u0435\u043D\u0438\u0438 \u043E\u0440\u043A\u0435\u0441\u0442\u0440\u043E\u0432\u043E\u0433\u043E \u0441\u043E\u0441\u0442\u0430\u0432\u0430. \u0421\u0440\u0435\u0434\u0438 \u0430\u0432\u0442\u043E\u0440\u043E\u0432 \u0437\u0430\u043C\u0435\u0442\u043D\u044B\u0445 \u043A\u043E\u043D\u0446\u0435\u0440\u0442\u043E\u0432 \u0434\u043B\u044F \u043E\u0440\u0433\u0430\u043D\u0430 \u0441 \u043E\u0440\u043A\u0435\u0441\u0442\u0440\u043E\u043C \u0431\u044B\u043B\u0438 \u0410\u043D\u0442\u043E\u043D\u0438\u043E \u0412\u0438\u0432\u0430\u043B\u044C\u0434\u0438, \u0413\u0435\u043E\u0440\u0433 \u0424\u0440\u0438\u0434\u0440\u0438\u0445 \u0413\u0435\u043D\u0434\u0435\u043B\u044C, \u0418\u043E\u0433\u0430\u043D\u043D \u0421\u0435\u0431\u0430\u0441\u0442\u044C\u044F\u043D \u0411\u0430\u0445, \u0419\u043E\u0437\u0435\u0444 \u0413\u0430\u0439\u0434\u043D, \u0413\u043E\u0440\u0430\u0446\u0438\u043E \u041F\u0430\u0440\u043A\u0435\u0440, \u0410\u043B\u0435\u043A\u0441\u0430\u043D\u0434\u0440 \u0413\u0435\u0434\u0438\u043A\u0435, \u0413\u0430\u043D\u0441 \u0413\u0430\u043B\u044C, \u041F\u0430\u0443\u043B\u044C \u0425\u0438\u043D\u0434\u0435\u043C\u0438\u0442, \u0410\u043B\u044C\u0444\u0440\u0435\u0434\u043E \u041A\u0430\u0437\u0435\u043B\u043B\u0430, \u0424\u0440\u0430\u043D\u0441\u0438\u0441 \u041F\u0443\u043B\u0435\u043D\u043A, \u0425\u0430\u0440\u0430\u043B\u044C\u0434 \u0413\u0435\u043D\u0446\u043C\u0435\u0440, \u041C\u0430\u043B\u043A\u043E\u043B\u044C\u043C \u0410\u0440\u043D\u043E\u043B\u044C\u0434, , \u041C\u0430\u0440\u0433\u0435\u0440 \u0417\u0430\u0440\u0438\u043D\u044C\u0448, \u0421\u0435\u0440\u0433\u0435\u0439 \u0421\u043B\u043E\u043D\u0438\u043C\u0441\u043A\u0438\u0439. \u041A \u043E\u0440\u0433\u0430\u043D\u043D\u043E\u043C\u0443 \u043A\u043E\u043D\u0446\u0435\u0440\u0442\u0443 \u0431\u043B\u0438\u0437\u043A\u043E \u043F\u043E\u0434\u0445\u043E\u0434\u0438\u0442 \u0432 \u0436\u0430\u043D\u0440\u043E\u0432\u043E\u043C \u043E\u0442\u043D\u043E\u0448\u0435\u043D\u0438\u0438 \u041A\u043E\u043D\u0446\u0435\u0440\u0442\u043D\u0430\u044F \u0441\u0438\u043C\u0444\u043E\u043D\u0438\u044F \u0434\u043B\u044F \u043E\u0440\u0433\u0430\u043D\u0430 \u0441 \u043E\u0440\u043A\u0435\u0441\u0442\u0440\u043E\u043C \u0416\u043E\u0437\u0435\u0444\u0430 \u0419\u043E\u043D\u0433\u0435\u043D\u0430. \u041E\u0440\u0433\u0430\u043D\u043D\u043E\u0435 \u0441\u043E\u043B\u043E \u043C\u043E\u0436\u0435\u0442, \u043E\u0434\u043D\u0430\u043A\u043E, \u0437\u0430\u043D\u0438\u043C\u0430\u0442\u044C \u0438 \u0431\u043E\u043B\u0435\u0435 \u0441\u043A\u0440\u043E\u043C\u043D\u043E\u0435 \u043C\u0435\u0441\u0442\u043E \u0432 \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0438 \u0434\u043B\u044F \u043E\u0440\u043A\u0435\u0441\u0442\u0440\u0430, \u043D\u0435 \u043F\u043E\u0437\u0432\u043E\u043B\u044F\u044E\u0449\u0435\u0435 \u0433\u043E\u0432\u043E\u0440\u0438\u0442\u044C \u043E \u043A\u043E\u043D\u0446\u0435\u0440\u0442\u043D\u043E\u0439 \u0444\u043E\u0440\u043C\u0435 (\u043D\u0430\u043F\u0440\u0438\u043C\u0435\u0440, \u0432 \u0422\u0440\u0435\u0442\u044C\u0435\u0439 \u0441\u0438\u043C\u0444\u043E\u043D\u0438\u0438 \u041A\u0430\u043C\u0438\u043B\u044F \u0421\u0435\u043D-\u0421\u0430\u043D\u0441\u0430)."@ru . "Un concerto per organo e orchestra, o semplicemente concerto per organo, \u00E8 un concerto in cui lo strumento solista \u00E8 l'organo accompagnato dall'orchestra o, pi\u00F9 raramente, da un pi\u00F9 piccolo ensemble di strumenti. In quest'ultimo caso, con l'accompagnamento per esempio di un'orchestra d'archi, si tratta di musica da camera."@it . . "Comme tous les types de concertos, le concerto pour orgue est un genre musical consistant \u00E0 associer un orgue en tant qu'instrument soliste avec un orchestre jouant le r\u00F4le d'accompagnateur. On ne doit donc pas confondre le concerto pour orgue avec d'autres genres comme la symphonie ou le dans lesquels l'orgue est trait\u00E9 comme \u00E9l\u00E9ment de la masse orchestrale et n'a pas de fonction soliste."@fr . . . . . "Een orgelconcert is een concert voor solo pijporgel en orkest of kamerorkest. Deze muziekvorm ontwikkelde zich in de 18e eeuw toen componisten als Georg Friedrich H\u00E4ndel, Antonio Vivaldi en Johann Sebastian Bach orgelconcerten schreven voor kleine orkesten met solo-orgel. Hier werden vrijwel altijd orgelpartijen zonder pedaal voor geschreven, zodat deze op een positief kunnen worden uitgevoerd. Na de barok verschenen er minder orgelconcerten, alhoewel er verschillende componisten in de latere perioden waren die werken voor orgel en orkest schreven. Soms wordt het orgel wel georkestreerd, maar is het geen daadwerkelijk soloconcert. Een voorbeeld hiervan is Symfonie nr. 3 van Camille Saint-Sa\u00EBns, waarin het orgel in slechts 2 van de vier delen meespeelt. Dit stuk wordt ook wel orgelsymfonie genoemd, alhoewel dit eigenlijk de benaming is voor een solostuk voor orgel bestaande uit meerdere delen. Andere voorbeelden waarin het orgel een prominente rol heeft maar geen constante solo, zijn Also sprach Zarathustra van Richard Strauss en The Planets van Gustav Holst."@nl . . . . . "\u041A\u043E\u043D\u0446\u0435\u0440\u0442 \u0434\u043B\u044F \u043E\u0440\u0433\u0430\u043D\u0430 \u0441 \u043E\u0440\u043A\u0435\u0441\u0442\u0440\u043E\u043C"@ru . . . . . . "Comme tous les types de concertos, le concerto pour orgue est un genre musical consistant \u00E0 associer un orgue en tant qu'instrument soliste avec un orchestre jouant le r\u00F4le d'accompagnateur. On ne doit donc pas confondre le concerto pour orgue avec d'autres genres comme la symphonie ou le dans lesquels l'orgue est trait\u00E9 comme \u00E9l\u00E9ment de la masse orchestrale et n'a pas de fonction soliste. La concerto pour orgue a connu son apog\u00E9e pendant la p\u00E9riode baroque avec des compositeurs comme Vivaldi, Haendel ou Corrette. Il faut n\u00E9anmoins noter que dans cette p\u00E9riode, l'orgue en concerto est trait\u00E9 \u00E0 la mani\u00E8re d'un clavecin et la partie d'orgue ne comprend pratiquement jamais de p\u00E9dalier et il n'est accompagn\u00E9 que par un orchestre modeste pouvant se r\u00E9duire au quatuor (orchestre de chambre). Pratiquement oubli\u00E9 durant la p\u00E9riode classique, il revient au XIXe si\u00E8cle par la grande porte, pour rivaliser avec le grand orchestre symphonique gr\u00E2ce \u00E0 Saint-Sa\u00EBns ou Guilmant. Le Concerto pour orgue, cordes et timbales de Poulenc est l'un des plus c\u00E9l\u00E8bres et des plus jou\u00E9s."@fr . . . . . "\u041E\u0440\u0433\u0430\u0301\u043D\u043D\u044B\u0439 \u043A\u043E\u043D\u0446\u0435\u0301\u0440\u0442 \u2014 \u0432\u0438\u0434 \u043A\u043E\u043D\u0446\u0435\u0440\u0442\u0430 \u0434\u043B\u044F \u0441\u043E\u043B\u0438\u0440\u0443\u044E\u0449\u0435\u0433\u043E \u043E\u0440\u0433\u0430\u043D\u0430 \u0432 \u0441\u043E\u043F\u0440\u043E\u0432\u043E\u0436\u0434\u0435\u043D\u0438\u0438 \u043E\u0440\u043A\u0435\u0441\u0442\u0440\u043E\u0432\u043E\u0433\u043E \u0441\u043E\u0441\u0442\u0430\u0432\u0430. \u0421\u0440\u0435\u0434\u0438 \u0430\u0432\u0442\u043E\u0440\u043E\u0432 \u0437\u0430\u043C\u0435\u0442\u043D\u044B\u0445 \u043A\u043E\u043D\u0446\u0435\u0440\u0442\u043E\u0432 \u0434\u043B\u044F \u043E\u0440\u0433\u0430\u043D\u0430 \u0441 \u043E\u0440\u043A\u0435\u0441\u0442\u0440\u043E\u043C \u0431\u044B\u043B\u0438 \u0410\u043D\u0442\u043E\u043D\u0438\u043E \u0412\u0438\u0432\u0430\u043B\u044C\u0434\u0438, \u0413\u0435\u043E\u0440\u0433 \u0424\u0440\u0438\u0434\u0440\u0438\u0445 \u0413\u0435\u043D\u0434\u0435\u043B\u044C, \u0418\u043E\u0433\u0430\u043D\u043D \u0421\u0435\u0431\u0430\u0441\u0442\u044C\u044F\u043D \u0411\u0430\u0445, \u0419\u043E\u0437\u0435\u0444 \u0413\u0430\u0439\u0434\u043D, \u0413\u043E\u0440\u0430\u0446\u0438\u043E \u041F\u0430\u0440\u043A\u0435\u0440, \u0410\u043B\u0435\u043A\u0441\u0430\u043D\u0434\u0440 \u0413\u0435\u0434\u0438\u043A\u0435, \u0413\u0430\u043D\u0441 \u0413\u0430\u043B\u044C, \u041F\u0430\u0443\u043B\u044C \u0425\u0438\u043D\u0434\u0435\u043C\u0438\u0442, \u0410\u043B\u044C\u0444\u0440\u0435\u0434\u043E \u041A\u0430\u0437\u0435\u043B\u043B\u0430, \u0424\u0440\u0430\u043D\u0441\u0438\u0441 \u041F\u0443\u043B\u0435\u043D\u043A, \u0425\u0430\u0440\u0430\u043B\u044C\u0434 \u0413\u0435\u043D\u0446\u043C\u0435\u0440, \u041C\u0430\u043B\u043A\u043E\u043B\u044C\u043C \u0410\u0440\u043D\u043E\u043B\u044C\u0434, , \u041C\u0430\u0440\u0433\u0435\u0440 \u0417\u0430\u0440\u0438\u043D\u044C\u0448, \u0421\u0435\u0440\u0433\u0435\u0439 \u0421\u043B\u043E\u043D\u0438\u043C\u0441\u043A\u0438\u0439. \u041A \u043E\u0440\u0433\u0430\u043D\u043D\u043E\u043C\u0443 \u043A\u043E\u043D\u0446\u0435\u0440\u0442\u0443 \u0431\u043B\u0438\u0437\u043A\u043E \u043F\u043E\u0434\u0445\u043E\u0434\u0438\u0442 \u0432 \u0436\u0430\u043D\u0440\u043E\u0432\u043E\u043C \u043E\u0442\u043D\u043E\u0448\u0435\u043D\u0438\u0438 \u041A\u043E\u043D\u0446\u0435\u0440\u0442\u043D\u0430\u044F \u0441\u0438\u043C\u0444\u043E\u043D\u0438\u044F \u0434\u043B\u044F \u043E\u0440\u0433\u0430\u043D\u0430 \u0441 \u043E\u0440\u043A\u0435\u0441\u0442\u0440\u043E\u043C \u0416\u043E\u0437\u0435\u0444\u0430 \u0419\u043E\u043D\u0433\u0435\u043D\u0430. \u041E\u0440\u0433\u0430\u043D\u043D\u043E\u0435 \u0441\u043E\u043B\u043E \u043C\u043E\u0436\u0435\u0442, \u043E\u0434\u043D\u0430\u043A\u043E, \u0437\u0430\u043D\u0438\u043C\u0430\u0442\u044C \u0438 \u0431\u043E\u043B\u0435\u0435 \u0441\u043A\u0440\u043E\u043C\u043D\u043E\u0435 \u043C\u0435\u0441\u0442\u043E \u0432 \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0438 \u0434\u043B\u044F \u043E\u0440\u043A\u0435\u0441\u0442\u0440\u0430, \u043D\u0435 \u043F\u043E\u0437\u0432\u043E\u043B\u044F\u044E\u0449\u0435\u0435 \u0433\u043E\u0432\u043E\u0440\u0438\u0442\u044C \u043E \u043A\u043E\u043D\u0446\u0435\u0440\u0442\u043D\u043E\u0439 \u0444\u043E\u0440\u043C\u0435 (\u043D\u0430\u043F\u0440\u0438\u043C\u0435\u0440, \u0432 \u0422\u0440\u0435\u0442\u044C\u0435\u0439 \u0441\u0438\u043C\u0444\u043E\u043D\u0438\u0438 \u041A\u0430\u043C\u0438\u043B\u044F \u0421\u0435\u043D-\u0421\u0430\u043D\u0441\u0430)."@ru . . . . . . . "Orgelconcert"@nl . . . . . . . . . . . . . . . . . . . . . . . "Un concerto per organo e orchestra, o semplicemente concerto per organo, \u00E8 un concerto in cui lo strumento solista \u00E8 l'organo accompagnato dall'orchestra o, pi\u00F9 raramente, da un pi\u00F9 piccolo ensemble di strumenti. In quest'ultimo caso, con l'accompagnamento per esempio di un'orchestra d'archi, si tratta di musica da camera. La forma si svilupp\u00F2 agli inizi del XVIII secolo quando compositori come Antonio Vivaldi, Georg Friedrich H\u00E4ndel e Johann Sebastian Bach scrissero dei concerti per organo e piccola orchestra e con parti solistiche che raramente richiedevano la pedaliera dell'organo. Esistono anche opere del Classicismo e del Romanticismo, ma anche del XX e XXI secolo tra i quali il concerto di Francis Poulenc entrato in repertorio ed eseguito abbastanza frequentemente. Nella forma di concerto per organo non sono di solito comprese quelle opere orchestrali che richiedono un organo utilizzato come una sezione orchestrale in pi\u00F9, esempi dei quali includono la terza sinfonia di Camille Saint-Sa\u00EBns, l'opera di Gustav Holst, I pianeti o quella di Richard Strauss, Cos\u00EC parl\u00F2 Zarathustra."@it . "\u30AA\u30EB\u30AC\u30F3\u5354\u594F\u66F2\u306F\u3001\u30AA\u30EB\u30AC\u30F3\u3092\u72EC\u594F\u697D\u5668\u3068\u3059\u308B\u5354\u594F\u66F2\u3002"@ja . . . . . . . "En orgelkonsert \u00E4r en komposition f\u00F6r orgel och orkester, p\u00E5 samma s\u00E4tt som piano-, violin- eller klarinettkonserter. Det f\u00F6rekommer \u00E4ven att ett verk i flera satser f\u00F6r soloorgel kallas orgelkonsert. Komposit\u00F6rer som skrivit s\u00E5dana \u00E4r Gunnar Thyrestam, Leif Thybo och Leif Kayser. Ett konserttillf\u00E4lle d\u00E5 organist \u00E4r den ende musikern kallas ofta ocks\u00E5 f\u00F6r orgelkonsert. (P\u00E5 samma s\u00E4tt har ordet pianokonsert flera betydelser)."@sv . . . . . . . . . . . "Soler Concerto.ogg"@en . . . . . . . . . "An organ concerto is a piece of music, an instrumental concerto for a pipe organ soloist with an orchestra. The form first evolved in the 18th century, when composers including Antonio Vivaldi, George Frideric Handel and Johann Sebastian Bach wrote organ concertos with small orchestras, and with solo parts which rarely call for the organ pedal board. During the Classical period the organ concerto became popular in many places, especially in Bavaria, Austria and Bohemia (whether called there a concerto, pastorella, or sonata), reaching a position of being almost an integral part of the church music tradition of jubilus character. From the Romantic era fewer works are known. Finally, there are some 20th- and 21st-century examples, of which the concerto by Francis Poulenc has entered the basic repertoire, and is quite frequently played. The organ concerto form is not usually taken to include orchestral works such as organ symphonies that call for an organ used as an extra orchestral section, examples of which include the Third Symphony of Camille Saint-Sa\u00EBns, Gustav Holst's The Planets and Richard Strauss's Also sprach Zarathustra."@en . . . . . . . "Orgelkonsert"@sv . . . . . "Een orgelconcert is een concert voor solo pijporgel en orkest of kamerorkest. Deze muziekvorm ontwikkelde zich in de 18e eeuw toen componisten als Georg Friedrich H\u00E4ndel, Antonio Vivaldi en Johann Sebastian Bach orgelconcerten schreven voor kleine orkesten met solo-orgel. Hier werden vrijwel altijd orgelpartijen zonder pedaal voor geschreven, zodat deze op een positief kunnen worden uitgevoerd."@nl . . "Concerto pour orgue"@fr . . . . . . . . "Organ concerto"@en . . . . . . . . . "An organ concerto is a piece of music, an instrumental concerto for a pipe organ soloist with an orchestra. The form first evolved in the 18th century, when composers including Antonio Vivaldi, George Frideric Handel and Johann Sebastian Bach wrote organ concertos with small orchestras, and with solo parts which rarely call for the organ pedal board. During the Classical period the organ concerto became popular in many places, especially in Bavaria, Austria and Bohemia (whether called there a concerto, pastorella, or sonata), reaching a position of being almost an integral part of the church music tradition of jubilus character. From the Romantic era fewer works are known. Finally, there are some 20th- and 21st-century examples, of which the concerto by Francis Poulenc has entered the basi"@en . . . . . "15848847"^^ . . . . . . . . . . . . . . . . . . . "1107223339"^^ . . . . . . . . . "En orgelkonsert \u00E4r en komposition f\u00F6r orgel och orkester, p\u00E5 samma s\u00E4tt som piano-, violin- eller klarinettkonserter. Det f\u00F6rekommer \u00E4ven att ett verk i flera satser f\u00F6r soloorgel kallas orgelkonsert. Komposit\u00F6rer som skrivit s\u00E5dana \u00E4r Gunnar Thyrestam, Leif Thybo och Leif Kayser. Ett konserttillf\u00E4lle d\u00E5 organist \u00E4r den ende musikern kallas ofta ocks\u00E5 f\u00F6r orgelkonsert. (P\u00E5 samma s\u00E4tt har ordet pianokonsert flera betydelser)."@sv . "\u30AA\u30EB\u30AC\u30F3\u5354\u594F\u66F2"@ja . "\u30AA\u30EB\u30AC\u30F3\u5354\u594F\u66F2\u306F\u3001\u30AA\u30EB\u30AC\u30F3\u3092\u72EC\u594F\u697D\u5668\u3068\u3059\u308B\u5354\u594F\u66F2\u3002"@ja . . . . . . . .