. . . . . . . "Fotografie byly po\u0159izov\u00E1ny v oblasti nyn\u00ED zn\u00E1m\u00E9 jako Kanada od roku 1839, a to jak amat\u00E9ry, tak profesion\u00E1ly. V 19. stolet\u00ED se komer\u010Dn\u00ED fotografie soust\u0159edila na portr\u00E9tov\u00E1n\u00ED. Profesion\u00E1ln\u00ED fotografov\u00E9 se v\u0161ak tak\u00E9 zab\u00FDvali politick\u00FDmi a antropologick\u00FDmi projekty: \u00FA\u010Dastnili se expedic do z\u00E1padn\u00ED Kanady a byli naj\u00EDm\u00E1n\u00ED vl\u00E1dn\u00EDmi agenturami, aby dokumentovali domorod\u00E9 obyvatelstvo v Kanad\u011B. Podle kriti\u010Dky Penny Cousineau-Levine sou\u010Dasn\u00E1 fotografie v Kanad\u011B neklade d\u016Fraz na dokumentov\u00E1n\u00ED reality; sp\u00ED\u0161e zach\u00E1z\u00ED s fotografiemi jako s v\u00FDzvou k \u00FAvah\u00E1m o nadpozemsk\u00E9m."@cs . . . . . . . . . . . . . . . . . . . . . "Photography in Canada"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Fotografie byly po\u0159izov\u00E1ny v oblasti nyn\u00ED zn\u00E1m\u00E9 jako Kanada od roku 1839, a to jak amat\u00E9ry, tak profesion\u00E1ly. V 19. stolet\u00ED se komer\u010Dn\u00ED fotografie soust\u0159edila na portr\u00E9tov\u00E1n\u00ED. Profesion\u00E1ln\u00ED fotografov\u00E9 se v\u0161ak tak\u00E9 zab\u00FDvali politick\u00FDmi a antropologick\u00FDmi projekty: \u00FA\u010Dastnili se expedic do z\u00E1padn\u00ED Kanady a byli naj\u00EDm\u00E1n\u00ED vl\u00E1dn\u00EDmi agenturami, aby dokumentovali domorod\u00E9 obyvatelstvo v Kanad\u011B. Kanadsk\u00E1 fotografie se v\u00EDce institucionalizovala ve 20. stolet\u00ED. \u017Deleznice v\u010Detn\u011B Kanadsk\u00E9 pacifick\u00E9 \u017Eeleznice hojn\u011B vyu\u017E\u00EDvaly fotografie ve sv\u00FDch reklamn\u00EDch kampan\u00EDch. Still Photography Division, odd\u011Blen\u00ED National Film Board of Canada, produkovalo sn\u00EDmky pro n\u00E1rodn\u00ED a mezin\u00E1rodn\u00ED distribuci. Zpo\u010D\u00E1tku se zam\u011B\u0159ovala na prosazov\u00E1n\u00ED pozitivn\u00ED vize n\u00E1roda, v 60. letech p\u0159e\u0161la divize na dokument\u00E1rn\u00ED fotografii nalad\u011Bnou na um\u011Bleck\u00E9 sklony jednotliv\u00FDch fotograf\u016F. Podle kriti\u010Dky Penny Cousineau-Levine sou\u010Dasn\u00E1 fotografie v Kanad\u011B neklade d\u016Fraz na dokumentov\u00E1n\u00ED reality; sp\u00ED\u0161e zach\u00E1z\u00ED s fotografiemi jako s v\u00FDzvou k \u00FAvah\u00E1m o nadpozemsk\u00E9m."@cs . . . . . . . . "69106126"^^ . . . . . . . "23779"^^ . . . . . . . . . . . "Photographs have been taken in the area now known as Canada since 1839, by both amateurs and professionals. In the 19th century, commercial photography focussed on portraiture. But professional photographers were also involved in political and anthropological projects: they were brought along on expeditions to Western Canada and were engaged to document Indigenous peoples in Canada by government agencies. According to critic Penny Cousineau-Levine, contemporary photography in Canada de-emphasizes documenting reality; rather, it treats photographs as an invitation to consider the otherworldly."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Photographs have been taken in the area now known as Canada since 1839, by both amateurs and professionals. In the 19th century, commercial photography focussed on portraiture. But professional photographers were also involved in political and anthropological projects: they were brought along on expeditions to Western Canada and were engaged to document Indigenous peoples in Canada by government agencies. Canadian photography became more institutionalized in the 20th century. Railways including the Canadian Pacific Railway heavily used photographs in their advertising campaigns. The Still Photography Division, a department of the National Film Board of Canada, produced images for national and international distribution. Initially focussed on promoting a positive vision of the nation, by the 1960s the division transitioned to documentary photography attuned to individual photographers' artistic inclinations. According to critic Penny Cousineau-Levine, contemporary photography in Canada de-emphasizes documenting reality; rather, it treats photographs as an invitation to consider the otherworldly."@en . "Fotografie v Kanad\u011B"@cs . . "1065716868"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .