. . . "Pinchus Kr\u00E9m\u00E8gne (hebr: \u05E1 \u05E7\u05E8\u05DE\u05D9\u05DF, ros: \u041F\u0438\u043D\u0445\u0443\u0441 \u041A\u0440\u0435\u043C\u0435\u043D\u044C) (ur. 28 lipca 1890 w \u017Bo\u0142udku, zm. 5 kwietnia 1981 w C\u00E9ret, Francja) \u2013 francuski malarz i rze\u017Abiarz, z pochodzenia Litwak."@pl . . "Pinchus Kr\u00E9m\u00E8gne, en ruso \u041F\u0438\u043D\u0445\u0443\u0441 \u041A\u0440\u0435\u043C\u0435\u043D\u044C (Pinchus Kremen) fue un pintor, escultor y lit\u00F3grafo franc\u00E9s de origen ruso y ascendencia jud\u00EDa. De estilo expresionista, perteneci\u00F3 a la llamada Escuela de Par\u00EDs. Amigo de Cha\u00EFm Soutine y Michel Kiko\u00EFne, estudi\u00F3 con ambos en la Escuela de Bellas Artes de Vilna. Objetivo de los progroms antijud\u00EDos, en 1912 huy\u00F3 a Par\u00EDs, donde se uni\u00F3 al grupo de pintores de Montparnasse, y pronto se convirti\u00F3 en uno de los residentes m\u00E1s respetados de La Ruche. En 1915 abandon\u00F3 la escultura para dedicarse a la pintura. Sali\u00F3 de Par\u00EDs para vivir en un peque\u00F1o pueblo de los Pirineos llamado C\u00E9ret, que pronto atrajo a otros pintores como Soutine y Picasso. \n* Datos: Q955906 \n* Multimedia: Pinchus Kremegne / Q955906"@es . . . "3832"^^ . . . "Pinchus Kr\u00E9m\u00E8gne, en ruso \u041F\u0438\u043D\u0445\u0443\u0441 \u041A\u0440\u0435\u043C\u0435\u043D\u044C (Pinchus Kremen) fue un pintor, escultor y lit\u00F3grafo franc\u00E9s de origen ruso y ascendencia jud\u00EDa. De estilo expresionista, perteneci\u00F3 a la llamada Escuela de Par\u00EDs. \n* Datos: Q955906 \n* Multimedia: Pinchus Kremegne / Q955906"@es . . . . . . . . . . . . "1105339723"^^ . "Pinchus Kr\u00E9m\u00E8gne"@fr . . . . . "Pinchus Kremegne (auch Kr\u00E9m\u00E8gne bzw. Kremen, russisch \u041F\u0438\u043D\u0445\u0443\u0441 \u041A\u0440\u0435\u043C\u0435\u043D\u044C; * 28. Juli 1890 in Schaludok bei Lida, heute Belarus; \u2020 5. April 1981 in C\u00E9ret, Frankreich), war ein franz\u00F6sischer Maler russisch-j\u00FCdischer Abstammung."@de . . . . "\u041A\u0440\u0435\u043C\u0435\u043D\u044C, \u041F\u0438\u043D\u0445\u0443\u0441"@ru . . . . "Pinchus Kr\u00E9m\u00E8gne (hebr: \u05E1 \u05E7\u05E8\u05DE\u05D9\u05DF, ros: \u041F\u0438\u043D\u0445\u0443\u0441 \u041A\u0440\u0435\u043C\u0435\u043D\u044C) (ur. 28 lipca 1890 w \u017Bo\u0142udku, zm. 5 kwietnia 1981 w C\u00E9ret, Francja) \u2013 francuski malarz i rze\u017Abiarz, z pochodzenia Litwak."@pl . . . . . . . . . . . . . . "Pinchus Kr\u00E9m\u00E8gne, aka Pinchus Kremegne (Hebrew: \u05E4\u05E0\u05D7\u05E1 \u05E7\u05E8\u05DE\u05D9\u05DF; Russian: \u041F\u0438\u043D\u0445\u0443\u0441 \u041A\u0440\u0435\u043C\u0435\u043D\u044C; 28 July 1890 \u2013 5 April 1981), was a Lithuanian Jewish-French artist, primarily known as a sculptor, painter and lithographer. Kremegne died in Ceret. Underestimated as an artist today, he is overshadowed by Soutine and Chagall. He was remembered with a posthumous one-man show in the Quartier Les Halles in Paris in the 1990s. A more structured vision of nature than Soutine's, Kremegne's last paintings prefigure the work of painters such as Leon Kossoff and Frank Auerbach in England."@en . . "Pinchus Kr\u00E9m\u00E8gne"@pl . "Pinchus Kr\u00E9m\u00E8gne (h\u00E9breu : \u05E4\u05E0\u05D7\u05E1 \u05E7\u05E8\u05DE\u05D9\u05DF, russe : \u041F\u0438\u043D\u0445\u0443\u0441 \u041A\u0440\u0435\u043C\u0435\u043D\u044C), n\u00E9 le 28 juillet 1890 \u00E0 (pl) pr\u00E8s de Lida (alors en Empire russe, actuellement en Bi\u00E9lorussie), et mort le 5 avril 1981 \u00E0 C\u00E9ret (Pyr\u00E9n\u00E9es-Orientales), est un peintre et lithographe fran\u00E7ais d'origine russe, rattach\u00E9 \u00E0 la premi\u00E8re \u00C9cole de Paris."@fr . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u041F\u0438\u0301\u043D\u0445\u0443\u0441 \u041A\u0440\u0435\u043C\u0435\u0301\u043D\u044C (\u0444\u0440. Pinchus Kr\u00E9m\u00E8gne; 28 \u0438\u044E\u043B\u044F 1890, \u0416\u0435\u043B\u0443\u0434\u043E\u0301\u043A, \u041B\u0438\u0434\u0441\u043A\u0438\u0439 \u0443\u0435\u0437\u0434 \u0412\u0438\u043B\u0435\u043D\u0441\u043A\u043E\u0439 \u0433\u0443\u0431\u0435\u0440\u043D\u0438\u0438, \u0420\u043E\u0441\u0441\u0438\u0439\u0441\u043A\u0430\u044F \u0438\u043C\u043F\u0435\u0440\u0438\u044F \u2014 5 \u0430\u043F\u0440\u0435\u043B\u044F 1981, , \u0412\u043E\u0441\u0442\u043E\u0447\u043D\u044B\u0435 \u041F\u0438\u0440\u0435\u043D\u0435\u0438, \u0424\u0440\u0430\u043D\u0446\u0438\u044F) \u2014 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u0441\u043A\u0438\u0439 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A \u043B\u0438\u0442\u0432\u0430\u0446\u043A\u043E\u0433\u043E \u043F\u0440\u043E\u0438\u0441\u0445\u043E\u0436\u0434\u0435\u043D\u0438\u044F, \u043F\u0440\u0438\u043D\u0430\u0434\u043B\u0435\u0436\u0430\u0432\u0448\u0438\u0439 \u043A \u041F\u0430\u0440\u0438\u0436\u0441\u043A\u043E\u0439 \u0448\u043A\u043E\u043B\u0435. \u041A\u0440\u043E\u043C\u0435 \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u0438, \u0437\u0430\u043D\u0438\u043C\u0430\u043B\u0441\u044F \u0442\u0430\u043A\u0436\u0435 \u0441\u043A\u0443\u043B\u044C\u043F\u0442\u0443\u0440\u043E\u0439 \u0438 \u0433\u0440\u0430\u0444\u0438\u043A\u043E\u0439."@ru . . "\u041F\u0438\u0301\u043D\u0445\u0443\u0441 \u041A\u0440\u0435\u043C\u0435\u0301\u043D\u044C (\u0444\u0440. Pinchus Kr\u00E9m\u00E8gne; 28 \u0438\u044E\u043B\u044F 1890, \u0416\u0435\u043B\u0443\u0434\u043E\u0301\u043A, \u041B\u0438\u0434\u0441\u043A\u0438\u0439 \u0443\u0435\u0437\u0434 \u0412\u0438\u043B\u0435\u043D\u0441\u043A\u043E\u0439 \u0433\u0443\u0431\u0435\u0440\u043D\u0438\u0438, \u0420\u043E\u0441\u0441\u0438\u0439\u0441\u043A\u0430\u044F \u0438\u043C\u043F\u0435\u0440\u0438\u044F \u2014 5 \u0430\u043F\u0440\u0435\u043B\u044F 1981, , \u0412\u043E\u0441\u0442\u043E\u0447\u043D\u044B\u0435 \u041F\u0438\u0440\u0435\u043D\u0435\u0438, \u0424\u0440\u0430\u043D\u0446\u0438\u044F) \u2014 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u0441\u043A\u0438\u0439 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A \u043B\u0438\u0442\u0432\u0430\u0446\u043A\u043E\u0433\u043E \u043F\u0440\u043E\u0438\u0441\u0445\u043E\u0436\u0434\u0435\u043D\u0438\u044F, \u043F\u0440\u0438\u043D\u0430\u0434\u043B\u0435\u0436\u0430\u0432\u0448\u0438\u0439 \u043A \u041F\u0430\u0440\u0438\u0436\u0441\u043A\u043E\u0439 \u0448\u043A\u043E\u043B\u0435. \u041A\u0440\u043E\u043C\u0435 \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u0438, \u0437\u0430\u043D\u0438\u043C\u0430\u043B\u0441\u044F \u0442\u0430\u043A\u0436\u0435 \u0441\u043A\u0443\u043B\u044C\u043F\u0442\u0443\u0440\u043E\u0439 \u0438 \u0433\u0440\u0430\u0444\u0438\u043A\u043E\u0439."@ru . . . . "Pinchus Kremegne (auch Kr\u00E9m\u00E8gne bzw. Kremen, russisch \u041F\u0438\u043D\u0445\u0443\u0441 \u041A\u0440\u0435\u043C\u0435\u043D\u044C; * 28. Juli 1890 in Schaludok bei Lida, heute Belarus; \u2020 5. April 1981 in C\u00E9ret, Frankreich), war ein franz\u00F6sischer Maler russisch-j\u00FCdischer Abstammung."@de . . . "456457"^^ . . . "Pinchus Kr\u00E9m\u00E8gne (h\u00E9breu : \u05E4\u05E0\u05D7\u05E1 \u05E7\u05E8\u05DE\u05D9\u05DF, russe : \u041F\u0438\u043D\u0445\u0443\u0441 \u041A\u0440\u0435\u043C\u0435\u043D\u044C), n\u00E9 le 28 juillet 1890 \u00E0 (pl) pr\u00E8s de Lida (alors en Empire russe, actuellement en Bi\u00E9lorussie), et mort le 5 avril 1981 \u00E0 C\u00E9ret (Pyr\u00E9n\u00E9es-Orientales), est un peintre et lithographe fran\u00E7ais d'origine russe, rattach\u00E9 \u00E0 la premi\u00E8re \u00C9cole de Paris."@fr . . "Pinchus Kremegne"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Pinchus Kr\u00E9m\u00E8gne"@es . . . "Pinchus Kremegne"@de . . . . "Pinchus Kr\u00E9m\u00E8gne, aka Pinchus Kremegne (Hebrew: \u05E4\u05E0\u05D7\u05E1 \u05E7\u05E8\u05DE\u05D9\u05DF; Russian: \u041F\u0438\u043D\u0445\u0443\u0441 \u041A\u0440\u0435\u043C\u0435\u043D\u044C; 28 July 1890 \u2013 5 April 1981), was a Lithuanian Jewish-French artist, primarily known as a sculptor, painter and lithographer. He was a native of near Lida, and was a friend of both Cha\u00EFm Soutine and Michel Kikoine. He studied sculpture at the Vilnius Academy of Art. He became a target of the pogroms because he was a Jew and fled to Paris in 1912. In Paris, Kremegne joined the group of painters of Montparnasse and soon became one of the respected residents of La Ruche. In 1915, he gave up sculpture in order to dedicate himself to painting. It was he who encouraged Soutine to come to Paris. He left Paris to live in a small town in the Pyrenees called Ceret. This village, which is a little inland from Collioure, attracted other painters such as Soutine. Although Soutine did not like the town very much, he completed many paintings there over a couple of years. He never settled but his compatriot Kremegne had a house built there around 1960. This small unassuming house, a reflection of the man himself, is nestled into the mountain and overlooks the village. There was a falling out between the two men perhaps stemming from some ingratitude shown by Soutine towards a mutual 'mecene' or benefactor who had helped out the two impoverished artists during their early careers in Paris. Kremegne's house has new occupants and it is called La Miranda del Convent. Later Ceret was to attract other painters such as Picasso. The Picasso walk meanders by Kremegne's house and Ceret has an important museum exhibiting artists such as Matisse, Picasso, and others. There are a few Kremegne paintings on exhibition there as well. Kremegne died in Ceret. Underestimated as an artist today, he is overshadowed by Soutine and Chagall. He was remembered with a posthumous one-man show in the Quartier Les Halles in Paris in the 1990s. A more structured vision of nature than Soutine's, Kremegne's last paintings prefigure the work of painters such as Leon Kossoff and Frank Auerbach in England."@en .