"\uD50C\uB86F"@ko . . . . "In narratologia, per intreccio si intende l'insieme degli eventi contenuti in un'opera narrativa, visti per\u00F2 non nel loro susseguirsi cronologico e causale, ma nel modo effettivo in cui sono stati disposti dall'autore. Questi infatti pu\u00F2 ricorrere a diversi artifizi narrativi, determinando delle distorsioni rispetto alla sequenza meramente cronologica. Ad esempio, con la prolessi l'autore anticipa al lettore la conoscenza di fatti che sulla linea temporale verranno solo dopo. Viceversa, l'analessi (o flashback) \u00E8 la narrazione posticipata di fatti che sulla linea temporale venivano prima."@it . . "La trama es un orden cronol\u00F3gico de los diversos acontecimientos presentados por un autor o narrador a un lector. La trama se diferencia del argumento en que esta busca establecer conexiones causadas entre los distintos elementos de la narraci\u00F3n, y no solamente describir una simple sucesi\u00F3n de una secuencia de acontecimientos, los acontecimientos secundarios o complementarios suelen ser denominados subtramas o tramas secundarias."@es . . "Sy\u017Eet"@cs . . . . . . . "Plot adalah urutan beberapa peristiwa, dan setiap peristiwa tersebut memengaruhi peristiwa berikutnya melalui prinsip sebab-akibat. Peristiwa sebab-akibat dari suatu plot dapat dianggap sebagai serangkaian peristiwa yang dihubungkan oleh penghubung \"dan seterusnya\". Plot dapat bervariasi mulai dari struktur yang sederhana\u2014seperti dalam balada tradisional - hingga struktur jalinan yang kompleks, kadang disebut subplot atau imbroglio. Dalam pengertian naratif, istilah ini menyoroti poin-poin penting yang memiliki konsekuensi dalam cerita, menurut . Istilah plot dapat juga berfungsi sebagai kata kerja yang merujuk pada suatu karakter yang merencanakan tindakan berikutnya dalam sebuah cerita. Plot serupa artinya dengan istilah alur cerita."@in . . . . . "Una trama en literatura \u00E9s la disposici\u00F3 interna d'una obra liter\u00E0ria, amb especial refer\u00E8ncia a l'argument. La teoria de la literatura distingeix quatre tipus b\u00E0sics de trama: \u00FAnicahi ha una coincid\u00E8ncia entre la hist\u00F2ria narrada i la trama, els fets transcorren linealmentencadenadaes narren diversos episodis d'uns fets (se selecciona la informaci\u00F3). Un exemple serien les novel\u00B7les d'aventures, on s'expliquen les gestes dels herois per\u00F2 no el que passa entre ellesalternadael narrador segueix a dos o m\u00E9s protagonistes de la hist\u00F2ria o alterna informaci\u00F3 de dos moments diferents en el tempsencastadadins una hist\u00F2ria general que actua com a marc, se succeeixen d'altres. Giovanni Boccaccio, amb el seu Decamer\u00F3, n'\u00E9s un dels m\u00E0xims exponents"@ca . . . . . . . . . . . . . . . "Plot adalah urutan beberapa peristiwa, dan setiap peristiwa tersebut memengaruhi peristiwa berikutnya melalui prinsip sebab-akibat. Peristiwa sebab-akibat dari suatu plot dapat dianggap sebagai serangkaian peristiwa yang dihubungkan oleh penghubung \"dan seterusnya\". Plot dapat bervariasi mulai dari struktur yang sederhana\u2014seperti dalam balada tradisional - hingga struktur jalinan yang kompleks, kadang disebut subplot atau imbroglio. Dalam pengertian naratif, istilah ini menyoroti poin-poin penting yang memiliki konsekuensi dalam cerita, menurut ."@in . . . "1120221529"^^ . . "La trama es un orden cronol\u00F3gico de los diversos acontecimientos presentados por un autor o narrador a un lector. La trama se diferencia del argumento en que esta busca establecer conexiones causadas entre los distintos elementos de la narraci\u00F3n, y no solamente describir una simple sucesi\u00F3n de una secuencia de acontecimientos, los acontecimientos secundarios o complementarios suelen ser denominados subtramas o tramas secundarias."@es . . . "De plot (uit het Engels) is het plan, de structuur van een verhaal met alle verwikkelingen en causale verbanden daarbinnen. Het is als een geraamte waaraan de vertelling van een boek, toneelstuk, videospel of film wordt opgehangen. Een verwante term is synopsis, een samenvatting van de belangrijkste punten van een geschreven werk."@nl . "Plot (naratif)"@in . . . . "Sju\u017Cet (czasem siu\u017Cet; ros. \u0441\u044E\u0436\u0435\u0442 z fr. sujet \u201Etemat\u201D) \u2013 poj\u0119cie opracowane przez szko\u0142\u0119 formalist\u00F3w rosyjskich, przej\u0119te p\u00F3\u017Aniej przez narratologi\u0119, oznaczaj\u0105ce rozmieszczenie epizod\u00F3w i scen rozwijaj\u0105cych dzie\u0142a literackiego. W przeciwie\u0144stwie do fabu\u0142y (w rozumieniu formalist\u00F3w), b\u0119d\u0105cej schematem zdarze\u0144 zawartych w utworze, jest schematem samego utworu. Oznacza to, \u017Ce fabu\u0142a jest zbiorem wydarze\u0144 i postaci danego dzie\u0142a, za\u015B sju\u017Cet sposobem ich uporz\u0105dkowania i przedstawienia. Nie obejmuje on tego co jest \u201Ew domy\u015Ble\u201D, fabu\u0142a zatem wynika ze sju\u017Cetu."@pl . . . "\u30D7\u30ED\u30C3\u30C8 (\u82F1\u8A9E: Plot) \u3068\u306F\u3001\u30B9\u30C8\u30FC\u30EA\u30FC\u306E\u8981\u7D04\u3067\u3042\u308B\u3002\u30D7\u30ED\u30C3\u30C8\u306F\u30B9\u30C8\u30FC\u30EA\u30FC\u4E0A\u306E\u91CD\u8981\u306A\u51FA\u6765\u4E8B\u306E\u307E\u3068\u307E\u308A\u3067\u3042\u308A\u3001\u91CD\u8981\u306A\u51FA\u6765\u4E8B\u3068\u306F\u3001\u5F8C\u306E\u5C55\u958B\u306B\u5927\u304D\u306A\u5F71\u97FF\u3092\u4E0E\u3048\u308B\u51FA\u6765\u4E8B\u3067\u3042\u308B\u3002\u3059\u306A\u308F\u3061\u3001\u30D7\u30ED\u30C3\u30C8\u306F\u51FA\u6765\u4E8B\u306E\u539F\u56E0\u3068\u7D50\u679C\u3092\u629C\u304D\u51FA\u3057\u305F\u3082\u306E\u3067\u3042\u308B\u3002\u3053\u3053\u3067\u3044\u3046\u539F\u56E0\u3068\u7D50\u679C\u3068\u306F\u3001\u4F8B\u3048\u3070\u300C\u72AC\u304C\u6B69\u304F\u3002\u68D2\u306B\u3042\u305F\u308B\u3002\u52D5\u7269\u75C5\u9662\u306B\u904B\u3070\u308C\u308B\u3002\u6CBB\u7642\u3092\u53D7\u3051\u308B\u3002\u56DE\u5FA9\u3059\u308B\u300D\u3068\u3044\u3063\u305F\u3053\u3068\u3067\u3042\u308B\u3002 \u30D7\u30ED\u30C3\u30C8\u306F\u30B9\u30C8\u30FC\u30EA\u30FC\u3068\u306F\u7570\u306A\u308B\u3002\u30D7\u30ED\u30C3\u30C8\u306F\u56E0\u679C\u95A2\u4FC2\u3067\u3042\u308A\u3001\u30B9\u30C8\u30FC\u30EA\u30FC\u306F\u5358\u306A\u308B\u524D\u5F8C\u95A2\u4FC2\u3067\u3042\u308B\u3002\u300C\u738B\u5973\u306F\u96EA\u5C71\u306B\u9003\u3052\u305F\u5973\u738B\u3092\u8FFD\u3046\u3002\u3060\u304B\u3089\u3001\u738B\u5973\u306F\u96EA\u5C71\u3067\u5973\u738B\u3092\u898B\u3064\u3051\u308B\u300D\u306F\u30D7\u30ED\u30C3\u30C8\u3067\u3042\u308B\u3002\u4E00\u65B9\u3067\u3001\u30B9\u30C8\u30FC\u30EA\u30FC\u306F\u3001\u51FA\u6765\u4E8B\u3092\u8D77\u3053\u308B\u6642\u9593\u306E\u9806\u5E8F\u3069\u304A\u308A\u3001\u7701\u7565\u305B\u305A\u306B\u4E26\u3079\u305F\u6587\u7AE0\u3067\u3042\u308A\u3001\u30D7\u30ED\u30C3\u30C8\u3068\u306F\u533A\u5225\u3055\u308C\u308B\u3002\u300C\u738B\u5973\u306F\u96EA\u5C71\u306B\u9003\u3052\u305F\u5973\u738B\u3092\u8FFD\u3046\u3002\u305D\u308C\u304B\u3089\u3001\u5973\u738B\u306F\u9B54\u6CD5\u3067\u6C37\u306E\u57CE\u3092\u9020\u308B\u300D\u306F\u30B9\u30C8\u30FC\u30EA\u30FC\u3067\u3042\u308B\u3002\u3053\u306E\u3088\u3046\u306B\u3001\u300C\u3060\u304B\u3089\u300D\u3067\u51FA\u6765\u4E8B\u306E\u3064\u306A\u304C\u308B\u3082\u306E\u304C\u30D7\u30ED\u30C3\u30C8\u3067\u3042\u308A\u3001\u305F\u3060\u5358\u306B\u300C\u305D\u308C\u304B\u3089\u300D\u3067\u3064\u306A\u304C\u308B\u3082\u306E\u304C\u30B9\u30C8\u30FC\u30EA\u30FC\u3067\u3042\u308B\u3002 \u30D7\u30ED\u30C3\u30C8\u306F\u30B9\u30C8\u30FC\u30EA\u30FC\u306E\u8A2D\u8A08\u56F3\u3068\u3057\u3066\u7528\u3044\u3089\u308C\u308B\u3002\u30D7\u30ED\u30C3\u30C8\u3092\u307E\u3068\u3081\u305F\u6587\u66F8\u304C\u300C\u30C8\u30EA\u30FC\u30C8\u30E1\u30F3\u30C8\u300D\u3067\u3042\u308B\u3002\u30C8\u30EA\u30FC\u30C8\u30E1\u30F3\u30C8\u3068\u811A\u672C\u306E\u9055\u3044\u306F\u3001\u30C8\u30EA\u30FC\u30C8\u30E1\u30F3\u30C8\u304C\u975E\u5E38\u306B\u77ED\u3044\u77ED\u7DE8\u5C0F\u8AAC\u306E\u5F62\u3067\u66F8\u304B\u308C\u3001\u307E\u305F\u3001\u307E\u3060\u30B7\u30FC\u30F3\u306B\u5206\u3051\u3089\u308C\u3066\u3044\u306A\u3044\u70B9\u306B\u3042\u308B\u3002\u901A\u5E38\u3001\u6620\u753B\u306A\u3069\u306E\u30D7\u30ED\u30C3\u30C8\u306F\u300C\u4E09\u5E55\u69CB\u6210\u300D\u306B\u57FA\u3065\u3044\u3066\u66F8\u304B\u308C\u308B\u3002\u4E09\u5E55\u69CB\u6210\u3068\u306F\u300C\u59CB\u307E\u308A\u300D\u300C\u4E2D\u9593\u300D\u300C\u7D42\u308F\u308A\u300D\u304C\u30BF\u30FC\u30CB\u30F3\u30B0\u30FB\u30DD\u30A4\u30F3\u30C8\u3067\u3064\u306A\u304C\u3063\u305F\u69CB\u6210\u3067\u3042\u308B (\u5F8C\u8FF0)\u3002\u65E5\u672C\u3067\u306F\u3001\u30C8\u30EA\u30FC\u30C8\u30E1\u30F3\u30C8\u306B\u3042\u305F\u308B\u6587\u66F8\u305D\u306E\u3082\u306E\u304C\u3008\u30D7\u30ED\u30C3\u30C8\u3009\u3068\u547C\u3070\u308C\u3066\u3044\u308B (\u5F8C\u8FF0)\u3002"@ja . "Intrig (\u00E4ven sujett eller plot) \u00E4r inom narratologi handlingen i en ber\u00E4ttelse (i till exempel en roman eller film) i den ordning den ber\u00E4ttas i sj\u00E4lva texten. Fabeln, handlingen som en fr\u00E5n texten abstraherad kronologisk f\u00F6ljd av h\u00E4ndelser, framst\u00E5r ofta som en kontrast till intrigen."@sv . . . . "Sy\u017Eet (z francouzsk\u00E9ho le sujet \u2013 n\u00E1m\u011Bt, l\u00E1tka, t\u00E9ma) je zp\u016Fsob, jak\u00FDm jsou v liter\u00E1rn\u00EDm d\u00EDle uspo\u0159\u00E1d\u00E1ny tematick\u00E9 slo\u017Eky (tj. d\u011Bj, postavy, vyprav\u011B\u010D, prost\u0159ed\u00ED) a jak jsou ztv\u00E1rn\u011Bny informace o fabuli: mohou b\u00FDt nap\u0159. se\u0159azeny v \u010Dasov\u00E9 n\u00E1slednosti (Babi\u010Dka Bo\u017Eeny N\u011Bmcov\u00E9) nebo pod\u00E1v\u00E1ny s \u010Dasov\u00FDmi inverzemi, tj. \u201Ena p\u0159esk\u00E1\u010Dku\u201C (\u0158ez\u00E1\u010Dovo Rozhran\u00ED), p\u0159\u00EDpadn\u011B se u slo\u017Eit\u00E9 fabule mohou r\u016Fzn\u011B propl\u00E9tat (\u010Capk\u016Fv ). D\u016Fraz m\u016F\u017Ee b\u00FDt polo\u017Een na d\u011Bj (Stevenson\u016Fv Poklad na ostrov\u011B a dobrodru\u017En\u00E1 literatura v\u016Fbec), na postavy a jejich charakter (v psychologick\u00E9m rom\u00E1nu) nebo na prost\u0159ed\u00ED (v rom\u00E1nov\u00FDch kronik\u00E1ch). \n* uspo\u0159\u00E1d\u00E1n\u00ED, zp\u016Fsob vypr\u00E1v\u011Bn\u00ED (kompozice) \n* ozna\u010Den\u00ED pro syst\u00E9m tematick\u00FDch slo\u017Eek (d\u011Bje, postavy, vyprav\u011B\u010D), jak vypl\u00FDv\u00E1 z celkov\u00E9 konstrukce a z celkov\u00E9ho pr\u016Fb\u011Bhu epick\u00E9ho d\u00EDla \n* \u010Dten\u00E1\u0159 na z\u00E1klad\u011B sy\u017Eetu rekonstruuje fabuli, kde\u017Eto autor vych\u00E1z\u00ED z fabule a sm\u011B\u0159uje k sy\u017Eetu \n* rozhoduj\u00ED tyto hlavn\u00ED probl\u00E9my: \n* kdo, jak\u00FD vyprav\u011B\u010D nebo kter\u00E1 postava bude uv\u00E1d\u011Bt jednotliv\u00E9 motivy fabule \n* v jak\u00E9m \u010Dasov\u00E9m po\u0159\u00E1dku a s jakou motivac\u00ED \n* jak budou zd\u016Frazn\u011Bny jednotliv\u00E9 \u010D\u00E1sti fabule, zdali budou rozvedeny a nebo z\u016Fstanou netematick\u00E9 \n* sy\u017Eetov\u00E1 v\u00FDstavba, d\u016Fraz na \n* d\u011Bj (dobrodru\u017En\u00E1 literatura) \n* postavy (psychologick\u00FD rom\u00E1n) \n* prost\u0159ed\u00ED (rom\u00E1nov\u00E1 kronika) \n* konflikt mezi postavami (drama) \n* sy\u017Eetov\u00E9 postupy: \n* zabalen\u00E9 \u2013 t\u00E9ma rozv\u00EDjen\u00E9 co nejv\u011Brohodn\u011Bji (realistick\u00FD rom\u00E1n) \n* obna\u017Een\u00E9 \u2013 z\u00E1m\u011Brn\u011B zd\u016Frazn\u011Bn\u00E9, sy\u017Eet se m\u016F\u017Ee st\u00E1t vlastn\u00EDm t\u00E9matem (rom\u00E1n o rom\u00E1nu \u2013 parodie)"@cs . . . . . . . . . . "\u0421\u044E\u0436\u00E9\u0442 (\u0444\u0440. sujet \u2014 \u0442\u0435\u043C\u0430, \u043F\u0440\u0435\u0434\u043C\u0435\u0442 \u0432\u0456\u0434 \u043B\u0430\u0442. subjectum \u2014 \u043F\u0456\u0434\u043C\u0435\u0442, \u0441\u0443\u0431'\u0454\u043A\u0442) \u2014 \u0440\u0456\u0437\u043D\u043E\u0432\u0438\u0434 \u043D\u0430\u0440\u0430\u0442\u0438\u0432\u0443, \u0441\u0443\u043A\u0443\u043F\u043D\u0456\u0441\u0442\u044C \u043F\u043E\u0434\u0456\u0439 \u0443 \u0445\u0443\u0434\u043E\u0436\u043D\u044C\u043E\u043C\u0443 \u0442\u0432\u043E\u0440\u0456, \u043F\u043E\u0432'\u044F\u0437\u0430\u043D\u0438\u0445 \u043F\u0440\u0438\u0447\u0438\u043D\u043D\u043E-\u043D\u0430\u0441\u043B\u0456\u0434\u043A\u043E\u0432\u0438\u043C\u0438 \u0437\u0432'\u044F\u0437\u043A\u0430\u043C\u0438, \u0449\u043E \u0440\u043E\u0437\u043A\u0440\u0438\u0432\u0430\u044E\u0442\u044C\u0441\u044F \u0432 \u043F\u0435\u0432\u043D\u0456\u0439 \u043F\u043E\u0441\u043B\u0456\u0434\u043E\u0432\u043D\u043E\u0441\u0442\u0456. \u0421\u044E\u0436\u0435\u0442 \u0454 \u0442\u0440\u0430\u043D\u0441\u0444\u043E\u0440\u043C\u0430\u0446\u0456\u0454\u044E \u0444\u0430\u0431\u0443\u043B\u0438, \u043A\u043E\u0442\u0440\u0430 \u043C\u0456\u0441\u0442\u0438\u0442\u044C \u043F\u043E\u0434\u0456\u0457 \u0432 \u043B\u043E\u0433\u0456\u0447\u043D\u0456\u0439 \u0442\u0430 \u0447\u0430\u0441\u043E\u0432\u0456\u0439 \u043F\u043E\u0441\u043B\u0456\u0434\u043E\u0432\u043D\u043E\u0441\u0442\u0456, \u0442\u043E\u0434\u0456 \u044F\u043A \u0432 \u0441\u044E\u0436\u0435\u0442\u0456 \u0446\u044F \u043F\u043E\u0441\u043B\u0456\u0434\u043E\u0432\u043D\u0456\u0441\u0442\u044C \u043C\u043E\u0436\u0435 \u043F\u043E\u0440\u0443\u0448\u0443\u0432\u0430\u0442\u0438\u0441\u044F. \u0412 \u043F\u043E\u0432\u0441\u044F\u043A\u0434\u0435\u043D\u043D\u043E\u043C\u0443 \u0432\u0436\u0438\u0442\u043A\u0443 \u0442\u0430\u043A\u043E\u0436 \u0432\u0436\u0438\u0432\u0430\u0454\u0442\u044C\u0441\u044F \u044F\u043A \u0441\u0438\u043D\u043E\u043D\u0456\u043C \u0441\u0438\u043D\u043E\u043F\u0441\u0438\u0441\u0443."@uk . "25284"^^ . "Plot"@nl . . "\u0627\u0644\u062D\u064E\u0628\u0643\u0629 \u0647\u064A \u0645\u0635\u0637\u0644\u062D \u0623\u062F\u0628\u064A \u064A\u0642\u0635\u062F \u0628\u0647 \u0645\u062C\u0645\u0648\u0639\u0629 \u0645\u0646 \u0627\u0644\u0623\u062D\u062F\u0627\u062B \u0627\u0644\u0645\u062A\u062A\u0627\u0628\u0639\u0629 \u0648\u0627\u0644\u0645\u062A\u0633\u0644\u0633\u0644\u0629 \u0627\u0644\u062A\u064A \u062A\u062A\u0643\u0648\u0646 \u0645\u0646\u0647\u0627 \u0642\u0635\u0629 \u0645\u0627\u060C \u0645\u0639 \u0627\u0644\u062A\u0623\u0643\u064A\u062F \u0639\u0644\u0649 \u0639\u0644\u0627\u0642\u0629 \u0627\u0644\u0623\u062D\u062F\u0627\u062B \u0628\u0628\u0639\u0636\u0647\u0627\u060C \u0648\u0630\u0644\u0643 \u0645\u0646 \u0623\u062C\u0644 \u062A\u0648\u0644\u064A\u062F \u0623\u062B\u0631 \u0639\u0627\u0637\u0641\u064A \u0623\u0648 \u0641\u0646\u064A \u0644\u062F\u0649 \u0627\u0644\u0645\u062A\u0627\u0628\u0639."@ar . . . . . . . . . . . "\u0421\u044E\u0436\u00E9\u0442 (\u0444\u0440. sujet \u2014 \u0442\u0435\u043C\u0430, \u043F\u0440\u0435\u0434\u043C\u0435\u0442 \u0432\u0456\u0434 \u043B\u0430\u0442. subjectum \u2014 \u043F\u0456\u0434\u043C\u0435\u0442, \u0441\u0443\u0431'\u0454\u043A\u0442) \u2014 \u0440\u0456\u0437\u043D\u043E\u0432\u0438\u0434 \u043D\u0430\u0440\u0430\u0442\u0438\u0432\u0443, \u0441\u0443\u043A\u0443\u043F\u043D\u0456\u0441\u0442\u044C \u043F\u043E\u0434\u0456\u0439 \u0443 \u0445\u0443\u0434\u043E\u0436\u043D\u044C\u043E\u043C\u0443 \u0442\u0432\u043E\u0440\u0456, \u043F\u043E\u0432'\u044F\u0437\u0430\u043D\u0438\u0445 \u043F\u0440\u0438\u0447\u0438\u043D\u043D\u043E-\u043D\u0430\u0441\u043B\u0456\u0434\u043A\u043E\u0432\u0438\u043C\u0438 \u0437\u0432'\u044F\u0437\u043A\u0430\u043C\u0438, \u0449\u043E \u0440\u043E\u0437\u043A\u0440\u0438\u0432\u0430\u044E\u0442\u044C\u0441\u044F \u0432 \u043F\u0435\u0432\u043D\u0456\u0439 \u043F\u043E\u0441\u043B\u0456\u0434\u043E\u0432\u043D\u043E\u0441\u0442\u0456. \u0421\u044E\u0436\u0435\u0442 \u0454 \u0442\u0440\u0430\u043D\u0441\u0444\u043E\u0440\u043C\u0430\u0446\u0456\u0454\u044E \u0444\u0430\u0431\u0443\u043B\u0438, \u043A\u043E\u0442\u0440\u0430 \u043C\u0456\u0441\u0442\u0438\u0442\u044C \u043F\u043E\u0434\u0456\u0457 \u0432 \u043B\u043E\u0433\u0456\u0447\u043D\u0456\u0439 \u0442\u0430 \u0447\u0430\u0441\u043E\u0432\u0456\u0439 \u043F\u043E\u0441\u043B\u0456\u0434\u043E\u0432\u043D\u043E\u0441\u0442\u0456, \u0442\u043E\u0434\u0456 \u044F\u043A \u0432 \u0441\u044E\u0436\u0435\u0442\u0456 \u0446\u044F \u043F\u043E\u0441\u043B\u0456\u0434\u043E\u0432\u043D\u0456\u0441\u0442\u044C \u043C\u043E\u0436\u0435 \u043F\u043E\u0440\u0443\u0448\u0443\u0432\u0430\u0442\u0438\u0441\u044F. \u0412 \u043F\u043E\u0432\u0441\u044F\u043A\u0434\u0435\u043D\u043D\u043E\u043C\u0443 \u0432\u0436\u0438\u0442\u043A\u0443 \u0442\u0430\u043A\u043E\u0436 \u0432\u0436\u0438\u0432\u0430\u0454\u0442\u044C\u0441\u044F \u044F\u043A \u0441\u0438\u043D\u043E\u043D\u0456\u043C \u0441\u0438\u043D\u043E\u043F\u0441\u0438\u0441\u0443."@uk . . . . . . . . . . "74973"^^ . . "\u60C5\u7BC0\u662F\u4F5C\u54C1\u4E2D\u6574\u500B\u6558\u4E8B\u7684\u8B8A\u5316\u904E\u7A0B\uFF0C\u901A\u904E\u4E8B\u4EF6\u3001\u63D2\u66F2\u3001\u884C\u52D5\u7B49\u7D50\u69CB\u6210\u5206\uFF0C\u5411\u7D50\u5C3E\u63A8\u9032\u3002\u60C5\u7BC0\u662F\u4E00\u5207\u66F8\u5BEB\u7684\u548C\u53E3\u8FF0\u7684\u6558\u4E8B\u6240\u5FC5\u6709\u7684\u56E0\u7D20\u3002\u6C92\u6709\u60C5\u7BC0\uFF0C\u6558\u4E8B\u662F\u4E0D\u53EF\u60F3\u50CF\u7684\u3002\u3002 \u5728\u5275\u4F5C\u9818\u57DF\uFF0C\u5C0D\u5C0F\u8AAA\u3001\u6232\u5287\u3001\u96FB\u5F71\u3001\u6F2B\u756B\u7B49\u4F5C\u54C1\u7684\u6846\u67B6\u3001\u4E8B\u4EF6\u69CB\u6210\u800C\u8AD6\u7684\u7528\u8A9E\u3002\u548C\u6545\u4E8B\u6709\u6240\u5340\u5225\u3002"@zh . . . . "Intrig (narratologi)"@sv . . . "\u60C5\u7BC0\u662F\u4F5C\u54C1\u4E2D\u6574\u500B\u6558\u4E8B\u7684\u8B8A\u5316\u904E\u7A0B\uFF0C\u901A\u904E\u4E8B\u4EF6\u3001\u63D2\u66F2\u3001\u884C\u52D5\u7B49\u7D50\u69CB\u6210\u5206\uFF0C\u5411\u7D50\u5C3E\u63A8\u9032\u3002\u60C5\u7BC0\u662F\u4E00\u5207\u66F8\u5BEB\u7684\u548C\u53E3\u8FF0\u7684\u6558\u4E8B\u6240\u5FC5\u6709\u7684\u56E0\u7D20\u3002\u6C92\u6709\u60C5\u7BC0\uFF0C\u6558\u4E8B\u662F\u4E0D\u53EF\u60F3\u50CF\u7684\u3002\u3002 \u5728\u5275\u4F5C\u9818\u57DF\uFF0C\u5C0D\u5C0F\u8AAA\u3001\u6232\u5287\u3001\u96FB\u5F71\u3001\u6F2B\u756B\u7B49\u4F5C\u54C1\u7684\u6846\u67B6\u3001\u4E8B\u4EF6\u69CB\u6210\u800C\u8AD6\u7684\u7528\u8A9E\u3002\u548C\u6545\u4E8B\u6709\u6240\u5340\u5225\u3002"@zh . . . . . . . . . . . . . . . . "Trama (narratolog\u00EDa)"@es . . "Sju\u017Cet"@pl . "\u0421\u044E\u0436\u0435\u0301\u0442 (\u0444\u0440. sujet, \u043E\u0442 \u043B\u0430\u0442. subiectum \u2014 \u00AB\u043F\u0440\u0435\u0434\u043C\u0435\u0442\u00BB) \u0432 \u043B\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0435, \u0434\u0440\u0430\u043C\u0430\u0442\u0443\u0440\u0433\u0438\u0438, \u0442\u0435\u0430\u0442\u0440\u0435, \u043A\u0438\u043D\u043E, \u043A\u043E\u043C\u0438\u043A\u0441\u0430\u0445, \u0438\u0433\u0440\u0430\u0445 \u2014 \u0440\u044F\u0434 \u0441\u043E\u0431\u044B\u0442\u0438\u0439 (\u043F\u043E\u0441\u043B\u0435\u0434\u043E\u0432\u0430\u0442\u0435\u043B\u044C\u043D\u043E\u0441\u0442\u044C \u0441\u0446\u0435\u043D, \u0430\u043A\u0442\u043E\u0432), \u043F\u0440\u043E\u0438\u0441\u0445\u043E\u0434\u044F\u0449\u0438\u0445 \u0432 \u0445\u0443\u0434\u043E\u0436\u0435\u0441\u0442\u0432\u0435\u043D\u043D\u043E\u043C \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0438 (\u043D\u0430 \u0441\u0446\u0435\u043D\u0435 \u0442\u0435\u0430\u0442\u0440\u0430) \u0438 \u0432\u044B\u0441\u0442\u0440\u043E\u0435\u043D\u043D\u044B\u0445 \u0434\u043B\u044F \u0447\u0438\u0442\u0430\u0442\u0435\u043B\u044F (\u0437\u0440\u0438\u0442\u0435\u043B\u044F, \u0438\u0433\u0440\u043E\u043A\u0430) \u043F\u043E \u043E\u043F\u0440\u0435\u0434\u0435\u043B\u0451\u043D\u043D\u044B\u043C \u043F\u0440\u0430\u0432\u0438\u043B\u0430\u043C \u0434\u0435\u043C\u043E\u043D\u0441\u0442\u0440\u0430\u0446\u0438\u0438. \u0421\u044E\u0436\u0435\u0442 \u2014 \u043E\u0441\u043D\u043E\u0432\u0430 \u0444\u043E\u0440\u043C\u044B \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u044F. \u0421\u043E\u0433\u043B\u0430\u0441\u043D\u043E \u0441\u043B\u043E\u0432\u0430\u0440\u044E \u041E\u0436\u0435\u0433\u043E\u0432\u0430 \u0441\u044E\u0436\u0435\u0442 \u2014 \u044D\u0442\u043E \u043F\u043E\u0441\u043B\u0435\u0434\u043E\u0432\u0430\u0442\u0435\u043B\u044C\u043D\u043E\u0441\u0442\u044C \u0438 \u0441\u0432\u044F\u0437\u044C \u043E\u043F\u0438\u0441\u0430\u043D\u0438\u044F \u0441\u043E\u0431\u044B\u0442\u0438\u0439 \u0432 \u043B\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043D\u043E\u043C \u0438\u043B\u0438 \u0441\u0446\u0435\u043D\u0438\u0447\u0435\u0441\u043A\u043E\u043C \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0438; \u0432 \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0438 \u0438\u0437\u043E\u0431\u0440\u0430\u0437\u0438\u0442\u0435\u043B\u044C\u043D\u043E\u0433\u043E \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u0430 \u2014 \u043F\u0440\u0435\u0434\u043C\u0435\u0442 \u0438\u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u0438\u044F."@ru . "\u30D7\u30ED\u30C3\u30C8 (\u82F1\u8A9E: Plot) \u3068\u306F\u3001\u30B9\u30C8\u30FC\u30EA\u30FC\u306E\u8981\u7D04\u3067\u3042\u308B\u3002\u30D7\u30ED\u30C3\u30C8\u306F\u30B9\u30C8\u30FC\u30EA\u30FC\u4E0A\u306E\u91CD\u8981\u306A\u51FA\u6765\u4E8B\u306E\u307E\u3068\u307E\u308A\u3067\u3042\u308A\u3001\u91CD\u8981\u306A\u51FA\u6765\u4E8B\u3068\u306F\u3001\u5F8C\u306E\u5C55\u958B\u306B\u5927\u304D\u306A\u5F71\u97FF\u3092\u4E0E\u3048\u308B\u51FA\u6765\u4E8B\u3067\u3042\u308B\u3002\u3059\u306A\u308F\u3061\u3001\u30D7\u30ED\u30C3\u30C8\u306F\u51FA\u6765\u4E8B\u306E\u539F\u56E0\u3068\u7D50\u679C\u3092\u629C\u304D\u51FA\u3057\u305F\u3082\u306E\u3067\u3042\u308B\u3002\u3053\u3053\u3067\u3044\u3046\u539F\u56E0\u3068\u7D50\u679C\u3068\u306F\u3001\u4F8B\u3048\u3070\u300C\u72AC\u304C\u6B69\u304F\u3002\u68D2\u306B\u3042\u305F\u308B\u3002\u52D5\u7269\u75C5\u9662\u306B\u904B\u3070\u308C\u308B\u3002\u6CBB\u7642\u3092\u53D7\u3051\u308B\u3002\u56DE\u5FA9\u3059\u308B\u300D\u3068\u3044\u3063\u305F\u3053\u3068\u3067\u3042\u308B\u3002 \u30D7\u30ED\u30C3\u30C8\u306F\u30B9\u30C8\u30FC\u30EA\u30FC\u3068\u306F\u7570\u306A\u308B\u3002\u30D7\u30ED\u30C3\u30C8\u306F\u56E0\u679C\u95A2\u4FC2\u3067\u3042\u308A\u3001\u30B9\u30C8\u30FC\u30EA\u30FC\u306F\u5358\u306A\u308B\u524D\u5F8C\u95A2\u4FC2\u3067\u3042\u308B\u3002\u300C\u738B\u5973\u306F\u96EA\u5C71\u306B\u9003\u3052\u305F\u5973\u738B\u3092\u8FFD\u3046\u3002\u3060\u304B\u3089\u3001\u738B\u5973\u306F\u96EA\u5C71\u3067\u5973\u738B\u3092\u898B\u3064\u3051\u308B\u300D\u306F\u30D7\u30ED\u30C3\u30C8\u3067\u3042\u308B\u3002\u4E00\u65B9\u3067\u3001\u30B9\u30C8\u30FC\u30EA\u30FC\u306F\u3001\u51FA\u6765\u4E8B\u3092\u8D77\u3053\u308B\u6642\u9593\u306E\u9806\u5E8F\u3069\u304A\u308A\u3001\u7701\u7565\u305B\u305A\u306B\u4E26\u3079\u305F\u6587\u7AE0\u3067\u3042\u308A\u3001\u30D7\u30ED\u30C3\u30C8\u3068\u306F\u533A\u5225\u3055\u308C\u308B\u3002\u300C\u738B\u5973\u306F\u96EA\u5C71\u306B\u9003\u3052\u305F\u5973\u738B\u3092\u8FFD\u3046\u3002\u305D\u308C\u304B\u3089\u3001\u5973\u738B\u306F\u9B54\u6CD5\u3067\u6C37\u306E\u57CE\u3092\u9020\u308B\u300D\u306F\u30B9\u30C8\u30FC\u30EA\u30FC\u3067\u3042\u308B\u3002\u3053\u306E\u3088\u3046\u306B\u3001\u300C\u3060\u304B\u3089\u300D\u3067\u51FA\u6765\u4E8B\u306E\u3064\u306A\u304C\u308B\u3082\u306E\u304C\u30D7\u30ED\u30C3\u30C8\u3067\u3042\u308A\u3001\u305F\u3060\u5358\u306B\u300C\u305D\u308C\u304B\u3089\u300D\u3067\u3064\u306A\u304C\u308B\u3082\u306E\u304C\u30B9\u30C8\u30FC\u30EA\u30FC\u3067\u3042\u308B\u3002"@ja . . "\u60C5\u7BC0"@zh . . . . . . "( \uB2E4\uB978 \uB73B\uC5D0 \uB300\uD574\uC11C\uB294 \uD50C\uB85C\uD2B8 \uBB38\uC11C\uB97C \uCC38\uACE0\uD558\uC2ED\uC2DC\uC624.) \uD50C\uB86F(\uC601\uC5B4: plot)\uC740 \uC18C\uC124, \uC601\uD654 \uB4F1\uC5D0\uC11C \uC774\uC57C\uAE30\uB97C \uAD6C\uC131\uD558\uB294 \uC77C\uB828\uC758 \uC0AC\uAC74(series of events) \uB610\uB294 \uC0AC\uAC74\uC758 \uB17C\uB9AC\uC801\uC778 \uD328\uD134\uACFC \uBC30\uCE58\uB97C \uC758\uBBF8\uD55C\uB2E4. \uD50C\uB86F\uC740 \uC18C\uC124\uC5D0\uC11C \uC778\uBB3C, \uC8FC\uC81C, \uBC30\uACBD, \uBB38\uCCB4 \uB4F1\uACFC \uD568\uAED8 \uD5C8\uAD6C\uC758 \uC774\uC57C\uAE30\uB97C \uAD6C\uC131\uD558\uB294 \uAE30\uBCF8 \uC694\uC18C\uC774\uB2E4. \uC601\uC5B4 'plot'\uC740 \uD55C\uAD6D\uC5B4 '\uC904\uAC70\uB9AC'\uC640 \uAC19\uC740 \uB73B\uC73C\uB85C \uBCFC \uC218\uB3C4 \uC788\uC73C\uB098 \uD55C\uAD6D\uC5B4 '\uC904\uAC70\uB9AC'\uB294 \uB300\uAC1C \uC774\uC57C\uAE30\uC758 \uC2DC\uAC04\uC801\uC778 \uBC30\uC5F4\uC744 \uAC00\uB9AC\uD0A4\uAE30\uC5D0, \uC804\uBB38\uC6A9\uC5B4\uB85C\uB294 \uC601\uC5B4\uC5D0\uC11C \uCC28\uC6A9\uD55C '\uD50C\uB86F'\uC744 \uC4F0\uB294 \uACBD\uC6B0\uAC00 \uB9CE\uB2E4. \uC774 \uC678\uB798\uC5B4\uB97C \uC21C\uD654\uD574\uC11C '\uAD6C\uC131' \uB4F1\uC73C\uB85C \uD45C\uD604\uD558\uAE30\uB3C4 \uD55C\uB2E4.\uD50C\uB86F\uC740 \uC778\uACFC\uAD00\uACC4\uC5D0 \uB530\uB978 \uC0AC\uAC74\uBC30\uC5F4\uC744 \uC758\uBBF8\uD55C\uB2E4\uB294 \uC810\uC5D0\uC11C \uC77C\uB828\uC758 \uC2DC\uAC04\uC21C\uC11C\uB85C \uC5F0\uACB0\uB41C \uC2A4\uD1A0\uB9AC\uC640\uB294 \uCC28\uC774\uAC00 \uC788\uB2E4. \uC2A4\uD1A0\uB9AC\uB294 \uC5F0\uC18D\uC131\uC744 \uC911\uC2EC\uC73C\uB85C, \uD50C\uB86F\uC740 \uC778\uACFC\uAD00\uACC4\uB97C \uC911\uC2EC\uC73C\uB85C \uC4F0\uC5EC\uC9C4\uB2E4. \uD50C\uB86F\uC5D0\uC11C \uC0AC\uAC74\uC774\uB780 \uC601\uC5B4\uB85C 'event'\uB77C\uB294 \uB2E8\uC5B4\uC5D0\uC11C \uB098\uC654\uB2E4. 'event'\uB294 '\uB458 \uC774\uC0C1\uC758 \uC0AC\uB78C\uC774\uB098 \uC9D1\uB2E8\uC758 \uACBD\uC7C1'\uC774\uB77C\uB294 \uB73B\uC774 \uC788\uB2E4. \uC989 \uC778\uBB3C\uB4E4\uC774 \uC11C\uB85C \uACBD\uC7C1\uC744 \uBC8C\uC774\uB294 \uC0C1\uD669\uC774 '\uC0AC\uAC74'\uC774\uB77C\uB294 \uAC83\uC774\uB2E4. \uD50C\uB86F\uC740 \uC544\uB9AC\uC2A4\uD1A0\uD154\uB808\uC2A4\uC758 \u300A\uC2DC\uD559\u300B\uC5D0 \uB098\uC640 \uC788\uB294 \uBBF8\uD1A0\uC2A4(mythos)\uB77C\uB294 \uB9D0\uC758 \uBC88\uC5ED\uC5D0\uC11C \uC720\uB798\uB41C \uAC83\uC774\uB2E4. \uD76C\uB78D\uC5B4 '\uBBF8\uD1A0\uC2A4'\uB294 \uC5B4\uB5A4 \uC9D1\uB2E8\u318D\uBB38\uD654\uC758 \uD2B9\uC720\uD55C \uC2E0\uC559 \uC591\uC2DD\u318D\uAC00\uCE58\uAD00\uC73C\uB85C \uC608\uC220 \uC791\uD488\uC758 \uAD6C\uC0C1\uC774\uB098 \uBAA8\uD2F0\uD504\uC774\uBA70, \uBCF8\uB798\uC758 \uB73B\uC740 '\uC774\uC57C\uAE30'\uB85C\uC11C \uC2E0\uD654\uB97C \uB73B\uD558\uB294 \uC601\uC5B4 'myth'\uB3C4 'mythos'\uC5D0\uC11C \uC720\uB798\uD55C\uB2E4. \uD5C8\uAD6C\uC758 \uC774\uC57C\uAE30\uB294 \uB300\uB7B5 \uB2E4\uC74C\uACFC \uAC19\uC740 \uD50C\uB86F\uC758 4\uB2E8\uACC4 \uAD6C\uC870\uB97C \uC9C0\uB2CC\uB2E4. \n* \uBC1C\uB2E8: \uC774\uC57C\uAE30\uAC00 \uC2DC\uC791\uB418\uB294 \uBD80\uBD84\uC73C\uB85C \uC778\uBB3C, \uBC30\uACBD \uB4F1\uC744 \uC18C\uAC1C\uD55C\uB2E4. \n* \uAC08\uB4F1: \uC0AC\uAC74\uC774 \uC804\uAC1C\uB418\uBA74\uC11C \uC778\uBB3C \uC0AC\uC774\uC5D0 \uAC08\uB4F1\uC774 \uACE0\uC870\uB41C\uB2E4. \n* \uC808\uC815: \uC774\uC57C\uAE30 \uB0B4\uC758 \uAC08\uB4F1\uC774 \uADF9\uC5D0 \uB2EC\uD558\uACE0, \uC774\uC57C\uAE30\uAC00 \uD574\uACB0\uB418\uB294 \uC804\uD658\uC810\uC774 \uB193\uC778\uB2E4. \n* \uB300\uB2E8\uC6D0: \uC774\uC57C\uAE30 \uB0B4\uC758 \uAC08\uB4F1\uC774 \uD574\uC18C\uB418\uACE0 \uACB0\uB9D0\uC744 \uB9DE\uB294\uB2E4."@ko . . . "O enredo, ou a trama, na fic\u00E7\u00E3o narrativa \u00E9 a cadeia de eventos onde cada acontecimento afeta o pr\u00F3ximo atrav\u00E9s do princ\u00EDpio de causa e efeito. Os eventos causais de um enredo podem ser pensados \u200B\u200Bcomo uma s\u00E9rie de eventos ligados pelo conector \"portanto\". Os enredos podem variar do mais simples aos de estrutura complexa e entrela\u00E7ada, com cada parte dela \u00E0s vezes referida como subenredo ou imbr\u00F3glio."@pt . . . . . . . "In a literary work, film, or other narrative, the plot is the sequence of events in which each event affects the next one through the principle of cause-and-effect. The causal events of a plot can be thought of as a series of events linked by the connector \"and so\". Plots can vary from the simple\u2014such as in a traditional ballad\u2014to forming complex interwoven structures, with each part sometimes referred to as a subplot or imbroglio. Plot is similar in meaning to the term storyline. In the narrative sense, the term highlights important points which have consequences within the story, according to American science fiction writer Ansen Dibell. The term plot can also serve as a verb, referring to either the writer's crafting of a plot (devising and ordering story events), or else to a character's planning of future actions in the story. The term plot, however, in common usage (for example, a \"movie plot\") can mean a narrative summary or story synopsis, rather than a specific cause-and-effect sequence."@en . "Als Handlung, alternativ Mythos, Fabel, Fabelf\u00FChrung, Plot oder Szenario (auch Szenarium, Szenar), wird in der Literaturtheorie \u2013 aber auch in Filmen, Comics und Computerspielen \u2013 eine \u201EAbfolge von zusammenh\u00E4ngenden, [urs\u00E4chlich] miteinander verketteten Ereignissen oder Vorg\u00E4ngen bezeichnet, die das dramatische Ger\u00FCst\u201C des jeweiligen Werks bilden."@de . "Enredo"@pt . . . . . . "Sy\u017Eet (z francouzsk\u00E9ho le sujet \u2013 n\u00E1m\u011Bt, l\u00E1tka, t\u00E9ma) je zp\u016Fsob, jak\u00FDm jsou v liter\u00E1rn\u00EDm d\u00EDle uspo\u0159\u00E1d\u00E1ny tematick\u00E9 slo\u017Eky (tj. d\u011Bj, postavy, vyprav\u011B\u010D, prost\u0159ed\u00ED) a jak jsou ztv\u00E1rn\u011Bny informace o fabuli: mohou b\u00FDt nap\u0159. se\u0159azeny v \u010Dasov\u00E9 n\u00E1slednosti (Babi\u010Dka Bo\u017Eeny N\u011Bmcov\u00E9) nebo pod\u00E1v\u00E1ny s \u010Dasov\u00FDmi inverzemi, tj. \u201Ena p\u0159esk\u00E1\u010Dku\u201C (\u0158ez\u00E1\u010Dovo Rozhran\u00ED), p\u0159\u00EDpadn\u011B se u slo\u017Eit\u00E9 fabule mohou r\u016Fzn\u011B propl\u00E9tat (\u010Capk\u016Fv ). D\u016Fraz m\u016F\u017Ee b\u00FDt polo\u017Een na d\u011Bj (Stevenson\u016Fv Poklad na ostrov\u011B a dobrodru\u017En\u00E1 literatura v\u016Fbec), na postavy a jejich charakter (v psychologick\u00E9m rom\u00E1nu) nebo na prost\u0159ed\u00ED (v rom\u00E1nov\u00FDch kronik\u00E1ch)."@cs . "Als Handlung, alternativ Mythos, Fabel, Fabelf\u00FChrung, Plot oder Szenario (auch Szenarium, Szenar), wird in der Literaturtheorie \u2013 aber auch in Filmen, Comics und Computerspielen \u2013 eine \u201EAbfolge von zusammenh\u00E4ngenden, [urs\u00E4chlich] miteinander verketteten Ereignissen oder Vorg\u00E4ngen bezeichnet, die das dramatische Ger\u00FCst\u201C des jeweiligen Werks bilden. Der Begriff steht im Gegensatz zum Stoff oder der Geschichte (manchmal ist auch hier, etwas verwirrend, von Fabel die Rede), also Begriffen, die in verschiedenen Literaturtheorien zur Bezeichnung des hinter der dichterischen Gestaltungsform liegenden \u201Erein chronologisch geordneten Nacheinanders der Ereignisse und Vorg\u00E4nge\u201C. Die Handlung \u2013 also Manfred Pfisters Fabel, das Sujet Toma\u0161evskijs und Lotmans, der aristotelische Mythos oder der Plot der Angelsachsen \u2013 bietet dagegen bereits \u201Ewesentliche Aufbaumomente in sich\u201C, darunter \u201Ekausale und andere sinnstiftende Relationierungen, Phasenbildung, zeitliche und r\u00E4umliche Umgruppierungen\u201C. Indem die Geschehnisse eines Verlaufs nicht isoliert, sondern in ihrer wechselseitigen Bedingtheit dargestellt werden, bildet dieses kausale Beziehungsnetz die Handlung oder den Plot einer Erz\u00E4hlung. Ber\u00FChmt ist die Definition des englischen Schriftstellers E. M. Forster geworden, gem\u00E4\u00DF der sich in dem Satz \u201EThe king died, and then the queen died\u201C eine story (\u201EGeschichte\u201C) ausdr\u00FCcke, w\u00E4hrend \u201EThe king died, and then the queen died of grief\u201C sich als plot oder \u201EHandlung\u201C qualifiziere. Eine alternative Definition liefert J\u00FCrgen Link, dem zufolge eine Handlung ein System von Textmerkmalen oder Zeichen ist, die auf einer Konfiguration (Erz\u00E4hltheorie) beruhen und auf einer zeitlichen Achse angeordnet werden k\u00F6nnen. Das Ereignis oder auch Motiv ist die kleinste und damit elementare Einheit der Handlung. Das definierte 1925 als erster Boris Wiktorowitsch Tomaschewski, sie ist die nicht mehr weiter unterteilbare Einheit des thematischen Materials. Durchlebt ein Subjekt sukzedan mehrere Ereignisse bilden diese ein Geschehen."@de . . "Intreccio (narratologia)"@it . . . . . . "In narratologia, per intreccio si intende l'insieme degli eventi contenuti in un'opera narrativa, visti per\u00F2 non nel loro susseguirsi cronologico e causale, ma nel modo effettivo in cui sono stati disposti dall'autore. Questi infatti pu\u00F2 ricorrere a diversi artifizi narrativi, determinando delle distorsioni rispetto alla sequenza meramente cronologica. Ad esempio, con la prolessi l'autore anticipa al lettore la conoscenza di fatti che sulla linea temporale verranno solo dopo. Viceversa, l'analessi (o flashback) \u00E8 la narrazione posticipata di fatti che sulla linea temporale venivano prima. In questo senso, l'intreccio si contrappone alla fabula, che \u00E8 invece il susseguirsi cronologicamente e causalmente ordinato di una serie di eventi. Intreccio e fabula, entrambi spesso indicati ambiguamente come \"trama\", mettono in evidenza il rapporto dinamico che sussiste tra tempo della storia (cio\u00E8 la temporalit\u00E0 relativa ai fatti narrati) e tempo del racconto (cio\u00E8 la temporalit\u00E0 relativa all'enunciazione della storia, alla sua messa per iscritto). \u00C8 sulla base del rapporto tra questi due diversi orizzonti temporali che \u00E8 possibile comprendere la possibilit\u00E0 di una distorsione temporale in narrativa. Un caso estremamente tipico di rapporto non parallelo tra fabula e intreccio \u00E8 rappresentato dal romanzo giallo, che pu\u00F2 iniziare con la scoperta di un cadavere e con la ricostruzione degli avvenimenti precedenti (e quindi anche l'identit\u00E0 dell'assassino)."@it . "Intrig (\u00E4ven sujett eller plot) \u00E4r inom narratologi handlingen i en ber\u00E4ttelse (i till exempel en roman eller film) i den ordning den ber\u00E4ttas i sj\u00E4lva texten. Fabeln, handlingen som en fr\u00E5n texten abstraherad kronologisk f\u00F6ljd av h\u00E4ndelser, framst\u00E5r ofta som en kontrast till intrigen."@sv . "( \uB2E4\uB978 \uB73B\uC5D0 \uB300\uD574\uC11C\uB294 \uD50C\uB85C\uD2B8 \uBB38\uC11C\uB97C \uCC38\uACE0\uD558\uC2ED\uC2DC\uC624.) \uD50C\uB86F(\uC601\uC5B4: plot)\uC740 \uC18C\uC124, \uC601\uD654 \uB4F1\uC5D0\uC11C \uC774\uC57C\uAE30\uB97C \uAD6C\uC131\uD558\uB294 \uC77C\uB828\uC758 \uC0AC\uAC74(series of events) \uB610\uB294 \uC0AC\uAC74\uC758 \uB17C\uB9AC\uC801\uC778 \uD328\uD134\uACFC \uBC30\uCE58\uB97C \uC758\uBBF8\uD55C\uB2E4. \uD50C\uB86F\uC740 \uC18C\uC124\uC5D0\uC11C \uC778\uBB3C, \uC8FC\uC81C, \uBC30\uACBD, \uBB38\uCCB4 \uB4F1\uACFC \uD568\uAED8 \uD5C8\uAD6C\uC758 \uC774\uC57C\uAE30\uB97C \uAD6C\uC131\uD558\uB294 \uAE30\uBCF8 \uC694\uC18C\uC774\uB2E4. \uC601\uC5B4 'plot'\uC740 \uD55C\uAD6D\uC5B4 '\uC904\uAC70\uB9AC'\uC640 \uAC19\uC740 \uB73B\uC73C\uB85C \uBCFC \uC218\uB3C4 \uC788\uC73C\uB098 \uD55C\uAD6D\uC5B4 '\uC904\uAC70\uB9AC'\uB294 \uB300\uAC1C \uC774\uC57C\uAE30\uC758 \uC2DC\uAC04\uC801\uC778 \uBC30\uC5F4\uC744 \uAC00\uB9AC\uD0A4\uAE30\uC5D0, \uC804\uBB38\uC6A9\uC5B4\uB85C\uB294 \uC601\uC5B4\uC5D0\uC11C \uCC28\uC6A9\uD55C '\uD50C\uB86F'\uC744 \uC4F0\uB294 \uACBD\uC6B0\uAC00 \uB9CE\uB2E4. \uC774 \uC678\uB798\uC5B4\uB97C \uC21C\uD654\uD574\uC11C '\uAD6C\uC131' \uB4F1\uC73C\uB85C \uD45C\uD604\uD558\uAE30\uB3C4 \uD55C\uB2E4.\uD50C\uB86F\uC740 \uC778\uACFC\uAD00\uACC4\uC5D0 \uB530\uB978 \uC0AC\uAC74\uBC30\uC5F4\uC744 \uC758\uBBF8\uD55C\uB2E4\uB294 \uC810\uC5D0\uC11C \uC77C\uB828\uC758 \uC2DC\uAC04\uC21C\uC11C\uB85C \uC5F0\uACB0\uB41C \uC2A4\uD1A0\uB9AC\uC640\uB294 \uCC28\uC774\uAC00 \uC788\uB2E4. \uC2A4\uD1A0\uB9AC\uB294 \uC5F0\uC18D\uC131\uC744 \uC911\uC2EC\uC73C\uB85C, \uD50C\uB86F\uC740 \uC778\uACFC\uAD00\uACC4\uB97C \uC911\uC2EC\uC73C\uB85C \uC4F0\uC5EC\uC9C4\uB2E4. \uD50C\uB86F\uC5D0\uC11C \uC0AC\uAC74\uC774\uB780 \uC601\uC5B4\uB85C 'event'\uB77C\uB294 \uB2E8\uC5B4\uC5D0\uC11C \uB098\uC654\uB2E4. 'event'\uB294 '\uB458 \uC774\uC0C1\uC758 \uC0AC\uB78C\uC774\uB098 \uC9D1\uB2E8\uC758 \uACBD\uC7C1'\uC774\uB77C\uB294 \uB73B\uC774 \uC788\uB2E4. \uC989 \uC778\uBB3C\uB4E4\uC774 \uC11C\uB85C \uACBD\uC7C1\uC744 \uBC8C\uC774\uB294 \uC0C1\uD669\uC774 '\uC0AC\uAC74'\uC774\uB77C\uB294 \uAC83\uC774\uB2E4. \uD5C8\uAD6C\uC758 \uC774\uC57C\uAE30\uB294 \uB300\uB7B5 \uB2E4\uC74C\uACFC \uAC19\uC740 \uD50C\uB86F\uC758 4\uB2E8\uACC4 \uAD6C\uC870\uB97C \uC9C0\uB2CC\uB2E4."@ko . . "Plot (narrative)"@en . . "\u0421\u044E\u0436\u0435\u0442"@uk . "\u0421\u044E\u0436\u0435\u0442"@ru . . . "In a literary work, film, or other narrative, the plot is the sequence of events in which each event affects the next one through the principle of cause-and-effect. The causal events of a plot can be thought of as a series of events linked by the connector \"and so\". Plots can vary from the simple\u2014such as in a traditional ballad\u2014to forming complex interwoven structures, with each part sometimes referred to as a subplot or imbroglio."@en . . . . . . . "Trama"@ca . . . "Handlung (Erz\u00E4hlkunst)"@de . . . . "O enredo, ou a trama, na fic\u00E7\u00E3o narrativa \u00E9 a cadeia de eventos onde cada acontecimento afeta o pr\u00F3ximo atrav\u00E9s do princ\u00EDpio de causa e efeito. Os eventos causais de um enredo podem ser pensados \u200B\u200Bcomo uma s\u00E9rie de eventos ligados pelo conector \"portanto\". Os enredos podem variar do mais simples aos de estrutura complexa e entrela\u00E7ada, com cada parte dela \u00E0s vezes referida como subenredo ou imbr\u00F3glio. Em s\u00EDntese, pode-se dizer que o enredo \u00E9 o esqueleto da narrativa, aquilo que d\u00E1 sustenta\u00E7\u00E3o \u00E0 hist\u00F3ria, o desenrolar dos acontecimentos. \u00C9 portanto n\u00E3o a soma, mas o resultado das rela\u00E7\u00F5es de interdepend\u00EAncia entre a sucess\u00E3o e a transforma\u00E7\u00E3o de situa\u00E7\u00F5es e fatos narrados e a maneira como s\u00E3o dispostos para o leitor ou espectador pelo discurso que narra. Sendo assim, o enredo desenvolve-se numa obra em prosa e \u00E9 indissol\u00FAvel a sua rela\u00E7\u00E3o com a narrativa."@pt . . . . "\u30D7\u30ED\u30C3\u30C8 (\u7269\u8A9E)"@ja . . . . "\u0627\u0644\u062D\u064E\u0628\u0643\u0629 \u0647\u064A \u0645\u0635\u0637\u0644\u062D \u0623\u062F\u0628\u064A \u064A\u0642\u0635\u062F \u0628\u0647 \u0645\u062C\u0645\u0648\u0639\u0629 \u0645\u0646 \u0627\u0644\u0623\u062D\u062F\u0627\u062B \u0627\u0644\u0645\u062A\u062A\u0627\u0628\u0639\u0629 \u0648\u0627\u0644\u0645\u062A\u0633\u0644\u0633\u0644\u0629 \u0627\u0644\u062A\u064A \u062A\u062A\u0643\u0648\u0646 \u0645\u0646\u0647\u0627 \u0642\u0635\u0629 \u0645\u0627\u060C \u0645\u0639 \u0627\u0644\u062A\u0623\u0643\u064A\u062F \u0639\u0644\u0649 \u0639\u0644\u0627\u0642\u0629 \u0627\u0644\u0623\u062D\u062F\u0627\u062B \u0628\u0628\u0639\u0636\u0647\u0627\u060C \u0648\u0630\u0644\u0643 \u0645\u0646 \u0623\u062C\u0644 \u062A\u0648\u0644\u064A\u062F \u0623\u062B\u0631 \u0639\u0627\u0637\u0641\u064A \u0623\u0648 \u0641\u0646\u064A \u0644\u062F\u0649 \u0627\u0644\u0645\u062A\u0627\u0628\u0639."@ar . . . "\u062D\u0628\u0643\u0629"@ar . . . . "Sju\u017Cet (czasem siu\u017Cet; ros. \u0441\u044E\u0436\u0435\u0442 z fr. sujet \u201Etemat\u201D) \u2013 poj\u0119cie opracowane przez szko\u0142\u0119 formalist\u00F3w rosyjskich, przej\u0119te p\u00F3\u017Aniej przez narratologi\u0119, oznaczaj\u0105ce rozmieszczenie epizod\u00F3w i scen rozwijaj\u0105cych dzie\u0142a literackiego. W przeciwie\u0144stwie do fabu\u0142y (w rozumieniu formalist\u00F3w), b\u0119d\u0105cej schematem zdarze\u0144 zawartych w utworze, jest schematem samego utworu. Oznacza to, \u017Ce fabu\u0142a jest zbiorem wydarze\u0144 i postaci danego dzie\u0142a, za\u015B sju\u017Cet sposobem ich uporz\u0105dkowania i przedstawienia. Nie obejmuje on tego co jest \u201Ew domy\u015Ble\u201D, fabu\u0142a zatem wynika ze sju\u017Cetu. Poj\u0119cie to jest u\u017Cywane r\u00F3wnie\u017C w filmoznawstwie. Film, w kt\u00F3rym widz na podstawie ogl\u0105danego sju\u017Cetu mo\u017Ce dokona\u0107 ca\u0142o\u015Bciowej rekonstrukcji fabu\u0142y, nazywamy filmem fabularnym."@pl . . . . "\u0421\u044E\u0436\u0435\u0301\u0442 (\u0444\u0440. sujet, \u043E\u0442 \u043B\u0430\u0442. subiectum \u2014 \u00AB\u043F\u0440\u0435\u0434\u043C\u0435\u0442\u00BB) \u0432 \u043B\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0435, \u0434\u0440\u0430\u043C\u0430\u0442\u0443\u0440\u0433\u0438\u0438, \u0442\u0435\u0430\u0442\u0440\u0435, \u043A\u0438\u043D\u043E, \u043A\u043E\u043C\u0438\u043A\u0441\u0430\u0445, \u0438\u0433\u0440\u0430\u0445 \u2014 \u0440\u044F\u0434 \u0441\u043E\u0431\u044B\u0442\u0438\u0439 (\u043F\u043E\u0441\u043B\u0435\u0434\u043E\u0432\u0430\u0442\u0435\u043B\u044C\u043D\u043E\u0441\u0442\u044C \u0441\u0446\u0435\u043D, \u0430\u043A\u0442\u043E\u0432), \u043F\u0440\u043E\u0438\u0441\u0445\u043E\u0434\u044F\u0449\u0438\u0445 \u0432 \u0445\u0443\u0434\u043E\u0436\u0435\u0441\u0442\u0432\u0435\u043D\u043D\u043E\u043C \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0438 (\u043D\u0430 \u0441\u0446\u0435\u043D\u0435 \u0442\u0435\u0430\u0442\u0440\u0430) \u0438 \u0432\u044B\u0441\u0442\u0440\u043E\u0435\u043D\u043D\u044B\u0445 \u0434\u043B\u044F \u0447\u0438\u0442\u0430\u0442\u0435\u043B\u044F (\u0437\u0440\u0438\u0442\u0435\u043B\u044F, \u0438\u0433\u0440\u043E\u043A\u0430) \u043F\u043E \u043E\u043F\u0440\u0435\u0434\u0435\u043B\u0451\u043D\u043D\u044B\u043C \u043F\u0440\u0430\u0432\u0438\u043B\u0430\u043C \u0434\u0435\u043C\u043E\u043D\u0441\u0442\u0440\u0430\u0446\u0438\u0438. \u0421\u044E\u0436\u0435\u0442 \u2014 \u043E\u0441\u043D\u043E\u0432\u0430 \u0444\u043E\u0440\u043C\u044B \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u044F. \u0421\u043E\u0433\u043B\u0430\u0441\u043D\u043E \u0441\u043B\u043E\u0432\u0430\u0440\u044E \u041E\u0436\u0435\u0433\u043E\u0432\u0430 \u0441\u044E\u0436\u0435\u0442 \u2014 \u044D\u0442\u043E \u043F\u043E\u0441\u043B\u0435\u0434\u043E\u0432\u0430\u0442\u0435\u043B\u044C\u043D\u043E\u0441\u0442\u044C \u0438 \u0441\u0432\u044F\u0437\u044C \u043E\u043F\u0438\u0441\u0430\u043D\u0438\u044F \u0441\u043E\u0431\u044B\u0442\u0438\u0439 \u0432 \u043B\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043D\u043E\u043C \u0438\u043B\u0438 \u0441\u0446\u0435\u043D\u0438\u0447\u0435\u0441\u043A\u043E\u043C \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0438; \u0432 \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0438 \u0438\u0437\u043E\u0431\u0440\u0430\u0437\u0438\u0442\u0435\u043B\u044C\u043D\u043E\u0433\u043E \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u0430 \u2014 \u043F\u0440\u0435\u0434\u043C\u0435\u0442 \u0438\u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u0438\u044F."@ru . "Una trama en literatura \u00E9s la disposici\u00F3 interna d'una obra liter\u00E0ria, amb especial refer\u00E8ncia a l'argument. La teoria de la literatura distingeix quatre tipus b\u00E0sics de trama: \u00FAnicahi ha una coincid\u00E8ncia entre la hist\u00F2ria narrada i la trama, els fets transcorren linealmentencadenadaes narren diversos episodis d'uns fets (se selecciona la informaci\u00F3). Un exemple serien les novel\u00B7les d'aventures, on s'expliquen les gestes dels herois per\u00F2 no el que passa entre ellesalternadael narrador segueix a dos o m\u00E9s protagonistes de la hist\u00F2ria o alterna informaci\u00F3 de dos moments diferents en el tempsencastadadins una hist\u00F2ria general que actua com a marc, se succeeixen d'altres. Giovanni Boccaccio, amb el seu Decamer\u00F3, n'\u00E9s un dels m\u00E0xims exponents"@ca . . . . . "De plot (uit het Engels) is het plan, de structuur van een verhaal met alle verwikkelingen en causale verbanden daarbinnen. Het is als een geraamte waaraan de vertelling van een boek, toneelstuk, videospel of film wordt opgehangen. Een verwante term is synopsis, een samenvatting van de belangrijkste punten van een geschreven werk."@nl . .