. . . . . . . . . . . . . . "\u2014 Pras of the Fugees"@en . . . . . . . . . . . . . . . . . . . . . . . "51646542"^^ . . . . . . . . "Progressive rap"@en . . . . . . . . "* Hip hop\n* avant-garde\n* jazz\n* rock\n* soul"@en . . . . . . . . . . . . . . "fn"@en . . . . "Progressive rap"@en . . . . "While progressive hip-hop culture functions as the voice of resistance for America's black youth, it also provides a blueprint for the possibilities of social change and has been utilized as a politicizing tool to inform youth about significant social problems."@en . . . . . . . . . . . . . . . . "padding:8px;"@en . . . . "nb"@en . . . . "I was so stupid, fighting for a block that I didn't even own, getting shot at and being near a lot of my friends when they got killed. I got lucky, because God felt like that wasn't my true role. I'm not gonna rap about that, like a lot of other rappers do in the name of 'keeping it real.' If you went through Vietnam and have flashbacks, you don't always want to talk about that stuff. I just want to live, be happy and chill."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 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\u0430\u0432\u0430\u043D\u0433\u0430\u0440\u0434\u043D\u044B\u0435 \u043F\u043E\u0434\u0445\u043E\u0434\u044B \u0438 \u0440\u0430\u0437\u043D\u043E\u043E\u0431\u0440\u0430\u0437\u043D\u044B\u0435 \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u044B\u0435 \u0432\u043B\u0438\u044F\u043D\u0438\u044F, \u043A\u0430\u043A \u0442\u043E \u0434\u0436\u0430\u0437, \u0440\u043E\u043A \u0438 \u0441\u043E\u0443\u043B. \u041F\u0440\u0438\u043C\u0435\u0440\u0430\u043C\u0438 \u043C\u043E\u0433\u0443\u0442 \u0441\u043B\u0443\u0436\u0438\u0442\u044C \u0440\u0430\u0431\u043E\u0442\u044B De La Soul, The Fugees, Outkast, \u041A\u0430\u043D\u044C\u0435 \u0423\u044D\u0441\u0442\u0430 \u0438 \u041A\u0435\u043D\u0434\u0440\u0438\u043A\u0430 \u041B\u0430\u043C\u0430\u0440\u0430. \u041C\u0443\u0437\u044B\u043A\u0430 \u0442\u0430\u043A\u0438\u0445 \u0432\u044B\u0441\u0442\u0443\u043F\u043B\u0435\u043D\u0438\u0439, \u043E\u0441\u043E\u0431\u0435\u043D\u043D\u043E \u0432 XXI \u0432\u0435\u043A\u0435, \u043F\u043E\u0432\u043B\u0438\u044F\u043B\u0430 \u043D\u0430 \u043E\u0441\u043D\u043E\u0432\u043D\u044B\u0435 \u0447\u0443\u0432\u0441\u0442\u0432\u0430 \u0445\u0438\u043F-\u0445\u043E\u043F\u0430, \u043E\u0434\u043D\u043E\u0432\u0440\u0435\u043C\u0435\u043D\u043D\u043E \u043F\u0440\u043E\u0442\u0438\u0432\u043E\u0434\u0435\u0439\u0441\u0442\u0432\u0443\u044F \u0440\u0430\u0441\u0438\u0441\u0442\u0441\u043A\u0438\u043C \u0441\u0442\u0435\u0440\u0435\u043E\u0442\u0438\u043F\u0430\u043C, \u0448\u0438\u0440\u043E\u043A\u043E \u0440\u0430\u0441\u043F\u0440\u043E\u0441\u0442\u0440\u0430\u043D\u0451\u043D\u043D\u044B\u043C \u0432 \u0437\u0430\u043F\u0430\u0434\u043D\u043E\u0439 \u043F\u043E\u043F\u0443\u043B\u044F\u0440\u043D\u043E\u0439 \u043A\u0443\u043B\u044C\u0442\u0443\u0440\u0435."@ru . . . . . . . . . . . . . . . . "\u041F\u0440\u043E\u0433\u0440\u0435\u0441\u0441\u0438\u0432\u043D\u044B\u0439 \u0440\u044D\u043F"@ru . . . . . . . . "\u2014 Afrika Baby Bam of Jungle Brothers"@en . . "Progressive rap"@en . . . . . . . . . "They're not watering themselves down with the mainstream. They're strengthening their influence from within, and it's making people believe in what they're saying and what they're doing and look their way."@en . . . . . . . . "* Homo hop\n* political hip hop"@en . . . . . . "1"^^ . 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"left"@en . . . . . . . . . . . "\u2014 Shawn Ginwright"@en . . . . . . . . . . . . "right"@en . . . . . . "-1990.0"^^ . "Progressive rap (or progressive hip hop) is a broad subgenre of hip hop music that aims to progress the genre thematically with socially transformative ideas and musically with stylistic experimentation. Developing through the works of innovative US hip hop acts during the 1980s and 1990s, it has also been known at various points as conscious, underground, and alternative hip hop."@en . . . . . . . . . . . "* Alternative hip hop\n* gangsta rap\n* golden age hip hop\n* progressive music\n* underground hip hop"@en . . . . . . . . . . . . . . . . . . . . "25"^^ . . . . . . . . "44831"^^ . . . . . . . . "* Vocals\n* sampler\n* bass\n* keyboard\n* drums\n* guitar"@en . . . . . . . . . . "1124702509"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . "Progressive rap (or progressive hip hop) is a broad subgenre of hip hop music that aims to progress the genre thematically with socially transformative ideas and musically with stylistic experimentation. Developing through the works of innovative US hip hop acts during the 1980s and 1990s, it has also been known at various points as conscious, underground, and alternative hip hop. Progressive rap music critically examines social issues, political responsibility, and existential concerns, particularly in the context of African-American life and youth culture. Common themes include social injustice, inequality, status, identity, and religion, with discourses around ideologies such as Afrocentricity and Black religiosity. Unlike the genre's more commercially-dominant counterpart gangsta rap, prog-rap artists typically disavow intracultural violence and economic materialism in favor of constructive and educational responses such as consciousness, uplift, heritage, humor, and activism. Productions in the genre often take on avant-garde approaches and wide-ranging influences, such as jazz, rock, and soul. Examples have included the works of De La Soul, Fugees, Outkast, Kendrick Lamar, and Joey Bada$$. The music of such acts, especially in the 21st century, has impacted the mainstream sensibilities of hip hop while countering racist stereotypes pervasive in Western popular culture."@en . . . .