. . . . . . . . . . . . . . . . . . . . . . . "8721"^^ . . . . . . . . . . . . . "Rita Felski"@en . . "Rita Felski"@en . . . . . . . . . . "Rita Felski (born 1956) is an academic and critic, who holds the John Stewart Bryan Professorship of English at the University of Virginia and is a former editor of New Literary History. She is also Niels Bohr Professor at the University of Southern Denmark (2016\u20132021)."@en . "Monash University, Australia"@en . . "25783786"^^ . . . . . . . . . . "Rita Felski"@es . . . . . . . . . . . . . . . . "Rita Felski (born 1956) is an academic and critic, who holds the John Stewart Bryan Professorship of English at the University of Virginia and is a former editor of New Literary History. She is also Niels Bohr Professor at the University of Southern Denmark (2016\u20132021). Felski is a prominent scholar in the fields of aesthetics and literary theory, feminist theory, modernity and postmodernity, and cultural studies. She is closely associated with the field of postcritique, a school of thought that tries to find new forms of reading and interpretation that go beyond the methods of critique, critical theory, and ideological criticism. Felski is the author of Beyond Feminist Aesthetics: Feminist Literature and Social Change (Harvard UP, 1989), The Gender of Modernity (Harvard UP, 1995), Doing Time: Feminist Theory and Postmodern Culture (New York UP, 2000), Literature After Feminism (Chicago UP, 2003), and Uses of Literature (Blackwell, 2008). The Limits of Critique (Chicago UP, 2015), an assessment of the role of the hermeneutics of suspicion as a mood and method in literary studies, has been widely reviewed. Felski is the editor of Rethinking Tragedy (Johns Hopkins, 2008) and co-editor of Comparison: Theories, Approaches, Uses (Johns Hopkins, 2013), Critique and Postcritique (Duke UP 2017), and Latour and the Humanities (Johns Hopkins, 2020). She has also published articles in numerous essay collections and in such scholarly journals as PMLA, Signs, New Literary History, Modernism/Modernity, Cultural Critique, Theory, Culture and Society, and New Formations. Her most recent book, Hooked: Art and Attachment, was published by the University of Chicago Press in 2020."@en . . . . . . . . . . . . . . . "Rita Felski (1956) es una acad\u00E9mica y cr\u00EDtica estadounidense, que desarrolla actividades acad\u00E9micas y cient\u00EDficas en el \"Profesorado William R. Kenan Jr.\" de filolog\u00EDa inglesa en la Universidad de Virginia; y, ex editora de New Literary History.\u200B Tambi\u00E9n, posee un contrato como profesora Niels Bohr en la Universidad del Sur de Dinamarca, de 2016 a 2021.\u200B Editora de \n* Rethinking Tragedy (Johns Hopkins, 2008)Coeditora de \n* Comparison: Theories, Approaches, Uses (Johns Hopkins, 2013) \n* Critique and Postcritique (Duke UP 2017)."@es . "1068582190"^^ . "Rita Felski"@en . "1956"^^ . . . . . . . . . . . . . . . . . . . . . . . "Rita Felski (1956) es una acad\u00E9mica y cr\u00EDtica estadounidense, que desarrolla actividades acad\u00E9micas y cient\u00EDficas en el \"Profesorado William R. Kenan Jr.\" de filolog\u00EDa inglesa en la Universidad de Virginia; y, ex editora de New Literary History.\u200B Tambi\u00E9n, posee un contrato como profesora Niels Bohr en la Universidad del Sur de Dinamarca, de 2016 a 2021.\u200B Felski es una destacada acad\u00E9mica en los campos de la est\u00E9tica (cuestiones de m\u00E9todo, interpretaci\u00F3n y valor est\u00E9tico)\u200B y la teor\u00EDa literaria, la teor\u00EDa feminista, la modernidad y la posmodernidad, la cr\u00EDtica literaria feminista, y los estudios culturales.\u200B Es la autora de: \n* Beyond Feminist Aesthetics: Feminist Literature and Social Change (Harvard UP, 1989), \n* The Gender of Modernity (Harvard UP, 1995), \n* Doing Time: Feminist Theory and Postmodern Culture (New York UP, 2000), \n* Literature After Feminism (Chicago UP, 2003), \n* Uses of Literature (Blackwell, 2008). Ha desarrollado extensas investigaci\u00F3n de larga data, sobre escritura de mujeres, estudios de traducci\u00F3n y pr\u00E1cticas narrativas transculturales; en la interfaz de los estudios culturales de migrantes, la traducci\u00F3n y los estudios interculturales.\u200B Su m\u00E1s reciente texto, The Limits of Critique (Los L\u00EDmites de la Cr\u00EDtica) (236 p. Chicago UP, 2015 ISBN 022629403X), se encuentra con un an\u00E1lisis de una conjetura acerca de la hermen\u00E9utica de la sospecha, como estados de \u00E1nimo y el m\u00E9todo y ha sido ampliamente revisado. All\u00ED, examina la cr\u00EDtica, la forma dominante de interpretaci\u00F3n en los estudios literarios, y la sit\u00FAa como un m\u00E9todo entre muchos, un m\u00E9todo con gran atractivo, pero tambi\u00E9n con l\u00EDmites definidos. As\u00ED, muestra c\u00F3mo esa sospecha hacia los textos excluye muchas lecturas potenciales; y, no ofrece ninguna garant\u00EDa de pensamiento riguroso o radical. En su lugar, sugiere, los acad\u00E9micos literarios deber\u00EDan intentar lo que ella llama \"lectura poscr\u00EDtica\": en lugar de buscar detr\u00E1s de un texto en busca de causas y motivos ocultos, los acad\u00E9micos literarios deber\u00EDan colocarse frente a \u00E9l y reflexionar sobre lo que sugiere y hace posible.\u200B Editora de \n* Rethinking Tragedy (Johns Hopkins, 2008)Coeditora de \n* Comparison: Theories, Approaches, Uses (Johns Hopkins, 2013) \n* Critique and Postcritique (Duke UP 2017). Tambi\u00E9n ha publicado art\u00EDculos en numerosas colecciones de ensayos y en revistas acad\u00E9micas como: \n* PMLA, \n* Signs, \n* , \n* Modernism/Modernity, \n* Cultural Critique, \n* Theory, \n* Culture and Society, \n* New Formations. Actualmente est\u00E1 completando un manuscrito llamado \"Hooked: Art and Attachment\" (Enganchado: Arte y apego.)"@es . . . . . . . . . . . . . . .