"Robert le diable (Nederlands: Robert de duivel) is een grand opera in vijf bedrijven van Giacomo Meyerbeer. Eug\u00E8ne Scribe en schreven het libretto. Zij baseerden zich losjes op de middeleeuwse legende . De wereldpremi\u00E8re vond plaats op 21 november 1831 in de Op\u00E9ra te Parijs. Het derde bedrijf bevat ook een ballet, het 'ballet van de nonnen'. choreografeerde deze passage. Dit was tevens het eerste voorbeeld van een ballet blanc."@nl . "Roberto il diavolo"@it . "\u0420\u043E\u0431\u0435\u0440\u0442-\u0434\u044C\u044F\u0432\u043E\u043B (\u043E\u043F\u0435\u0440\u0430)"@ru . . . . . . "Robert Diabe\u0142 (fr. Robert le diable) \u2013 pi\u0119cioaktowa opera Giacomo Meyerbeera do libretta Eug\u00E8ne\u2019a Scribe\u2019a i Casimira Delavigne\u2019a. Prapremiera odby\u0142a si\u0119 21 listopada 1831 w Operze w Pary\u017Cu, za\u015B polska premiera w warszawskim Teatrze Wielkim 16 grudnia 1837."@pl . . . . . . "Robert le diable \u00E9s una \u00F2pera en cinc actes de Giacomo Meyerbeer, amb llibret d'Eug\u00E8ne Scribe i Casimir Delavigne. Es considera una de les primeres grand op\u00E9ras. Nom\u00E9s t\u00E9 una connexi\u00F3 superficial amb la llegenda medieval sobre Robert el Diable. S'estren\u00E0 a l'Op\u00E9ra de Paris el 21 de novembre de 1831."@ca . "3510840"^^ . . . . . . "Roberto el diablo (t\u00EDtulo original en franc\u00E9s, Robert le diable) es una grand op\u00E9ra en cinco actos con m\u00FAsica de Giacomo Meyerbeer y libreto en franc\u00E9s de Eug\u00E8ne Scribe y Casimir Delavigne; a menudo se considera como la primera grand opera. La historia tiene poca relaci\u00F3n con la leyenda medieval de Roberto el Diablo. Originariamente planeada como una op\u00E9ra comique en tres actos, \"Meyerbeer convenci\u00F3 a Scribe para que cambiara (la \u00F3pera)...a una grand opera de cinco actos\".\u200B La m\u00FAsica dram\u00E1tica, la armon\u00EDa y la orquestaci\u00F3n de Robert, su melodram\u00E1tica trama, y sus sensacionales efectos esc\u00E9nicos (especialmente el \"Ballet de las monjas\") hizo que fuera un \u00E9xito de la noche a la ma\u00F1ana e instant\u00E1neamente confirm\u00F3 a Meyerbeer como el compositor de \u00F3pera l\u00EDder de su era, llevando a Fr\u00E9d\u00E9ric Cho"@es . . . . . . . . . . "Roberto il diavolo (Robert le Diable) \u00E8 un'opera di Giacomo Meyerbeer, spesso considerata come il primo esempio di Grand op\u00E9ra. Il libretto fu scritto da Eug\u00E8ne Scribe e e trae spunto dalla leggenda medioevale di Roberto il diavolo. La musica drammatica, l'armonia e l'orchestrazione dell'opera, il suo impianto melodrammatico e gli effetti scenici sensazionali (specie il balletto delle monache) determinarono un successo immediato e confermarono Meyerbeer come compositore d'opera leader del suo tempo. Robert le diable fu la prima messa in scena di una nuova opera realizzata dal nuovo direttore dell'Opera di Parigi e il suo successo lo port\u00F2 a sottoscrivere l'impegno di nuove opere con compositori francesi quali lo stesso Meyerbeer che di l\u00EC a poco scrisse Gli ugonotti, Fromental Hal\u00E9vy con La Juive e Daniel Auber con ."@it . . . "Robert le Diable est un op\u00E9ra en cinq actes sur un livret d'Eug\u00E8ne Scribe et Germain Delavigne, et une musique compos\u00E9e par Giacomo Meyerbeer. Adapt\u00E9e de la l\u00E9gende m\u00E9di\u00E9vale de Robert le Diable, l\u2019\u0153uvre est le dixi\u00E8me op\u00E9ra de Giacomo Meyerbeer, et son premier compos\u00E9 pour l\u2019Op\u00E9ra de Paris."@fr . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Robert le diable"@de . "Roberto el diablo (\u00F3pera)"@es . . . . . . . . . . "Roberto il diavolo (Robert le Diable) \u00E8 un'opera di Giacomo Meyerbeer, spesso considerata come il primo esempio di Grand op\u00E9ra. Il libretto fu scritto da Eug\u00E8ne Scribe e e trae spunto dalla leggenda medioevale di Roberto il diavolo. La musica drammatica, l'armonia e l'orchestrazione dell'opera, il suo impianto melodrammatico e gli effetti scenici sensazionali (specie il balletto delle monache) determinarono un successo immediato e confermarono Meyerbeer come compositore d'opera leader del suo tempo."@it . . . . . . . . . . . . . . . . . . . . . "Robert \u010F\u00E1bel"@cs . "Robert le Diable (svenska: Robert av Normandie) \u00E4r en grand op\u00E9ra i fem akter med musik komponerad mellan 1827 och 1831 av Giacomo Meyerbeer och libretto f\u00F6rfattad av Eug\u00E8ne Scribe och Germain Delavigne. Robert le Diable hade premi\u00E4r den 21 november 1831 p\u00E5 Parisoperan och anses som en av de f\u00F6rsta grand op\u00E9ra d\u00E4r. Den har endast en ytlig koppling till den medeltida legenden om . Operan blev en omedelbar succ\u00E9 fr\u00E5n start; den dramatiska musiken, harmonin och orkestreringen, den melodramatiska handling, s\u00E5ngarstj\u00E4rnorna och de sensationella sceneffekterna framtvingade Fr\u00E9d\u00E9ric Chopin, som n\u00E4rvarade vid premi\u00E4ren, att utbrista: \"Om liknande praktfullhet n\u00E5gonsin setts p\u00E5 teater, s\u00E5 tvivlar jag att den n\u00E5dde upp till den glans som i Robert... Det \u00E4r ett m\u00E4sterverk... Meyerbeer har gjort sig s"@sv . . . . . . . . . . "Robert Diabe\u0142 (fr. Robert le diable) \u2013 pi\u0119cioaktowa opera Giacomo Meyerbeera do libretta Eug\u00E8ne\u2019a Scribe\u2019a i Casimira Delavigne\u2019a. Prapremiera odby\u0142a si\u0119 21 listopada 1831 w Operze w Pary\u017Cu, za\u015B polska premiera w warszawskim Teatrze Wielkim 16 grudnia 1837."@pl . . . . . . . "Robert le diable"@en . . . . . . . . . . . . . . . . . "Robert le Diable est un op\u00E9ra en cinq actes sur un livret d'Eug\u00E8ne Scribe et Germain Delavigne, et une musique compos\u00E9e par Giacomo Meyerbeer. Adapt\u00E9e de la l\u00E9gende m\u00E9di\u00E9vale de Robert le Diable, l\u2019\u0153uvre est le dixi\u00E8me op\u00E9ra de Giacomo Meyerbeer, et son premier compos\u00E9 pour l\u2019Op\u00E9ra de Paris. La cr\u00E9ation eut lieu \u00E0 l\u2019Op\u00E9ra de Paris, salle Le Peletier, le 21 novembre 1831, avec les sopranos Julie Dorus-Gras et Laure Cinti-Damoreau, le t\u00E9nor Adolphe Nourrit et la basse Nicolas-Prosper Levasseur, sous la direction de Fran\u00E7ois-Antoine Habeneck. Fr\u00E9d\u00E9ric Chopin, qui assista \u00E0 la cr\u00E9ation, \u00E9crivit : \u00AB Si jamais la magnificence parut dans un th\u00E9\u00E2tre, je doute qu'elle ait jamais atteint le degr\u00E9 de splendeur d\u00E9ploy\u00E9 dans Robert... C'est un chef-d'\u0153uvre... Meyerbeer s'est acquis l'immortalit\u00E9...\u00BB De fait, c\u00E9l\u00E9br\u00E9e par Piotr Kami\u0144ski comme \u00E9tant \u00AB un des plus grands triomphes de tous les temps \u00BB, l\u2019\u0153uvre va faire la fortune de l\u2019Op\u00E9ra de Paris qui devient alors la place pr\u00E9pond\u00E9rante de l\u2019art lyrique, o\u00F9 tous les compositeurs (et notamment Donizetti, Verdi ou Wagner) viennent chercher, avec des succ\u00E8s variables, la cons\u00E9cration. S\u2019il n\u2019est plus gu\u00E8re repr\u00E9sent\u00E9 aujourd\u2019hui, \u00AB l\u2019effet extraordinaire produit par Robert le Diable sur les contemporains \u00BB a eu des effets durables et des op\u00E9ras aussi c\u00E9l\u00E8bres que Le Vaisseau fant\u00F4me, Tannh\u00E4user, Faust, Don Carlos, Carmen, Parsifal\u2026 s\u2019inspirent d\u2019une fa\u00E7on ou d\u2019une autre de Robert."@fr . . . . . . . "Robert le diable"@ca . . . "Robert \u010F\u00E1bel (v origin\u00E1le Robert le diable) je n\u00E1zev opery Giacoma Meyerbeera z roku 1831. Autory libreta jsou Eug\u00E8ne Scribe a . Toto d\u00EDlo p\u0159ineslo v prvn\u00ED polovin\u011B 19. stolet\u00ED Meyerbeerovi velk\u00FD \u00FAsp\u011Bch, proto\u017Ee pat\u0159ilo mezi typick\u00E9 z\u00E1stupce sm\u011Bru velk\u00E1 opera. kter\u00FD je charakteristick\u00FD mohutnou v\u00FDpravou a velk\u00FDmi sborov\u00FDmi sc\u00E9nami, \u010Dasto v\u0161ak na \u00FAkor hudebn\u00ED a dramatick\u00E9 kvality. Ji\u017E na konci 19. stolet\u00ED \u010D\u00E1ste\u010Dn\u011B kv\u016Fli sv\u00E9 nadm\u011Brn\u00E9 d\u00E9lce i kv\u016Fli s\u00EDl\u00EDc\u00ED antisemitsk\u00E9 nen\u00E1visti d\u00EDlo na dlouhou dobu zapadlo, ale v sou\u010Dasnosti se op\u011Bt vrac\u00ED na sc\u00E9nu."@cs . . . . . . . . . . . "\u300E\u60AA\u9B54\u306E\u30ED\u30D9\u30FC\u30EB\u300F\uFF08\u3042\u304F\u307E\u306E\u30ED\u30D9\u30FC\u30EB\u3001\u4ECF: Robert le Diable\uFF09\u306F\u3001\u30B8\u30E3\u30B3\u30E2\u30FB\u30DE\u30A4\u30A2\u30D9\u30FC\u30A2\u306B\u3088\u308B5\u5E55\u306E\u30B0\u30E9\u30F3\u30C9\u30FB\u30AA\u30DA\u30E9\u3067\u3042\u308B\u3002\u304B\u3064\u3066\u306F\u300E\u9B3C\u306E\u30ED\u30D9\u30FC\u30EB\u300F\u306E\u65E5\u672C\u8A9E\u8A33\u984C\u3082\u3057\u3070\u3057\u3070\u7528\u3044\u3089\u308C\u305F\u3002\u521D\u6F14\u306F\u30D1\u30EA\u30FB\u30AA\u30DA\u30E9\u5EA7\uFF08\u30B5\u30EB\u30FB\u30DA\u30EB\u30C6\u30A3\u30A8\uFF09\u30671831\u5E7411\u670821\u65E5\u306B\u884C\u308F\u308C\u305F\u3002\u4E2D\u4E16\u30E8\u30FC\u30ED\u30C3\u30D1\u306B\u8D77\u6E90\u3092\u6301\u3064\u4F1D\u8AAC\u3067\u3001\u81EA\u5206\u304C\u60AA\u9B54\u306E\u7533\u3057\u5B50\u3067\u3042\u308B\u3068\u77E5\u3063\u305F\u30CE\u30EB\u30DE\u30F3\u4EBA\u9A0E\u58EB\u60AA\u9B54\u30ED\u30D0\u30FC\u30C8\u306E\u7269\u8A9E\u3092\u7D20\u6750\u3068\u3057\u3066\u3001\u30A6\u30B8\u30A7\u30FC\u30CC\u30FB\u30B9\u30AF\u30EA\u30FC\u30D6\u3068\u306B\u3088\u3063\u3066\u81EA\u7531\u306B\u30EA\u30D6\u30EC\u30C3\u30C8\u304C\u5275\u4F5C\u3055\u308C\u3066\u3044\u308B\u3002"@ja . . . . . . . . . . . . . . . . "Robert le diable"@en . . "Robert le Diable (op\u00E9ra)"@fr . "Robert le Diable"@sv . . . . . . . . . . . . . . "Robert le diable (deutsch: Robert der Teufel) ist eine Oper in f\u00FCnf Akten. Die Musik komponierte Giacomo Meyerbeer. Es war sein erster Beitrag zum Genre der Grand op\u00E9ra. Das Libretto wurde von Eug\u00E8ne Scribe und Germain Delavigne verfasst. Die Urauff\u00FChrung fand am 21. November 1831 an der Pariser Oper statt. Sie begr\u00FCndete den Ruhm des Komponisten in Frankreich sowie in weiten Teilen Europas."@de . . . . . . . . . . . "Robert le diable (Nederlands: Robert de duivel) is een grand opera in vijf bedrijven van Giacomo Meyerbeer. Eug\u00E8ne Scribe en schreven het libretto. Zij baseerden zich losjes op de middeleeuwse legende . De wereldpremi\u00E8re vond plaats op 21 november 1831 in de Op\u00E9ra te Parijs. Het derde bedrijf bevat ook een ballet, het 'ballet van de nonnen'. choreografeerde deze passage. Dit was tevens het eerste voorbeeld van een ballet blanc."@nl . . "Robert Diabe\u0142 (opera)"@pl . "Robert le diable \u00E9s una \u00F2pera en cinc actes de Giacomo Meyerbeer, amb llibret d'Eug\u00E8ne Scribe i Casimir Delavigne. Es considera una de les primeres grand op\u00E9ras. Nom\u00E9s t\u00E9 una connexi\u00F3 superficial amb la llegenda medieval sobre Robert el Diable. S'estren\u00E0 a l'Op\u00E9ra de Paris el 21 de novembre de 1831. L'\u00F2pera va ser un \u00E8xit immediat des de la primera nit; la m\u00FAsica dram\u00E0tica, l'harmonia i l'orquestraci\u00F3, la seva trama melodram\u00E0tica, els seus cantants estrelles i els seus efectes sensacionals a l'escenari van fer que Fr\u00E9d\u00E9ric Chopin, que estava entre el p\u00FAblic, digu\u00E9s: \"si alguna vegada s'ha vist magnific\u00E8ncia al teatre, dubto que aconsegu\u00EDs el nivell d'esplendor que es mostra a Robert... \u00C9s una obra mestra... Meyerbeer s'ha fet immortal\". Robert va iniciar la fama europea del seu compositor, va consolidar la fama del seu llibretista, Scribe, i va posar en marxa la reputaci\u00F3 del nou director de l'\u00D2pera, , com a prove\u00EFdor d'un nou g\u00E8nere de l'\u00F2pera. Tamb\u00E9 va tenir influ\u00E8ncia en el desenvolupament del ballet, i va ser esmentat i discutit en la literatura francesa contempor\u00E0nia amb freq\u00FC\u00E8ncia."@ca . "1123582667"^^ . . . . . . . "Robert le diable"@nl . . . . . . . . . . . . . . . . . . "\u0420\u043E\u0431\u0435\u0440\u0442-\u0434\u044C\u044F\u0432\u043E\u043B (\u0444\u0440. Robert le diable) \u2014 \u0431\u043E\u043B\u044C\u0448\u0430\u044F \u043E\u043F\u0435\u0440\u0430 \u0432 \u043F\u044F\u0442\u0438 \u0430\u043A\u0442\u0430\u0445. \u041A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440 \u0414\u0436\u0430\u043A\u043E\u043C\u043E \u041C\u0435\u0439\u0435\u0440\u0431\u0435\u0440. \u041B\u0438\u0431\u0440\u0435\u0442\u0442\u043E \u042D\u0436\u0435\u043D\u0430 \u0421\u043A\u0440\u0438\u0431\u0430 \u0438 \u0416\u0435\u0440\u043C\u0435\u043D\u0430 \u0414\u0435\u043B\u0430\u0432\u0438\u043D\u044F."@ru . . . . . . . . . . . . . . . . . . . "Robert \u010F\u00E1bel (v origin\u00E1le Robert le diable) je n\u00E1zev opery Giacoma Meyerbeera z roku 1831. Autory libreta jsou Eug\u00E8ne Scribe a . Toto d\u00EDlo p\u0159ineslo v prvn\u00ED polovin\u011B 19. stolet\u00ED Meyerbeerovi velk\u00FD \u00FAsp\u011Bch, proto\u017Ee pat\u0159ilo mezi typick\u00E9 z\u00E1stupce sm\u011Bru velk\u00E1 opera. kter\u00FD je charakteristick\u00FD mohutnou v\u00FDpravou a velk\u00FDmi sborov\u00FDmi sc\u00E9nami, \u010Dasto v\u0161ak na \u00FAkor hudebn\u00ED a dramatick\u00E9 kvality. Ji\u017E na konci 19. stolet\u00ED \u010D\u00E1ste\u010Dn\u011B kv\u016Fli sv\u00E9 nadm\u011Brn\u00E9 d\u00E9lce i kv\u016Fli s\u00EDl\u00EDc\u00ED antisemitsk\u00E9 nen\u00E1visti d\u00EDlo na dlouhou dobu zapadlo, ale v sou\u010Dasnosti se op\u011Bt vrac\u00ED na sc\u00E9nu."@cs . . . . . . . . . . . "Robert le diable (Robert the Devil) is an opera in five acts composed by Giacomo Meyerbeer between 1827 and 1831, to a libretto written by Eug\u00E8ne Scribe and Germain Delavigne. Robert le diable is regarded as one of the first grand operas at the Paris Op\u00E9ra. It has only a superficial connection to the medieval legend of Robert the Devil. The opera was immediately successful from its first night on 21 November 1831 at the Op\u00E9ra; the dramatic music, harmony and orchestration, its melodramatic plot, its star singers and its sensational stage effects compelled Fr\u00E9d\u00E9ric Chopin, who was in the audience, to say, \"If ever magnificence was seen in the theatre, I doubt that it reached the level of splendour shown in Robert...It is a masterpiece...Meyerbeer has made himself immortal\". Robert initiated the European fame of its composer, consolidated the fame of its librettist, Scribe, and launched the reputation of the new director of the Op\u00E9ra, Louis-D\u00E9sir\u00E9 V\u00E9ron, as a purveyor of a new genre of opera. It also had influence on development of the ballet, and was frequently mentioned and discussed in contemporary French literature. Robert continued as a favourite in opera houses all over the world throughout the nineteenth century. After a period of neglect, it began to be revived towards the end of the twentieth century."@en . . . . . . . . . . . . . . "\u60AA\u9B54\u306E\u30ED\u30D9\u30FC\u30EB"@ja . . . . . . . . . . . . . "\u300E\u60AA\u9B54\u306E\u30ED\u30D9\u30FC\u30EB\u300F\uFF08\u3042\u304F\u307E\u306E\u30ED\u30D9\u30FC\u30EB\u3001\u4ECF: Robert le Diable\uFF09\u306F\u3001\u30B8\u30E3\u30B3\u30E2\u30FB\u30DE\u30A4\u30A2\u30D9\u30FC\u30A2\u306B\u3088\u308B5\u5E55\u306E\u30B0\u30E9\u30F3\u30C9\u30FB\u30AA\u30DA\u30E9\u3067\u3042\u308B\u3002\u304B\u3064\u3066\u306F\u300E\u9B3C\u306E\u30ED\u30D9\u30FC\u30EB\u300F\u306E\u65E5\u672C\u8A9E\u8A33\u984C\u3082\u3057\u3070\u3057\u3070\u7528\u3044\u3089\u308C\u305F\u3002\u521D\u6F14\u306F\u30D1\u30EA\u30FB\u30AA\u30DA\u30E9\u5EA7\uFF08\u30B5\u30EB\u30FB\u30DA\u30EB\u30C6\u30A3\u30A8\uFF09\u30671831\u5E7411\u670821\u65E5\u306B\u884C\u308F\u308C\u305F\u3002\u4E2D\u4E16\u30E8\u30FC\u30ED\u30C3\u30D1\u306B\u8D77\u6E90\u3092\u6301\u3064\u4F1D\u8AAC\u3067\u3001\u81EA\u5206\u304C\u60AA\u9B54\u306E\u7533\u3057\u5B50\u3067\u3042\u308B\u3068\u77E5\u3063\u305F\u30CE\u30EB\u30DE\u30F3\u4EBA\u9A0E\u58EB\u60AA\u9B54\u30ED\u30D0\u30FC\u30C8\u306E\u7269\u8A9E\u3092\u7D20\u6750\u3068\u3057\u3066\u3001\u30A6\u30B8\u30A7\u30FC\u30CC\u30FB\u30B9\u30AF\u30EA\u30FC\u30D6\u3068\u306B\u3088\u3063\u3066\u81EA\u7531\u306B\u30EA\u30D6\u30EC\u30C3\u30C8\u304C\u5275\u4F5C\u3055\u308C\u3066\u3044\u308B\u3002"@ja . . . . "43445"^^ . "Robert le Diable (svenska: Robert av Normandie) \u00E4r en grand op\u00E9ra i fem akter med musik komponerad mellan 1827 och 1831 av Giacomo Meyerbeer och libretto f\u00F6rfattad av Eug\u00E8ne Scribe och Germain Delavigne. Robert le Diable hade premi\u00E4r den 21 november 1831 p\u00E5 Parisoperan och anses som en av de f\u00F6rsta grand op\u00E9ra d\u00E4r. Den har endast en ytlig koppling till den medeltida legenden om . Operan blev en omedelbar succ\u00E9 fr\u00E5n start; den dramatiska musiken, harmonin och orkestreringen, den melodramatiska handling, s\u00E5ngarstj\u00E4rnorna och de sensationella sceneffekterna framtvingade Fr\u00E9d\u00E9ric Chopin, som n\u00E4rvarade vid premi\u00E4ren, att utbrista: \"Om liknande praktfullhet n\u00E5gonsin setts p\u00E5 teater, s\u00E5 tvivlar jag att den n\u00E5dde upp till den glans som i Robert... Det \u00E4r ett m\u00E4sterverk... Meyerbeer har gjort sig sj\u00E4lv od\u00F6dlig\". Robert blev startskottet p\u00E5 komposit\u00F6rens karri\u00E4r, bef\u00E4ste Scribes ber\u00F6mmelse och lanserade den nya operachefen som en f\u00F6rk\u00E4mpe f\u00F6r den nya operagenren. Verket p\u00E5verkade ocks\u00E5 balettens utveckling, och n\u00E4mndes och kommenterades st\u00E4ndigt i samtida fransk litteratur. Robert fortsatte som favorit p\u00E5 operahusen \u00F6ver hela v\u00E4rlden under 1800-talet. Efter en tid av f\u00F6rsummelse fick den en ren\u00E4ssans mot slutet av 1900-talet."@sv . "Robert le diable"@en . . . . . . "Roberto el diablo (t\u00EDtulo original en franc\u00E9s, Robert le diable) es una grand op\u00E9ra en cinco actos con m\u00FAsica de Giacomo Meyerbeer y libreto en franc\u00E9s de Eug\u00E8ne Scribe y Casimir Delavigne; a menudo se considera como la primera grand opera. La historia tiene poca relaci\u00F3n con la leyenda medieval de Roberto el Diablo. Originariamente planeada como una op\u00E9ra comique en tres actos, \"Meyerbeer convenci\u00F3 a Scribe para que cambiara (la \u00F3pera)...a una grand opera de cinco actos\".\u200B La m\u00FAsica dram\u00E1tica, la armon\u00EDa y la orquestaci\u00F3n de Robert, su melodram\u00E1tica trama, y sus sensacionales efectos esc\u00E9nicos (especialmente el \"Ballet de las monjas\") hizo que fuera un \u00E9xito de la noche a la ma\u00F1ana e instant\u00E1neamente confirm\u00F3 a Meyerbeer como el compositor de \u00F3pera l\u00EDder de su era, llevando a Fr\u00E9d\u00E9ric Chopin, quien estaba entre el p\u00FAblico, a decir: \"Si alguna vez se vio magnificencia en el teatro, dudo que alcance el nivel de esplendor mostrado en Robert... Es una obra maestra... Meyerbeer se ha hecho inmortal\".\u200B La \u00F3pera fue la primera producci\u00F3n nueva del nuevo director de la Op\u00E9ra, , y su \u00E9xito financi\u00F3 su pol\u00EDtica de encargar obras similares, que iban a incluir obras de Meyerbeer (como Los hugonotes), de Fromental Hal\u00E9vy (La jud\u00EDa) y de Daniel Auber."@es . . . . . . . . . . . . . . "Robert le diable (deutsch: Robert der Teufel) ist eine Oper in f\u00FCnf Akten. Die Musik komponierte Giacomo Meyerbeer. Es war sein erster Beitrag zum Genre der Grand op\u00E9ra. Das Libretto wurde von Eug\u00E8ne Scribe und Germain Delavigne verfasst. Die Urauff\u00FChrung fand am 21. November 1831 an der Pariser Oper statt. Sie begr\u00FCndete den Ruhm des Komponisten in Frankreich sowie in weiten Teilen Europas."@de . "Robert le diable (Robert the Devil) is an opera in five acts composed by Giacomo Meyerbeer between 1827 and 1831, to a libretto written by Eug\u00E8ne Scribe and Germain Delavigne. Robert le diable is regarded as one of the first grand operas at the Paris Op\u00E9ra. It has only a superficial connection to the medieval legend of Robert the Devil. Robert continued as a favourite in opera houses all over the world throughout the nineteenth century. After a period of neglect, it began to be revived towards the end of the twentieth century."@en . . . . . . . . . . . . "\u0420\u043E\u0431\u0435\u0440\u0442-\u0434\u044C\u044F\u0432\u043E\u043B (\u0444\u0440. Robert le diable) \u2014 \u0431\u043E\u043B\u044C\u0448\u0430\u044F \u043E\u043F\u0435\u0440\u0430 \u0432 \u043F\u044F\u0442\u0438 \u0430\u043A\u0442\u0430\u0445. \u041A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440 \u0414\u0436\u0430\u043A\u043E\u043C\u043E \u041C\u0435\u0439\u0435\u0440\u0431\u0435\u0440. \u041B\u0438\u0431\u0440\u0435\u0442\u0442\u043E \u042D\u0436\u0435\u043D\u0430 \u0421\u043A\u0440\u0438\u0431\u0430 \u0438 \u0416\u0435\u0440\u043C\u0435\u043D\u0430 \u0414\u0435\u043B\u0430\u0432\u0438\u043D\u044F."@ru . . . . . . . .