. "Le Rondo no 3 en la mineur, K. 511, pour piano de Wolfgang Amadeus Mozart a \u00E9t\u00E9 compos\u00E9 en 1787. Il se compose d'un seul et unique mouvement, un andante marqu\u00E9 \u00E0 ."@fr . . . "Das Rondo a-Moll KV 511 ist ein Klavierwerk von Wolfgang Amadeus Mozart, das er im M\u00E4rz 1787 in Wien komponierte und mit dem er auf den Tod eines Freundes reagierte.Mit seiner d\u00FCsteren, von schmerzlicher Chromatik bestimmten Klangsprache, den ausgedehnten Couplets und dem h\u00E4ufigen Changieren zwischen Moll und Dur geh\u00F6rt das Rondo zu den bedeutenden und bekenntnishaften Einzelst\u00FCcken Mozarts."@de . . . . "The Rondo in A minor, K. 511, is a work for solo piano by Wolfgang Amadeus Mozart."@en . . . . "Das Rondo a-Moll KV 511 ist ein Klavierwerk von Wolfgang Amadeus Mozart, das er im M\u00E4rz 1787 in Wien komponierte und mit dem er auf den Tod eines Freundes reagierte.Mit seiner d\u00FCsteren, von schmerzlicher Chromatik bestimmten Klangsprache, den ausgedehnten Couplets und dem h\u00E4ufigen Changieren zwischen Moll und Dur geh\u00F6rt das Rondo zu den bedeutenden und bekenntnishaften Einzelst\u00FCcken Mozarts."@de . . . . "Rondo a-Moll (Mozart)"@de . . . . . . . . . . "23865"^^ . . . . . . "The Rondo in A minor, K. 511, is a work for solo piano by Wolfgang Amadeus Mozart."@en . . . . . "Il rond\u00F2 in La minore K 511 per pianoforte \u00E8 stato composto da Wolfgang Amadeus Mozart nella primavera del 1787 a Vienna. Siamo nel periodo in cui il compositore stava completando Le nozze di Figaro e aveva raggiunto la maturazione artistica; nel pezzo in esame Mozart sperimenta nuove forme di linguaggio musicale in cui troviamo atmosfere preromantiche. Nella parte centrale ci pare di intravedere Schubert mentre nel finale non mancano echi della musica che sar\u00E0 di Schumann."@it . . . . . . . . . . . . "El Rond\u00F3 para piano n.\u00BA 3 en la menor, K. 511, de Wolfgang Amadeus Mozart fue escrito en 1787. Consta de un \u00FAnico movimiento Andante, y sigue la estructura A-B-A-C-A. El tema principal en la menor consta en un principio de ocho notas, mientras que el primer episodio est\u00E1 en fa mayor y usa semicorcheas, y el segundo episodio est\u00E1 en la mayor principal y usa tresillos de semicorcheas.\u200B"@es . . . . . . . "\uB860\uB3C4 \uAC00\uB2E8\uC870 (\uBAA8\uCC28\uB974\uD2B8)"@ko . . . . . . "Rondo in A minor (Mozart)"@en . "Rondo in A minor"@en . . . "Rond\u00F2 K 511"@it . "Rondo pour piano no 3 de Mozart"@fr . "\uB860\uB3C4 \uAC00\uB2E8\uC870 K. 511\uC740 \uBCFC\uD504\uAC15 \uC544\uB9C8\uB370\uC6B0\uC2A4 \uBAA8\uCC28\uB974\uD2B8\uC758 \uD53C\uC544\uB178 \uB3C5\uC8FC \uC791\uD488\uC774\uB2E4. \uBAA8\uCC28\uB974\uD2B8\uB294 1787\uB144 3\uC6D4 11\uC77C \uC790\uC2E0\uC758 \uAC1C\uC778 \uC8FC\uC81C \uBAA9\uB85D\uC5D0 \uB860\uB3C4\uC758 \uC644\uC131\uC744 \uAE30\uB85D\uD588\uB2E4. \uADF8\uB294 \uB2F9\uC2DC 31\uC138\uC600\uC73C\uBA70 1786\uB144 \uC624\uD398\uB77C \uD53C\uAC00\uB85C\uC758 \uACB0\uD63C, \uAD50\uD5A5\uACE1 38\uBC88, \uADF8\uB9AC\uACE0 \uC790\uC2E0\uC758 \uD53C\uC544\uB178 \uC194\uB85C \uC5F0\uC8FC\uB97C \uC704\uD574 \uAC14\uB358 \uD504\uB77C\uD558 \uC5EC\uD589\uC5D0\uC11C \uB3CC\uC544\uC654\uB2E4. \uD504\uB780\uCE20 \uC548\uD1A4 \uD638\uD504\uB9C8\uC774\uC2A4\uD130\uC5D0 \uC758\uD574 1787\uB144 \uCD9C\uD310\uB418\uC5C8\uC73C\uBA70 1791\uB144 \uBAA8\uCC28\uB974\uD2B8\uAC00 \uC0AC\uB9DD\uD55C \uD6C4 \uC5EC\uB7EC \uCD9C\uD310\uC0AC\uC5D0\uC11C \uC7AC\uCD9C\uD310\uB418\uC5C8\uB2E4. \uD638\uD504\uB9C8\uC774\uC2A4\uD130 \uCD9C\uD310\uBB3C\uC740 \uBAA8\uCC28\uB974\uD2B8\uC640 \uB2E4\uB978 \uC791\uACE1\uAC00\uC758 \uD53C\uC544\uB178 \uC791\uD488\uC73C\uB85C \uAD6C\uC131\uB418\uC5B4 \uC788\uB2E4. \uADF8\uAC83\uC740 Pr\u00E9num\u00E9ration pour le Forte Piano ou Clavecin\uC774\uB77C\uB294 \uC81C\uBAA9\uC758 \uC6D4\uAC04 \uAD6C\uB3C5 \uC2DC\uB9AC\uC988 \uC77C\uBD80\uB85C \uBC1C\uD589\uB418\uC5C8\uB2E4. \uD3EC\uB974\uD14C \uD53C\uC544\uB178\uB294 \uD604\uB300\uC5D0 \uB110\uB9AC \uC0AC\uC6A9\uB418\uC5B4 \uBAA8\uCC28\uB974\uD2B8\uAC00 \uC791\uACE1\uD55C \uD53C\uC544\uB178\uC758 \uCD08\uAE30 \uBC84\uC804\uC744 \uB098\uD0C0\uB0B8\uB2E4. \uBAA8\uCC28\uB974\uD2B8 \uC2DC\uB300\uC5D0 \uADF8\uAC83\uC740 \uB2E8\uC21C\uD788 \uD53C\uC544\uB178\uB97C \uB098\uD0C0\uB0B4\uB294 \uB370 \uC0AC\uC6A9\uB41C \uC5EC\uB7EC \uB2E8\uC5B4 \uC911 \uD558\uB098\uC600\uB2E4. \"\uB610\uB294 \uD558\uD504\uC2DC\uCF54\uB4DC\"\uC640 \uAD00\uB828\uD558\uC5EC \uC774 \uC545\uAE30\uC5D0\uC11C \uB860\uB3C4\uC758 \uD6A8\uACFC\uC801\uC778 \uC5F0\uC8FC\uB294 \uC0C1\uC0C1\uD558\uAE30 \uC5B4\uB824\uC6B4 \uAC83\uCC98\uB7FC \uBCF4\uC774\uC9C0\uB9CC \uBCA0\uD1A0\uBCA4 \uC2DC\uB300\uC5D0 \uC74C\uC545 \uCD9C\uD310\uC0AC\uB294 \"\uB610\uB294 \uD558\uD504\uC2DC\uCF54\uB4DC\"\uB77C\uB294 \uBB38\uAD6C\uB97C \uC0AC\uC6A9\uD558\uC5EC \uD53C\uC544\uB178\uC6A9\uC73C\uB85C \uC791\uACE1\uB41C \uC74C\uC545\uC758 \uD310\uB9E4\uB97C \uC7A5\uB824\uD588\uB2E4."@ko . . . "music"@en . . "Wolfgang Amadeus Mozart - rondo no. 3 in a minor, k. 511.ogg"@en . . . . . . "Rondo No. 3 in A minor, K.511"@en . . "24805525"^^ . . . . . . . . "El Rond\u00F3 para piano n.\u00BA 3 en la menor, K. 511, de Wolfgang Amadeus Mozart fue escrito en 1787. Consta de un \u00FAnico movimiento Andante, y sigue la estructura A-B-A-C-A. El tema principal en la menor consta en un principio de ocho notas, mientras que el primer episodio est\u00E1 en fa mayor y usa semicorcheas, y el segundo episodio est\u00E1 en la mayor principal y usa tresillos de semicorcheas.\u200B"@es . . . . . . . "Rond\u00F3 para piano n.\u00BA 3 (Mozart)"@es . . . . . . "1049658355"^^ . . . . "Il rond\u00F2 in La minore K 511 per pianoforte \u00E8 stato composto da Wolfgang Amadeus Mozart nella primavera del 1787 a Vienna. Siamo nel periodo in cui il compositore stava completando Le nozze di Figaro e aveva raggiunto la maturazione artistica; nel pezzo in esame Mozart sperimenta nuove forme di linguaggio musicale in cui troviamo atmosfere preromantiche. Nella parte centrale ci pare di intravedere Schubert mentre nel finale non mancano echi della musica che sar\u00E0 di Schumann. Mozart rinuncia in questo pezzo alla variet\u00E0 di idee che caratterizzavano le sue composizioni e si pone piuttosto l'obiettivo di una coerenza d'insieme e l'indagine dei propri sentimenti pi\u00F9 intimi, nel non risolto conflitto tra passionalit\u00E0 e fatalit\u00E0. Il compositore si allontana dai brani precedentemente scritti per pianoforte, per avvicinarsi a una scrittura strumentale in cui il pianoforte non esibisce virtuosismo ma descrive sentimenti. Dobbiamo ricordare che Mozart nel manoscritto non parla di rond\u00F2 ma di andante, forse consapevole della distanza che separava i rond\u00F2 galanti allora in voga da quanto aveva composto; ma di un rond\u00F2 si tratta se ne analizziamo la struttura, il cui tema principale viene ripreso pi\u00F9 volte (quasi un refrain) ma con una intensit\u00E0 cromatica, una raffinatezza contrappuntistica, una introspezione, piccole divagazioni e incisi che stravolgono l'atteso carattere \"disimpegnato\" per giungere invece a toccare le corde pi\u00F9 sensibili dell'animo."@it . . . . . . . "\uB860\uB3C4 \uAC00\uB2E8\uC870 K. 511\uC740 \uBCFC\uD504\uAC15 \uC544\uB9C8\uB370\uC6B0\uC2A4 \uBAA8\uCC28\uB974\uD2B8\uC758 \uD53C\uC544\uB178 \uB3C5\uC8FC \uC791\uD488\uC774\uB2E4. \uBAA8\uCC28\uB974\uD2B8\uB294 1787\uB144 3\uC6D4 11\uC77C \uC790\uC2E0\uC758 \uAC1C\uC778 \uC8FC\uC81C \uBAA9\uB85D\uC5D0 \uB860\uB3C4\uC758 \uC644\uC131\uC744 \uAE30\uB85D\uD588\uB2E4. \uADF8\uB294 \uB2F9\uC2DC 31\uC138\uC600\uC73C\uBA70 1786\uB144 \uC624\uD398\uB77C \uD53C\uAC00\uB85C\uC758 \uACB0\uD63C, \uAD50\uD5A5\uACE1 38\uBC88, \uADF8\uB9AC\uACE0 \uC790\uC2E0\uC758 \uD53C\uC544\uB178 \uC194\uB85C \uC5F0\uC8FC\uB97C \uC704\uD574 \uAC14\uB358 \uD504\uB77C\uD558 \uC5EC\uD589\uC5D0\uC11C \uB3CC\uC544\uC654\uB2E4. \uD504\uB780\uCE20 \uC548\uD1A4 \uD638\uD504\uB9C8\uC774\uC2A4\uD130\uC5D0 \uC758\uD574 1787\uB144 \uCD9C\uD310\uB418\uC5C8\uC73C\uBA70 1791\uB144 \uBAA8\uCC28\uB974\uD2B8\uAC00 \uC0AC\uB9DD\uD55C \uD6C4 \uC5EC\uB7EC \uCD9C\uD310\uC0AC\uC5D0\uC11C \uC7AC\uCD9C\uD310\uB418\uC5C8\uB2E4. \uD638\uD504\uB9C8\uC774\uC2A4\uD130 \uCD9C\uD310\uBB3C\uC740 \uBAA8\uCC28\uB974\uD2B8\uC640 \uB2E4\uB978 \uC791\uACE1\uAC00\uC758 \uD53C\uC544\uB178 \uC791\uD488\uC73C\uB85C \uAD6C\uC131\uB418\uC5B4 \uC788\uB2E4. \uADF8\uAC83\uC740 Pr\u00E9num\u00E9ration pour le Forte Piano ou Clavecin\uC774\uB77C\uB294 \uC81C\uBAA9\uC758 \uC6D4\uAC04 \uAD6C\uB3C5 \uC2DC\uB9AC\uC988 \uC77C\uBD80\uB85C \uBC1C\uD589\uB418\uC5C8\uB2E4. \uD3EC\uB974\uD14C \uD53C\uC544\uB178\uB294 \uD604\uB300\uC5D0 \uB110\uB9AC \uC0AC\uC6A9\uB418\uC5B4 \uBAA8\uCC28\uB974\uD2B8\uAC00 \uC791\uACE1\uD55C \uD53C\uC544\uB178\uC758 \uCD08\uAE30 \uBC84\uC804\uC744 \uB098\uD0C0\uB0B8\uB2E4. \uBAA8\uCC28\uB974\uD2B8 \uC2DC\uB300\uC5D0 \uADF8\uAC83\uC740 \uB2E8\uC21C\uD788 \uD53C\uC544\uB178\uB97C \uB098\uD0C0\uB0B4\uB294 \uB370 \uC0AC\uC6A9\uB41C \uC5EC\uB7EC \uB2E8\uC5B4 \uC911 \uD558\uB098\uC600\uB2E4. \"\uB610\uB294 \uD558\uD504\uC2DC\uCF54\uB4DC\"\uC640 \uAD00\uB828\uD558\uC5EC \uC774 \uC545\uAE30\uC5D0\uC11C \uB860\uB3C4\uC758 \uD6A8\uACFC\uC801\uC778 \uC5F0\uC8FC\uB294 \uC0C1\uC0C1\uD558\uAE30 \uC5B4\uB824\uC6B4 \uAC83\uCC98\uB7FC \uBCF4\uC774\uC9C0\uB9CC \uBCA0\uD1A0\uBCA4 \uC2DC\uB300\uC5D0 \uC74C\uC545 \uCD9C\uD310\uC0AC\uB294 \"\uB610\uB294 \uD558\uD504\uC2DC\uCF54\uB4DC\"\uB77C\uB294 \uBB38\uAD6C\uB97C \uC0AC\uC6A9\uD558\uC5EC \uD53C\uC544\uB178\uC6A9\uC73C\uB85C \uC791\uACE1\uB41C \uC74C\uC545\uC758 \uD310\uB9E4\uB97C \uC7A5\uB824\uD588\uB2E4. \uC791\uD488\uC740 \uB2E8\uC77C \uC545\uC7A5\uC73C\uB85C \uAD6C\uC131\uB418\uC5B4 \uC788\uB2E4. 6/8\uBC15\uC790\uC774\uBA70 \uD15C\uD3EC \uB9C8\uD0B9\uC740 Andante\uC774\uB2E4. \uB860\uB3C4 \uD615\uC2DD\uC758 \uC77C\uBC18\uC801\uC778 A\u2013B\u2013A\u2013C\u2013A \uD328\uD134 \uD2B9\uC131\uC744 \uB530\uB978\uB2E4. \"A\"\uB294 \uBCF5\uADC0 \uD14C\uB9C8\uC774\uACE0 \"B\"\uC640 \"C\"\uB294 \uC5D0\uD53C\uC18C\uB4DC\uC774\uB2E4. \"A\"\uB294 A \uB2E8\uC870(\uACE1\uC758 \uD0A4), \"B\"\uB294 F \uC7A5\uC870, \"C\"\uB294 A \uC7A5\uC870\uC774\uB2E4. \"A\"\uC758 \uB9C8\uC9C0\uB9C9 \uB4F1\uC7A5\uC5D0 \uC774\uC5B4 A\uC758 \uC74C\uC545\uACFC C\uC758 \uB2E8\uC870 \uBC84\uC804\uC744 \uADF8\uB9AC\uB294 \uCF54\uB2E4\uAC00 \uC788\uB2E4. 5\uAC1C\uC758 \uC8FC\uC694 \uC139\uC158 \uAC01\uAC01\uC740 \uC790\uCCB4\uC801\uC73C\uB85C \uAD6C\uC131\uB418\uC5B4 \uC788\uB2E4. \"A\"\uB294 \"aba\"\uC774\uBA70, A \uB2E8\uC870\uC758 \uAD6C\uC808 \"a\", C \uC7A5\uC870\uB85C \uBC14\uB00C\uB294 \uC911\uAC04 \uC139\uC158 \"b\", \uADF8\uB9AC\uACE0 \"a\"\uC758 \uC7A5\uC2DD\uB41C \uBC18\uBCF5\uC774\uB2E4. \"A\"\uC758 \uC911\uAC04 \uD45C\uD604\uC774 \uC798\uB824\uC11C \uC804\uCCB4 \"aba\"\uAC00 \uC544\uB2CC \"a\"\uAC00 \uD55C \uBC88\uB9CC \uBC18\uBCF5\uB41C\uB2E4. \uC5D0\uD53C\uC18C\uB4DC \"B\"\uC640 \"C\"\uC640 \uAD00\uB828\uD558\uC5EC Forte\uB294 \uAC01\uAC01\uC774 \uC18C\uB098\uD0C0 \uD615\uC2DD\uC758 \uAC04\uB7B5\uD55C \uC608\uB77C\uACE0 \uC81C\uC548\uD55C\uB2E4. \uCCAB \uBC88\uC9F8 \uBD80\uBD84(\uC124\uBA85)\uC5D0\uC11C\uB294 \uC9C0\uBC30\uC801\uC778 \uD0A4\uB85C \uC774\uB3D9\uD558\uACE0 \uB450 \uBC88\uC9F8 \uBD80\uBD84\uC5D0\uC11C\uB294 \uBA3C\uC800 \uC6D0\uACA9 \uD0A4(\uAC1C\uBC1C)\uB97C \uD0D0\uC0C9\uD55C \uB2E4\uC74C \uBAA8\uB4E0 \uD1A0\uB2C9 \uD0A4(\uC694\uC57D)\uC5D0\uC11C \uC6D0\uB798 \uC790\uB8CC\uB85C \uB3CC\uC544\uAC04\uB2E4. \uAC01 \uC5D0\uD53C\uC18C\uB4DC\uB294 \uB2E4\uC74C \"A\" \uC139\uC158\uC758 \uD0A4\uB85C \uB3CC\uC544\uAC00\uB294 \uACFC\uB3C4\uAE30\uC801 \uAD6C\uC808\uB85C \uB05D\uB09C\uB2E4. Forte\uB294 \uC774\uB7EC\uD55C \uC804\uD658\uC774 \"\uB2E4\uB978 \uBD80\uBD84\uC5D0 \uBE44\uD574 \uB9E4\uC6B0 \uAE38\uB2E4\"\uACE0 \uB9D0\uD55C\uB2E4."@ko . "Le Rondo no 3 en la mineur, K. 511, pour piano de Wolfgang Amadeus Mozart a \u00E9t\u00E9 compos\u00E9 en 1787. Il se compose d'un seul et unique mouvement, un andante marqu\u00E9 \u00E0 ."@fr . . . . "Performed by David H. Porter. Courtesy of Musopen"@en . "Rondo in A minor, K.511"@en . . . . . . . . . .