"Le banc-titre ou banc d'animation est un appareil utilis\u00E9 dans le cin\u00E9ma professionnel pour les films en 16 mm ou 35 mm, ainsi que pour les cam\u00E9ras num\u00E9riques, principalement pour la r\u00E9alisation de films d'animation ou la reproduction de documents \u00E9crits ou dessin\u00E9s ou photographiques."@fr . . . "Banc-titre"@fr . . . "A rostrum camera is a specially designed camera used in television production and filmmaking to animate a still picture or object. It consists of a moving lower platform on which the article to be filmed is placed, while the camera is placed above on a column. Many visual effects can be created from this simple setup, although it is most often used to add interest to static objects. The camera can, for example, traverse across a painting, and using wipes and zooms, change a still picture into a sequence suitable for television or movie productions. The controls of the camera differ considerably from those of a regular motion picture camera. The key to its operation is one or more frame counters. These enable the camera operator to roll the film backwards and forwards through the film gate, and to know exactly which frame is being exposed at a given time. Also key is the way the operation of the shutter is completely independent from the film transport, so a given frame may be exposed a number of different times, or not at all. Very long exposures are also possible, so that title streaks, zooms and other special effects can be created by keeping the shutter open while moving the camera head up and down the column; rotating or moving the lower platform from side to side; or doing both at the same time. For some of these types of effects, the artwork may be a transparency, which is back-lit by a light source below the table surface. The camera's film gate is also different from that of a regular motion picture camera, in that fixed pins hold each film frame in place while it is being exposed. This \"pin-registered\" gate means that the film can be wound backwards and forwards through the camera head many times, but will always return to exactly the same place without any shifts of the film frame. Such precise repeatability is required for multiple exposures, traveling mattes, title superimposition, and a range of other techniques. The camera is connected to a mechanism that allows an operator to precisely control the movement of the lower platform, as well as of the camera head. The lower platform is often called an animation compound table. In a modern setup, a computer controls the horizontal, vertical and rotational movements of the compound table, the \"zooming\" (lowering and rising) of the camera head on the column, and the lens bellows. Early rostrum cameras were largely adapted from existing equipment, but after World War II industry pioneer John Oxberry made some key refinements to the design. His company, Oxberry Products, then went on to produce some of the best-known models, which were used by leading film and animation studios around the world. Other manufacturers included Acme, Forox, Marron Carrel, Mangum Sickles, the German company Crass, and Neilson-Hordell in the UK. Some of these machines were somewhat smaller and more cheaply built than the Oxberry models, but were ideal for general purpose work, such as producing titles and copying artwork to film. In the UK, Ken Morse is well known for his rostrum camera work in television and film, and his name is often seen in the closing credits of UK productions. In United States-based documentary film making, the use of a rostrum camera for a particular type of panning and zooming effect is sometimes called the Ken Burns effect. An animation camera or animation stand, used for single frame shooting on film is similar. With a multiplane camera, a 3-dimensional effect can be obtained."@en . . "449713"^^ . . "Rostrum camera"@en . . . . . . . "C\u00E0mera rostrum"@ca . "A rostrum camera is a specially designed camera used in television production and filmmaking to animate a still picture or object. It consists of a moving lower platform on which the article to be filmed is placed, while the camera is placed above on a column. Many visual effects can be created from this simple setup, although it is most often used to add interest to static objects. The camera can, for example, traverse across a painting, and using wipes and zooms, change a still picture into a sequence suitable for television or movie productions."@en . . . . . . "995898658"^^ . . . . . . . . . . "4381"^^ . "La c\u00E0mera rostrum \u00E9s un tipus de c\u00E0mera cinematogr\u00E0fica muntada sobre un aparell que permet la filmaci\u00F3 d'objectes o imatges fixes i que t\u00E9 la capacitat de moure tant el subjecte com la c\u00E0mera, en augment. Hi ha c\u00E0meres m\u00E9s avan\u00E7ades, controlades per ordinador i que permeten fer moviments tridimensionals i tenen un control de zoom, de l'enfocament i de l'obertura."@ca . . "Le banc-titre ou banc d'animation est un appareil utilis\u00E9 dans le cin\u00E9ma professionnel pour les films en 16 mm ou 35 mm, ainsi que pour les cam\u00E9ras num\u00E9riques, principalement pour la r\u00E9alisation de films d'animation ou la reproduction de documents \u00E9crits ou dessin\u00E9s ou photographiques."@fr . . . . . . . . . . . . . . "La c\u00E0mera rostrum \u00E9s un tipus de c\u00E0mera cinematogr\u00E0fica muntada sobre un aparell que permet la filmaci\u00F3 d'objectes o imatges fixes i que t\u00E9 la capacitat de moure tant el subjecte com la c\u00E0mera, en augment. Aquest aparell emprat en realitzacions televisives o cinematogr\u00E0fiques consisteix en una plataforma on \u00E9s situat l'objecte a filmar i en una columna on \u00E9s situada la c\u00E0mera, per sobre de l'element a fotografiar i que es pot moure verticalment. A m\u00E9s, \u00E9s recomanable l'acoblament de dues l\u00E0mpades, que poden ser LED, als costats del treball, col\u00B7locades en un angle de 45\u00B0 per proporcionar una llum uniforme. L'estructura del dispositiu permet l'operador que l'est\u00E0 utilitzant modificar lliurement tant la posici\u00F3 de l'objecte de la plataforma inferior com la c\u00E0mera. Hi ha c\u00E0meres m\u00E9s avan\u00E7ades, controlades per ordinador i que permeten fer moviments tridimensionals i tenen un control de zoom, de l'enfocament i de l'obertura. El m\u00E8tode d'exposici\u00F3 de la pel\u00B7l\u00EDcula \u00E9s diferent del d'una c\u00E0mera cinematogr\u00E0fica normal. Aquest m\u00E8tode fixa la pel\u00B7l\u00EDcula el temps necessari perqu\u00E8 la imatge exterior sigui exposada completament. El negatiu o fotograma es mant\u00E9 fix, no passa al seg\u00FCent, encara que la c\u00E0mera es vagi movent al voltant de l'objecte. Aix\u00F2 permet la introducci\u00F3 de m\u00FAltiples t\u00E8cniques com els travelling mattes, les exposicions m\u00FAltiples, la superposici\u00F3 de t\u00EDtols, etc."@ca .