. . . . "Rudolf Schlichter (6. prosince 1890, Calw, N\u011Bmecko \u2013 3. kv\u011Btna 1955, Mnichov, N\u011Bmecko) byl n\u011Bmeck\u00FD v\u00FDtvarn\u00EDk. V roce 1937 byla jeho d\u00EDla spolu s mnoha dal\u0161\u00EDmi vystavena na v\u00FDstav\u011B Entartete Kunst v Mnichov\u011B."@cs . . . "2031595"^^ . . . . "1087561987"^^ . . . . . . "\u0428\u043B\u0438\u0445\u0442\u0435\u0440, \u0420\u0443\u0434\u043E\u043B\u044C\u0444"@ru . "1890-12-06"^^ . . . . "Rudolf Schlichter"@pt . . . . . "Rudolf Schlichter (Calw, 6 de dezembro de 1890 \u2013 Munique, 3 de maio de 1955) foi um artista alem\u00E3o considerado um dos mais importantes representantes do movimento Neue Sachlichkeit (Nova objetividade). Ap\u00F3s aprender como pintor de esmaltes numa f\u00E1brica de Pforzheim acudiu \u00E0 escola de artes e of\u00EDcios de Stuttgart. Posteriormente estudou com e na Academia de Karlsruhe. Chamado ao servi\u00E7o militar durante a Primeira guerra mundial, efetuou uma greve de fome para segurar uma pronta liberta\u00E7\u00E3o, e em 1919 mudou-se para Berlim onde se uniu ao Partido Comunista da Alemanha e o grupo \"novembro\". Interveio numa f\u00E9ria dad\u00E1 em 1920 e trabalhou como ilustrador para v\u00E1rios jornais. Uma obra principal deste per\u00EDodo \u00E9 o seu Estudo de telhado dad\u00E1, uma aquarela que mostrava uma s\u00E9rie de figuras no alto de um telhado de cidade. Em torno de uma mesa sentam-se uma mulher com dois homens que levam chap\u00E9us de ta\u00E7a. Um dos homens tem uma pr\u00F3tese em lugar de uma m\u00E3o e o outro, ao que tamb\u00E9m lhe falta uma m\u00E3o, parece ao ser olhado detidamente, um manequim. Outras duas figuras com m\u00E1scaras de g\u00E1s podem tamb\u00E9m ser manequins. Uma crian\u00E7a sust\u00E9m um cubo e uma mulher que leva sapatos altos (parece que Schlichter desenvolveu um fetichismo pelos sapatos)) permanece sobre um pedestal, fazendo gestos inexplic\u00E1veis. Em 1925 Schlichter participou na exposi\u00E7\u00E3o \"Neu Sachlichkeit\" na de Mannheim. A sua obra deste per\u00EDodo \u00E9 realista, um exemplo disso \u00E9 o seu Retrato de Margot (1924) atualmente no Museu M\u00E4rkisches de Berlim. Representa uma prostituta que frequentemente posou para Schlichter, de p\u00E9 numa rua abandonada e sustendo um charuto. Quando Hitler subiu ao poder, as suas atividades ficaram seriamente limitadas. Em 1935 regressou para Stuttgart, e quatro anos mais tarde para Munique. Em 1937 as suas obras foram qualificadas de arte degenerada, e em 1939 as autoridades nazistas proibiram-lhe expor. A sua oficina foi destru\u00EDda por bombas aliadas em 1942. No final da guerra, Schlichter voltou a empreender a exposi\u00E7\u00E3o do seus quadros, que agora tinham um estilo surrealista."@pt . . "3241"^^ . "Rudolf Schlichter (6. prosince 1890, Calw, N\u011Bmecko \u2013 3. kv\u011Btna 1955, Mnichov, N\u011Bmecko) byl n\u011Bmeck\u00FD v\u00FDtvarn\u00EDk. V roce 1937 byla jeho d\u00EDla spolu s mnoha dal\u0161\u00EDmi vystavena na v\u00FDstav\u011B Entartete Kunst v Mnichov\u011B."@cs . . . . . . . . . . . . . . . . . . . . . "\u0420\u0443\u0434\u043E\u043B\u044C\u0444 \u0428\u043B\u0438\u0445\u0442\u0435\u0440 (\u043D\u0435\u043C. Rudolf Schlichter; 6 \u0434\u0435\u043A\u0430\u0431\u0440\u044F 1890, \u041A\u0430\u043B\u044C\u0432 \u2014 3 \u043C\u0430\u044F 1955, \u041C\u044E\u043D\u0445\u0435\u043D) \u2014 \u043D\u0435\u043C\u0435\u0446\u043A\u0438\u0439 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A \u0438 \u043F\u0438\u0441\u0430\u0442\u0435\u043B\u044C, \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0438\u0442\u0435\u043B\u044C \u0442\u0430\u043A\u0438\u0445 \u043D\u0430\u043F\u0440\u0430\u0432\u043B\u0435\u043D\u0438\u0439 \u0432 \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u0435, \u043A\u0430\u043A \u0434\u0430\u0434\u0430\u0438\u0437\u043C \u0438 \u00AB\u041D\u043E\u0432\u0430\u044F \u0432\u0435\u0449\u0435\u0441\u0442\u0432\u0435\u043D\u043D\u043E\u0441\u0442\u044C\u00BB."@ru . . "1955-05-03"^^ . . "Rudolf Schlichter"@es . . . "Rudolf Schlichter"@fr . . "Rudolf Schlichter (6 de diciembre de 1890 \u2013 3 de mayo de 1955) fue un artista alem\u00E1n considerado uno de los m\u00E1s importantes representantes del movimiento Neue Sachlichkeit (Nueva objetividad)."@es . . . . . "Rudolf Schlichter (or Rudolph Schlichter) (December 6, 1890 \u2013 May 3, 1955) was a German painter and one of the most important representatives of the Neue Sachlichkeit (New Objectivity) movement. Schlichter was born in Calw, W\u00FCrttemberg. After an apprenticeship as an enamel painter at a Pforzheim factory he attended the School of Arts and Crafts in Stuttgart. He subsequently studied under Hans Thoma and Wilhelm Tr\u00FCbner at the Academy in Karlsruhe. Called for military service in World War I, he carried out a hunger strike to secure early release, and in 1919 he moved to Berlin where he joined the Communist Party of Germany and the \"November\" group. He took part in a Dada fair in 1920 and also worked as an illustrator for several periodicals. A major work from this period is his Dada Roof Studio, a watercolor showing an assortment of figures on an urban rooftop. Around a table sit a woman and two men in top hats. One of the men has a prosthetic hand and the other, also missing a hand, appears on closer scrutiny to be mannequin. Two other figures in gas masks may also be mannequins. A child holds a pail and a woman wearing high button shoes (for which Schlichter displayed a marked fetish) stands on a pedestal, gesturing inexplicably. In 1925 Schlichter participated in the \"Neue Sachlichkeit\" exhibit at the Mannheim Kunsthalle. His work from this period is realistic, a good example being the Portrait of Margot (1924) now in the Berlin M\u00E4rkisches Museum. It depicts a prostitute who often modeled for Schlichter, standing on a deserted street and holding a cigarette. When Adolf Hitler took power, bringing to an end the Weimar period, his activities were greatly curtailed. In 1935 he returned to Stuttgart, and four years later to Munich. In 1937 his works were seized as degenerate art, and in 1939 the Nazi authorities banned him from exhibiting. His studio was destroyed by Allied bombs in 1942. At the war's end, Schlichter resumed exhibiting works. His works from this period were surrealistic in character. He died in Munich in 1955."@en . "Rudolf Schlichter (6 de diciembre de 1890 \u2013 3 de mayo de 1955) fue un artista alem\u00E1n considerado uno de los m\u00E1s importantes representantes del movimiento Neue Sachlichkeit (Nueva objetividad)."@es . . "Rudolf Schlichter"@cs . . . . . "\u0420\u0443\u0434\u043E\u043B\u044C\u0444 \u0428\u043B\u0438\u0445\u0442\u0435\u0440 (\u043D\u0435\u043C. Rudolf Schlichter; 6 \u0434\u0435\u043A\u0430\u0431\u0440\u044F 1890, \u041A\u0430\u043B\u044C\u0432 \u2014 3 \u043C\u0430\u044F 1955, \u041C\u044E\u043D\u0445\u0435\u043D) \u2014 \u043D\u0435\u043C\u0435\u0446\u043A\u0438\u0439 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A \u0438 \u043F\u0438\u0441\u0430\u0442\u0435\u043B\u044C, \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0438\u0442\u0435\u043B\u044C \u0442\u0430\u043A\u0438\u0445 \u043D\u0430\u043F\u0440\u0430\u0432\u043B\u0435\u043D\u0438\u0439 \u0432 \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u0435, \u043A\u0430\u043A \u0434\u0430\u0434\u0430\u0438\u0437\u043C \u0438 \u00AB\u041D\u043E\u0432\u0430\u044F \u0432\u0435\u0449\u0435\u0441\u0442\u0432\u0435\u043D\u043D\u043E\u0441\u0442\u044C\u00BB."@ru . "Rudolf Schlichter (or Rudolph Schlichter) (December 6, 1890 \u2013 May 3, 1955) was a German painter and one of the most important representatives of the Neue Sachlichkeit (New Objectivity) movement. Schlichter was born in Calw, W\u00FCrttemberg. After an apprenticeship as an enamel painter at a Pforzheim factory he attended the School of Arts and Crafts in Stuttgart. He subsequently studied under Hans Thoma and Wilhelm Tr\u00FCbner at the Academy in Karlsruhe. Called for military service in World War I, he carried out a hunger strike to secure early release, and in 1919 he moved to Berlin where he joined the Communist Party of Germany and the \"November\" group. He took part in a Dada fair in 1920 and also worked as an illustrator for several periodicals."@en . . . "Rudolf Schlichter"@de . . . . . . . . . . . . . "Rudolf Schlichter (Calw, 6 de dezembro de 1890 \u2013 Munique, 3 de maio de 1955) foi um artista alem\u00E3o considerado um dos mais importantes representantes do movimento Neue Sachlichkeit (Nova objetividade). Em 1925 Schlichter participou na exposi\u00E7\u00E3o \"Neu Sachlichkeit\" na de Mannheim. A sua obra deste per\u00EDodo \u00E9 realista, um exemplo disso \u00E9 o seu Retrato de Margot (1924) atualmente no Museu M\u00E4rkisches de Berlim. Representa uma prostituta que frequentemente posou para Schlichter, de p\u00E9 numa rua abandonada e sustendo um charuto."@pt . . . . "Rudolf Schlichter"@en . . . "Rudolf Schlichter (* 6. Dezember 1890 in Calw; \u2020 3. Mai 1955 in M\u00FCnchen) war ein deutscher K\u00FCnstler und Schriftsteller. Er gilt als einer der wichtigsten Vertreter der Neuen Sachlichkeit."@de . . "Rudolf Schlichter (* 6. Dezember 1890 in Calw; \u2020 3. Mai 1955 in M\u00FCnchen) war ein deutscher K\u00FCnstler und Schriftsteller. Er gilt als einer der wichtigsten Vertreter der Neuen Sachlichkeit."@de . . . . "Rudolf Schlichter (ur. 6 grudnia 1890 w Calw, zm. 3 maja 1955 w Monachium) \u2013 niemiecki malarz, nale\u017C\u0105cy do kierunku Nowej Rzeczowo\u015Bci. Urodzi\u0142 si\u0119 jako najm\u0142odszy z sze\u015Bciorga rodze\u0144stwa. Po uko\u0144czeniu nauki w sz\u00F3stej klasie uczy\u0142 si\u0119 w Pforzheim malarstwa na porcelanie. W latach 1906-1909 studiowa\u0142 w w Stuttgarcie, od 1911 w w Karlsruhe, m.in. u Wilhelma Tr\u00FCbnera i Hansa Thomy. Odby\u0142 podr\u00F3\u017Ce studialne do W\u0142och i Francji. Sprzeciwia\u0142 si\u0119 tradycyjnemu mieszcza\u0144stwu, za po\u015Brednictwem malarza Juliusa Kaspera wszed\u0142 w kr\u0119gi p\u00F3\u0142\u015Bwiatka. Utrzymywa\u0142 si\u0119 ze sprzeda\u017Cy pornograficznych rysunk\u00F3w. W roku 1916 zosta\u0142 powo\u0142any do wojska. W roku 1918 zosta\u0142 cz\u0142onkiem rad \u017Co\u0142nierskich."@pl . . . . . . . . "Rudolf Schlichter (Calw, 6 d\u00E9cembre 1890 - Munich, 3 mai 1955) est un peintre allemand. Avec Beckmann, Dix, Grosz et Scholz, il est l'un des principaux repr\u00E9sentants de la Nouvelle Objectivit\u00E9."@fr . "Rudolf Schlichter"@en . . . . . "Rudolf Schlichter (Calw, 6 d\u00E9cembre 1890 - Munich, 3 mai 1955) est un peintre allemand. Avec Beckmann, Dix, Grosz et Scholz, il est l'un des principaux repr\u00E9sentants de la Nouvelle Objectivit\u00E9."@fr . . "Rudolf Schlichter (ur. 6 grudnia 1890 w Calw, zm. 3 maja 1955 w Monachium) \u2013 niemiecki malarz, nale\u017C\u0105cy do kierunku Nowej Rzeczowo\u015Bci. Urodzi\u0142 si\u0119 jako najm\u0142odszy z sze\u015Bciorga rodze\u0144stwa. Po uko\u0144czeniu nauki w sz\u00F3stej klasie uczy\u0142 si\u0119 w Pforzheim malarstwa na porcelanie. W latach 1906-1909 studiowa\u0142 w w Stuttgarcie, od 1911 w w Karlsruhe, m.in. u Wilhelma Tr\u00FCbnera i Hansa Thomy. Odby\u0142 podr\u00F3\u017Ce studialne do W\u0142och i Francji. Sprzeciwia\u0142 si\u0119 tradycyjnemu mieszcza\u0144stwu, za po\u015Brednictwem malarza Juliusa Kaspera wszed\u0142 w kr\u0119gi p\u00F3\u0142\u015Bwiatka. Utrzymywa\u0142 si\u0119 ze sprzeda\u017Cy pornograficznych rysunk\u00F3w. W roku 1916 zosta\u0142 powo\u0142any do wojska. W roku 1918 zosta\u0142 cz\u0142onkiem rad \u017Co\u0142nierskich. W roku 1919 wsp\u00F3lnie z W\u0142adimirem Zabotinem wystawi\u0142 swoje prace w Karlsruhe, gdzie by\u0142 wsp\u00F3\u0142za\u0142o\u017Cycielem grupy Rih. W tym samym roku przeni\u00F3s\u0142 si\u0119 do Berlina, gdzie zosta\u0142 cz\u0142onkiem grupy listopadowej, Berli\u0144skiej Secesji, Berli\u0144skich Dadaist\u00F3w i cz\u0142onkiem Komunistycznej Partii Niemiec. W roku 1920 wystawi\u0142 na mi\u0119dzynarodowej wystawie dadaistycznej kuk\u0142\u0119 \u017Co\u0142nierza ze \u015Bwi\u0144sk\u0105 g\u0142ow\u0105, co spowodowa\u0142o skandal i oskar\u017Cenie przeciw niemu, George Groszowi, Wielandowi Herzfelde, Johnowi Heartfieldowi oraz w\u0142a\u015Bcicielowi galerii Otto Burchardowi. We wczesnych latach dwudziestych tworzy\u0142 g\u0142\u00F3wnie ilustracje ksi\u0105\u017Ckowe i prasowe. Do kr\u0119gu jego przyjaci\u00F3\u0142 nale\u017Celi Bertolt Brecht, Alfred D\u00F6blin, George Grosz i Carl Zuckmayer. Wskutek sporu z grup\u0105 listopadow\u0105 wsp\u00F3\u0142tworzy\u0142 w roku 1924 \u201ECzerwon\u0105 Grup\u0119\u201D. W tym samym roku uczestniczy\u0142 w pierwszej niemieckiej wystawie sztuki w ZSRR. W roku 19255 bra\u0142 udzia\u0142 w wystawie \u201ENowej rzeczowo\u015Bci\u201C w Mannheim. W dwa lata p\u00F3\u017Aniej pozna\u0142 p\u00F3\u017Aniejsz\u0105 \u017Con\u0119 Elfriede Elisabeth Koehler, zacz\u0105\u0142 si\u0119 dystansowa\u0107 od polityki i zwraca\u0107 ku katolicyzmowi. Pozna\u0142 pisarzy: oraz braci Ernsta J\u00FCngera i . Og\u0142osi\u0142 autobiograficzne ksi\u0105\u017Cki Zwischenwelt (\u015Awiat po\u015Bredni) i Das widerspenstige Fleisch (Krn\u0105brne cia\u0142o). Kolejny tom T\u00F6nerne F\u00FC\u00DFe (Gliniane nogi) dosta\u0142 si\u0119 na indeks hitlerowski. W roku 1935 Schlichter, zamieszka\u0142y wtedy w Rottenburg am Neckar, zosta\u0142 wykluczony z Reichsschrifttumskammer (Izby Pi\u015Bmiennictwa Rzeszy) i Reichsverband Deutscher Schriftsteller (Zrzeszenia Pisarzy Niemieckich). Siedemna\u015Bcie jego obraz\u00F3w zosta\u0142o usuni\u0119tych z muze\u00F3w i wystaw, cztery zosta\u0142y pokazane na wystawie \u201ESztuki Zdegenerowanej\u201D w Monachium. W roku 1938 znalaz\u0142 si\u0119 pod pretekstem \u201Enie-narodowosocjalistycznego trybu \u017Cycia\u201D na trzy miesi\u0105ce w areszcie \u015Bledczym. Po wojnie uczestniczy\u0142 w wystawie w Dre\u017Anie i za\u0142o\u017Cy\u0142 w Monachium \u201ENeue Gruppe\u201C (Now\u0105 Grup\u0119). W tw\u00F3rczo\u015Bci zbli\u017Cy\u0142 si\u0119 do surrealizmu. Zosta\u0142 pochowany na Cmentarzu Le\u015Bnym w Monachium, jednak jego gr\u00F3b zosta\u0142 po okresie grzebalnym zlikwidowany."@pl . . . . . "Rudolf Schlichter"@pl . . .