. . . . . "1975-11-27"^^ . . . "InternetArchiveBot"@en . "Salvador Salazar Arru\u00E9, mieux connu sous le pseudonyme de Salarru\u00E9, (Sonsonate, 22 octobre 1899 - 27 novembre 1975) est un \u00E9crivain, peintre et diplomate originaire du Salvador."@fr . . . . . "Luis Salvador Efra\u00EDn Salazar Arru\u00E9 (October 22, 1899 \u2013 November 27, 1975), known as Salarru\u00E9 (a derivation of his surnames), was a Salvadorian writer, poet, and painter. Born in Sonsonate to a well-off family, Salarru\u00E9 trained as a painter at the Corcoran School of Art, in Washington, D.C., from 1916 to 1919. He then returned to El Salvador and, in 1922, married fellow painter Z\u00E9lie Lard\u00E9, with whom he had three daughters. In the late 1920s he worked as editor for the newspaper Patria, owned by Alberto Masferrer, an important Salvadoran intellectual. To fill in blank spaces in the newspaper, Salarru\u00E9 wrote a series of short stories which were collected thirty years later as Cuentos de Cipotes (\"Children's Stories\"). These and the stories in Cuentos de Barro (\"Tales of Clay\") became Salarru\u00E9's most popular and enduring work, reflecting an idealized version of rural life in El Salvador and making him one of the founders of the new wave of Latin American folkloric narrative (narrativa costumbrista). However, few readers understand that the stories in Cuentos de Barro were an ingenious literary feat of Salarru\u00E9. By disguising through a subtle use of a non-standard, highly inventive language and style, he was able to recall to readers a bloody massacre carried out by the Salvadoran dictator-president, General Maximiliano Hernandez Martinez in 1933, without the authorities being able to interpret Salarru\u00E9's defamation of that leader. Salarru\u00E9 lived in the United States from 1947 to 1951 while representing his country in diplomatic posts. He died in Los Planes de Renderos, near San Salvador, and is buried in the Cementerio de los Ilustres (\"Cemetery of Distinguished Citizens\")."@en . . . . . . . . . . "Salarru\u00E9"@en . "1899-10-22"^^ . . . . . "Luis Salvador Efra\u00EDn Salazar Arru\u00E9,\u200B m\u00E1s conocido por su seud\u00F3nimo Salarru\u00E9 (Sonzacate,\u200B22 de octubre de 1899 - Los Planes de Renderos, San Salvador, 27 de noviembre de 1975) fue un artista salvadore\u00F1o. Trabaj\u00F3 en el campo de la literatura y las artes pl\u00E1sticas, pero ha sido su obra narrativa la m\u00E1s conocida de sus creaciones, entre las que destacan Cuentos de barro y Cuentos de cipotes."@es . . . . "7683"^^ . . . . "Salvador Efra\u00EDn Salazar Arru\u00E9"@en . . . . "Salvador Efra\u00EDn Salazar Arru\u00E9 (Salarru\u00E9)"@en . "Luis Salvador Efra\u00EDn Salazar Arru\u00E9 (October 22, 1899 \u2013 November 27, 1975), known as Salarru\u00E9 (a derivation of his surnames), was a Salvadorian writer, poet, and painter. Born in Sonsonate to a well-off family, Salarru\u00E9 trained as a painter at the Corcoran School of Art, in Washington, D.C., from 1916 to 1919. He then returned to El Salvador and, in 1922, married fellow painter Z\u00E9lie Lard\u00E9, with whom he had three daughters. In the late 1920s he worked as editor for the newspaper Patria, owned by Alberto Masferrer, an important Salvadoran intellectual. To fill in blank spaces in the newspaper, Salarru\u00E9 wrote a series of short stories which were collected thirty years later as Cuentos de Cipotes (\"Children's Stories\"). These and the stories in Cuentos de Barro (\"Tales of Clay\") became Salarru"@en . . . . . . "Lu\u00EDs Salvador Efra\u00EDn Salazar Arru\u00E9, auch Salarru\u00E9, (* 22. Oktober 1899 in Sonsonate; \u2020 27. November 1975 in Los Planes de Renderos San Salvador) war ein salvadorianischer Autor und Maler."@de . "es"@en . "\u041B\u0443\u0438\u0441 \u0421\u0430\u043B\u044C\u0432\u0430\u0434\u043E\u0440 \u042D\u0444\u0440\u0430\u0439\u043D \u0421\u0430\u043B\u0430\u0441\u0430\u0440-\u0410\u0440\u0440\u0443\u044D (\u0438\u0441\u043F. Luis Salvador Efra\u00EDn Salazar Arru\u00E9, \u043F\u0441\u0435\u0432\u0434\u043E\u043D\u0438\u043C \u0421\u0430\u043B\u0430\u0440\u0440\u0443\u044D (\u0438\u0441\u043F. Salarru\u00E9); 22 \u043E\u043A\u0442\u044F\u0431\u0440\u044F 1899, , \u0421\u0430\u043B\u044C\u0432\u0430\u0434\u043E\u0440 \u2014 27 \u043D\u043E\u044F\u0431\u0440\u044F 1975, , \u0421\u0430\u043B\u044C\u0432\u0430\u0434\u043E\u0440) \u2014 \u0441\u0430\u043B\u044C\u0432\u0430\u0434\u043E\u0440\u0441\u043A\u0438\u0439 \u043F\u0438\u0441\u0430\u0442\u0435\u043B\u044C \u0438 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A. \u0418\u0437\u0432\u0435\u0441\u0442\u043D\u044B\u0439 \u0441\u0430\u043B\u044C\u0432\u0430\u0434\u043E\u0440\u0441\u043A\u0438\u0439 \u043F\u0440\u043E\u0437\u0430\u0438\u043A, \u043E\u0434\u0438\u043D \u0438\u0437 \u043F\u0440\u0435\u0434\u0448\u0435\u0441\u0442\u0432\u0435\u043D\u043D\u0438\u043A\u043E\u0432 \u043D\u043E\u0432\u043E\u0439 \u043B\u0430\u0442\u0438\u043D\u043E\u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u043E\u0439 \u043B\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044B."@ru . . . "Salarru\u00E9"@en . . "yes"@en . . . . . . "5210041"^^ . . . . "1110735483"^^ . . . . . . . . "\u0421\u0430\u043B\u0430\u0441\u0430\u0440 \u0410\u0440\u0440\u0443\u044D, \u0421\u0430\u043B\u044C\u0432\u0430\u0434\u043E\u0440"@ru . "Planes de Renderos, El Salvador"@en . . . "\u041B\u0443\u0438\u0441 \u0421\u0430\u043B\u044C\u0432\u0430\u0434\u043E\u0440 \u042D\u0444\u0440\u0430\u0439\u043D \u0421\u0430\u043B\u0430\u0441\u0430\u0440-\u0410\u0440\u0440\u0443\u044D (\u0438\u0441\u043F. Luis Salvador Efra\u00EDn Salazar Arru\u00E9, \u043F\u0441\u0435\u0432\u0434\u043E\u043D\u0438\u043C \u0421\u0430\u043B\u0430\u0440\u0440\u0443\u044D (\u0438\u0441\u043F. Salarru\u00E9); 22 \u043E\u043A\u0442\u044F\u0431\u0440\u044F 1899, , \u0421\u0430\u043B\u044C\u0432\u0430\u0434\u043E\u0440 \u2014 27 \u043D\u043E\u044F\u0431\u0440\u044F 1975, , \u0421\u0430\u043B\u044C\u0432\u0430\u0434\u043E\u0440) \u2014 \u0441\u0430\u043B\u044C\u0432\u0430\u0434\u043E\u0440\u0441\u043A\u0438\u0439 \u043F\u0438\u0441\u0430\u0442\u0435\u043B\u044C \u0438 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A. \u0418\u0437\u0432\u0435\u0441\u0442\u043D\u044B\u0439 \u0441\u0430\u043B\u044C\u0432\u0430\u0434\u043E\u0440\u0441\u043A\u0438\u0439 \u043F\u0440\u043E\u0437\u0430\u0438\u043A, \u043E\u0434\u0438\u043D \u0438\u0437 \u043F\u0440\u0435\u0434\u0448\u0435\u0441\u0442\u0432\u0435\u043D\u043D\u0438\u043A\u043E\u0432 \u043D\u043E\u0432\u043E\u0439 \u043B\u0430\u0442\u0438\u043D\u043E\u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u043E\u0439 \u043B\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044B."@ru . . . . . . . . . . . "Salvador Salazar Arru\u00E9, mieux connu sous le pseudonyme de Salarru\u00E9, (Sonsonate, 22 octobre 1899 - 27 novembre 1975) est un \u00E9crivain, peintre et diplomate originaire du Salvador."@fr . . . . . . . . "Salvador Salazar Arru\u00E9"@fr . . . "\"Luis Salvador attended elementary in the pedigreed institute Liceo Salvadore\u00F1o. He attended high school in the Instituto Nacional de Varones and later in the Academia de Comercio, where he did not finish his studies, yet he always had good grades.\""@en . . "April 2020"@en . . . . "Lu\u00EDs Salvador Efra\u00EDn Salazar Arru\u00E9"@de . . . . . . "May 2018"@en . . . . . . . "1899-10-22"^^ . . . . . "Lu\u00EDs Salvador Efra\u00EDn Salazar Arru\u00E9, auch Salarru\u00E9, (* 22. Oktober 1899 in Sonsonate; \u2020 27. November 1975 in Los Planes de Renderos San Salvador) war ein salvadorianischer Autor und Maler."@de . . . . . "Z\u00E9lie Lard\u00E9"@en . . . . . . "Luis Salvador Efra\u00EDn Salazar Arru\u00E9,\u200B m\u00E1s conocido por su seud\u00F3nimo Salarru\u00E9 (Sonzacate,\u200B22 de octubre de 1899 - Los Planes de Renderos, San Salvador, 27 de noviembre de 1975) fue un artista salvadore\u00F1o. Trabaj\u00F3 en el campo de la literatura y las artes pl\u00E1sticas, pero ha sido su obra narrativa la m\u00E1s conocida de sus creaciones, entre las que destacan Cuentos de barro y Cuentos de cipotes. Sus dotes art\u00EDsticos se revelaron desde muy joven. Estudi\u00F3 pintura en los Estados Unidos, donde conoci\u00F3 el libro costumbrista \"El libro del tr\u00F3pico\" de Arturo Ambrogi, que le anim\u00F3 a retornar a su pa\u00EDs para dedicarse por entero al arte. A partir de los a\u00F1os 1930, y aunque prefer\u00EDa mantenerse alejado de la pol\u00EDtica, trabaj\u00F3 cercano a los reg\u00EDmenes militares en turno para promover las pol\u00EDticas culturales de la \u00E9poca. Desde el a\u00F1o 1946 fungi\u00F3 como agregado cultural de El Salvador en los Estados Unidos. Retorn\u00F3 a El Salvador en 1958, y poco despu\u00E9s termin\u00F3 su producci\u00F3n literaria, aunque los libros publicados en a\u00F1os anteriores continuaron reimprimi\u00E9ndose. En sus a\u00F1os postreros gan\u00F3 reconocimientos por su obra, pese a que subsist\u00EDa modestamente en su casa ubicada en Los Planes de Renderos. Falleci\u00F3 de c\u00E1ncer, sumido en la pobreza. Salarru\u00E9 fue creyente de la Teosof\u00EDa, una doctrina que influenci\u00F3 su producci\u00F3n art\u00EDstica. Ha sido considerado uno de los precursores de la nueva narrativa latinoamericana,\u200B y el narrador m\u00E1s importante en la historia de El Salvador.\u200B"@es . . . "1975-11-27"^^ . . . . "Salvador Efra\u00EDn Salazar Arru\u00E9"@en . "Author, editor, painter, diplomat"@en . . . . . . . "Salvador Efra\u00EDn Salazar Arru\u00E9"@en . . "Salvador Salazar Arru\u00E9"@es . .