"Saying Grace is a 1951 painting by American illustrator Norman Rockwell, painted for the cover of The Saturday Evening Post's November 24, 1951, Thanksgiving issue. The painting depicts a woman and a young boy saying grace in a crowded restaurant, as they are observed by other people at their table. Rockwell's inspiration for Saying Grace came from a Saturday Evening Post reader who saw a Mennonite family praying in a restaurant. Rockwell used his son, Jarvis, as one of the models for the painting. Elizabeth Goldberg, director of American Art at Sotheby's said that in his preparations for Saying Grace Rockwell \"... visited Automats and diners in New York and Philadelphia to get the scene just right ... his imagery was so vivid people would say they recognized the diner even though it didn't exist, each painting felt so universal.\" Rockwell took the table and chairs from a diner in Times Square for the photo shoot for the painting. In preparations for a painting Rockwell would set up a scene, using his friends and neighbors, taking hundreds of photos until satisfied. Rockwell would produce sketches in charcoal, then oil sketches, before painting the final image. Rockwell was paid $3,500 (equivalent to $36,539 in 2021) for Saying Grace. Readers of The Saturday Evening Post voted Saying Grace their favorite ever cover in 1955. Saying Grace had been on a long-term loan at the Norman Rockwell Museum, and had been exhibited at 12 other museums across the United States before its 2013 sale."@en . "Saying Grace, Norman Rockwell.jpg"@en . . . . . . . . "41274209"^^ . . "40"^^ . "Le B\u00E9n\u00E9dicit\u00E9 (titre original Saying Grace) est une illustration peinte \u00E0 l'huile sur toile par Norman Rockwell, pour la couverture du num\u00E9ro de Thanksgiving du Saturday Evening Post du 24 novembre 1951. Longtemps propri\u00E9t\u00E9 de Kenneth J. Stuart, directeur artistique du Saturday Evening Post, le tableau est vendu en 2013 au r\u00E9alisateur George Lucas pour la somme record jamais atteinte pour un tableau de Rockwell et pour une \u0153uvre d'un artiste am\u00E9ricain, de 46 millions de dollars. Num\u00E9ro de catalogue raisonn\u00E9 : C458 (L.N.Moffatt, Norman Rockwell Definitive Catalog)."@fr . "\u00AB\u0417\u0430\u0441\u0442\u043E\u043B\u044C\u043D\u0430\u044F \u043C\u043E\u043B\u0438\u0442\u0432\u0430\u00BB (\u0430\u043D\u0433\u043B. Saying Grace) \u2014 \u043A\u0430\u0440\u0442\u0438\u043D\u0430 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u043E\u0433\u043E \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A\u0430-\u0438\u043B\u043B\u044E\u0441\u0442\u0440\u0430\u0442\u043E\u0440\u0430 \u041D\u043E\u0440\u043C\u0430\u043D\u0430 \u0420\u043E\u043A\u0432\u0435\u043B\u043B\u0430, \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u043D\u0430\u044F \u0438\u043C \u0434\u043B\u044F \u0436\u0443\u0440\u043D\u0430\u043B\u0430 The Saturday Evening Post. \u041A\u0430\u0440\u0442\u0438\u043D\u0430 \u043F\u043E\u044F\u0432\u0438\u043B\u0430\u0441\u044C \u043D\u0430 \u043E\u0431\u043B\u043E\u0436\u043A\u0435 \u0432\u044B\u043F\u0443\u0441\u043A\u0430 24 \u043D\u043E\u044F\u0431\u0440\u044F 1951, \u043F\u043E\u0441\u0432\u044F\u0449\u0451\u043D\u043D\u043E\u0433\u043E \u0414\u043D\u044E \u0411\u043B\u0430\u0433\u043E\u0434\u0430\u0440\u0435\u043D\u0438\u044F. \u042D\u0442\u043E \u0431\u044B\u043B\u0430 269-\u044F \u0438\u0437 322 \u043E\u0431\u043B\u043E\u0436\u0435\u043A \u0436\u0443\u0440\u043D\u0430\u043B\u0430 \u0441\u043E\u0437\u0434\u0430\u043D\u043D\u044B\u0445 \u041D\u043E\u0440\u043C\u0430\u043D\u043E\u043C \u0420\u043E\u043A\u0432\u0435\u043B\u043B\u043E\u043C \u0437\u0430 47 \u043B\u0435\u0442 \u0441 1916 \u043F\u043E 1963 \u0433\u043E\u0434\u044B."@ru . . . . "\u00AB\u0417\u0430\u0441\u0442\u043E\u043B\u044C\u043D\u0430\u044F \u043C\u043E\u043B\u0438\u0442\u0432\u0430\u00BB (\u0430\u043D\u0433\u043B. Saying Grace) \u2014 \u043A\u0430\u0440\u0442\u0438\u043D\u0430 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u043E\u0433\u043E \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A\u0430-\u0438\u043B\u043B\u044E\u0441\u0442\u0440\u0430\u0442\u043E\u0440\u0430 \u041D\u043E\u0440\u043C\u0430\u043D\u0430 \u0420\u043E\u043A\u0432\u0435\u043B\u043B\u0430, \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u043D\u0430\u044F \u0438\u043C \u0434\u043B\u044F \u0436\u0443\u0440\u043D\u0430\u043B\u0430 The Saturday Evening Post. \u041A\u0430\u0440\u0442\u0438\u043D\u0430 \u043F\u043E\u044F\u0432\u0438\u043B\u0430\u0441\u044C \u043D\u0430 \u043E\u0431\u043B\u043E\u0436\u043A\u0435 \u0432\u044B\u043F\u0443\u0441\u043A\u0430 24 \u043D\u043E\u044F\u0431\u0440\u044F 1951, \u043F\u043E\u0441\u0432\u044F\u0449\u0451\u043D\u043D\u043E\u0433\u043E \u0414\u043D\u044E \u0411\u043B\u0430\u0433\u043E\u0434\u0430\u0440\u0435\u043D\u0438\u044F. \u042D\u0442\u043E \u0431\u044B\u043B\u0430 269-\u044F \u0438\u0437 322 \u043E\u0431\u043B\u043E\u0436\u0435\u043A \u0436\u0443\u0440\u043D\u0430\u043B\u0430 \u0441\u043E\u0437\u0434\u0430\u043D\u043D\u044B\u0445 \u041D\u043E\u0440\u043C\u0430\u043D\u043E\u043C \u0420\u043E\u043A\u0432\u0435\u043B\u043B\u043E\u043C \u0437\u0430 47 \u043B\u0435\u0442 \u0441 1916 \u043F\u043E 1963 \u0433\u043E\u0434\u044B. \u0427\u0438\u0442\u0430\u0442\u0435\u043B\u0438 The Saturday Evening Post \u043F\u0440\u043E\u0433\u043E\u043B\u043E\u0441\u043E\u0432\u0430\u043B\u0438 \u0432 1955 \u0433\u043E\u0434\u0443 \u0437\u0430 \u043A\u0430\u0440\u0442\u0438\u043D\u0443 \u00AB\u0417\u0430\u0441\u0442\u043E\u043B\u044C\u043D\u0430\u044F \u043C\u043E\u043B\u0438\u0442\u0432\u0430\u00BB \u043A\u0430\u043A \u0437\u0430 \u0441\u0430\u043C\u043E\u0435 \u043B\u0443\u0447\u0448\u0435\u0435 \u0438\u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u0438\u0435 \u0432 \u0436\u0443\u0440\u043D\u0430\u043B\u0435 \u0437\u0430 \u0432\u0441\u044E \u0435\u0433\u043E \u0438\u0441\u0442\u043E\u0440\u0438\u044E. \u0412 2013 \u0433\u043E\u0434\u0443 \u043A\u0430\u0440\u0442\u0438\u043D\u0430 \u0431\u044B\u043B\u0430 \u043F\u0440\u043E\u0434\u0430\u043D\u0430 \u0437\u0430 \u0440\u0435\u043A\u043E\u0440\u0434\u043D\u0443\u044E \u0434\u043B\u044F \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0439 \u0420\u043E\u043A\u0432\u0435\u043B\u043B\u0430 \u0446\u0435\u043D\u0443 46 \u043C\u0438\u043B\u043B\u0438\u043E\u043D\u043E\u0432 \u0434\u043E\u043B\u043B\u0430\u0440\u043E\u0432. \u041E\u043D\u0430 \u0432\u0445\u043E\u0434\u0438\u0442 \u0432 \u0431\u043E\u043B\u044C\u0448\u0438\u043D\u0441\u0442\u0432\u043E \u043A\u0430\u0442\u0430\u043B\u043E\u0433\u043E\u0432 \u0438 \u0430\u043B\u044C\u0431\u043E\u043C\u043E\u0432 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A\u0430."@ru . "\u0417\u0430\u0441\u0442\u043E\u043B\u044C\u043D\u0430\u044F \u043C\u043E\u043B\u0438\u0442\u0432\u0430 (\u043A\u0430\u0440\u0442\u0438\u043D\u0430 \u0420\u043E\u043A\u0432\u0435\u043B\u043B\u0430)"@ru . "Private collection"@en . "in"@en . . . . . . . . "Dando gracias es una pintura de 1951 del ilustrador estadounidense Norman Rockwell y una de sus obras m\u00E1s famosas, realizada para la portada del n\u00FAmero de Acci\u00F3n de Gracias del 24 de noviembre de 1951 del The Saturday Evening Post.\u200B\u200B\u200B La pintura describe a una anciana y un ni\u00F1o, abuela y nieto, dando gracias a Dios por los alimentos recibidos, en un restaurante lleno, siendo observados por otras personas en su mesa.\u200B La inspiraci\u00F3n de Rockwell para Dando gracias proven\u00EDa de un lector de The Saturday Evening Post que vio a una familia menonita rezando en un restaurante.\u200B Rockwell utiliz\u00F3 a su hijo, Jarvis, como uno de los modelos para la pintura. Elizabeth Goldberg, directora de arte estadounidense en Sotheby's dijo que en sus preparativos para la obra Rockwell \"... Visit\u00F3 autom\u00E1ticos y diners en Nueva York y Filadelfia para conseguir la escena correcta ... Su imaginer\u00EDa fue tan v\u00EDvida que la gente cre\u00EDa reconocer a los comensales del diner a pesar de no existir realmente, tan intensa la sent\u00EDan.\"\u200B Rockwell tom\u00F3 la mesa y sillas de un diner en Times Square durante la habitual sesi\u00F3n de fotos para la pintura. Cuando preparaba un cuadro, Rockwell tomaba fotos, instalaba una escena similar, utilizaba a sus amigos y vecinos como modelos en ella, y tomaba centenares de fotos del resultado hasta quedar satisfecho, y eso ser\u00EDa lo que plasmar\u00EDa en lienzo. Rockwell aun creaba bocetos al carboncillo, luego al \u00F3leo, antes de pintar la imagen final. Rockwell cobr\u00F3 3.500 d\u00F3lares (equivalente a 34.475 d\u00F3lares en 2019) por Dando gracias.\u200B Los lectores del The Saturday Evening Post la votaron su portada favorita en 1955.\u200B Dando gracias hab\u00EDa sido un pr\u00E9stamo a largo plazo en el Museo Norman Rockwell, y hab\u00EDa sido exhibida en otros 12 museos de Estados Unidos antes de su venta en 2013.\u200B"@es . . "Dando gracias (Rockwell)"@es . . "Saying Grace is a 1951 painting by American illustrator Norman Rockwell, painted for the cover of The Saturday Evening Post's November 24, 1951, Thanksgiving issue. The painting depicts a woman and a young boy saying grace in a crowded restaurant, as they are observed by other people at their table. Rockwell's inspiration for Saying Grace came from a Saturday Evening Post reader who saw a Mennonite family praying in a restaurant. Rockwell used his son, Jarvis, as one of the models for the painting. Elizabeth Goldberg, director of American Art at Sotheby's said that in his preparations for Saying Grace Rockwell \"... visited Automats and diners in New York and Philadelphia to get the scene just right ... his imagery was so vivid people would say they recognized the diner even though it didn'"@en . . . . . "Saying Grace (Rockwell)"@en . . . . . . . "Dando gracias es una pintura de 1951 del ilustrador estadounidense Norman Rockwell y una de sus obras m\u00E1s famosas, realizada para la portada del n\u00FAmero de Acci\u00F3n de Gracias del 24 de noviembre de 1951 del The Saturday Evening Post.\u200B\u200B\u200B Rockwell cobr\u00F3 3.500 d\u00F3lares (equivalente a 34.475 d\u00F3lares en 2019) por Dando gracias.\u200B Los lectores del The Saturday Evening Post la votaron su portada favorita en 1955.\u200B Dando gracias hab\u00EDa sido un pr\u00E9stamo a largo plazo en el Museo Norman Rockwell, y hab\u00EDa sido exhibida en otros 12 museos de Estados Unidos antes de su venta en 2013.\u200B"@es . "42"^^ . . . "Le B\u00E9n\u00E9dicit\u00E9 (titre original Saying Grace) est une illustration peinte \u00E0 l'huile sur toile par Norman Rockwell, pour la couverture du num\u00E9ro de Thanksgiving du Saturday Evening Post du 24 novembre 1951. Longtemps propri\u00E9t\u00E9 de Kenneth J. Stuart, directeur artistique du Saturday Evening Post, le tableau est vendu en 2013 au r\u00E9alisateur George Lucas pour la somme record jamais atteinte pour un tableau de Rockwell et pour une \u0153uvre d'un artiste am\u00E9ricain, de 46 millions de dollars. Num\u00E9ro de catalogue raisonn\u00E9 : C458 (L.N.Moffatt, Norman Rockwell Definitive Catalog)."@fr . . . . . . . "6570"^^ . . . "Saying Grace"@en . "Le B\u00E9n\u00E9dicit\u00E9 (Norman Rockwell)"@fr . . "1061070022"^^ . . . "Saying Grace"@en . . . . . . . . . . . .