. . . . "Sinfonia Fant\u00E1stica"@pt . . "V. Songe d'une nuit du Sabbat"@en . "\u5E7B\u60F3\u4EA4\u97FF\u66F2\uFF08\u3052\u3093\u305D\u3046\u3053\u3046\u304D\u3087\u3046\u304D\u3087\u304F\u3001Symphonie fantastique\uFF09\u4F5C\u54C114\uFF08H.48\uFF09\u306F\u3001\u30D5\u30E9\u30F3\u30B9\u306E\u4F5C\u66F2\u5BB6\u30A8\u30AF\u30C8\u30EB\u30FB\u30D9\u30EB\u30EA\u30AA\u30FC\u30BA\u304C1830\u5E74\u306B\u4F5C\u66F2\u3057\u305F\u6700\u521D\u306E\u4EA4\u97FF\u66F2\u3002\u539F\u984C\u306F\u300E\u3042\u308B\u82B8\u8853\u5BB6\u306E\u751F\u6DAF\u306E\u51FA\u6765\u4E8B\u30015\u90E8\u306E\u5E7B\u60F3\u7684\u4EA4\u97FF\u66F2\u300F\uFF08\u00C9pisode de la vie d'un artiste, symphonie fantastique en cinq parties \uFF09\u3002\u300C\u604B\u306B\u6DF1\u304F\u7D76\u671B\u3057\u30A2\u30D8\u30F3\u3092\u5438\u3063\u305F\u3001\u8C4A\u304B\u306A\u60F3\u50CF\u529B\u3092\u5099\u3048\u305F\u3042\u308B\u82B8\u8853\u5BB6\u300D\u306E\u7269\u8A9E\u3092\u97F3\u697D\u3067\u8868\u73FE\u3057\u305F\u3082\u306E\u3067\u3001\u30D9\u30EB\u30EA\u30AA\u30FC\u30BA\u306E\u4EE3\u8868\u4F5C\u3067\u3042\u308B\u306E\u307F\u306A\u3089\u305A\u3001\u521D\u671F\u30ED\u30DE\u30F3\u6D3E\u97F3\u697D\u3092\u4EE3\u8868\u3059\u308B\u697D\u66F2\u3067\u3042\u308B\u3002\u73FE\u5728\u3067\u3082\u30AA\u30FC\u30B1\u30B9\u30C8\u30E9\u306E\u6F14\u594F\u4F1A\u3067\u983B\u7E41\u306B\u53D6\u308A\u4E0A\u3052\u3089\u308C\u308B\u3002 \u7D9A\u7DE8\u3068\u3057\u3066\u3001\u97F3\u697D\u4ED8\u304D\u306E\u72EC\u767D\u5287\u3068\u3044\u3046\u5074\u9762\u306E\u5F37\u3044\u201C\u53D9\u60C5\u7684\u30E2\u30CE\u30C9\u30E9\u30DE\u201D\u300E\u30EC\u30EA\u30AA\u3001\u3042\u308B\u3044\u306F\u751F\u3078\u306E\u5FA9\u5E30\u300F\u4F5C\u54C114b\u304C\u66F8\u304B\u308C\u3066\u304A\u308A\u30011832\u5E74\u306B\u300E\u5E7B\u60F3\u4EA4\u97FF\u66F2\u300F\u306E\u518D\u6F14\u3068\u4F75\u305B\u3066\u521D\u6F14\u3055\u308C\u3066\u3044\u308B\u3002"@ja . . "Symphonie fantastique"@nl . . "Sinfon\u00EDa fant\u00E1stica"@es . . "Sinfonia fantastikoa"@eu . . "Sinfonia fantastica"@it . . "Hector Berlioz - Symphonie fantastique, op. 14 - 1. R\u00EAveries \u2013 Passions .flac"@en . "\uD658\uC0C1\uAD50\uD5A5\uACE1"@ko . . . . . . "Symfonia fantastyczna (fr. Symphonie fantastique) \u2013 symfonia c-moll, op. 14 Hectora Berlioza, skomponowana w 1830, z podtytu\u0142em \u201EEpizod z \u017Cycia artysty\u201D. Jest pierwsz\u0105 wielk\u0105 kompozycja Berlioza, zarazem najpopularniejsz\u0105 ze wszystkich, jakie napisa\u0142. Sta\u0142a si\u0119 manifestacj\u0105 jego za\u0142o\u017Ce\u0144 artystycznych, a jednocze\u015Bnie jego pierwsz\u0105 programow\u0105 symfoni\u0105, uwa\u017Cana za jedno z najwa\u017Cniejszych i najbardziej reprezentatywnych dzie\u0142 wczesnego romantyzmu. II cz\u0119\u015B\u0107. Bal. Artysta, otoczony gwarem zabawy, podziwia wspania\u0142o\u015Bci natury. Ale wsz\u0119dzie \u015Bciga go obraz ukochanej i odbiera mu spok\u00F3j."@pl . . . . . . "26911"^^ . . . . . . . . "1830"^^ . "Hector Berlioz - Symphonie fantastique, op. 14 - 5. Songe d'une nuit du Sabbat .flac"@en . . . . . "154674"^^ . "Hector Berlioz by Pierre Petit"@en . . . "Symfonia fantastyczna"@pl . . . . "II. Un bal"@en . . . . "\u00AB\u0424\u0430\u043D\u0442\u0430\u0441\u0442\u0438\u0447\u043D\u0430 \u0441\u0438\u043C\u0444\u043E\u043D\u0456\u044F\u00BB, \u043E\u0440. 14 (\u043F\u043E\u0432\u043D\u0430 \u043D\u0430\u0437\u0432\u0430 \u00AB\u0415\u043F\u0456\u0437\u043E\u0434 \u0437 \u0436\u0438\u0442\u0442\u044F \u0430\u0440\u0442\u0438\u0441\u0442\u0430, \u0444\u0430\u043D\u0442\u0430\u0441\u0442\u0438\u0447\u043D\u0430 \u0441\u0438\u043C\u0444\u043E\u043D\u0456\u044F \u0432 \u043F'\u044F\u0442\u0438 \u0447\u0430\u0441\u0442\u0438\u043D\u0430\u0445\u00BB \u2015 \u0444\u0440. \u00C9pisode de la vie d\u2019un artiste, symphonie fantastique en cinq parties) \u2015 \u0421\u0438\u043C\u0444\u043E\u043D\u0456\u044F \u0413\u0435\u043A\u0442\u043E\u0440\u0430 \u0411\u0435\u0440\u043B\u0456\u043E\u0437\u0430, \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u0430 \u0432 1830 \u0440\u043E\u0446\u0456. \u041E\u0434\u0438\u043D \u0456\u0437 \u043F\u0435\u0440\u0448\u0438\u0445 \u0432\u0437\u0456\u0440\u0446\u0456\u0432 \u043F\u0440\u043E\u0433\u0440\u0430\u043C\u043D\u043E\u0457 \u0441\u0438\u043C\u0444\u043E\u043D\u0456\u0457 \u0456 \u043E\u0434\u0438\u043D \u0437 \u043D\u0430\u0439\u0432\u0456\u0434\u043E\u043C\u0456\u0448\u0438\u0445 \u0442\u0432\u043E\u0440\u0456\u0432 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440\u0430."@uk . . . . . . . . . . . . . "Die Fantastische Symphonie op. 14, im Original \u00C9pisode de la vie d\u2019un artiste, symphonie fantastique en cinq parties (Episode aus dem Leben eines K\u00FCnstlers, fantastische Sinfonie in f\u00FCnf Teilen), ist ein programmatisches musikalisches Werk von Hector Berlioz. Mit diesem Werk begr\u00FCndete Berlioz die Programmmusik und schuf eines der bedeutendsten St\u00FCcke der romantischen Musik \u00FCberhaupt. Das Zar Nikolaus I. von Russland gewidmete Werk wurde am 5. Dezember 1830 unter der Leitung von Fran\u00E7ois-Antoine Habeneck im Pariser Konservatorium uraufgef\u00FChrt. Als Weiterf\u00FChrung der Symphonie fantastique kann das in Italien geschriebene L\u00E9lio ou Le retour \u00E0 la vie (op. 14b), ein \u201EMonodrame lyrique\u201C (1831\u20131832/1855) gesehen werden. Mit der 1830 entstandenen Symphonie fantastique betrat Berlioz Neuland, obwohl er an Beethovens 6. Sinfonie (1808) ankn\u00FCpfte. Auch beinhaltet das St\u00FCck einige (zu dieser Zeit) v\u00F6llig neuartige Instrumentationstechniken (wie das weitgef\u00E4cherte Divisi-Spiel der Streicher) und eine daraus resultierende neuartig-innovative Ausnutzung des klassischen Orchesterkorpus. Berlioz bezeichnete sein Werk zudem ausdr\u00FCcklich als drame musical (\u201Emusikalisches Drama\u201C) und gliedert es folgerichtig in f\u00FCnf S\u00E4tze analog zu den f\u00FCnf Akten des klassischen Dramas. Das Leitmotiv (id\u00E9e fixe), das Motiv der \u201EGeliebten\u201C, wird in den S\u00E4tzen, die einzelnen Szenen zugeordnet sind, verarbeitet."@de . "\u5E7B\u60F3\u4EA4\u97FF\u66F2"@ja . "IV. Marche au supplice"@en . . . . . . . . . . . "Symfonia fantastyczna (fr. Symphonie fantastique) \u2013 symfonia c-moll, op. 14 Hectora Berlioza, skomponowana w 1830, z podtytu\u0142em \u201EEpizod z \u017Cycia artysty\u201D. Jest pierwsz\u0105 wielk\u0105 kompozycja Berlioza, zarazem najpopularniejsz\u0105 ze wszystkich, jakie napisa\u0142. Sta\u0142a si\u0119 manifestacj\u0105 jego za\u0142o\u017Ce\u0144 artystycznych, a jednocze\u015Bnie jego pierwsz\u0105 programow\u0105 symfoni\u0105, uwa\u017Cana za jedno z najwa\u017Cniejszych i najbardziej reprezentatywnych dzie\u0142 wczesnego romantyzmu. Dzie\u0142o zrodzi\u0142o si\u0119 z osobistych prze\u017Cy\u0107 i uczu\u0107 kompozytora, ukazuj\u0105c wyra\u017Anie jego wra\u017Cliw\u0105 natur\u0119 i romantyczn\u0105 wyobra\u017Ani\u0119. Inspiracj\u0105 kompozycji by\u0142a nieszcz\u0119\u015Bliwa, nieodwzajemniona mi\u0142o\u015B\u0107 do angielskiej aktorki, Harriet Smithson (kt\u00F3ra ostatecznie jednak go po\u015Blubi\u0142a). Berlioz nie ukrywa\u0142 motyw\u00F3w, kt\u00F3re nim kierowa\u0142y. Nie tylko opatrzy\u0142 dzie\u0142o podtytu\u0142em (\u201EEpizod z \u017Cycia artysty\u201D), ale te\u017C, aby publiczno\u015B\u0107 w spos\u00F3b jednoznaczny zrozumia\u0142a intencj\u0119 dzie\u0142a, doda\u0142 do\u0144 dok\u0142adny komentarz literacki, ufantastycznion\u0105 histori\u0119 swej mi\u0142o\u015Bci. Komentarz ukaza\u0142 si\u0119 21 maja 1830 w paryskiem \u201ELe Figaro\u201D, przed prawykonaniem dzie\u0142a w pierwszej wersji. Oto jego tre\u015B\u0107: \u201EKompozytor mia\u0142 zamiar przedstawi\u0107 muzyk\u0105 r\u00F3\u017Cne momenty z \u017Cycia artysty. Plan do instrumentalnego dramatu bez tekstu musi by\u0107 z g\u00F3ry wyja\u015Bniony. Program niniejszy nale\u017Cy przeto uwa\u017Ca\u0107 za jakby m\u00F3wiony tekst opery, przedstawiaj\u0105cy charakter i wyraz nast\u0119puj\u0105cych po sobie cz\u0119\u015Bci. I cz\u0119\u015B\u0107. Marzenia, nami\u0119tno\u015Bci. Autor przyjmuje, \u017Ce m\u0142ody muzyk w owym stanie duszy, kt\u00F3ry s\u0142ynny pisarz Chateaubriand okre\u015Bla tak trafnie jako \u00ABfale nami\u0119tno\u015Bci\u00BB, spostrzega po raz pierwszy kobiet\u0119, \u0142\u0105cz\u0105c\u0105 w sobie wszystkie uroki wy\u015Bnione w marzeniach o idealnej istocie. Zakochuje si\u0119 do szale\u0144stwa. Kaprys losu sprawia, \u017Ce obraz ukochanej ukazuje mu si\u0119 wraz z muzyczn\u0105 my\u015Bl\u0105, tak\u0105 idee fixe. Oto pow\u00F3d nieustannego powracania melodii rozpoczynaj\u0105cej pierwsze Allegro. II cz\u0119\u015B\u0107. Bal. Artysta, otoczony gwarem zabawy, podziwia wspania\u0142o\u015Bci natury. Ale wsz\u0119dzie \u015Bciga go obraz ukochanej i odbiera mu spok\u00F3j. III cz\u0119\u015B\u0107. Scena na wsi. Wieczorem na wsi s\u0142yszy z oddali g\u0142osy dw\u00F3ch pasterzy. Okolica, poszum drzew, z\u0142udne nadzieje wzajemnej mi\u0142o\u015Bci - wszystko splata si\u0119 razem, daj\u0105c jego sercu nadzwyczajny spok\u00F3j, a my\u015Bl kieruj\u0105c ku rado\u015Bci. Spodziewa si\u0119, \u017Ce wkr\u00F3tce nie b\u0119dzie ju\u017C sam. Ale je\u015Bli umi\u0142owana go zawiedzie? Nadziej\u0119 i l\u0119k, radosne oczekiwanie i pos\u0119pne przeczucia wyra\u017Ca Adagio. IV cz\u0119\u015B\u0107. Marsz na stracenie. Poniewa\u017C artysta przekona\u0142 si\u0119, \u017Ce ta, kt\u00F3r\u0105 uwielbia, nie odwzajemnia jego mi\u0142o\u015Bci, nie potrafi go zrozumie\u0107, a nawet jest go niegodna, truje si\u0119 za\u017Cywaj\u0105c opium. Zbyt s\u0142aba dawka narkotyku nie zabija go, lecz pogr\u0105\u017Ca w ci\u0119\u017Ckim \u015Bnie. Artysta \u015Bni, \u017Ce zamordowa\u0142 ukochan\u0105 i zosta\u0142 skazany na \u015Bmier\u0107. Prowadzony jest na miejsce stracenia, staj\u0105c si\u0119 \u015Bwiadkiem w\u0142asnej egzekucji. V cz\u0119\u015B\u0107. Sabat czarownic. M\u0142ody muzyk widzi si\u0119 po\u015Br\u00F3d zgrai dziwnych postaci, kt\u00F3re zebra\u0142y si\u0119 na jego pogrzebie. Wybranka serca tak\u017Ce przybywa na ten sabat, witana okrzykami rado\u015Bci. Rozpoczyna si\u0119 ceremonia.\u201D Symfonia fantastyczna by\u0142a nowym typem symfonii programowej, stanowi\u0105cym prekursorsk\u0105 podstaw\u0119 do rozwoju poematu symfonicznego. Zawiera motyw przewodni, zwany id\u00E9e fixe. Powtarza si\u0119 on we wszystkich cz\u0119\u015Bciach symfonii i jest zmieniany wariacyjnie. Utw\u00F3r sk\u0142ada si\u0119 z pi\u0119ciu cz\u0119\u015Bci, w przeciwie\u0144stwie do klasycznej symfonii czterocz\u0119\u015Bciowej: 1. \n* R\u00EAveries - Passions (Marzenia, nami\u0119tno\u015Bci) 2. \n* Un bal (Bal) 3. \n* Sc\u00E8ne aux champs (Scena na wsi) 4. \n* Marche au suplice (Marsz na stracenie) 5. \n* Songe d'une nuit de sabbat (Sabat czarownic) Berlioz wykorzysta\u0142 w tym utworze bogaty sk\u0142ad orkiestrowy: \n* 15 I skrzypiec \u2013 15 II skrzypiec \u2013 10 alt\u00F3wek \u2013 11 wiolonczel \u2013 9 kontrabas\u00F3w \n* 2 flety \u2013 2 oboje \u2013 2 klarnety \u2013 4 fagoty \n* 2 tr\u0105bki \u2013 2 kornety \u2013 4 rogi \u2013 3 puzony \u2013 2 tuby \n* dzwony \u2013 4 kot\u0142y \u2013 talerze \u2013 wielki b\u0119ben \n* 2 harfy"@pl . "I. R\u00EAveries \u2013 Passions"@en . . "\u0424\u0430\u043D\u0442\u0430\u0441\u0442\u0438\u0447\u0435\u0441\u043A\u0430\u044F \u0441\u0438\u043C\u0444\u043E\u043D\u0438\u044F"@ru . . . . . . . . . . . . "fr"@en . . . "\u300A\u5E7B\u60F3\u4EA4\u97FF\u66F2\u300B\uFF08\u6CD5\u8A9E\uFF1ASymphonie fantastique\uFF09\uFF0C\u4F5C\u54C114\uFF08\u970D\u6C0F\u865FH 48\uFF09\uFF0C\u4E43\u57C3\u514B\u6258\u00B7\u67CF\u8FBD\u5179\u65BC1830\u5E74\u9593\u6240\u4F5C\u7684\u4EA4\u97FF\u66F2\u4F5C\u54C1\u3002\u4F5C\u66F2\u5BB6\u521B\u4F5C\u7075\u611F\u6765\u6E90\u4E8E\u4ED6\u503E\u6CE8\u4EE5\u72C2\u70ED\u7231\u60C5\u7684\u7231\u5C14\u5170\u7C4D\u7684\u838E\u58EB\u6BD4\u4E9A\u620F\u5267\u5973\u6F14\u5458\u54C8\u8389\u53F6\u7279\u00B7\u5EB7\u65AF\u5766\u65AF\u00B7\u53F2\u5BC6\u900A\u3002\u4F5C\u4E3A\u6807\u9898\u97F3\u4E50\u5B8C\u7F8E\u800C\u660E\u6670\u7684\u8303\u4F8B\uFF0C\u8A72\u4F5C\u54C1\u5728\u65E9\u671F\u6D6A\u6F2B\u4E3B\u7FA9\u97F3\u6A02\u7576\u4E2D\u88AB\u63A8\u5D07\u70BA\u6700\u91CD\u8981\u53CA\u6700\u5177\u4EE3\u8868\u6027\u7684\u4EA4\u97FF\u66F2\u4E4B\u4E00\uFF0C\u6642\u81F3\u4ECA\u65E5\u4ECD\u5EE3\u53D7\u5168\u7403\u5404\u5730\u7684\u97F3\u6A02\u6F14\u594F\u6703\u807D\u773E\u6B61\u8FCE\u3002\u57282016\u5E74\u4E00\u9805\u91DD\u5C0D151\u4F4D\u6307\u6325\u5BB6\u7684\u8A2A\u8AC7\u7D71\u8A08\u4E2D\uFF0C\u300A\u5E7B\u60F3\u300B\u7372\u5F97\u7B2C\u4E03\u4F4D\u7684\u8A55\u50F9\u3002"@zh . "Symphonie fantastique: \u00C9pisode de la vie d'un artiste \u2026 en cinq parties (Fantastical Symphony: Episode in the Life of an Artist \u2026 in Five Sections) Op. 14, is a program symphony written by the French composer Hector Berlioz in 1830. It is an important piece of the early Romantic period. The first performance was at the Paris Conservatoire on 5 December 1830. Franz Liszt made a piano transcription of the symphony in 1833 (S. 470). The American composer and conductor Leonard Bernstein described the symphony as the first musical expedition into psychedelia because of its hallucinatory and dream-like nature, and because history suggests Berlioz composed at least a portion of it under the influence of opium. According to Bernstein, \"Berlioz tells it like it is. You take a trip, you wind up screaming at your own funeral.\" Berlioz put a great deal of emotion into the piece, exploring the extremities of many ends of the emotional spectrum. He wanted people to understand his intentions behind it as they were the driving factor behind each movement and the story he attaches to the different parts of the piece. Berlioz said \"For this reason I generally find it extremely painful to hear my works conducted by someone other than myself.\" In 1831 Berlioz wrote a lesser-known sequel to the work, L\u00E9lio, for actor, soloists, chorus, piano and orchestra."@en . . "Sinfonia fantastikoa (ofizialki frantsesez: Symphonie fantastique: \u00C9pisode de la vie d'un artiste ... en cinq parties) deritzona, Hector Berlioz musikari eta konposatzaile frantziarrak 1830ean idatzitako musika-lana da. Egilea, musika-lan hau idazteko aktoresan shakespeartarrean inspiratu zen, honetaz erabat maiteminduta zegoelarik. Musika-lan hau musika programatikoaren adibide argi eta eder bat da. Musika-lan hau, bost mugimendutan banatuta dago: 1. \n* Ametsak eta pasioak 2. \n* Dantzaldi bat 3. \n* Eszena zelaian 4. \n* Urkamendirako martxa 5. \n* Akelarre gau bateko ametsa"@eu . "\u300A\uD658\uC0C1\uAD50\uD5A5\uACE1 \uC791\uD488\uBC88\uD638 14\u300B(\uD504\uB791\uC2A4\uC5B4: Symphonie fantastique: \u00C9pisode de la vie d'un artiste ... en cinq parties)\uC740 \uC5D1\uD1A0\uB974 \uBCA0\uB97C\uB9AC\uC624\uC988\uAC00 \uC791\uACE1\uD55C \uAD50\uD5A5\uACE1\uC774\uB2E4. \uCCAB \uACF5\uC5F0\uC740 1830\uB144 12\uC6D4 5\uC77C \uD30C\uB9AC \uC74C\uC545\uC6D0\uC5D0\uC11C \uD588\uB2E4. '\uC5B4\uB290 \uC608\uC220\uAC00\uC758 \uC77C\uC0DD\uC758 \uC774\uC57C\uAE30'\uB77C\uB294 \uBD80\uC81C\uAC00 \uB2EC\uB9B0 \uC774 \uAD50\uD5A5\uACE1\uC740 \uBCA0\uB97C\uB9AC\uC624\uC988\uC758 \uCD9C\uC138\uC791\uC774\uB2E4. \uBCA0\uB97C\uB9AC\uC624\uC988\uB294 \uC5EC\uBC30\uC6B0 \uC2A4\uBBF8\uB4DC\uC2A8\uC5D0 \uB300\uD55C \uC5F4\uB82C\uD55C \uC0AC\uB791\uC744 \uC774\uB8E8\uC9C0 \uBABB\uD558\uACE0 \uC2E4\uC5F0\uD558\uC790 \uADF8 \uC0C1\uCC98\uC640 \uC9C0\uC625\uC758 \uACE0\uB1CC\uC5D0\uC11C \uBC97\uC5B4\uB098\uB824\uACE0 \uC791\uACE1\uD55C, \uB9D0\uD558\uC790\uBA74 \uC774\uB294 \uCCAD\uB144 \uC791\uACE1\uAC00 \uBCA0\uB97C\uB9AC\uC624\uC988\uC758 \uC790\uD654\uC0C1\uC774\uAE30\uB3C4 \uD558\uB2E4. \uBCA0\uB97C\uB9AC\uC624\uC988 \uC790\uC2E0\uC758 \uC124\uBA85\uC5D0 \uB530\uB974\uBA74, \uBCD1\uC801\uC778 \uAD00\uB2A5\uACFC \uAC15\uB82C\uD55C \uC0C1\uC0C1\uB825\uC744 \uC9C0\uB2CC \uD55C \uCCAD\uB144 \uC608\uC220\uAC00\uAC00 \uAD11\uB828(\u72C2\u6200) \uB05D\uC5D0 \uC544\uD3B8\uC73C\uB85C \uC74C\uB3C5\uC790\uC0B4\uC744 \uAF80\uD55C\uB2E4. \uADF8\uB7F0\uB370 \uBCF5\uC6A9\uB7C9\uC774 \uC801\uC774 \uD63C\uC218\uC0C1\uD0DC\uC5D0 \uBE60\uC838 \uAE30\uAD34\uD558\uAE30 \uC774\uB97C \uB370 \uC5C6\uB294 \uD658\uC0C1\uC744 \uBCF8\uB2E4\u2015\uB294 \uC774\uC57C\uAE30\uC774\uB2E4. \uAFC8, \uC815\uC5F4, \uBB34\uB3C4\uD68C, \uC804\uC6D0\uD48D\uACBD, \uB2E8\uB450\uB300\uC5D0\uC758 \uD589\uC9C4, \uBC1C\uD478\uB974\uAE30\uC2A4 \uBC24\uC758 \uC545\uBABD\uC774\uB77C\uB294 5\uC545\uC7A5\uC73C\uB85C \uB41C \uD45C\uC81C\uC74C\uC545\uC801\uC778 \uAD6C\uC131\uC744 \uAC00\uC9C4\uB2E4. \uC5F0\uC778\uC744 \uC0C1\uC9D5\uD558\uB294 \uAE30\uBCF8\uC8FC\uC81C(\uACE0\uC815\uC545\uC0C1)\uAC00 \uAC01 \uC545\uC7A5\uC5D0 \uBAA8\uC2B5\uC744 \uBC14\uAFB8\uC5B4 \uB098\uD0C0\uB098\uB294 \uAC83\uC740 \uBCA0\uB97C\uB9AC\uC624\uC988\uC758 \uCC3D\uC548(\u5275\u6848)\uC778 \uC0C8\uB85C\uC6B4 \uC2DC\uB3C4\uC774\uB2E4. \uC5EC\uB7EC \uAC00\uC9C0 \uAC10\uC815\uC774\uB098 \uADF9\uC801 \uC804\uAC1C\uB97C \uC790\uC720\uBD84\uBC29\uD558\uAC8C \uBB18\uC0AC\uD55C \uB85C\uB9E8\uD2F0\uC2DC\uC998\uC758 \uC0C9\uCC44\uAC00 \uC9D9\uC740 \uC0C8\uB85C\uC6B4 \uD615\uD0DC\uC758 \uAD50\uD5A5\uACE1\uC774\uB2E4."@ko . . . . . . . . "\u300A\u5E7B\u60F3\u4EA4\u97FF\u66F2\u300B\uFF08\u6CD5\u8A9E\uFF1ASymphonie fantastique\uFF09\uFF0C\u4F5C\u54C114\uFF08\u970D\u6C0F\u865FH 48\uFF09\uFF0C\u4E43\u57C3\u514B\u6258\u00B7\u67CF\u8FBD\u5179\u65BC1830\u5E74\u9593\u6240\u4F5C\u7684\u4EA4\u97FF\u66F2\u4F5C\u54C1\u3002\u4F5C\u66F2\u5BB6\u521B\u4F5C\u7075\u611F\u6765\u6E90\u4E8E\u4ED6\u503E\u6CE8\u4EE5\u72C2\u70ED\u7231\u60C5\u7684\u7231\u5C14\u5170\u7C4D\u7684\u838E\u58EB\u6BD4\u4E9A\u620F\u5267\u5973\u6F14\u5458\u54C8\u8389\u53F6\u7279\u00B7\u5EB7\u65AF\u5766\u65AF\u00B7\u53F2\u5BC6\u900A\u3002\u4F5C\u4E3A\u6807\u9898\u97F3\u4E50\u5B8C\u7F8E\u800C\u660E\u6670\u7684\u8303\u4F8B\uFF0C\u8A72\u4F5C\u54C1\u5728\u65E9\u671F\u6D6A\u6F2B\u4E3B\u7FA9\u97F3\u6A02\u7576\u4E2D\u88AB\u63A8\u5D07\u70BA\u6700\u91CD\u8981\u53CA\u6700\u5177\u4EE3\u8868\u6027\u7684\u4EA4\u97FF\u66F2\u4E4B\u4E00\uFF0C\u6642\u81F3\u4ECA\u65E5\u4ECD\u5EE3\u53D7\u5168\u7403\u5404\u5730\u7684\u97F3\u6A02\u6F14\u594F\u6703\u807D\u773E\u6B61\u8FCE\u3002\u57282016\u5E74\u4E00\u9805\u91DD\u5C0D151\u4F4D\u6307\u6325\u5BB6\u7684\u8A2A\u8AC7\u7D71\u8A08\u4E2D\uFF0C\u300A\u5E7B\u60F3\u300B\u7372\u5F97\u7B2C\u4E03\u4F4D\u7684\u8A55\u50F9\u3002"@zh . "Symphonie fantastique"@en . . . "Fantastick\u00E1 symfonie s (dne\u0161n\u00EDm) podtitulem Epizoda ze \u017Eivota um\u011Blcova (op. 14) v origin\u00E1le Symphonie fantastique, \u00C9pisode de la vie d\u2019un artiste je symfonick\u00E9 d\u00EDlo francouzsk\u00E9ho skladatele Hectora Berlioze z roku 1830. P\u016Fvodn\u00ED n\u00E1zev zn\u011Bl Epizoda ze \u017Eivota um\u011Blcova, fantastick\u00E1 symfonie v p\u011Bti \u010D\u00E1stech, francouzsky \u00C9pisode de la vie d\u2019un artiste, symphonie fantastique en cinq parties. Skladba byla inspirov\u00E1na zprvu neop\u011Btovanou l\u00E1skou skladatele k here\u010Dce Harriet Smithsonov\u00E9, kter\u00E1 se pozd\u011Bji stala Berliozovou man\u017Eelkou. Uveden\u00ED symfonie (kter\u00E1 se svou formou bl\u00ED\u017E\u00ED cyklu symfonick\u00FDch b\u00E1sn\u00ED) je pova\u017Eov\u00E1no za za\u010D\u00E1tek novoromantismu. Je naps\u00E1na v t\u00F3nin\u011B c-moll, v\u011Bnov\u00E1na byla caru Mikul\u00E1\u0161i I. Je to prvn\u00ED programn\u00ED symfonie v\u016Fbec. Berlioz tuto symfonii slo\u017Eil ve v\u011Bku 26 let. Byla poprv\u00E9 uvedena 5. prosince 1830 v s\u00E1le pa\u0159\u00ED\u017Esk\u00E9 konzervato\u0159e. Mezi poslucha\u010Di se nach\u00E1zel t\u00E9\u017E devaten\u00E1ctilet\u00FD Franz Liszt, kter\u00FD byl symfoni\u00ED nad\u0161en tak, \u017Ee ji zaran\u017Eoval pro klav\u00EDr. Berlioz pozd\u011Bji symfonii upravil hudebn\u011B i d\u011Bjov\u011B, v roce 1831 dokonce zkomponoval jej\u00ED voln\u00E9 pokra\u010Dov\u00E1n\u00ED L\u00E9lio neboli n\u00E1vrat do \u017Eivota (uvedeno v roce 1832, pozd\u011Bji rovn\u011B\u017E upraveno)."@cs . . "La Sinfon\u00EDa fant\u00E1stica, cuyo nombre completo en franc\u00E9s es Symphonie fantastique: \u00C9pisode de la vie d'un artiste ... en cinq parties (Sinfon\u00EDa fant\u00E1stica: Episodio de la vida de un artista, en cinco partes), Op. 14, es una sinfon\u00EDa program\u00E1tica del compositor franc\u00E9s Hector Berlioz, compuesta en 1830. Es una pieza importante del per\u00EDodo rom\u00E1ntico temprano. Su estreno tuvo lugar en el Conservatorio de Par\u00EDs el 5 de diciembre de 1830. Franz Liszt realiz\u00F3 una transcripci\u00F3n para piano de la sinfon\u00EDa en 1833 (S. 470).\u200B"@es . "1830-12-05"^^ . "III. Sc\u00E8ne aux champs"@en . . . . "Five"@en . . . . "Symphonie fantastique, H 48"@en . . . . . . . . . . . "Symphonie fantastique"@de . . . . . "\u00AB\u0424\u0430\u043D\u0442\u0430\u0441\u0442\u0438\u0447\u043D\u0430 \u0441\u0438\u043C\u0444\u043E\u043D\u0456\u044F\u00BB, \u043E\u0440. 14 (\u043F\u043E\u0432\u043D\u0430 \u043D\u0430\u0437\u0432\u0430 \u00AB\u0415\u043F\u0456\u0437\u043E\u0434 \u0437 \u0436\u0438\u0442\u0442\u044F \u0430\u0440\u0442\u0438\u0441\u0442\u0430, \u0444\u0430\u043D\u0442\u0430\u0441\u0442\u0438\u0447\u043D\u0430 \u0441\u0438\u043C\u0444\u043E\u043D\u0456\u044F \u0432 \u043F'\u044F\u0442\u0438 \u0447\u0430\u0441\u0442\u0438\u043D\u0430\u0445\u00BB \u2015 \u0444\u0440. \u00C9pisode de la vie d\u2019un artiste, symphonie fantastique en cinq parties) \u2015 \u0421\u0438\u043C\u0444\u043E\u043D\u0456\u044F \u0413\u0435\u043A\u0442\u043E\u0440\u0430 \u0411\u0435\u0440\u043B\u0456\u043E\u0437\u0430, \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u0430 \u0432 1830 \u0440\u043E\u0446\u0456. \u041E\u0434\u0438\u043D \u0456\u0437 \u043F\u0435\u0440\u0448\u0438\u0445 \u0432\u0437\u0456\u0440\u0446\u0456\u0432 \u043F\u0440\u043E\u0433\u0440\u0430\u043C\u043D\u043E\u0457 \u0441\u0438\u043C\u0444\u043E\u043D\u0456\u0457 \u0456 \u043E\u0434\u0438\u043D \u0437 \u043D\u0430\u0439\u0432\u0456\u0434\u043E\u043C\u0456\u0448\u0438\u0445 \u0442\u0432\u043E\u0440\u0456\u0432 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440\u0430."@uk . . "\u5E7B\u60F3\u4EA4\u97FF\u66F2"@zh . . . . . . . . "\u0424\u0430\u043D\u0442\u0430\u0441\u0442\u0438\u0447\u0435\u0441\u043A\u0430\u044F \u0441\u0438\u043C\u0444\u043E\u043D\u0438\u044F, \u043E\u0440. 14 (\u043F\u043E\u043B\u043D\u043E\u0435 \u043D\u0430\u0437\u0432\u0430\u043D\u0438\u0435 \u00AB\u042D\u043F\u0438\u0437\u043E\u0434 \u0438\u0437 \u0436\u0438\u0437\u043D\u0438 \u0430\u0440\u0442\u0438\u0441\u0442\u0430, \u0444\u0430\u043D\u0442\u0430\u0441\u0442\u0438\u0447\u0435\u0441\u043A\u0430\u044F \u0441\u0438\u043C\u0444\u043E\u043D\u0438\u044F \u0432 \u043F\u044F\u0442\u0438 \u0447\u0430\u0441\u0442\u044F\u0445\u00BB \u2015 \u0444\u0440. \u00C9pisode de la vie d\u2019un artiste, symphonie fantastique en cinq parties) \u2015 \u0441\u0438\u043C\u0444\u043E\u043D\u0438\u044F \u0413\u0435\u043A\u0442\u043E\u0440\u0430 \u0411\u0435\u0440\u043B\u0438\u043E\u0437\u0430. \u041D\u0430\u043F\u0438\u0441\u0430\u043D\u043D\u0430\u044F \u0432 1830 \u0433\u043E\u0434\u0443, \u043E\u043D\u0430 \u0441\u0442\u0430\u043B\u0430 \u043E\u0434\u043D\u0438\u043C \u0438\u0437 \u043F\u0435\u0440\u0432\u044B\u0445 \u043A\u0440\u0443\u043F\u043D\u044B\u0445 \u0441\u043E\u0447\u0438\u043D\u0435\u043D\u0438\u0439 \u0432 \u0436\u0430\u043D\u0440\u0435 \u043F\u0440\u043E\u0433\u0440\u0430\u043C\u043C\u043D\u043E\u0439 \u043C\u0443\u0437\u044B\u043A\u0438 \u0438 \u043E\u0434\u043D\u0438\u043C \u0438\u0437 \u0441\u0430\u043C\u044B\u0445 \u0438\u0437\u0432\u0435\u0441\u0442\u043D\u044B\u0445 \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440\u0430. \u0421\u043E\u0434\u0435\u0440\u0436\u0430\u043D\u0438\u0435 \u0441\u0438\u043C\u0444\u043E\u043D\u0438\u0438 \u0441\u0432\u044F\u0437\u0430\u043D\u043E \u0441 \u0432\u043E\u0437\u043B\u044E\u0431\u043B\u0435\u043D\u043D\u043E\u0439 \u0411\u0435\u0440\u043B\u0438\u043E\u0437\u0430 \u2014 \u0430\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u043E\u0439 \u0430\u043A\u0442\u0440\u0438\u0441\u043E\u0439 . \u0412 1847 \u0433\u043E\u0434\u0443 \u0432\u043E \u0432\u0440\u0435\u043C\u044F \u0433\u0430\u0441\u0442\u0440\u043E\u043B\u0435\u0439 \u0432 \u0420\u043E\u0441\u0441\u0438\u0438 \u0430\u0432\u0442\u043E\u0440 \u043F\u043E\u0441\u0432\u044F\u0442\u0438\u043B \u00AB\u0424\u0430\u043D\u0442\u0430\u0441\u0442\u0438\u0447\u0435\u0441\u043A\u0443\u044E \u0441\u0438\u043C\u0444\u043E\u043D\u0438\u044E\u00BB \u0438\u043C\u043F\u0435\u0440\u0430\u0442\u043E\u0440\u0443 \u041D\u0438\u043A\u043E\u043B\u0430\u044E I."@ru . . . "\u0424\u0430\u043D\u0442\u0430\u0441\u0442\u0438\u0447\u043D\u0430 \u0441\u0438\u043C\u0444\u043E\u043D\u0456\u044F"@uk . "La Sinfonia fantastica Episodio della vita di un artista in cinque parti, op. 14 (Symphonie fantastique: \u00C9pisode de la vie d'un artiste, en cinq parties) \u00E8 una sinfonia a programma per orchestra composta da Hector Berlioz ed eseguita per la prima volta il 5 dicembre 1830. \u00C8 detta \"fantastica\", ossia \"di fantasia\", in quanto la partitura \u00E8 legata ad un programma scritto dallo stesso autore. \u00C8 articolata in cinque, anzich\u00E9 quattro movimenti (cinque come quelli della sinfonia Pastorale di Beethoven, ma anche come gli atti dell'opera francese) collegati da un'idea fissa (id\u00E9e fixe), un pensiero musicale che nella mente del protagonista si associa sempre alla donna amata. A 19 anni Berlioz, abbandonati gli studi in medicina, cominci\u00F2 a prendere lezioni private di composizione da Jean-Fran\u00E7ois Lesueur il quale, oltre alla dottrina compositiva, gli instill\u00F2, sulla scia della tradizione descrittiva della musica francese, l'idea di attribuire un determinato soggetto alla musica, esplicandolo attraverso la redazione di un programma. Berlioz descrive in quest'opera in maniera adombrata l'incontro con la sua amata (l'attrice Harriet Smithson) incontrata la prima volta nel 1827, mentre assisteva per la prima volta all'Amleto e al Romeo e Giulietta di Shakespeare rappresentati a Parigi da una compagnia inglese e descrive tutte le sue sofferenze per l'amore non corrisposto. Si dice che Berlioz per scrivere questo pezzo abbia assunto dell'oppio, e che dopo aver avuto varie visioni della sua amata, abbia composto l'opera. L'armonia, in continua trasformazione, rispecchia lo stato d'animo del compositore. Viene utilizzato un cromatismo ambiguo e la sesta minore in un contesto maggiore."@it . "music"@en . . "Paris"@en . . . "Hector Berlioz - Symphonie fantastique, op. 14 - 3. Sc\u00E8ne aux champs .flac"@en . . . "\u300A\uD658\uC0C1\uAD50\uD5A5\uACE1 \uC791\uD488\uBC88\uD638 14\u300B(\uD504\uB791\uC2A4\uC5B4: Symphonie fantastique: \u00C9pisode de la vie d'un artiste ... en cinq parties)\uC740 \uC5D1\uD1A0\uB974 \uBCA0\uB97C\uB9AC\uC624\uC988\uAC00 \uC791\uACE1\uD55C \uAD50\uD5A5\uACE1\uC774\uB2E4. \uCCAB \uACF5\uC5F0\uC740 1830\uB144 12\uC6D4 5\uC77C \uD30C\uB9AC \uC74C\uC545\uC6D0\uC5D0\uC11C \uD588\uB2E4. '\uC5B4\uB290 \uC608\uC220\uAC00\uC758 \uC77C\uC0DD\uC758 \uC774\uC57C\uAE30'\uB77C\uB294 \uBD80\uC81C\uAC00 \uB2EC\uB9B0 \uC774 \uAD50\uD5A5\uACE1\uC740 \uBCA0\uB97C\uB9AC\uC624\uC988\uC758 \uCD9C\uC138\uC791\uC774\uB2E4. \uBCA0\uB97C\uB9AC\uC624\uC988\uB294 \uC5EC\uBC30\uC6B0 \uC2A4\uBBF8\uB4DC\uC2A8\uC5D0 \uB300\uD55C \uC5F4\uB82C\uD55C \uC0AC\uB791\uC744 \uC774\uB8E8\uC9C0 \uBABB\uD558\uACE0 \uC2E4\uC5F0\uD558\uC790 \uADF8 \uC0C1\uCC98\uC640 \uC9C0\uC625\uC758 \uACE0\uB1CC\uC5D0\uC11C \uBC97\uC5B4\uB098\uB824\uACE0 \uC791\uACE1\uD55C, \uB9D0\uD558\uC790\uBA74 \uC774\uB294 \uCCAD\uB144 \uC791\uACE1\uAC00 \uBCA0\uB97C\uB9AC\uC624\uC988\uC758 \uC790\uD654\uC0C1\uC774\uAE30\uB3C4 \uD558\uB2E4. \uBCA0\uB97C\uB9AC\uC624\uC988 \uC790\uC2E0\uC758 \uC124\uBA85\uC5D0 \uB530\uB974\uBA74, \uBCD1\uC801\uC778 \uAD00\uB2A5\uACFC \uAC15\uB82C\uD55C \uC0C1\uC0C1\uB825\uC744 \uC9C0\uB2CC \uD55C \uCCAD\uB144 \uC608\uC220\uAC00\uAC00 \uAD11\uB828(\u72C2\u6200) \uB05D\uC5D0 \uC544\uD3B8\uC73C\uB85C \uC74C\uB3C5\uC790\uC0B4\uC744 \uAF80\uD55C\uB2E4. \uADF8\uB7F0\uB370 \uBCF5\uC6A9\uB7C9\uC774 \uC801\uC774 \uD63C\uC218\uC0C1\uD0DC\uC5D0 \uBE60\uC838 \uAE30\uAD34\uD558\uAE30 \uC774\uB97C \uB370 \uC5C6\uB294 \uD658\uC0C1\uC744 \uBCF8\uB2E4\u2015\uB294 \uC774\uC57C\uAE30\uC774\uB2E4. \uAFC8, \uC815\uC5F4, \uBB34\uB3C4\uD68C, \uC804\uC6D0\uD48D\uACBD, \uB2E8\uB450\uB300\uC5D0\uC758 \uD589\uC9C4, \uBC1C\uD478\uB974\uAE30\uC2A4 \uBC24\uC758 \uC545\uBABD\uC774\uB77C\uB294 5\uC545\uC7A5\uC73C\uB85C \uB41C \uD45C\uC81C\uC74C\uC545\uC801\uC778 \uAD6C\uC131\uC744 \uAC00\uC9C4\uB2E4. \uC5F0\uC778\uC744 \uC0C1\uC9D5\uD558\uB294 \uAE30\uBCF8\uC8FC\uC81C(\uACE0\uC815\uC545\uC0C1)\uAC00 \uAC01 \uC545\uC7A5\uC5D0 \uBAA8\uC2B5\uC744 \uBC14\uAFB8\uC5B4 \uB098\uD0C0\uB098\uB294 \uAC83\uC740 \uBCA0\uB97C\uB9AC\uC624\uC988\uC758 \uCC3D\uC548(\u5275\u6848)\uC778 \uC0C8\uB85C\uC6B4 \uC2DC\uB3C4\uC774\uB2E4. \uC5EC\uB7EC \uAC00\uC9C0 \uAC10\uC815\uC774\uB098 \uADF9\uC801 \uC804\uAC1C\uB97C \uC790\uC720\uBD84\uBC29\uD558\uAC8C \uBB18\uC0AC\uD55C \uB85C\uB9E8\uD2F0\uC2DC\uC998\uC758 \uC0C9\uCC44\uAC00 \uC9D9\uC740 \uC0C8\uB85C\uC6B4 \uD615\uD0DC\uC758 \uAD50\uD5A5\uACE1\uC774\uB2E4."@ko . "3000.0"^^ . "Hector Berlioz - Symphonie fantastique, op. 14 - 2. Un bal .flac"@en . . . . . "1122631808"^^ . . . . . . . . . . . . . . . . "La Symphonie fantastique, op. 14 (titre original : \u00C9pisode de la vie d\u2019un artiste, symphonie fantastique en cinq parties), est une \u0153uvre d'Hector Berlioz, d\u00E9di\u00E9e \u00E0 Nicolas Ier de Russie et cr\u00E9\u00E9e \u00E0 Paris le 5 d\u00E9cembre 1830 \u00E0 la salle du Conservatoire, sous la direction de Fran\u00E7ois-Antoine Habeneck, six ans apr\u00E8s la neuvi\u00E8me symphonie de Beethoven. Compos\u00E9e de cinq sc\u00E8nes descriptives, cette \u0153uvre, plus proche du po\u00E8me symphonique que de la symphonie, fait partie d\u2019un genre appel\u00E9 musique \u00E0 programme. L'ex\u00E9cution de l'\u0153uvre dure une cinquantaine de minutes."@fr . . . . "Sinfonia fantastikoa (ofizialki frantsesez: Symphonie fantastique: \u00C9pisode de la vie d'un artiste ... en cinq parties) deritzona, Hector Berlioz musikari eta konposatzaile frantziarrak 1830ean idatzitako musika-lana da. Egilea, musika-lan hau idazteko aktoresan shakespeartarrean inspiratu zen, honetaz erabat maiteminduta zegoelarik. Musika-lan hau musika programatikoaren adibide argi eta eder bat da. Musika-lan hau, bost mugimendutan banatuta dago: 1. \n* Ametsak eta pasioak 2. \n* Dantzaldi bat 3. \n* Eszena zelaian 4. \n* Urkamendirako martxa 5. \n* Akelarre gau bateko ametsa"@eu . . . . . . "14"^^ . . "La Sinfonia fantastica Episodio della vita di un artista in cinque parti, op. 14 (Symphonie fantastique: \u00C9pisode de la vie d'un artiste, en cinq parties) \u00E8 una sinfonia a programma per orchestra composta da Hector Berlioz ed eseguita per la prima volta il 5 dicembre 1830. \u00C8 detta \"fantastica\", ossia \"di fantasia\", in quanto la partitura \u00E8 legata ad un programma scritto dallo stesso autore. L'armonia, in continua trasformazione, rispecchia lo stato d'animo del compositore. Viene utilizzato un cromatismo ambiguo e la sesta minore in un contesto maggiore."@it . . . . "La Symphonie fantastique, op. 14 (titre original : \u00C9pisode de la vie d\u2019un artiste, symphonie fantastique en cinq parties), est une \u0153uvre d'Hector Berlioz, d\u00E9di\u00E9e \u00E0 Nicolas Ier de Russie et cr\u00E9\u00E9e \u00E0 Paris le 5 d\u00E9cembre 1830 \u00E0 la salle du Conservatoire, sous la direction de Fran\u00E7ois-Antoine Habeneck, six ans apr\u00E8s la neuvi\u00E8me symphonie de Beethoven. Compos\u00E9e de cinq sc\u00E8nes descriptives, cette \u0153uvre, plus proche du po\u00E8me symphonique que de la symphonie, fait partie d\u2019un genre appel\u00E9 musique \u00E0 programme. L'ex\u00E9cution de l'\u0153uvre dure une cinquantaine de minutes."@fr . . . . . . . . . "La Sinfon\u00EDa fant\u00E1stica, cuyo nombre completo en franc\u00E9s es Symphonie fantastique: \u00C9pisode de la vie d'un artiste ... en cinq parties (Sinfon\u00EDa fant\u00E1stica: Episodio de la vida de un artista, en cinco partes), Op. 14, es una sinfon\u00EDa program\u00E1tica del compositor franc\u00E9s Hector Berlioz, compuesta en 1830. Es una pieza importante del per\u00EDodo rom\u00E1ntico temprano. Su estreno tuvo lugar en el Conservatorio de Par\u00EDs el 5 de diciembre de 1830. Franz Liszt realiz\u00F3 una transcripci\u00F3n para piano de la sinfon\u00EDa en 1833 (S. 470).\u200B Leonard Bernstein describi\u00F3 la sinfon\u00EDa como la primera expedici\u00F3n musical a la psicodelia debido a su naturaleza alucinatoria y so\u00F1adora, y porque la historia sugiere que Berlioz compuso al menos una parte de ella bajo la influencia del opio. Seg\u00FAn Bernstein, \u00ABBerlioz lo cuenta tal y como es. Haces un viaje, y terminas gritando en tu propio funeral\u00BB.\u200B\u200B En 1832, Berlioz escribi\u00F3 una secuela menos conocida de la obra, , Op. 14b, para actor, solistas, coro, piano y orquesta."@es . . . . . "Symphonie fantastique"@en . . . "Symphonie fantastique"@fr . "Performed by the Orchestre Lamoureux under Igor Markevitch, 1962."@en . . . . . . . . "Die Fantastische Symphonie op. 14, im Original \u00C9pisode de la vie d\u2019un artiste, symphonie fantastique en cinq parties (Episode aus dem Leben eines K\u00FCnstlers, fantastische Sinfonie in f\u00FCnf Teilen), ist ein programmatisches musikalisches Werk von Hector Berlioz. Mit diesem Werk begr\u00FCndete Berlioz die Programmmusik und schuf eines der bedeutendsten St\u00FCcke der romantischen Musik \u00FCberhaupt."@de . . . . . . . . . . . "A Sinfonia Fant\u00E1stica Opus 14, nome oficial Epis\u00F3dio da Vida de um Artista, Sinfonia Fant\u00E1stica em Cinco Partes (em franc\u00EAs \u00C9pisode de la vie d\u2019un artiste, symphonie fantastique en cinq parties), foi a primeira sinfonia do grande compositor e m\u00FAsico Hector Berlioz, composta no ano de 1830, \u00E9 o verdadeiro nome da obra, apresentada no dia 5 dezembro de 1830 no Conservat\u00F3rio de Paris, sob a batuta do maestro . Esta apresenta\u00E7\u00E3o difere da que conhecemos hoje, uma vez que Berlioz revisou o trabalho durante anos e s\u00F3 veio a republic\u00E1-la em 1845. \u00C9 o trabalho mais conhecido de Berlioz e foi criado por inspira\u00E7\u00E3o de sua paix\u00E3o pela atriz irlandesa Harriet Smithson, ap\u00F3s v\u00EA-la representar o papel de na pe\u00E7a Hamlet, de Shakespeare, no , em 1827, e tamb\u00E9m pela leitura de Fausto, de Johann Wolfgang von Goethe.A obra \u00E9 um marco na m\u00FAsica francesa, pois inaugura o na Fran\u00E7a. Berlioz quebra a estrutura formal da sinfonia, formada de quatro movimentos, quando a apresenta com um movimento a mais. Berlioz redigiu um roteiro impresso em 1831 em que indicava o que o protagonista imaginava em cada movimento da obra. Para o autor, o artista, sob efeito do \u00F3pio, tem alucina\u00E7\u00F5es e estas s\u00E3o traduzidas em cinco situa\u00E7\u00F5es indicadas atrav\u00E9s dos cinco movimentos."@pt . "De Symphonie fantastique is een orkestwerk uit 1830 van Hector Berlioz. Het is zijn opus 14. De volledige naam van het werk was oorspronkelijk \u00C9pisode de la vie d\u2019un artiste, symphonie fantastique en cinq parties (Episode uit het leven van een artiest, fantastische symfonie in vijf delen). De Symphonie fantastique geldt als een van de belangrijkste orkestwerken uit de negentiende eeuw."@nl . . . "Symphonie fantastique"@en . "Hector Berlioz - Symphonie fantastique, op. 14 - 4. Marche au supplice .flac"@en . "De Symphonie fantastique is een orkestwerk uit 1830 van Hector Berlioz. Het is zijn opus 14. De volledige naam van het werk was oorspronkelijk \u00C9pisode de la vie d\u2019un artiste, symphonie fantastique en cinq parties (Episode uit het leven van een artiest, fantastische symfonie in vijf delen). De Symphonie fantastique geldt als een van de belangrijkste orkestwerken uit de negentiende eeuw."@nl . . . "\u0424\u0430\u043D\u0442\u0430\u0441\u0442\u0438\u0447\u0435\u0441\u043A\u0430\u044F \u0441\u0438\u043C\u0444\u043E\u043D\u0438\u044F, \u043E\u0440. 14 (\u043F\u043E\u043B\u043D\u043E\u0435 \u043D\u0430\u0437\u0432\u0430\u043D\u0438\u0435 \u00AB\u042D\u043F\u0438\u0437\u043E\u0434 \u0438\u0437 \u0436\u0438\u0437\u043D\u0438 \u0430\u0440\u0442\u0438\u0441\u0442\u0430, \u0444\u0430\u043D\u0442\u0430\u0441\u0442\u0438\u0447\u0435\u0441\u043A\u0430\u044F \u0441\u0438\u043C\u0444\u043E\u043D\u0438\u044F \u0432 \u043F\u044F\u0442\u0438 \u0447\u0430\u0441\u0442\u044F\u0445\u00BB \u2015 \u0444\u0440. \u00C9pisode de la vie d\u2019un artiste, symphonie fantastique en cinq parties) \u2015 \u0441\u0438\u043C\u0444\u043E\u043D\u0438\u044F \u0413\u0435\u043A\u0442\u043E\u0440\u0430 \u0411\u0435\u0440\u043B\u0438\u043E\u0437\u0430. \u041D\u0430\u043F\u0438\u0441\u0430\u043D\u043D\u0430\u044F \u0432 1830 \u0433\u043E\u0434\u0443, \u043E\u043D\u0430 \u0441\u0442\u0430\u043B\u0430 \u043E\u0434\u043D\u0438\u043C \u0438\u0437 \u043F\u0435\u0440\u0432\u044B\u0445 \u043A\u0440\u0443\u043F\u043D\u044B\u0445 \u0441\u043E\u0447\u0438\u043D\u0435\u043D\u0438\u0439 \u0432 \u0436\u0430\u043D\u0440\u0435 \u043F\u0440\u043E\u0433\u0440\u0430\u043C\u043C\u043D\u043E\u0439 \u043C\u0443\u0437\u044B\u043A\u0438 \u0438 \u043E\u0434\u043D\u0438\u043C \u0438\u0437 \u0441\u0430\u043C\u044B\u0445 \u0438\u0437\u0432\u0435\u0441\u0442\u043D\u044B\u0445 \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440\u0430. \u0421\u043E\u0434\u0435\u0440\u0436\u0430\u043D\u0438\u0435 \u0441\u0438\u043C\u0444\u043E\u043D\u0438\u0438 \u0441\u0432\u044F\u0437\u0430\u043D\u043E \u0441 \u0432\u043E\u0437\u043B\u044E\u0431\u043B\u0435\u043D\u043D\u043E\u0439 \u0411\u0435\u0440\u043B\u0438\u043E\u0437\u0430 \u2014 \u0430\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u043E\u0439 \u0430\u043A\u0442\u0440\u0438\u0441\u043E\u0439 . \u0412 1847 \u0433\u043E\u0434\u0443 \u0432\u043E \u0432\u0440\u0435\u043C\u044F \u0433\u0430\u0441\u0442\u0440\u043E\u043B\u0435\u0439 \u0432 \u0420\u043E\u0441\u0441\u0438\u0438 \u0430\u0432\u0442\u043E\u0440 \u043F\u043E\u0441\u0432\u044F\u0442\u0438\u043B \u00AB\u0424\u0430\u043D\u0442\u0430\u0441\u0442\u0438\u0447\u0435\u0441\u043A\u0443\u044E \u0441\u0438\u043C\u0444\u043E\u043D\u0438\u044E\u00BB \u0438\u043C\u043F\u0435\u0440\u0430\u0442\u043E\u0440\u0443 \u041D\u0438\u043A\u043E\u043B\u0430\u044E I."@ru . "Fantastick\u00E1 symfonie"@cs . . "Fantastick\u00E1 symfonie s (dne\u0161n\u00EDm) podtitulem Epizoda ze \u017Eivota um\u011Blcova (op. 14) v origin\u00E1le Symphonie fantastique, \u00C9pisode de la vie d\u2019un artiste je symfonick\u00E9 d\u00EDlo francouzsk\u00E9ho skladatele Hectora Berlioze z roku 1830. P\u016Fvodn\u00ED n\u00E1zev zn\u011Bl Epizoda ze \u017Eivota um\u011Blcova, fantastick\u00E1 symfonie v p\u011Bti \u010D\u00E1stech, francouzsky \u00C9pisode de la vie d\u2019un artiste, symphonie fantastique en cinq parties. Skladba byla inspirov\u00E1na zprvu neop\u011Btovanou l\u00E1skou skladatele k here\u010Dce Harriet Smithsonov\u00E9, kter\u00E1 se pozd\u011Bji stala Berliozovou man\u017Eelkou."@cs . . "A Sinfonia Fant\u00E1stica Opus 14, nome oficial Epis\u00F3dio da Vida de um Artista, Sinfonia Fant\u00E1stica em Cinco Partes (em franc\u00EAs \u00C9pisode de la vie d\u2019un artiste, symphonie fantastique en cinq parties), foi a primeira sinfonia do grande compositor e m\u00FAsico Hector Berlioz, composta no ano de 1830, \u00E9 o verdadeiro nome da obra, apresentada no dia 5 dezembro de 1830 no Conservat\u00F3rio de Paris, sob a batuta do maestro . Esta apresenta\u00E7\u00E3o difere da que conhecemos hoje, uma vez que Berlioz revisou o trabalho durante anos e s\u00F3 veio a republic\u00E1-la em 1845."@pt . "Symphonie fantastique: \u00C9pisode de la vie d'un artiste \u2026 en cinq parties (Fantastical Symphony: Episode in the Life of an Artist \u2026 in Five Sections) Op. 14, is a program symphony written by the French composer Hector Berlioz in 1830. It is an important piece of the early Romantic period. The first performance was at the Paris Conservatoire on 5 December 1830. Franz Liszt made a piano transcription of the symphony in 1833 (S. 470). In 1831 Berlioz wrote a lesser-known sequel to the work, L\u00E9lio, for actor, soloists, chorus, piano and orchestra."@en . . . . . . "\u5E7B\u60F3\u4EA4\u97FF\u66F2\uFF08\u3052\u3093\u305D\u3046\u3053\u3046\u304D\u3087\u3046\u304D\u3087\u304F\u3001Symphonie fantastique\uFF09\u4F5C\u54C114\uFF08H.48\uFF09\u306F\u3001\u30D5\u30E9\u30F3\u30B9\u306E\u4F5C\u66F2\u5BB6\u30A8\u30AF\u30C8\u30EB\u30FB\u30D9\u30EB\u30EA\u30AA\u30FC\u30BA\u304C1830\u5E74\u306B\u4F5C\u66F2\u3057\u305F\u6700\u521D\u306E\u4EA4\u97FF\u66F2\u3002\u539F\u984C\u306F\u300E\u3042\u308B\u82B8\u8853\u5BB6\u306E\u751F\u6DAF\u306E\u51FA\u6765\u4E8B\u30015\u90E8\u306E\u5E7B\u60F3\u7684\u4EA4\u97FF\u66F2\u300F\uFF08\u00C9pisode de la vie d'un artiste, symphonie fantastique en cinq parties \uFF09\u3002\u300C\u604B\u306B\u6DF1\u304F\u7D76\u671B\u3057\u30A2\u30D8\u30F3\u3092\u5438\u3063\u305F\u3001\u8C4A\u304B\u306A\u60F3\u50CF\u529B\u3092\u5099\u3048\u305F\u3042\u308B\u82B8\u8853\u5BB6\u300D\u306E\u7269\u8A9E\u3092\u97F3\u697D\u3067\u8868\u73FE\u3057\u305F\u3082\u306E\u3067\u3001\u30D9\u30EB\u30EA\u30AA\u30FC\u30BA\u306E\u4EE3\u8868\u4F5C\u3067\u3042\u308B\u306E\u307F\u306A\u3089\u305A\u3001\u521D\u671F\u30ED\u30DE\u30F3\u6D3E\u97F3\u697D\u3092\u4EE3\u8868\u3059\u308B\u697D\u66F2\u3067\u3042\u308B\u3002\u73FE\u5728\u3067\u3082\u30AA\u30FC\u30B1\u30B9\u30C8\u30E9\u306E\u6F14\u594F\u4F1A\u3067\u983B\u7E41\u306B\u53D6\u308A\u4E0A\u3052\u3089\u308C\u308B\u3002 \u7D9A\u7DE8\u3068\u3057\u3066\u3001\u97F3\u697D\u4ED8\u304D\u306E\u72EC\u767D\u5287\u3068\u3044\u3046\u5074\u9762\u306E\u5F37\u3044\u201C\u53D9\u60C5\u7684\u30E2\u30CE\u30C9\u30E9\u30DE\u201D\u300E\u30EC\u30EA\u30AA\u3001\u3042\u308B\u3044\u306F\u751F\u3078\u306E\u5FA9\u5E30\u300F\u4F5C\u54C114b\u304C\u66F8\u304B\u308C\u3066\u304A\u308A\u30011832\u5E74\u306B\u300E\u5E7B\u60F3\u4EA4\u97FF\u66F2\u300F\u306E\u518D\u6F14\u3068\u4F75\u305B\u3066\u521D\u6F14\u3055\u308C\u3066\u3044\u308B\u3002"@ja . "\u00C9pisode de la vie d'un artiste ... en cinq parties"@en . . . . . . . . . . . . . . . . .