. . . . . . . . "Simfonia n\u00FAm. 7 (Xostak\u00F3vitx)"@ca . . . . "La Sinfon\u00EDa n.\u00BA 7, Leningrado, en do mayor, op. 60 es una sinfon\u00EDa de Dmitri Shostak\u00F3vich que fue compuesta en 1941 y est\u00E1 dedicada a la ciudad de Leningrado, que en el momento de la composici\u00F3n viv\u00EDa un dram\u00E1tico asedio por parte de los alemanes durante la Segunda Guerra Mundial. Fue estrenada con gran \u00E9xito el 5 de marzo de 1942 en K\u00FAibyshev (actual Samara), bajo la direcci\u00F3n de Samuil Samosud. Es una de las sinfon\u00EDas m\u00E1s conocidas del compositor, y tambi\u00E9n la m\u00E1s larga: entre 75 y 85 minutos.\u200B"@es . . . "Symfonie nr. 7 (Sjostakovitsj)"@nl . . . . . . . . . . . "\u4EA4\u97FF\u66F2\u7B2C7\u756A (\u30B7\u30E7\u30B9\u30BF\u30B3\u30FC\u30F4\u30A3\u30C1)"@ja . "C\u5927\u8C03\u7B2C\u4E03\u4EA4\u97FF\u66F2\uFF0C\u4F5C\u54C1\u865F 60\uFF0C\u662F\u4FC4\u570B\u4F5C\u66F2\u5BB6\u5B63\u7C73\u7279\u91CC\u00B7\u8096\u65AF\u5854\u79D1\u7EF4\u5947\u7684\u4F5C\u54C1\u3002\u5275\u4F5C\u65BC1941\u5E74\u7B2C\u4E8C\u6B21\u4E16\u754C\u5927\u6230\u671F\u9593\uFF0C\u4E26\u65BC\u540C\u5E7412\u670827\u65E5\u5B8C\u6210\u3002\u4F5C\u66F2\u5BB6\u5C07\u6A02\u66F2\u984C\u737B\u7D66\u81EA\u5DF1\u7684\u51FA\u751F\u548C\u6210\u9577\u5730\uFF0D\u53D7\u5FB7\u8ECD\u6240\u570D\u56F0\u7684\u5217\u5BE7\u683C\u52D2\uFF0C\u56E0\u6B64\u672C\u66F2\u4EA6\u52A0\u6709\u526F\u984C\u300C\u5217\u5BE7\u683C\u52D2\u300D\u3002 \u9019\u662F\u856D\u58EB\u9054\u9AD8\u7DAD\u5951\u6240\u5275\u4F5C\u7684\u5341\u4E94\u9996\u4EA4\u97FF\u66F2\u4E2D\uFF0C\u6F14\u594F\u6642\u9593\u6700\u9577\u7684\u4E00\u9996\u3002\u53E6\u5916\u672C\u66F2\u4EA6\u7372\u5F971942\u5E74\u53F2\u9054\u6797\u734E\u4E00\u7B49\u734E\u3002"@zh . . . . . "\u0421\u0438\u043C\u0444\u043E\u043D\u0438\u044F \u2116 7 (\u0428\u043E\u0441\u0442\u0430\u043A\u043E\u0432\u0438\u0447)"@ru . . "A Sinfonia n.\u00BA 7 em d\u00F3 maior (Opus 60), tamb\u00E9m conhecida como Leninegrado, foi uma sinfonia composta por Dmitri Shostakovich. A sinfonia foi dedicada \u00E0 cidade de Leningrado, a 27 de Dezembro de 1941. Estreou mundialmente em 9 de Julho de 1942, nos Estados Unidos da Am\u00E9rica, numa interpreta\u00E7\u00E3o da Orquestra Sinf\u00F3nica da NBC, dirigida por Arturo Toscanini. No seu tempo, a sinfonia era extremamente popular na R\u00FAssia e no Ocidente, como um s\u00EDmbolo da resist\u00EAncia ao totalitarismo e militarismo nazi. Como uma condena\u00E7\u00E3o da invas\u00E3o alem\u00E3 \u00E0 Uni\u00E3o Sovi\u00E9tica, a pe\u00E7a \u00E9 particularmente representativa das responsabilidades pol\u00EDticas que Shostakovich sentia ter pelo estado, apesar dos conflitos e cr\u00EDticas que sofreu ao longo da sua carreira a partir dos censores sovi\u00E9ticos e Stalin. Depois da guerra, a reputa\u00E7\u00E3o da sinfonia decresceu substancialmente, devido \u00E0 percep\u00E7\u00E3o do p\u00FAblico como sendo propaganda de guerra, assim como devido \u00E0 ideia de que se tratava de uma das obras menos conseguida de Shostakovich. Em anos mais recentes, estudiosos t\u00EAm sugerido que a obra \u00E9 melhor interpretada como uma descri\u00E7\u00E3o do totalitarismo e fascismo no geral. Esta interpreta\u00E7\u00E3o \u00E9 complicada visto n\u00E3o se saber ao certo quando a composi\u00E7\u00E3o come\u00E7ou a ser elaborada."@pt . . . . . . . "\u7B2C7\u865F\u4EA4\u97FF\u66F2 (\u856D\u58EB\u5854\u9AD8\u7DAD\u5947)"@zh . . . . . . . . "La Simfonia n\u00FAm. 7 en do major, Leningrad, op. 60, \u00E9s una simfonia del compositor rus Dmitri Xostak\u00F3vitx escrita l'any 1941. Va ser estrenada per l'orquestra del Teatre Bolxoi sota la direcci\u00F3 de a Kuibixev el 5 de mar\u00E7 de 1942, en plena Segona Guerra Mundial. Est\u00E0 dedicada a la ciutat de Leningrad, nom que reb\u00E9 Sant Petersburg durant el per\u00EDode sovi\u00E8tic. Va arribar a ser extraordin\u00E0riament popular tant a R\u00FAssia com a Occident, adoptada com un s\u00EDmbol de la resist\u00E8ncia a la invasi\u00F3 alemanya de la Uni\u00F3 Sovi\u00E8tica. Despr\u00E9s de la guerra, la reputaci\u00F3 de la simfonia va declinar i sovint va ser considerada mera propaganda. En els darrers anys s'ha suggerit que l'obra, i particularment el c\u00E8lebre tema de la \"invasi\u00F3\" del primer moviment, podria ser tamb\u00E9 interpretat com una pe\u00E7a anti-estalinista. L'aut\u00E8ntic significat de l'obra \u00E9s dif\u00EDcil a causa la incertesa que hi ha sobre la data en qu\u00E8 el compositor va comen\u00E7ar-ne la composici\u00F3. Tanmateix, la qualitat musical indiscutible i l'espectacularitat d'aquesta partitura fan que formi part del repertori habitual de les grans orquestres simf\u00F2niques."@ca . . . . "\uB4DC\uBBF8\uD2B8\uB9AC \uC1FC\uC2A4\uD0C0\uCF54\uBE44\uCE58 \uAD50\uD5A5\uACE1 7\uBC88 \uB2E4\uC7A5\uC870 Op. 60\uC740 \uB808\uB2CC\uADF8\uB77C\uB4DC\uB77C\uB294 \uBCC4\uBA85\uC774 \uC788\uB2E4. \uB808\uB2CC\uADF8\uB77C\uB4DC\uC5D0\uC11C \uC2DC\uC791\uB418\uC5B4 1941\uB144 12\uC6D4 \uC0AC\uB9C8\uB77C \uC2DC(\uB2F9\uC2DC Kuybyshev\uB85C \uC54C\uB824\uC9D0)\uC5D0\uC11C \uC644\uC131\uB418\uC5C8\uC73C\uBA70 1942\uB144 3\uC6D4 5\uC77C \uADF8 \uB3C4\uC2DC\uC5D0\uC11C \uCD08\uC5F0\uB418\uC5C8\uB2E4. \uCC98\uC74C\uC5D0\uB294 \uB808\uB2CC\uC5D0\uAC8C \uD5CC\uC815\uB418\uC5C8\uC9C0\uB9CC, \uACB0\uAD6D\uC5D0\uB294 \uD3EC\uC704\uB41C \uB3C4\uC2DC \uB808\uB2CC\uADF8\uB77C\uB4DC\uB97C \uAE30\uB9AC\uAE30 \uC704\uD574 \uBC1B\uCCD0\uC84C\uC73C\uBA70, \uADF8\uACF3\uC5D0\uC11C 1942\uB144 8\uC6D4 9\uC77C \uB3C5\uC77C\uAD70\uACFC \uD540\uB780\uB4DC \uAD70\uC774 \uD3EC\uC704\uD558\uB294 \uB3D9\uC548 \uB054\uCC0D\uD55C \uC0C1\uD669\uC5D0\uC11C \uCC98\uC74C \uC5F0\uC8FC\uB418\uC5C8\uB2E4. \uB808\uB2CC\uADF8\uB77C\uB4DC\uB294 \uC0AC\uB9C8\uB77C\uC5D0\uC11C \uC545\uBCF4\uB97C \uB9C8\uC774\uD06C\uB85C\uD544\uB984\uC73C\uB85C \uCD2C\uC601\uD558\uACE0 \uD14C\uD5E4\uB780 \uACFC \uCE74\uC774\uB85C\uB97C \uD1B5\uD574 \uB274\uC695\uC73C\uB85C \uC740\uBC00\uD558\uAC8C \uC804\uB2EC\uD55C \uB355\uBD84\uC5D0 \uACE7 \uC18C\uB828 \uACFC \uC11C\uBC29\uC5D0\uC11C \uD30C\uC2DC\uC998\uACFC \uC804\uCCB4\uC8FC\uC758\uC5D0 \uB300\uD55C \uC800\uD56D\uC758 \uC0C1\uC9D5\uC73C\uB85C \uC720\uBA85\uD574\uC84C\uB2E4. \uD1A0\uC2A4\uCE74\uB2C8\uB2C8\uB294 \uBC29\uC1A1 \uACF5\uC5F0\uC744 \uC774\uB04C\uC5C8\uACE0(1942\uB144 7\uC6D4 19\uC77C) Time \uC7A1\uC9C0\uB294 \uC1FC\uC2A4\uD0C0\uCF54\uBE44\uCE58\uB97C \uD45C\uC9C0\uC5D0 \uC2E4\uC5C8\uB2E4. \uADF8 \uC778\uAE30\uB294 1945\uB144 \uC774\uD6C4 \uB2E4\uC18C \uC2DC\uB4E4\uC5C8\uC9C0\uB9CC, \uC774 \uC791\uD488\uC740 \uC5EC\uC804\uD788 \uC81C2\uCC28 \uC138\uACC4 \uB300\uC804\uC5D0\uC11C \uBAA9\uC228\uC744 \uC783\uC740 2,700\uB9CC \uC18C\uBE44\uC5D0\uD2B8 \uC0AC\uB78C\uB4E4\uC5D0 \uB300\uD55C \uC8FC\uC694 \uC74C\uC545\uC801 \uC720\uC5B8\uC73C\uB85C \uAC04\uC8FC\uB418\uACE0 \uC788\uC73C\uBA70, \uC885\uC885 \uB808\uB2CC\uADF8\uB77C\uB4DC \uACF5\uB3D9\uBB18\uC9C0\uC5D0\uC11C \uC5F0\uC8FC\uB418\uACE0 \uC788\uB2E4."@ko . . . . . . . . . "Symfonie \u010D. 7 (\u0160ostakovi\u010D)"@cs . . . "Symphony No. 7 (Shostakovich)"@en . . . . . . . . . . . . "\u0421\u0438\u043C\u0444\u043E\u0301\u043D\u0456\u044F \u2116 7 \u0434\u043E \u043C\u0430\u0436\u043E\u0440, \u0442\u0432. 60, \u00AB\u041B\u0435\u043D\u0456\u043D\u0433\u0440\u0430\u0434\u0441\u044C\u043A\u0430\u00BB (\u0440\u043E\u0441. \u00AB\u041B\u0435\u043D\u0438\u043D\u0433\u0440\u0430\u0434\u0441\u043A\u0430\u044F\u00BB) \u2014 \u0441\u0438\u043C\u0444\u043E\u043D\u0456\u044F \u0414\u043C\u0438\u0442\u0440\u0430 \u0414\u043C\u0438\u0442\u0440\u043E\u0432\u0438\u0447\u0430 \u0428\u043E\u0441\u0442\u0430\u043A\u043E\u0432\u0438\u0447\u0430, \u043E\u0434\u043D\u0430 \u0437 \u043D\u0430\u0439\u0432\u0456\u0434\u043E\u043C\u0456\u0448\u0438\u0445 \u0441\u0438\u043C\u0444\u043E\u043D\u0456\u0447\u043D\u0438\u0445 \u0442\u0432\u043E\u0440\u0456\u0432 20 \u0441\u0442\u043E\u043B\u0456\u0442\u0442\u044F. \u0421\u0442\u0432\u043E\u0440\u044E\u0432\u0430\u043B\u0430\u0441\u044C \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440\u043E\u043C \u0432 1941\u20141942 \u0440\u043E\u043A\u0430\u0445. \u041F\u0435\u0440\u0448\u0456 \u0442\u0440\u0438 \u0447\u0430\u0441\u0442\u0438\u043D\u0438 \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u0456 \u0432 \u041B\u0435\u043D\u0456\u043D\u0433\u0440\u0430\u0434\u0456 (\u0437\u0430\u043A\u0456\u043D\u0447\u0435\u043D\u0456 \u0432 \u0441\u0435\u0440\u043F\u043D\u0456 1941 \u0440\u043E\u043A\u0443), \u0432 \u0436\u043E\u0432\u0442\u043D\u0456 1941 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440\u0430 \u0437 \u0441\u0456\u043C\u2019\u0454\u044E \u0435\u0432\u0430\u043A\u0443\u044E\u0432\u0430\u043B\u0438, \u0449\u043E \u043E\u0447\u0435\u0432\u0438\u0434\u043D\u043E \u0432\u0440\u044F\u0442\u0443\u0432\u0430\u043B\u043E \u0439\u043E\u043C\u0443 \u0436\u0438\u0442\u0442\u044F. \u0424\u0456\u043D\u0430\u043B \u0441\u0438\u043C\u0444\u043E\u043D\u0456\u0457, \u0437\u0430\u0432\u0435\u0440\u0448\u0435\u043D\u0438\u0439 \u0443 \u043B\u044E\u0442\u043E\u043C\u0443 1942 \u0440\u043E\u043A\u0443, \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440 \u0434\u043E\u043F\u0438\u0441\u0443\u0432\u0430\u0432 \u0443 \u041A\u0443\u0439\u0431\u0438\u0448\u0435\u0432\u0456. \u0423\u043F\u0435\u0440\u0448\u0435 \u0432\u0438\u043A\u043E\u043D\u0430\u043D\u0430 \u0432 \u0431\u0435\u0440\u0435\u0437\u043D\u0456 1942 \u0440\u043E\u043A\u0443 \u0432 \u043C\u0456\u0441\u0442\u0456 \u041A\u0443\u0439\u0431\u0438\u0448\u0435\u0432\u0456, \u0430 9 \u0441\u0435\u0440\u043F\u043D\u044F 1942 \u0442\u0432\u0456\u0440 \u043F\u0440\u043E\u0437\u0432\u0443\u0447\u0430\u0432 \u0443 \u0431\u043B\u043E\u043A\u0430\u0434\u043D\u043E\u043C\u0443 \u041B\u0435\u043D\u0456\u043D\u0433\u0440\u0430\u0434\u0456, \u0434\u0438\u0440\u0438\u0433\u0443\u0432\u0430\u0432 ."@uk . . . . . . "\u0421\u0438\u043C\u0444\u043E\u043D\u0456\u044F \u2116 7 (\u0428\u043E\u0441\u0442\u0430\u043A\u043E\u0432\u0438\u0447)"@uk . . . "De 7de symfonie op.60 \u2018Leningrad\u2019 van Dmitri Sjostakovitsj werd op 27 december 1941 voltooid. Toentertijd genoot het werk een extreme populariteit en werd het een cultureel historisch monument als symbool van het verzet tegen het totalitaire naziregime en militarisme. Ook nu nog wordt het beschouwd als een groots muzikaal testament voor de 25.000.000 Sovjetburgers die gedurende de Grote Vaderlandse Oorlog hun leven lieten. De interpretatie en de ontstaansgeschiedenis van het werk worden nog steeds bestudeerd, bekritiseerd en gemanipuleerd."@nl . . . . "C\u5927\u8C03\u7B2C\u4E03\u4EA4\u97FF\u66F2\uFF0C\u4F5C\u54C1\u865F 60\uFF0C\u662F\u4FC4\u570B\u4F5C\u66F2\u5BB6\u5B63\u7C73\u7279\u91CC\u00B7\u8096\u65AF\u5854\u79D1\u7EF4\u5947\u7684\u4F5C\u54C1\u3002\u5275\u4F5C\u65BC1941\u5E74\u7B2C\u4E8C\u6B21\u4E16\u754C\u5927\u6230\u671F\u9593\uFF0C\u4E26\u65BC\u540C\u5E7412\u670827\u65E5\u5B8C\u6210\u3002\u4F5C\u66F2\u5BB6\u5C07\u6A02\u66F2\u984C\u737B\u7D66\u81EA\u5DF1\u7684\u51FA\u751F\u548C\u6210\u9577\u5730\uFF0D\u53D7\u5FB7\u8ECD\u6240\u570D\u56F0\u7684\u5217\u5BE7\u683C\u52D2\uFF0C\u56E0\u6B64\u672C\u66F2\u4EA6\u52A0\u6709\u526F\u984C\u300C\u5217\u5BE7\u683C\u52D2\u300D\u3002 \u9019\u662F\u856D\u58EB\u9054\u9AD8\u7DAD\u5951\u6240\u5275\u4F5C\u7684\u5341\u4E94\u9996\u4EA4\u97FF\u66F2\u4E2D\uFF0C\u6F14\u594F\u6642\u9593\u6700\u9577\u7684\u4E00\u9996\u3002\u53E6\u5916\u672C\u66F2\u4EA6\u7372\u5F971942\u5E74\u53F2\u9054\u6797\u734E\u4E00\u7B49\u734E\u3002"@zh . . . "\u0421\u0438\u043C\u0444\u043E\u043D\u0438\u044F \u2116 7 \u00AB\u041B\u0435\u043D\u0438\u043D\u0433\u0440\u0430\u0434\u0441\u043A\u0430\u044F\u00BB \u0434\u043E \u043C\u0430\u0436\u043E\u0440 \u0441\u043E\u0447. 60 \u2014 \u0441\u0438\u043C\u0444\u043E\u043D\u0438\u044F \u0414\u043C\u0438\u0442\u0440\u0438\u044F \u0414\u043C\u0438\u0442\u0440\u0438\u0435\u0432\u0438\u0447\u0430 \u0428\u043E\u0441\u0442\u0430\u043A\u043E\u0432\u0438\u0447\u0430 \u0432 4 \u0447\u0430\u0441\u0442\u044F\u0445, \u043E\u0434\u043D\u043E \u0438\u0437 \u0432\u0430\u0436\u043D\u0435\u0439\u0448\u0438\u0445 \u0435\u0433\u043E \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0439, \u0441\u043E\u0437\u0434\u0430\u043D\u043D\u043E\u0435 \u0432 1941 \u0433\u043E\u0434\u0443. \u041F\u0435\u0440\u0432\u044B\u0435 \u0442\u0440\u0438 \u0447\u0430\u0441\u0442\u0438 \u0441\u0438\u043C\u0444\u043E\u043D\u0438\u0438 \u0431\u044B\u043B\u0438 \u0437\u0430\u043A\u043E\u043D\u0447\u0435\u043D\u044B \u0432 \u0441\u0435\u043D\u0442\u044F\u0431\u0440\u0435 1941 \u0433\u043E\u0434\u0430 \u0432 \u0431\u043B\u043E\u043A\u0430\u0434\u043D\u043E\u043C \u041B\u0435\u043D\u0438\u043D\u0433\u0440\u0430\u0434\u0435. 1 \u043E\u043A\u0442\u044F\u0431\u0440\u044F \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440 \u0432\u043C\u0435\u0441\u0442\u0435 \u0441 \u0441\u0435\u043C\u044C\u0451\u0439 \u0431\u044B\u043B \u0432\u044B\u0432\u0435\u0437\u0435\u043D \u0447\u0435\u0440\u0435\u0437 \u041C\u043E\u0441\u043A\u0432\u0443 \u0432 \u041A\u0443\u0439\u0431\u044B\u0448\u0435\u0432, \u0433\u0434\u0435 27 \u0434\u0435\u043A\u0430\u0431\u0440\u044F 1941 \u0433\u043E\u0434\u0430 \u0438 \u0431\u044B\u043B\u0430 \u0437\u0430\u043A\u043E\u043D\u0447\u0435\u043D\u0430 \u0441\u0438\u043C\u0444\u043E\u043D\u0438\u044F. \u0415\u0451 \u043F\u0440\u0435\u043C\u044C\u0435\u0440\u0430 \u0441\u043E\u0441\u0442\u043E\u044F\u043B\u0430\u0441\u044C 5 \u043C\u0430\u0440\u0442\u0430 1942 \u0433\u043E\u0434\u0430 \u0432 \u041A\u0443\u0439\u0431\u044B\u0448\u0435\u0432\u0435."@ru . . . . . . . "Sinfonia n.\u00BA 7 (Shostakovich)"@pt . . . "7. Sinfonie (Schostakowitsch)"@de . . . . . . . . . . "Symfonie \u010D. 7 C Dur, op. 60, sov\u011Btsk\u00E9ho hudebn\u00EDho skladatele Dmitrije \u0160ostakovi\u010De (\u010Dasto naz\u00FDvan\u00E1 t\u00E9\u017E Leningradsk\u00E1) je jedna z nejsymboli\u010Dt\u011Bj\u0161\u00EDch a nejslavn\u011Bj\u0161\u00EDch kompozic 20. stolet\u00ED. Byla dokon\u010Dena 27. prosince 1941 a jej\u00ED proveden\u00ED trv\u00E1 asi hodinu a \u010Dtvrt. Okam\u017Eit\u011B se stala symbolem boje proti fa\u0161ismu a byla velmi popul\u00E1rn\u00ED jak v Sov\u011Btsk\u00E9m svazu, tak i ve Spojen\u00FDch st\u00E1tech, co\u017E symbolicky vyjad\u0159ovalo rusko-americk\u00E9 spojenectv\u00ED v boji proti hitlerovsk\u00E9mu N\u011Bmecku."@cs . . . . . . "L\u00E9ningrad(\nPour les articles homonymes, voir Symphonie no 7. ) La composition de la Symphonie no 7 en ut majeur, op. 60, a \u00E9t\u00E9 achev\u00E9e par Dmitri Chostakovitch en d\u00E9cembre 1941, alors qu'il \u00E9tait \u00E9vacu\u00E9 \u00E0 Kou\u00EFbychev. La cr\u00E9ation a eu lieu pendant la Seconde Guerre mondiale, le 5 mars 1942 au Th\u00E9\u00E2tre d'op\u00E9ra et de ballet de Kou\u00EFbychev par l'Orchestre du Bolcho\u00EF de Moscou sous la direction de Samuel Samossoud. La Symphonie est d\u00E9di\u00E9e \u00E0 la ville de L\u00E9ningrad. Fait rare pour une symphonie de Chostakovitch, l'\u0153uvre est rapidement devenue populaire dans le monde sovi\u00E9tique comme \u00E0 l'Ouest. Ceci s'explique par l'objet m\u00EAme de la symphonie, qui exalte la r\u00E9sistance contre l'envahisseur allemand. Moins universelle apr\u00E8s la guerre, la symphonie a plus r\u00E9cemment \u00E9t\u00E9 analys\u00E9e comme une \u0153uvre antistalinienne. L'intention de Chostakovitch reste cependant floue, puisqu'elle d\u00E9pend particuli\u00E8rement de la date de d\u00E9but de composition de la symphonie, mal connue. C'est une symphonie tr\u00E8s harmonieuse et tr\u00E8s po\u00E9tique, \u00E0 la fois pleine d'espoir et pleine d'\u00E9motions."@fr . "April 2022"@en . . . . . . . . . . . . "De 7de symfonie op.60 \u2018Leningrad\u2019 van Dmitri Sjostakovitsj werd op 27 december 1941 voltooid. Toentertijd genoot het werk een extreme populariteit en werd het een cultureel historisch monument als symbool van het verzet tegen het totalitaire naziregime en militarisme. Ook nu nog wordt het beschouwd als een groots muzikaal testament voor de 25.000.000 Sovjetburgers die gedurende de Grote Vaderlandse Oorlog hun leven lieten. De interpretatie en de ontstaansgeschiedenis van het werk worden nog steeds bestudeerd, bekritiseerd en gemanipuleerd."@nl . . "\u4EA4\u97FF\u66F2\u7B2C7\u756A\u30CF\u9577\u8ABF\u4F5C\u54C160\u306F\u3001\u30BD\u9023\u306E\u4F5C\u66F2\u5BB6\u30C9\u30DF\u30FC\u30C8\u30EA\u30A4\u30FB\u30B7\u30E7\u30B9\u30BF\u30B3\u30FC\u30F4\u30A3\u30C1\u306E\u4F5C\u66F2\u3057\u305F\u4EA4\u97FF\u66F2\u3067\u3042\u308B\u3002 1942\u5E743\u670829\u65E5\u306B\u300C\u30D7\u30E9\u30A6\u30C0\u300D\u7D19\u4E0A\u306B\u3066 \u300C\u79C1\u306F\u81EA\u5206\u306E\u7B2C\u4E03\u4EA4\u97FF\u66F2\u3092\u6211\u3005\u306E\u30D5\u30A1\u30B7\u30BA\u30E0\u306B\u5BFE\u3059\u308B\u6226\u3044\u3068\u6211\u3005\u306E\u5BBF\u547D\u7684\u52DD\u5229\u3001\u305D\u3057\u3066\u6211\u304C\u6545\u90F7\u30EC\u30CB\u30F3\u30B0\u30E9\u30FC\u30C9\u306B\u6367\u3052\u308B\u300D \u3068\u4F5C\u66F2\u8005\u306B\u3088\u3063\u3066\u8868\u660E\u3055\u308C\u305F\u3053\u3068\u304B\u3089\u300E\u30EC\u30CB\u30F3\u30B0\u30E9\u30FC\u30C9\u300F\u3068\u3044\u3046\u901A\u79F0\u3092\u6301\u3064\u3002"@ja . "La Simfonia n\u00FAm. 7 en do major, Leningrad, op. 60, \u00E9s una simfonia del compositor rus Dmitri Xostak\u00F3vitx escrita l'any 1941. Va ser estrenada per l'orquestra del Teatre Bolxoi sota la direcci\u00F3 de a Kuibixev el 5 de mar\u00E7 de 1942, en plena Segona Guerra Mundial. Est\u00E0 dedicada a la ciutat de Leningrad, nom que reb\u00E9 Sant Petersburg durant el per\u00EDode sovi\u00E8tic. Tanmateix, la qualitat musical indiscutible i l'espectacularitat d'aquesta partitura fan que formi part del repertori habitual de les grans orquestres simf\u00F2niques."@ca . . . . . "MacDonald only comments on the theme's \"overt likeness.\""@en . . . . . . . . . . . . . . "L\u00E9ningrad(\nPour les articles homonymes, voir Symphonie no 7. ) La composition de la Symphonie no 7 en ut majeur, op. 60, a \u00E9t\u00E9 achev\u00E9e par Dmitri Chostakovitch en d\u00E9cembre 1941, alors qu'il \u00E9tait \u00E9vacu\u00E9 \u00E0 Kou\u00EFbychev. La cr\u00E9ation a eu lieu pendant la Seconde Guerre mondiale, le 5 mars 1942 au Th\u00E9\u00E2tre d'op\u00E9ra et de ballet de Kou\u00EFbychev par l'Orchestre du Bolcho\u00EF de Moscou sous la direction de Samuel Samossoud. La Symphonie est d\u00E9di\u00E9e \u00E0 la ville de L\u00E9ningrad."@fr . . . . . . . . . "Again, MacDonald is only stating his personal opinion which even he admits is a bit of a reach."@en . . . . . . . . . . "\u4EA4\u97FF\u66F2\u7B2C7\u756A\u30CF\u9577\u8ABF\u4F5C\u54C160\u306F\u3001\u30BD\u9023\u306E\u4F5C\u66F2\u5BB6\u30C9\u30DF\u30FC\u30C8\u30EA\u30A4\u30FB\u30B7\u30E7\u30B9\u30BF\u30B3\u30FC\u30F4\u30A3\u30C1\u306E\u4F5C\u66F2\u3057\u305F\u4EA4\u97FF\u66F2\u3067\u3042\u308B\u3002 1942\u5E743\u670829\u65E5\u306B\u300C\u30D7\u30E9\u30A6\u30C0\u300D\u7D19\u4E0A\u306B\u3066 \u300C\u79C1\u306F\u81EA\u5206\u306E\u7B2C\u4E03\u4EA4\u97FF\u66F2\u3092\u6211\u3005\u306E\u30D5\u30A1\u30B7\u30BA\u30E0\u306B\u5BFE\u3059\u308B\u6226\u3044\u3068\u6211\u3005\u306E\u5BBF\u547D\u7684\u52DD\u5229\u3001\u305D\u3057\u3066\u6211\u304C\u6545\u90F7\u30EC\u30CB\u30F3\u30B0\u30E9\u30FC\u30C9\u306B\u6367\u3052\u308B\u300D \u3068\u4F5C\u66F2\u8005\u306B\u3088\u3063\u3066\u8868\u660E\u3055\u308C\u305F\u3053\u3068\u304B\u3089\u300E\u30EC\u30CB\u30F3\u30B0\u30E9\u30FC\u30C9\u300F\u3068\u3044\u3046\u901A\u79F0\u3092\u6301\u3064\u3002"@ja . "Die 7. Sinfonie in C-Dur, op. 60 von Dmitri Dmitrijewitsch Schostakowitsch, meist Leningrader Sinfonie genannt, ist eine Sinfonie in vier S\u00E4tzen. Die Widmung betraf den Widerstand und den sp\u00E4teren milit\u00E4rischen Sieg bei der deutschen Leningrader Blockade im Zweiten Weltkrieg. W\u00E4hrend 871 Tagen vom 8. September 1941 bis zum 27. Januar 1944 verhungerten dort sch\u00E4tzungsweise eine Million Zivilisten. \u201EIch widme meine Siebente Sinfonie unserem Kampf gegen den Faschismus, unserem unabwendbaren Sieg \u00FCber den Feind, und Leningrad, meiner Heimatstadt \u2026\u201C \u2013 Schostakowitsch am 29. M\u00E4rz 1942 in der Prawda. Die 7. Sinfonie gilt als eines der bekanntesten Werke Schostakowitschs. Urspr\u00FCnglich sollte die Sinfonie nur aus einem Satz bestehen, dann entschloss der Komponist sich zum klassischen Aufbau mit 4 S\u00E4tzen. Schostakowitsch wollte zun\u00E4chst jedem Satz einen Titel geben: 1. Krieg, 2. Erinnerung, 3. Die Weite der Heimat, 4. Sieg. Von diesem Vorhaben nahm er jedoch wieder Abstand, in den Partitureditionen sind diese programmatischen \u00DCberschriften ebenfalls nicht \u00FCbernommen."@de . . . . . . "A Sinfonia n.\u00BA 7 em d\u00F3 maior (Opus 60), tamb\u00E9m conhecida como Leninegrado, foi uma sinfonia composta por Dmitri Shostakovich. A sinfonia foi dedicada \u00E0 cidade de Leningrado, a 27 de Dezembro de 1941. Estreou mundialmente em 9 de Julho de 1942, nos Estados Unidos da Am\u00E9rica, numa interpreta\u00E7\u00E3o da Orquestra Sinf\u00F3nica da NBC, dirigida por Arturo Toscanini."@pt . . . . . . . . . "484848"^^ . . . . . . . . . . . . . . . "Leningradsymfonin, eller \"Dedicerad till staden Leningrad\", \u00E4r Dmitrij Sjostakovitjs symfoni No.7 i C-dur op.60. Symfonin skrevs 1941 och f\u00F6rsta uppf\u00F6randet skedde 5 mars 1942 i Kujbysjev, nuvarande Samara, d\u00E4r Sjostakovitj var evakuerad, och 20 mars i Moskva. Leningradsymfonins partitur fl\u00F6gs runt halva jorden (som mikrofilm) mitt under brinnande krig, f\u00F6r att ges premi\u00E4r n\u00E4stan samtidigt \u00E4ven hos de allierade - i London den 29 juni av Henry Wood, i USA den 19 juli av Arturo Toscanini i NBC-s\u00E4ndning och 14 augusti av Sergej Kusevitskij i Massachusetts. Det mest anm\u00E4rkningsv\u00E4rda uppf\u00F6randet var i det bel\u00E4grade Leningrad den 9 augusti d\u00E4r man skrapade ihop en symfoniorkester av 40-50 \u00F6verlevande. Konserten s\u00E4ndes dessutom \u00F6ver h\u00F6gtalare till de tyska trupperna vid frontlinjen. Sjostakovitj bel\u00F6nades med Stalinpriset av f\u00F6rsta kategorin f\u00F6r symfonin."@sv . "Leningradsymfonin, eller \"Dedicerad till staden Leningrad\", \u00E4r Dmitrij Sjostakovitjs symfoni No.7 i C-dur op.60. Symfonin skrevs 1941 och f\u00F6rsta uppf\u00F6randet skedde 5 mars 1942 i Kujbysjev, nuvarande Samara, d\u00E4r Sjostakovitj var evakuerad, och 20 mars i Moskva. Leningradsymfonins partitur fl\u00F6gs runt halva jorden (som mikrofilm) mitt under brinnande krig, f\u00F6r att ges premi\u00E4r n\u00E4stan samtidigt \u00E4ven hos de allierade - i London den 29 juni av Henry Wood, i USA den 19 juli av Arturo Toscanini i NBC-s\u00E4ndning och 14 augusti av Sergej Kusevitskij i Massachusetts. Det mest anm\u00E4rkningsv\u00E4rda uppf\u00F6randet var i det bel\u00E4grade Leningrad den 9 augusti d\u00E4r man skrapade ihop en symfoniorkester av 40-50 \u00F6verlevande. Konserten s\u00E4ndes dessutom \u00F6ver h\u00F6gtalare till de tyska trupperna vid frontlinjen."@sv . . . . "La Sinfonia n. 7 Op. 60 in do maggiore Leningrado di Dmitrij \u0160ostakovi\u010D \u00E8 una delle composizioni pi\u00F9 note ed eseguite di questo autore russo del XX secolo. \u00C8 stata scritta nel 1941, prevalentemente durante l'assedio di Leningrado da parte dell'esercito nazista, ed eseguita per la prima volta il 5 marzo dell'anno successivo, presso il Palazzo della Cultura di Kujby\u0161ev, attuale Samara."@it . . . . . . . . "\uB4DC\uBBF8\uD2B8\uB9AC \uC1FC\uC2A4\uD0C0\uCF54\uBE44\uCE58 \uAD50\uD5A5\uACE1 7\uBC88 \uB2E4\uC7A5\uC870 Op. 60\uC740 \uB808\uB2CC\uADF8\uB77C\uB4DC\uB77C\uB294 \uBCC4\uBA85\uC774 \uC788\uB2E4. \uB808\uB2CC\uADF8\uB77C\uB4DC\uC5D0\uC11C \uC2DC\uC791\uB418\uC5B4 1941\uB144 12\uC6D4 \uC0AC\uB9C8\uB77C \uC2DC(\uB2F9\uC2DC Kuybyshev\uB85C \uC54C\uB824\uC9D0)\uC5D0\uC11C \uC644\uC131\uB418\uC5C8\uC73C\uBA70 1942\uB144 3\uC6D4 5\uC77C \uADF8 \uB3C4\uC2DC\uC5D0\uC11C \uCD08\uC5F0\uB418\uC5C8\uB2E4. \uCC98\uC74C\uC5D0\uB294 \uB808\uB2CC\uC5D0\uAC8C \uD5CC\uC815\uB418\uC5C8\uC9C0\uB9CC, \uACB0\uAD6D\uC5D0\uB294 \uD3EC\uC704\uB41C \uB3C4\uC2DC \uB808\uB2CC\uADF8\uB77C\uB4DC\uB97C \uAE30\uB9AC\uAE30 \uC704\uD574 \uBC1B\uCCD0\uC84C\uC73C\uBA70, \uADF8\uACF3\uC5D0\uC11C 1942\uB144 8\uC6D4 9\uC77C \uB3C5\uC77C\uAD70\uACFC \uD540\uB780\uB4DC \uAD70\uC774 \uD3EC\uC704\uD558\uB294 \uB3D9\uC548 \uB054\uCC0D\uD55C \uC0C1\uD669\uC5D0\uC11C \uCC98\uC74C \uC5F0\uC8FC\uB418\uC5C8\uB2E4. \uB808\uB2CC\uADF8\uB77C\uB4DC\uB294 \uC0AC\uB9C8\uB77C\uC5D0\uC11C \uC545\uBCF4\uB97C \uB9C8\uC774\uD06C\uB85C\uD544\uB984\uC73C\uB85C \uCD2C\uC601\uD558\uACE0 \uD14C\uD5E4\uB780 \uACFC \uCE74\uC774\uB85C\uB97C \uD1B5\uD574 \uB274\uC695\uC73C\uB85C \uC740\uBC00\uD558\uAC8C \uC804\uB2EC\uD55C \uB355\uBD84\uC5D0 \uACE7 \uC18C\uB828 \uACFC \uC11C\uBC29\uC5D0\uC11C \uD30C\uC2DC\uC998\uACFC \uC804\uCCB4\uC8FC\uC758\uC5D0 \uB300\uD55C \uC800\uD56D\uC758 \uC0C1\uC9D5\uC73C\uB85C \uC720\uBA85\uD574\uC84C\uB2E4. \uD1A0\uC2A4\uCE74\uB2C8\uB2C8\uB294 \uBC29\uC1A1 \uACF5\uC5F0\uC744 \uC774\uB04C\uC5C8\uACE0(1942\uB144 7\uC6D4 19\uC77C) Time \uC7A1\uC9C0\uB294 \uC1FC\uC2A4\uD0C0\uCF54\uBE44\uCE58\uB97C \uD45C\uC9C0\uC5D0 \uC2E4\uC5C8\uB2E4. \uADF8 \uC778\uAE30\uB294 1945\uB144 \uC774\uD6C4 \uB2E4\uC18C \uC2DC\uB4E4\uC5C8\uC9C0\uB9CC, \uC774 \uC791\uD488\uC740 \uC5EC\uC804\uD788 \uC81C2\uCC28 \uC138\uACC4 \uB300\uC804\uC5D0\uC11C \uBAA9\uC228\uC744 \uC783\uC740 2,700\uB9CC \uC18C\uBE44\uC5D0\uD2B8 \uC0AC\uB78C\uB4E4\uC5D0 \uB300\uD55C \uC8FC\uC694 \uC74C\uC545\uC801 \uC720\uC5B8\uC73C\uB85C \uAC04\uC8FC\uB418\uACE0 \uC788\uC73C\uBA70, \uC885\uC885 \uB808\uB2CC\uADF8\uB77C\uB4DC \uACF5\uB3D9\uBB18\uC9C0\uC5D0\uC11C \uC5F0\uC8FC\uB418\uACE0 \uC788\uB2E4."@ko . . . "La Sinfon\u00EDa n.\u00BA 7, Leningrado, en do mayor, op. 60 es una sinfon\u00EDa de Dmitri Shostak\u00F3vich que fue compuesta en 1941 y est\u00E1 dedicada a la ciudad de Leningrado, que en el momento de la composici\u00F3n viv\u00EDa un dram\u00E1tico asedio por parte de los alemanes durante la Segunda Guerra Mundial. Fue estrenada con gran \u00E9xito el 5 de marzo de 1942 en K\u00FAibyshev (actual Samara), bajo la direcci\u00F3n de Samuil Samosud. Es una de las sinfon\u00EDas m\u00E1s conocidas del compositor, y tambi\u00E9n la m\u00E1s larga: entre 75 y 85 minutos.\u200B"@es . . . . . . "\u0421\u0438\u043C\u0444\u043E\u043D\u0438\u044F \u2116 7 \u00AB\u041B\u0435\u043D\u0438\u043D\u0433\u0440\u0430\u0434\u0441\u043A\u0430\u044F\u00BB \u0434\u043E \u043C\u0430\u0436\u043E\u0440 \u0441\u043E\u0447. 60 \u2014 \u0441\u0438\u043C\u0444\u043E\u043D\u0438\u044F \u0414\u043C\u0438\u0442\u0440\u0438\u044F \u0414\u043C\u0438\u0442\u0440\u0438\u0435\u0432\u0438\u0447\u0430 \u0428\u043E\u0441\u0442\u0430\u043A\u043E\u0432\u0438\u0447\u0430 \u0432 4 \u0447\u0430\u0441\u0442\u044F\u0445, \u043E\u0434\u043D\u043E \u0438\u0437 \u0432\u0430\u0436\u043D\u0435\u0439\u0448\u0438\u0445 \u0435\u0433\u043E \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0439, \u0441\u043E\u0437\u0434\u0430\u043D\u043D\u043E\u0435 \u0432 1941 \u0433\u043E\u0434\u0443. \u041F\u0435\u0440\u0432\u044B\u0435 \u0442\u0440\u0438 \u0447\u0430\u0441\u0442\u0438 \u0441\u0438\u043C\u0444\u043E\u043D\u0438\u0438 \u0431\u044B\u043B\u0438 \u0437\u0430\u043A\u043E\u043D\u0447\u0435\u043D\u044B \u0432 \u0441\u0435\u043D\u0442\u044F\u0431\u0440\u0435 1941 \u0433\u043E\u0434\u0430 \u0432 \u0431\u043B\u043E\u043A\u0430\u0434\u043D\u043E\u043C \u041B\u0435\u043D\u0438\u043D\u0433\u0440\u0430\u0434\u0435. 1 \u043E\u043A\u0442\u044F\u0431\u0440\u044F \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440 \u0432\u043C\u0435\u0441\u0442\u0435 \u0441 \u0441\u0435\u043C\u044C\u0451\u0439 \u0431\u044B\u043B \u0432\u044B\u0432\u0435\u0437\u0435\u043D \u0447\u0435\u0440\u0435\u0437 \u041C\u043E\u0441\u043A\u0432\u0443 \u0432 \u041A\u0443\u0439\u0431\u044B\u0448\u0435\u0432, \u0433\u0434\u0435 27 \u0434\u0435\u043A\u0430\u0431\u0440\u044F 1941 \u0433\u043E\u0434\u0430 \u0438 \u0431\u044B\u043B\u0430 \u0437\u0430\u043A\u043E\u043D\u0447\u0435\u043D\u0430 \u0441\u0438\u043C\u0444\u043E\u043D\u0438\u044F. \u0415\u0451 \u043F\u0440\u0435\u043C\u044C\u0435\u0440\u0430 \u0441\u043E\u0441\u0442\u043E\u044F\u043B\u0430\u0441\u044C 5 \u043C\u0430\u0440\u0442\u0430 1942 \u0433\u043E\u0434\u0430 \u0432 \u041A\u0443\u0439\u0431\u044B\u0448\u0435\u0432\u0435."@ru . . . . . "Sinfonia n. 7 (\u0160ostakovi\u010D)"@it . . . . . . . . . . "Dmitri Shostakovich's Symphony No. 7 in C major, Op. 60, nicknamed the Leningrad, was begun in Leningrad, completed in the city of Samara (then known as Kuybyshev) in December 1941, and premiered in that city on March 5, 1942. At first dedicated to Lenin, it was eventually submitted in honor of the besieged city of Leningrad, where it was first played under dire circumstances on August 9, 1942, nearly a year into the siege by German and Finnish forces. The performance was broadcast by loudspeaker throughout the city and to the German forces in a show of resilience and defiance. The Leningrad soon became popular in both the Soviet Union and the West as a symbol of resistance to fascism and totalitarianism, thanks in part to the composer's microfilming of the score in Samara and its clandestine delivery, via Tehran and Cairo, to New York, where Arturo Toscanini led a broadcast performance (July 19, 1942) and Time magazine placed Shostakovich on its cover. That popularity faded somewhat after 1945, but the work is still regarded as a major musical testament to the 27 million Soviet people who lost their lives in World War II, and it is often played at Leningrad Cemetery, where half a million victims of the 900-day Siege of Leningrad are buried."@en . . . "Symphonie no 7 de Chostakovitch"@fr . . "\u0421\u0438\u043C\u0444\u043E\u0301\u043D\u0456\u044F \u2116 7 \u0434\u043E \u043C\u0430\u0436\u043E\u0440, \u0442\u0432. 60, \u00AB\u041B\u0435\u043D\u0456\u043D\u0433\u0440\u0430\u0434\u0441\u044C\u043A\u0430\u00BB (\u0440\u043E\u0441. \u00AB\u041B\u0435\u043D\u0438\u043D\u0433\u0440\u0430\u0434\u0441\u043A\u0430\u044F\u00BB) \u2014 \u0441\u0438\u043C\u0444\u043E\u043D\u0456\u044F \u0414\u043C\u0438\u0442\u0440\u0430 \u0414\u043C\u0438\u0442\u0440\u043E\u0432\u0438\u0447\u0430 \u0428\u043E\u0441\u0442\u0430\u043A\u043E\u0432\u0438\u0447\u0430, \u043E\u0434\u043D\u0430 \u0437 \u043D\u0430\u0439\u0432\u0456\u0434\u043E\u043C\u0456\u0448\u0438\u0445 \u0441\u0438\u043C\u0444\u043E\u043D\u0456\u0447\u043D\u0438\u0445 \u0442\u0432\u043E\u0440\u0456\u0432 20 \u0441\u0442\u043E\u043B\u0456\u0442\u0442\u044F. \u0421\u0442\u0432\u043E\u0440\u044E\u0432\u0430\u043B\u0430\u0441\u044C \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440\u043E\u043C \u0432 1941\u20141942 \u0440\u043E\u043A\u0430\u0445. \u041F\u0435\u0440\u0448\u0456 \u0442\u0440\u0438 \u0447\u0430\u0441\u0442\u0438\u043D\u0438 \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u0456 \u0432 \u041B\u0435\u043D\u0456\u043D\u0433\u0440\u0430\u0434\u0456 (\u0437\u0430\u043A\u0456\u043D\u0447\u0435\u043D\u0456 \u0432 \u0441\u0435\u0440\u043F\u043D\u0456 1941 \u0440\u043E\u043A\u0443), \u0432 \u0436\u043E\u0432\u0442\u043D\u0456 1941 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440\u0430 \u0437 \u0441\u0456\u043C\u2019\u0454\u044E \u0435\u0432\u0430\u043A\u0443\u044E\u0432\u0430\u043B\u0438, \u0449\u043E \u043E\u0447\u0435\u0432\u0438\u0434\u043D\u043E \u0432\u0440\u044F\u0442\u0443\u0432\u0430\u043B\u043E \u0439\u043E\u043C\u0443 \u0436\u0438\u0442\u0442\u044F. \u0424\u0456\u043D\u0430\u043B \u0441\u0438\u043C\u0444\u043E\u043D\u0456\u0457, \u0437\u0430\u0432\u0435\u0440\u0448\u0435\u043D\u0438\u0439 \u0443 \u043B\u044E\u0442\u043E\u043C\u0443 1942 \u0440\u043E\u043A\u0443, \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440 \u0434\u043E\u043F\u0438\u0441\u0443\u0432\u0430\u0432 \u0443 \u041A\u0443\u0439\u0431\u0438\u0448\u0435\u0432\u0456. \u0423\u043F\u0435\u0440\u0448\u0435 \u0432\u0438\u043A\u043E\u043D\u0430\u043D\u0430 \u0432 \u0431\u0435\u0440\u0435\u0437\u043D\u0456 1942 \u0440\u043E\u043A\u0443 \u0432 \u043C\u0456\u0441\u0442\u0456 \u041A\u0443\u0439\u0431\u0438\u0448\u0435\u0432\u0456, \u0430 9 \u0441\u0435\u0440\u043F\u043D\u044F 1942 \u0442\u0432\u0456\u0440 \u043F\u0440\u043E\u0437\u0432\u0443\u0447\u0430\u0432 \u0443 \u0431\u043B\u043E\u043A\u0430\u0434\u043D\u043E\u043C\u0443 \u041B\u0435\u043D\u0456\u043D\u0433\u0440\u0430\u0434\u0456, \u0434\u0438\u0440\u0438\u0433\u0443\u0432\u0430\u0432 . \u041F\u0456\u0437\u043D\u0456\u0448\u0435 \u0442\u0443\u0440\u0438\u0441\u0442\u0438 \u0437 \u041D\u0414\u0420 \u0437\u0456\u0437\u043D\u0430\u0432\u0430\u043B\u0438\u0441\u044C \u0415\u043B\u0456\u0430\u0441\u0431\u0435\u0440\u0433\u0443, \u0449\u043E \u0421\u0438\u043C\u0444\u043E\u043D\u0456\u044F \u0441\u043A\u043B\u0430\u0434\u0430\u0454\u0442\u044C\u0441\u044F \u0437 4-\u0445 \u0447\u0430\u0441\u0442\u0438\u043D \u0437\u0430\u0433\u0430\u043B\u044C\u043D\u043E\u044E \u0442\u0440\u0438\u0432\u0430\u043B\u0456\u0441\u0442\u044E \u0431\u043B\u0438\u0437\u044C\u043A\u043E 1 \u0433\u043E\u0434\u0438\u043D\u0438 15 \u0445\u0432\u0438\u043B\u0438\u043D. 1. \n* Allegretto 2. \n* Moderato (poco allegretto) 3. \n* Adagio 4. \n* Allegro non troppo \u0421\u043A\u043B\u0430\u0434 \u043E\u0440\u043A\u0435\u0441\u0442\u0440\u0443 \u043F\u043E\u0442\u0440\u0456\u0439\u043D\u0438\u0439 \u0456\u0437 \u0432\u043A\u043B\u044E\u0447\u0435\u043D\u043D\u044F\u043C 6 \u0442\u0440\u0443\u0431, 6 \u0442\u0440\u043E\u043C\u0431\u043E\u043D\u0456\u0432 \u0442\u0430 8 \u0432\u0430\u043B\u0442\u043E\u0440\u043D (\u0440\u043E\u0437\u0434\u0440\u0456\u0431\u043B\u0435\u043D\u0456 \u043D\u0430 \u0434\u0432\u0456 \u0441\u0435\u043A\u0446\u0456\u0457). \u0426\u044F \u0441\u0438\u043C\u0444\u043E\u043D\u0456\u044F \u043E\u0441\u043E\u0431\u043B\u0438\u0432\u043E \u0432\u0456\u0434\u043E\u043C\u0430 \u0442\u0430\u043A \u0437\u0432\u0430\u043D\u0438\u043C \u00AB\u0435\u043F\u0456\u0437\u043E\u0434\u043E\u043C \u043D\u0430\u0448\u0435\u0441\u0442\u044F\u00BB \u0437 1-\u0457 \u0447\u0430\u0441\u0442\u0438\u043D\u0438, \u0432 \u044F\u043A\u043E\u043C\u0443 18-\u0442\u0430\u043A\u0442\u043E\u0432\u0430 \u043C\u0430\u0440\u0448\u043E\u0432\u0430 \u0442\u0435\u043C\u0430, \u0430\u043A\u043E\u043C\u043F\u043E\u043D\u043E\u0432\u0430\u043D\u0430 \u043F\u043E\u0432\u0442\u043E\u0440\u044E\u0432\u0430\u043D\u0438\u043C \u0440\u0438\u0442\u043C\u043E\u043C \u043C\u0430\u043B\u043E\u0433\u043E \u0431\u0430\u0440\u0430\u0431\u0430\u043D\u0443 \u043F\u0440\u043E\u0445\u043E\u0434\u0438\u0442\u044C 12 \u0440\u0430\u0437\u0456\u0432, \u0437 \u043A\u043E\u0436\u043D\u0438\u043C \u0440\u0430\u0437\u043E\u043C \u0432\u0441\u0435 \u0431\u0456\u043B\u044C\u0448 \u0434\u0438\u043D\u0430\u043C\u0456\u0447\u043D\u043E. \u0421\u0442\u0440\u0443\u043A\u0442\u0443\u0440\u043D\u043E \u0446\u0435\u0439 \u0435\u043F\u0456\u0437\u043E\u0434, \u0449\u043E \u0442\u0440\u0438\u0432\u0430\u0454 \u0431\u043B\u0438\u0437\u044C\u043A\u043E 11 \u0445\u0432\u0438\u043B\u0438\u043D, \u0437\u0430\u043C\u0456\u0449\u0430\u0454 \u0440\u043E\u0437\u0440\u043E\u0431\u043A\u0443 \u0441\u043E\u043D\u0430\u0442\u043D\u043E\u0457 \u0444\u043E\u0440\u043C\u0438, \u0430 \u0437\u0430 \u043F\u0440\u0438\u0439\u043E\u043C\u0430\u043C\u0438 \u0440\u043E\u0437\u0432\u0438\u0442\u043A\u0443 \u043D\u0430\u0433\u0430\u0434\u0443\u0454 \u00AB\u0411\u043E\u043B\u0435\u0440\u043E\u00BB \u041C. \u0420\u0430\u0432\u0435\u043B\u044F. \u0422\u0440\u0430\u0434\u0438\u0446\u0456\u0439\u043D\u043E \u0446\u0435\u0439 \u043C\u0430\u0440\u0448 \u0440\u043E\u0437\u0433\u043B\u044F\u0434\u0430\u044E\u0442\u044C \u044F\u043A \u043E\u0431\u0440\u0430\u0437 \u043D\u0456\u043C\u0435\u0446\u044C\u043A\u043E\u0433\u043E \u043D\u0430\u0448\u0435\u0441\u0442\u044F, \u0442\u043E\u0434\u0456 \u044F\u043A \u0433\u043E\u043B\u043E\u0432\u043D\u0430 \u0439 \u043F\u043E\u0431\u0456\u0447\u043D\u0430 \u0430\u0441\u043E\u0446\u0456\u044E\u0432\u0430\u043B\u0438\u0441\u044C \u0437 \u043E\u0431\u0440\u0430\u0437\u043E\u043C \u00AB\u0440\u0430\u0434\u044F\u043D\u0441\u044C\u043A\u043E\u0433\u043E \u043D\u0430\u0440\u043E\u0434\u0443\u00BB. \u0412 \u0442\u043E\u0439 \u0436\u0435 \u0447\u0430\u0441 \u043F\u0456\u0437\u043D\u0456\u0448\u0456 \u0434\u043E\u0441\u043B\u0456\u0434\u043D\u0438\u043A\u0438 \u0437\u0432\u0435\u0440\u043D\u0443\u043B\u0438 \u0443\u0432\u0430\u0433\u0443 \u043D\u0430 \u0441\u0445\u043E\u0436\u0456\u0441\u0442\u044C \u0433\u043E\u043B\u043E\u0432\u043D\u043E\u0457 \u0442\u0435\u043C\u0438 \u0442\u0430 \u00AB\u0442\u0435\u043C\u0438 \u043D\u0430\u0448\u0435\u0441\u0442\u044F\u00BB, \u044F\u043A\u0430 \u043F\u043E\u0447\u0438\u043D\u0430\u0454\u0442\u044C\u0441\u044F \u044F\u043A \u0440\u0430\u043A\u043E\u0445\u0456\u0434 \u043F\u0435\u0440\u0448\u043E\u0457 \u0442\u0435\u043C\u0438."@uk . . . . . "Symfonie \u010D. 7 C Dur, op. 60, sov\u011Btsk\u00E9ho hudebn\u00EDho skladatele Dmitrije \u0160ostakovi\u010De (\u010Dasto naz\u00FDvan\u00E1 t\u00E9\u017E Leningradsk\u00E1) je jedna z nejsymboli\u010Dt\u011Bj\u0161\u00EDch a nejslavn\u011Bj\u0161\u00EDch kompozic 20. stolet\u00ED. Byla dokon\u010Dena 27. prosince 1941 a jej\u00ED proveden\u00ED trv\u00E1 asi hodinu a \u010Dtvrt. Okam\u017Eit\u011B se stala symbolem boje proti fa\u0161ismu a byla velmi popul\u00E1rn\u00ED jak v Sov\u011Btsk\u00E9m svazu, tak i ve Spojen\u00FDch st\u00E1tech, co\u017E symbolicky vyjad\u0159ovalo rusko-americk\u00E9 spojenectv\u00ED v boji proti hitlerovsk\u00E9mu N\u011Bmecku."@cs . "Die 7. Sinfonie in C-Dur, op. 60 von Dmitri Dmitrijewitsch Schostakowitsch, meist Leningrader Sinfonie genannt, ist eine Sinfonie in vier S\u00E4tzen. Die Widmung betraf den Widerstand und den sp\u00E4teren milit\u00E4rischen Sieg bei der deutschen Leningrader Blockade im Zweiten Weltkrieg. W\u00E4hrend 871 Tagen vom 8. September 1941 bis zum 27. Januar 1944 verhungerten dort sch\u00E4tzungsweise eine Million Zivilisten. \u201EIch widme meine Siebente Sinfonie unserem Kampf gegen den Faschismus, unserem unabwendbaren Sieg \u00FCber den Feind, und Leningrad, meiner Heimatstadt \u2026\u201C \u2013 Schostakowitsch am 29. M\u00E4rz 1942 in der Prawda."@de . . . . . . . . . . . . "\uAD50\uD5A5\uACE1 7\uBC88 (\uC1FC\uC2A4\uD0C0\uCF54\uBE44\uCE58)"@ko . . . "Dmitri Shostakovich's Symphony No. 7 in C major, Op. 60, nicknamed the Leningrad, was begun in Leningrad, completed in the city of Samara (then known as Kuybyshev) in December 1941, and premiered in that city on March 5, 1942. At first dedicated to Lenin, it was eventually submitted in honor of the besieged city of Leningrad, where it was first played under dire circumstances on August 9, 1942, nearly a year into the siege by German and Finnish forces. The performance was broadcast by loudspeaker throughout the city and to the German forces in a show of resilience and defiance. The Leningrad soon became popular in both the Soviet Union and the West as a symbol of resistance to fascism and totalitarianism, thanks in part to the composer's microfilming of the score in Samara and its clandest"@en . . . . . . . . "1115077020"^^ . . . "Leningradsymfonin"@sv . . . . . . . . . "Sinfon\u00EDa n.\u00BA 7 (Shostak\u00F3vich)"@es . . . . "50464"^^ . . . . . . . . . . . . . . "La Sinfonia n. 7 Op. 60 in do maggiore Leningrado di Dmitrij \u0160ostakovi\u010D \u00E8 una delle composizioni pi\u00F9 note ed eseguite di questo autore russo del XX secolo. \u00C8 stata scritta nel 1941, prevalentemente durante l'assedio di Leningrado da parte dell'esercito nazista, ed eseguita per la prima volta il 5 marzo dell'anno successivo, presso il Palazzo della Cultura di Kujby\u0161ev, attuale Samara."@it . . . . . . .