. . . . . . "36592"^^ . . "Tancredi ist eine Oper in zwei Akten von Gioachino Rossini, Libretto von Gaetano Rossi, nach der Trag\u00F6die Tancr\u00E8de von Voltaire. Sie wurde am 6. Februar 1813 im Teatro La Fenice in Venedig uraufgef\u00FChrt. Der Erfolg des Tancredi bedeutete f\u00FCr den zwanzigj\u00E4hrigen Rossini den Aufstieg in die erste Riege der Opernkomponisten Europas."@de . . . . . . . . . . "Tancredi is een opera in twee bedrijven van de componist Gioacchino Rossini en de librettist , gebaseerd op Voltaires toneelstuk Tancr\u00E8de (1759). Hoewel Rossini zijn opera aanvankelijk componeerde met een gelukkig einde in gedachten, liet hij uiteindelijk de dichter het libretto bewerken om het oorspronkelijke tragische einde van Voltaire na te streven. Rossini's opera kreeg zijn premi\u00E8re in Veneti\u00EB aan het Teatro La Fenice op 6 februari 1813, nadat Il Signor Bruschino in premi\u00E8re ging eind januari van dat jaar, waardoor de componist minder dan een maand de tijd had om Tancredi te voltooien. De ouverture, geleend van , is een populair voorbeeld van Rossini\u2019s kenmerkende stijl, en is een regelmatig onderdeel van het concert- en opnamerepertoire."@nl . . . . . . . . . . . . . . . . "Tancredi \u00E4r en opera (melodramma eroico) i tv\u00E5 akter med musik av Gioacchino Rossini och libretto av efter Voltaires pj\u00E4s Tancr\u00E8de (1760) och Torquato Tassos epos Det befriade Jerusalem (1581)."@sv . . "Tancredi"@nl . . . . "Tancredi \u00E9 um melodrama heroico (melodramma eroico) (\u00F3pera-s\u00E9ria) dividido em dois atos, com m\u00FAsica de Gioachino Rossini e libreto de . Rossi escreveu o libreto como adapta\u00E7\u00E3o da trag\u00E9dia hom\u00F4nima de Voltaire. A estreia da \u00F3pera se deu em 6 de fevereiro de 1813, no teatro La Fenice, em Veneza. Por\u00E9m, devido a indisposi\u00E7\u00E3o dos cantores que interpretavam os dois pap\u00E9is principais, a r\u00E9cita foi interrompida na metade do segundo ato. A obra completa s\u00F3 foi apresentada em 11 de fevereiro daquele ano. A abertura, emprestada de La pietra del paragone \u00E9 frequentemente interpretada em concerto e gravada, e constitui-se um dos exemplos mais populares do estilo caracter\u00EDstico de Rossini. Stendhal, primeiro bi\u00F3grafo de Rossini, a considerava como \"grande dentre as obras-primas do compositor\", e descreveu-a como \"um verdadeiro trov\u00E3o num c\u00E9u claro e azul para a cena l\u00EDrica italiana\". O libretista Gaetano Rossi disse que, com isso, \"Rossini alcan\u00E7ou a gl\u00F3ria\". proclama esta como \"sua \u00F3pera-s\u00E9ria plenamente desenvolvida, e que estabeleceu-o, mais ou menos instantaneamente, como o principal compositor de \u00F3pera contempor\u00E2nea da It\u00E1lia\". A vers\u00E3o original possui um final feliz, como requere a tradi\u00E7\u00E3o da \u00F3pera-s\u00E9ria. Por\u00E9m, logo ap\u00F3s a estreia em Veneza, Rossini - que, como nota , era mais neo-cl\u00E1ssico do que rom\u00E2ntico - pediu ao poeta que retrabalhasse o libreto a fim de emular o final tr\u00E1gico original de Voltaire. Neste novo final, apresentado em 21 de mar\u00E7o de 1813 no em Ferrara, Tancredi vence a batalha, por\u00E9m, \u00E9 mortalmente ferido, e s\u00F3 ent\u00E3o descobre que Amenaide jamais o tra\u00EDra. Argirio casa os dois amantes a tempo de Tancredi morrer nos bra\u00E7os de sua esposa. Conforme declarado por e , foi a redescoberta da partitura deste final em 1974 (embora Gosset em outro lugar apresente evid\u00EAncia de que foi em 1976) que resultou na vers\u00E3o que usualmente se apresenta hoje."@pt . . "Tancredi (op\u00E9ra)"@fr . . . . . . . . . . . . . . . "Tancr\u00E8de(\nPour les articles homonymes, voir Tancr\u00E8de et Tancredi. ) Cet article est une \u00E9bauche concernant l\u2019op\u00E9ra ou l\u2019op\u00E9rette. Vous pouvez partager vos connaissances en l\u2019am\u00E9liorant (comment ?) selon les recommandations des projets correspondants. Il s'agit du premier op\u00E9ra important de Rossini. Il remporta un tr\u00E8s grand succ\u00E8s aupr\u00E8s des V\u00E9nitiens, et contribua \u00E0 la renomm\u00E9e naissante de Rossini, lequel n'avait pas encore 21 ans. Il fut repris \u00E0 Paris au Th\u00E9\u00E2tre-Italien le 22 avril 1822."@fr . . . . . . . . . . . . . "Tancredi is a melodramma eroico (opera seria or heroic opera) in two acts by composer Gioachino Rossini and librettist Gaetano Rossi (who was also to write Semiramide ten years later), based on Voltaire's play Tancr\u00E8de (1760). The opera made its first appearance at the Teatro La Fenice in Venice on 6 February 1813, and because Il signor Bruschino premiered in late January, the composer must have completed Tancredi in less than a month. The overture, borrowed from La pietra del paragone, is a popular example of Rossini's characteristic style and is regularly performed in concert and recorded."@en . . "Tancredi ist eine Oper in zwei Akten von Gioachino Rossini, Libretto von Gaetano Rossi, nach der Trag\u00F6die Tancr\u00E8de von Voltaire. Sie wurde am 6. Februar 1813 im Teatro La Fenice in Venedig uraufgef\u00FChrt. Der Erfolg des Tancredi bedeutete f\u00FCr den zwanzigj\u00E4hrigen Rossini den Aufstieg in die erste Riege der Opernkomponisten Europas."@de . . . . . "Tancredi"@en . . . "Tancredi \u00E8 un'opera lirica musicata da Gioachino Rossini su libretto in due atti di Gaetano Rossi tratto dalla tragedia omonima di Voltaire (1760).La prima ebbe luogo con successo il 6 febbraio 1813 al Teatro la Fenice di Venezia con Adelaide Malanotte ed Elisabetta Manfredini (anche se con il problema dell'indisposizione sia della Melanotte che interpretava Tancredi, sia della Manfredini che era Amenaide: cos\u00EC la recita si interruppe a met\u00E0 dell'atto II e l'opera completa si ascolt\u00F2 ancora con successo solo l'11 febbraio)."@it . "Tankred (w\u0142. Tancredi) \u2013 opera seria w dw\u00F3ch aktach. Libretto napisa\u0142 Gaetano Rossi, a muzyk\u0119 skomponowa\u0142 w 1813 roku Gioacchino Rossini."@pl . . . . . . . . . . "Tancredi"@de . . . "\uD0C4\uD06C\uB808\uB514(\uC774\uD0C8\uB9AC\uC544\uC5B4: Tancredi)\uB294 \uC870\uC544\uD0A4\uB178 \uB85C\uC2DC\uB2C8\uC5D0 \uC758\uD574 \uC791\uACE1\uB41C 2\uB9C9\uC758 \uC624\uD398\uB77C\uB85C, \uBCFC\uD14C\uB974\uC758 \uD76C\uADF9 \u300A\u300B\uB97C \uAE30\uCD08\uB85C \uAC00 \uC774\uD0C8\uB9AC\uC544\uC5B4 \uB300\uBCF8\uC744 \uC791\uC131\uD558\uC600\uB2E4. \uC774 \uC791\uD488\uC740 1813\uB144 2\uC6D4 6\uC77C \uBCA0\uB124\uCE58\uC544\uC758 \uB77C \uD398\uB2C8\uCCB4 \uADF9\uC7A5\uC5D0\uC11C \uCD08\uC5F0\uC744 \uAC00\uC84C\uB2E4. \uB85C\uC2DC\uB2C8\uB294 \uCC98\uC74C\uC5D0 \uD589\uBCF5\uD55C \uACB0\uB9D0\uB85C \uC774 \uC791\uD488\uC744 \uC791\uACE1\uD560 \uC0DD\uAC01\uC774\uC5C8\uC73C\uB098, \uBCFC\uD14C\uB974\uC758 \uC6D0\uC791\uC5D0 \uD544\uC801\uD558\uAE30 \uC704\uD574\uC11C, \uACB0\uAD6D\uC5D0 \uBE44\uADF9\uC801\uC778 \uACB0\uB9D0\uB85C \uBCC0\uACBD\uD558\uC600\uB2E4."@ko . . . . . "1091418029"^^ . . . . . . . "Tancredi \u00E8 un'opera lirica musicata da Gioachino Rossini su libretto in due atti di Gaetano Rossi tratto dalla tragedia omonima di Voltaire (1760).La prima ebbe luogo con successo il 6 febbraio 1813 al Teatro la Fenice di Venezia con Adelaide Malanotte ed Elisabetta Manfredini (anche se con il problema dell'indisposizione sia della Melanotte che interpretava Tancredi, sia della Manfredini che era Amenaide: cos\u00EC la recita si interruppe a met\u00E0 dell'atto II e l'opera completa si ascolt\u00F2 ancora con successo solo l'11 febbraio)."@it . . "1811601"^^ . . "Tancredi"@en . . "Portrait of the composer"@en . . . . . . . . "Tancredi \u00E4r en opera (melodramma eroico) i tv\u00E5 akter med musik av Gioacchino Rossini och libretto av efter Voltaires pj\u00E4s Tancr\u00E8de (1760) och Torquato Tassos epos Det befriade Jerusalem (1581)."@sv . . . . . . . . . . . . . . . . . . . . . "\u00AB\u0422\u0430\u043D\u043A\u0440\u0435\u0434\u00BB (\u0438\u0442\u0430\u043B. Tancredi) \u2014 \u043E\u043F\u0435\u0440\u0430 \u0414\u0436\u043E\u0430\u043A\u0438\u043D\u043E \u0420\u043E\u0441\u0441\u0438\u043D\u0438 \u043D\u0430 \u043B\u0438\u0431\u0440\u0435\u0442\u0442\u043E \u0413\u0430\u044D\u0442\u0430\u043D\u043E \u0420\u043E\u0441\u0441\u0438 \u0432 \u0434\u0432\u0443\u0445 \u0434\u0435\u0439\u0441\u0442\u0432\u0438\u044F\u0445 \u043F\u043E \u0412\u043E\u043B\u044C\u0442\u0435\u0440\u0430. \u041F\u0440\u0435\u043C\u044C\u0435\u0440\u0430 \u0441\u043E\u0441\u0442\u043E\u044F\u043B\u0430\u0441\u044C \u0432 \u0412\u0435\u043D\u0435\u0446\u0438\u0438 \u0432 \u0442\u0435\u0430\u0442\u0440\u0435 \u00AB\u041B\u0430 \u0424\u0435\u043D\u0438\u0447\u0435\u00BB 6 \u0444\u0435\u0432\u0440\u0430\u043B\u044F 1813 \u0433\u043E\u0434\u0430. \u0421\u0442\u0435\u043D\u0434\u0430\u043B\u044C \u0441\u0447\u0438\u0442\u0430\u043B \u044D\u0442\u0443 \u043E\u043F\u0435\u0440\u0443 \u043E\u0434\u043D\u0438\u043C \u0438\u0437 \u043B\u0443\u0447\u0448\u0438\u0445 \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440\u0430. \u0414\u043E \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u0438\u044F \u044D\u0442\u043E\u0439 \u043E\u043F\u0435\u0440\u044B \u0420\u043E\u0441\u0441\u0438\u043D\u0438 \u043D\u0430 \u0434\u0430\u043D\u043D\u044B\u0439 \u0441\u044E\u0436\u0435\u0442 \u0443\u0436\u0435 \u0441\u0443\u0449\u0435\u0441\u0442\u0432\u043E\u0432\u0430\u043B\u0430 \u043F\u0440\u0435\u0434\u044B\u0434\u0443\u0449\u0430\u044F \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u0441\u043A\u0430\u044F \u0441 \u043D\u0430\u0437\u0432\u0430\u043D\u0438\u0435\u043C \u00AB\u0422\u0430\u043D\u043A\u0440\u0435\u0434\u00BB (\u0444\u0440. Tancr\u00E8de) \u2014 \u043B\u0438\u0440\u0438\u0447\u0435\u0441\u043A\u0430\u044F \u0442\u0440\u0430\u0433\u0435\u0434\u0438\u044F \u0410\u043D\u0434\u0440\u0435 \u041A\u0430\u043C\u043F\u0440\u0430 \u043F\u043E \u043B\u0438\u0431\u0440\u0435\u0442\u0442\u043E \u0410\u043D\u0442\u0443\u0430\u043D\u0430 \u0414\u0430\u043D\u0448\u0435 (\u041A\u043E\u0440\u043E\u043B\u0435\u0432\u0441\u043A\u0430\u044F \u0430\u043A\u0430\u0434\u0435\u043C\u0438\u044F \u043C\u0443\u0437\u044B\u043A\u0438 \u0424\u0440\u0430\u043D\u0446\u0438\u0438, 7 \u043D\u043E\u044F\u0431\u0440\u044F 1702 \u0433.). \u041E\u0434\u043D\u0430\u043A\u043E \u0441\u0435\u0433\u043E\u0434\u043D\u044F \u044D\u0442\u043E \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0435 \u0438\u0441\u043F\u043E\u043B\u043D\u044F\u0435\u0442\u0441\u044F \u0440\u0435\u0434\u043A\u043E."@ru . . . . "\uD0C4\uD06C\uB808\uB514"@ko . . . . . . "Tancredi je melodramma eroico (opera seria nebo heroick\u00E1 opera ) o dvou jedn\u00E1n\u00EDch skladatele Gioachina Rossiniho a libretisty Gaetana Rossiho (kter\u00FD tak\u00E9 o deset let pozd\u011Bji napsal Semiramis), zalo\u017Een\u00E1 na Voltairov\u011B h\u0159e Tancr\u00E8de (z roku 1760). Opera byla poprv\u00E9 provedena 6. \u00FAnora 1813 v divadle Teatro La Fenice v Ben\u00E1tk\u00E1ch , a proto\u017Ee na konci ledna m\u011Bla premi\u00E9ru jeho opera Pan Nevrl\u00EDnek, m\u011Bl skladatel na dokon\u010Den\u00ED Tancrediho m\u00E9n\u011B ne\u017E m\u011Bs\u00EDc. P\u0159edehra, p\u0159evzat\u00E1 z jeho opery Zkou\u0161ka l\u00E1sky, je popul\u00E1rn\u00EDm p\u0159\u00EDkladem Rossiniho charakteristick\u00E9ho stylu a je pravideln\u011B prov\u00E1d\u011Bna na koncertech a nahr\u00E1v\u00E1na. Pova\u017Eov\u00E1n Stendhalem, Rossiniho prvn\u00EDm \u017Eivotopiscem, za \u201Evysoko mezi mistrovsk\u00FDmi skladatelov\u00FDmi d\u00EDly\u201C a popisuj\u00EDc\u00EDm ho jako \u201Eprav\u00FD blesk z jasn\u00E9 modr\u00E9 oblohy pro italsk\u00E9 lyrick\u00E9 divadlo\u201C jeho libretista Gaetano Rossi podotkl, \u017Ee s t\u00EDm kusem \u201ERossini vyrostl ke sl\u00E1v\u011B\u201C. Richard Osborne tvrd\u00ED, \u017Ee je \u201Ejeho pln\u011B rozvinut\u00E1 opera seria a jej\u00ED ustanoven\u00ED j\u00EDm, v\u00EDce m\u00E9n\u011B okam\u017Eit\u011B, jako p\u0159edn\u00ED italsk\u00FD skladatel sou\u010Dasn\u00E9 opery\u201C. A\u010Dkoli p\u016Fvodn\u00ED verze m\u011Bla \u0161\u0165astn\u00FD konec (jak vy\u017Eaduje tradice opera seria ), brzy po ben\u00E1tsk\u00E9 premi\u00E9\u0159e Rossini - kter\u00FD byl sp\u00ED\u0161e neoklasicistou ne\u017E romantikem - jak poznamen\u00E1v\u00E1 Servadio - dal b\u00E1sn\u00EDkovi Luigimu Lechimu p\u0159epracovat libreto, aby napodobilo p\u016Fvodn\u00ED tragick\u00FD Voltair\u016Fv konec. S t\u00EDmto nov\u00FDm koncem p\u0159edstaven\u00FDm v Teatro Comunale ve Ferra\u0159e 21. b\u0159ezna 1813 hlavn\u00ED postava Tancredi sice zv\u00EDt\u011Bz\u00ED v bitv\u011B, ale je smrteln\u011B zran\u011Bn a teprve potom se dozv\u00ED, \u017Ee ho Amenaide nikdy nezradila. Argirio sezd\u00E1 milence pr\u00E1v\u011B v\u010Das, aby Tancredi zem\u0159el v n\u00E1ru\u010D\u00ED sv\u00E9 man\u017Eelky. Jak uvedli Philip Gossett a Patricia Brauner, vedlo znovuobjeven\u00ED partitury s t\u00EDmto koncem v roce 1974 (a\u010Dkoli jinde Gossett poskytuje d\u016Fkaz, \u017Ee to bylo 1976) vy\u00FAst\u011Bn\u00ED do verze, kter\u00E1 se dnes obvykle prov\u00E1d\u00ED."@cs . . "\uD0C4\uD06C\uB808\uB514(\uC774\uD0C8\uB9AC\uC544\uC5B4: Tancredi)\uB294 \uC870\uC544\uD0A4\uB178 \uB85C\uC2DC\uB2C8\uC5D0 \uC758\uD574 \uC791\uACE1\uB41C 2\uB9C9\uC758 \uC624\uD398\uB77C\uB85C, \uBCFC\uD14C\uB974\uC758 \uD76C\uADF9 \u300A\u300B\uB97C \uAE30\uCD08\uB85C \uAC00 \uC774\uD0C8\uB9AC\uC544\uC5B4 \uB300\uBCF8\uC744 \uC791\uC131\uD558\uC600\uB2E4. \uC774 \uC791\uD488\uC740 1813\uB144 2\uC6D4 6\uC77C \uBCA0\uB124\uCE58\uC544\uC758 \uB77C \uD398\uB2C8\uCCB4 \uADF9\uC7A5\uC5D0\uC11C \uCD08\uC5F0\uC744 \uAC00\uC84C\uB2E4. \uB85C\uC2DC\uB2C8\uB294 \uCC98\uC74C\uC5D0 \uD589\uBCF5\uD55C \uACB0\uB9D0\uB85C \uC774 \uC791\uD488\uC744 \uC791\uACE1\uD560 \uC0DD\uAC01\uC774\uC5C8\uC73C\uB098, \uBCFC\uD14C\uB974\uC758 \uC6D0\uC791\uC5D0 \uD544\uC801\uD558\uAE30 \uC704\uD574\uC11C, \uACB0\uAD6D\uC5D0 \uBE44\uADF9\uC801\uC778 \uACB0\uB9D0\uB85C \uBCC0\uACBD\uD558\uC600\uB2E4."@ko . . "Tancredi je melodramma eroico (opera seria nebo heroick\u00E1 opera ) o dvou jedn\u00E1n\u00EDch skladatele Gioachina Rossiniho a libretisty Gaetana Rossiho (kter\u00FD tak\u00E9 o deset let pozd\u011Bji napsal Semiramis), zalo\u017Een\u00E1 na Voltairov\u011B h\u0159e Tancr\u00E8de (z roku 1760). Opera byla poprv\u00E9 provedena 6. \u00FAnora 1813 v divadle Teatro La Fenice v Ben\u00E1tk\u00E1ch , a proto\u017Ee na konci ledna m\u011Bla premi\u00E9ru jeho opera Pan Nevrl\u00EDnek, m\u011Bl skladatel na dokon\u010Den\u00ED Tancrediho m\u00E9n\u011B ne\u017E m\u011Bs\u00EDc. P\u0159edehra, p\u0159evzat\u00E1 z jeho opery Zkou\u0161ka l\u00E1sky, je popul\u00E1rn\u00EDm p\u0159\u00EDkladem Rossiniho charakteristick\u00E9ho stylu a je pravideln\u011B prov\u00E1d\u011Bna na koncertech a nahr\u00E1v\u00E1na."@cs . "Tankred (opera)"@pl . . . . "Tancredi es una \u00F3pera en dos actos con m\u00FAsica de Gioacchino Rossini y libreto en italiano de Gaetano Rossi, que ya hab\u00EDa colaborado con el compositor en La Cambiale di Matrimonio (1810), (1811), y volver\u00EDa a hacerlo en Semiramide (1823). El texto est\u00E1 basado en la obra Tancr\u00E8de (1759) de Voltaire. Se estren\u00F3 el 6 de febrero de 1813 en La Fenice de Venecia. A Espa\u00F1a lleg\u00F3 el 5 de mayo de 1817, al Teatro de la Santa Cruz de Barcelona."@es . . . . . "Italian"@en . . "1813-02-06"^^ . . . . . . . . . . . "Opera seria"@en . . . "Tancredi"@sv . . . . . . . "Tancr\u00E8de(\nPour les articles homonymes, voir Tancr\u00E8de et Tancredi. ) Cet article est une \u00E9bauche concernant l\u2019op\u00E9ra ou l\u2019op\u00E9rette. Vous pouvez partager vos connaissances en l\u2019am\u00E9liorant (comment ?) selon les recommandations des projets correspondants. Tancredi (Tancr\u00E8de en fran\u00E7ais) est un opera seria (melodramma eroico) en deux actes de Gioachino Rossini, sur un livret en italien de Gaetano Rossi d'apr\u00E8s la trag\u00E9die homonyme (1760) de Voltaire, cr\u00E9\u00E9 \u00E0 La Fenice de Venise le 6 f\u00E9vrier 1813. La premi\u00E8re de l'op\u00E9ra Il signor Bruschino ayant lieu en janvier 1813, le compositeur a d\u00FB finir Tancredi en moins d'un mois. L'ouverture, tir\u00E9 de La pietra del paragone, est un exemple populaire du style caract\u00E9ristique de Rossini et elle est r\u00E9guli\u00E8rement jou\u00E9e en concert et enregistr\u00E9e. Il s'agit du premier op\u00E9ra important de Rossini. Il remporta un tr\u00E8s grand succ\u00E8s aupr\u00E8s des V\u00E9nitiens, et contribua \u00E0 la renomm\u00E9e naissante de Rossini, lequel n'avait pas encore 21 ans. Il fut repris \u00E0 Paris au Th\u00E9\u00E2tre-Italien le 22 avril 1822. Bien que la version originale ait une fin heureuse, comme le veut la tradition de l'opera seria, peu apr\u00E8s la premi\u00E8re de Venise, Rossini demande au po\u00E8te de retravailler le livret pour reproduire la fin tragique originale de Voltaire. Dans cette nouvelle fin, pr\u00E9sent\u00E9e au Teatro Comunale de Ferrare le 21 mars 1813, Tancr\u00E8de gagne la bataille, mais est mortellement bless\u00E9, et c'est \u00E0 ce moment seulement qu'il apprend qu'Amenaide ne l'a jamais trahi. Argirio marie les deux amants \u00E0 temps pour que Tancr\u00E8de meure dans les bras de sa femme. Comme le d\u00E9crivent Philip Gossett et Patricia Brauner, c'est de la red\u00E9couverte de la partition de cette fin en 1974, bien que Gossett apporte des preuves que c'\u00E9tait en 1976, que r\u00E9sulte la version qui est habituellement jou\u00E9e de nos jours."@fr . . "Tankred (w\u0142. Tancredi) \u2013 opera seria w dw\u00F3ch aktach. Libretto napisa\u0142 Gaetano Rossi, a muzyk\u0119 skomponowa\u0142 w 1813 roku Gioacchino Rossini."@pl . "\u300E\u30BF\u30F3\u30AF\u30EC\u30FC\u30C7\u30A3\u300F\uFF08\u4F0A: Tancredi\uFF09\u306F\u3001\u30B8\u30E7\u30A2\u30AD\u30FC\u30CE\u30FB\u30ED\u30C3\u30B7\u30FC\u30CB\u304C1813\u5E741\u6708\u9803\u306B\u4F5C\u66F2\u3057\u3001\u540C\u5E742\u67086\u65E5\u306B\u30F4\u30A7\u30CD\u30C4\u30A3\u30A2\u30FB\u30D5\u30A7\u30CB\u30FC\u30C1\u30A7\u5287\u5834\u3067\u521D\u6F14\u3055\u308C\u305F\u521D\u306E\u672C\u683C\u7684\u30AA\u30DA\u30E9\u30FB\u30BB\u30EA\u30A2\u3002\u3053\u306E\u30AA\u30DA\u30E9\u306E\u6210\u529F\u306B\u3088\u308A\u3001\u30ED\u30C3\u30B7\u30FC\u30CB\u306F\u30A4\u30BF\u30EA\u30A2\u4E2D\u3067\u540D\u58F0\u3092\u5F97\u308B\u3053\u3068\u3068\u306A\u3063\u305F\u3002\u53F0\u672C\u306F\u3001\u30F4\u30A9\u30EB\u30C6\u30FC\u30EB\u306E\u60B2\u5287\u300C\u30BF\u30F3\u30AF\u30EC\u30FC\u30C9\u300D\u3092\u5143\u306B\u304C\u57F7\u7B46\u3057\u305F\u3002"@ja . "Tancredi"@en . "\u0422\u0430\u043D\u043A\u0440\u0435\u0434 (\u043E\u043F\u0435\u0440\u0430)"@ru . "\u300E\u30BF\u30F3\u30AF\u30EC\u30FC\u30C7\u30A3\u300F\uFF08\u4F0A: Tancredi\uFF09\u306F\u3001\u30B8\u30E7\u30A2\u30AD\u30FC\u30CE\u30FB\u30ED\u30C3\u30B7\u30FC\u30CB\u304C1813\u5E741\u6708\u9803\u306B\u4F5C\u66F2\u3057\u3001\u540C\u5E742\u67086\u65E5\u306B\u30F4\u30A7\u30CD\u30C4\u30A3\u30A2\u30FB\u30D5\u30A7\u30CB\u30FC\u30C1\u30A7\u5287\u5834\u3067\u521D\u6F14\u3055\u308C\u305F\u521D\u306E\u672C\u683C\u7684\u30AA\u30DA\u30E9\u30FB\u30BB\u30EA\u30A2\u3002\u3053\u306E\u30AA\u30DA\u30E9\u306E\u6210\u529F\u306B\u3088\u308A\u3001\u30ED\u30C3\u30B7\u30FC\u30CB\u306F\u30A4\u30BF\u30EA\u30A2\u4E2D\u3067\u540D\u58F0\u3092\u5F97\u308B\u3053\u3068\u3068\u306A\u3063\u305F\u3002\u53F0\u672C\u306F\u3001\u30F4\u30A9\u30EB\u30C6\u30FC\u30EB\u306E\u60B2\u5287\u300C\u30BF\u30F3\u30AF\u30EC\u30FC\u30C9\u300D\u3092\u5143\u306B\u304C\u57F7\u7B46\u3057\u305F\u3002"@ja . . . . . . . . . "Tancredi"@pt . . . . . . . . . . "Tancredi"@cs . . "Tancredi is een opera in twee bedrijven van de componist Gioacchino Rossini en de librettist , gebaseerd op Voltaires toneelstuk Tancr\u00E8de (1759). Hoewel Rossini zijn opera aanvankelijk componeerde met een gelukkig einde in gedachten, liet hij uiteindelijk de dichter het libretto bewerken om het oorspronkelijke tragische einde van Voltaire na te streven. Rossini's opera kreeg zijn premi\u00E8re in Veneti\u00EB aan het Teatro La Fenice op 6 februari 1813, nadat Il Signor Bruschino in premi\u00E8re ging eind januari van dat jaar, waardoor de componist minder dan een maand de tijd had om Tancredi te voltooien. De ouverture, geleend van , is een populair voorbeeld van Rossini\u2019s kenmerkende stijl, en is een regelmatig onderdeel van het concert- en opnamerepertoire."@nl . . . . . . . . . . . . "Tancredi es una \u00F3pera en dos actos con m\u00FAsica de Gioacchino Rossini y libreto en italiano de Gaetano Rossi, que ya hab\u00EDa colaborado con el compositor en La Cambiale di Matrimonio (1810), (1811), y volver\u00EDa a hacerlo en Semiramide (1823). El texto est\u00E1 basado en la obra Tancr\u00E8de (1759) de Voltaire. Se estren\u00F3 el 6 de febrero de 1813 en La Fenice de Venecia. A Espa\u00F1a lleg\u00F3 el 5 de mayo de 1817, al Teatro de la Santa Cruz de Barcelona."@es . . . . . . "Tancredi \u00E9 um melodrama heroico (melodramma eroico) (\u00F3pera-s\u00E9ria) dividido em dois atos, com m\u00FAsica de Gioachino Rossini e libreto de . Rossi escreveu o libreto como adapta\u00E7\u00E3o da trag\u00E9dia hom\u00F4nima de Voltaire. A estreia da \u00F3pera se deu em 6 de fevereiro de 1813, no teatro La Fenice, em Veneza. Por\u00E9m, devido a indisposi\u00E7\u00E3o dos cantores que interpretavam os dois pap\u00E9is principais, a r\u00E9cita foi interrompida na metade do segundo ato. A obra completa s\u00F3 foi apresentada em 11 de fevereiro daquele ano. A abertura, emprestada de La pietra del paragone \u00E9 frequentemente interpretada em concerto e gravada, e constitui-se um dos exemplos mais populares do estilo caracter\u00EDstico de Rossini. Stendhal, primeiro bi\u00F3grafo de Rossini, a considerava como \"grande dentre as obras-primas do compositor\", e des"@pt . . "\u00AB\u0422\u0430\u043D\u043A\u0440\u0435\u0434\u00BB (\u0438\u0442\u0430\u043B. Tancredi) \u2014 \u043E\u043F\u0435\u0440\u0430 \u0414\u0436\u043E\u0430\u043A\u0438\u043D\u043E \u0420\u043E\u0441\u0441\u0438\u043D\u0438 \u043D\u0430 \u043B\u0438\u0431\u0440\u0435\u0442\u0442\u043E \u0413\u0430\u044D\u0442\u0430\u043D\u043E \u0420\u043E\u0441\u0441\u0438 \u0432 \u0434\u0432\u0443\u0445 \u0434\u0435\u0439\u0441\u0442\u0432\u0438\u044F\u0445 \u043F\u043E \u0412\u043E\u043B\u044C\u0442\u0435\u0440\u0430. \u041F\u0440\u0435\u043C\u044C\u0435\u0440\u0430 \u0441\u043E\u0441\u0442\u043E\u044F\u043B\u0430\u0441\u044C \u0432 \u0412\u0435\u043D\u0435\u0446\u0438\u0438 \u0432 \u0442\u0435\u0430\u0442\u0440\u0435 \u00AB\u041B\u0430 \u0424\u0435\u043D\u0438\u0447\u0435\u00BB 6 \u0444\u0435\u0432\u0440\u0430\u043B\u044F 1813 \u0433\u043E\u0434\u0430. \u0421\u0442\u0435\u043D\u0434\u0430\u043B\u044C \u0441\u0447\u0438\u0442\u0430\u043B \u044D\u0442\u0443 \u043E\u043F\u0435\u0440\u0443 \u043E\u0434\u043D\u0438\u043C \u0438\u0437 \u043B\u0443\u0447\u0448\u0438\u0445 \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440\u0430. \u0414\u043E \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u0438\u044F \u044D\u0442\u043E\u0439 \u043E\u043F\u0435\u0440\u044B \u0420\u043E\u0441\u0441\u0438\u043D\u0438 \u043D\u0430 \u0434\u0430\u043D\u043D\u044B\u0439 \u0441\u044E\u0436\u0435\u0442 \u0443\u0436\u0435 \u0441\u0443\u0449\u0435\u0441\u0442\u0432\u043E\u0432\u0430\u043B\u0430 \u043F\u0440\u0435\u0434\u044B\u0434\u0443\u0449\u0430\u044F \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u0441\u043A\u0430\u044F \u0441 \u043D\u0430\u0437\u0432\u0430\u043D\u0438\u0435\u043C \u00AB\u0422\u0430\u043D\u043A\u0440\u0435\u0434\u00BB (\u0444\u0440. Tancr\u00E8de) \u2014 \u043B\u0438\u0440\u0438\u0447\u0435\u0441\u043A\u0430\u044F \u0442\u0440\u0430\u0433\u0435\u0434\u0438\u044F \u0410\u043D\u0434\u0440\u0435 \u041A\u0430\u043C\u043F\u0440\u0430 \u043F\u043E \u043B\u0438\u0431\u0440\u0435\u0442\u0442\u043E \u0410\u043D\u0442\u0443\u0430\u043D\u0430 \u0414\u0430\u043D\u0448\u0435 (\u041A\u043E\u0440\u043E\u043B\u0435\u0432\u0441\u043A\u0430\u044F \u0430\u043A\u0430\u0434\u0435\u043C\u0438\u044F \u043C\u0443\u0437\u044B\u043A\u0438 \u0424\u0440\u0430\u043D\u0446\u0438\u0438, 7 \u043D\u043E\u044F\u0431\u0440\u044F 1702 \u0433.). \u041E\u0434\u043D\u0430\u043A\u043E \u0441\u0435\u0433\u043E\u0434\u043D\u044F \u044D\u0442\u043E \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0435 \u0438\u0441\u043F\u043E\u043B\u043D\u044F\u0435\u0442\u0441\u044F \u0440\u0435\u0434\u043A\u043E."@ru . "Tancredi is a melodramma eroico (opera seria or heroic opera) in two acts by composer Gioachino Rossini and librettist Gaetano Rossi (who was also to write Semiramide ten years later), based on Voltaire's play Tancr\u00E8de (1760). The opera made its first appearance at the Teatro La Fenice in Venice on 6 February 1813, and because Il signor Bruschino premiered in late January, the composer must have completed Tancredi in less than a month. The overture, borrowed from La pietra del paragone, is a popular example of Rossini's characteristic style and is regularly performed in concert and recorded. Considered by Stendhal, Rossini's earliest biographer, to be \"high amongst the composer's masterworks\", and describing it as \"a genuine thunderbolt out of a clear, blue sky for the Italian lyric theatre,\" his librettist Gaetano Rossi notes that, with it, \"Rossini rose to glory\". Richard Osborne proclaims it to be \"his fully fledged opera seria and it established him, more or less instantly, as Italy's leading composer of contemporary opera.\" Although the original version had a happy ending (as required by the opera seria tradition), soon after the Venice premiere, Rossini\u2014who was more of a Neo-classicist than a Romantic, notes Servadio\u2014had the poet Luigi Lechi rework the libretto to emulate the original tragic ending by Voltaire. In this new ending, presented at the Teatro Comunale in Ferrara on 21 March 1813, Tancredi wins the battle but is mortally wounded, and only then does he learn that Amenaide never betrayed him. Argirio marries the lovers in time for Tancredi to die in his wife's arms. As has been stated by Philip Gossett and Patricia Brauner, it was the rediscovery of the score of this ending in 1974 (although elsewhere Gossett provides evidence that it was 1976) that resulted in the version which is usually performed today."@en . . . . . . . . . "Tancredi (opera)"@it . . . . . . "Tancredi"@en . . . . . . . . . . . . "Tancredi"@es . "\u30BF\u30F3\u30AF\u30EC\u30FC\u30C7\u30A3 (\u30ED\u30C3\u30B7\u30FC\u30CB)"@ja . . .