. "The Flight into Egypt is an oil-on-copper cabinet painting by the German artist Adam Elsheimer dating from about 1609, while he was in Rome. It is thought to be the first naturalistic rendering of the night sky in Renaissance art. At Elsheimer's death in Rome in 1610, this picture was hanging in his bedroom.Like many other artists before and after him, Elsheimer has depicted the biblical Flight into Egypt, in which Joseph, Mary, and Jesus seek refuge from possible persecution by Herod. For its innovative fusing of religious and landscape elements, and its detailed juxtaposition of light and darkness, The Flight into Egypt is one of Elsheimer's most well-known and lauded works. It is also likely his last painting, for he died a year later."@en . . . "Ucieczka do Egiptu \u2013 obraz niemieckiego malarza wczesnego baroku Adama Elsheimera. Jest to jeden z dw\u00F3ch obraz\u00F3w o tym temacie tego malarza. Obraz powsta\u0142 oko\u0142o 1609 roku, a obecnie jest przechowywany w Starej Pinakotece w Monachium."@pl . . . . . . . "300"^^ . . . "\u0412\u0442\u0435\u0447\u0430 \u0432 \u0404\u0433\u0438\u043F\u0435\u0442 \u2014 \u043A\u0430\u0440\u0442\u0438\u043D\u0430 \u043D\u0456\u043C\u0435\u0446\u044C\u043A\u043E\u0433\u043E \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A\u0430 \u0410\u0434\u0430\u043C\u0430 \u0415\u043B\u044C\u0441\u0433\u0430\u0439\u043C\u0435\u0440\u0430, \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u0430 \u0432 1609 \u0440\u043E\u0446\u0456 \u0432 \u0420\u0438\u043C\u0456. \u0417\u0431\u0435\u0440\u0456\u0433\u0430\u0454\u0442\u044C\u0441\u044F \u0432 \u0421\u0442\u0430\u0440\u0456\u0439 \u043F\u0456\u043D\u0430\u043A\u043E\u0442\u0435\u0446\u0456 (\u041C\u044E\u043D\u0445\u0435\u043D)."@uk . "La Fuite en \u00C9gypte est une peinture de cabinet d'Adam Elsheimer r\u00E9alis\u00E9e en 1609 alors que l'artiste r\u00E9sidait \u00E0 Rome."@fr . . . "The Flight into Egypt"@en . "Huida a Egipto es posiblemente la obra m\u00E1s conocida de Adam Elsheimer. Se trata de un peque\u00F1o cuadro al \u00F3leo sobre cobre, de un tama\u00F1o de 31 cm de alto por 41 cm de ancho. Se guarda en la Alte Pinakothek de M\u00FAnich (Alemania). Es este enorme espacio dedicado al cielo lo que hace especial esta obra, que ocupe tanto y que se haya preocupado por representar de manera precisa las constelaciones, como la Osa Mayor, y la V\u00EDa L\u00E1ctea. Ya no es un espacio negro punteado de estrellas, sino el verdadero espacio visible en la noche."@es . . . . "La fuga in Egitto \u00E8 un dipinto di Adam Elsheimer. L'opera, considerata una delle pi\u00F9 rappresentative del pittore, fu composta nel 1609 ed \u00E8 conservata all'Alte Pinakothek di Monaco."@it . . . . "7360"^^ . . . . "Fuga in Egitto (Elsheimer)"@it . . . . "Ucieczka do Egiptu \u2013 obraz niemieckiego malarza wczesnego baroku Adama Elsheimera. Jest to jeden z dw\u00F3ch obraz\u00F3w o tym temacie tego malarza. Obraz powsta\u0142 oko\u0142o 1609 roku, a obecnie jest przechowywany w Starej Pinakotece w Monachium."@pl . . . . . . . . . . . "\u00AB\u0411\u0435\u0433\u0441\u0442\u0432\u043E \u0432 \u0415\u0433\u0438\u043F\u0435\u0442\u00BB (\u043D\u0435\u043C. Flucht nach \u00C4gypten) \u2014 \u043A\u0430\u0440\u0442\u0438\u043D\u0430 \u0410\u0434\u0430\u043C\u0430 \u042D\u043B\u044C\u0441\u0445\u0430\u0439\u043C\u0435\u0440\u0430."@ru . . . . . . . . . "31"^^ . . . . "cm"@en . . . . "\u0411\u0435\u0433\u0441\u0442\u0432\u043E \u0432 \u0415\u0433\u0438\u043F\u0435\u0442 (\u043A\u0430\u0440\u0442\u0438\u043D\u0430 \u042D\u043B\u044C\u0441\u0445\u0430\u0439\u043C\u0435\u0440\u0430)"@ru . "c. 1609"@en . "Adam Elsheimer - Die Flucht nach \u00C4gypten .jpg"@en . . . . "26633444"^^ . . "Huida a Egipto (Elsheimer)"@es . "Munich"@en . . . . . . . "\u0412\u0442\u0435\u0447\u0430 \u0432 \u0404\u0433\u0438\u043F\u0435\u0442 \u2014 \u043A\u0430\u0440\u0442\u0438\u043D\u0430 \u043D\u0456\u043C\u0435\u0446\u044C\u043A\u043E\u0433\u043E \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A\u0430 \u0410\u0434\u0430\u043C\u0430 \u0415\u043B\u044C\u0441\u0433\u0430\u0439\u043C\u0435\u0440\u0430, \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u0430 \u0432 1609 \u0440\u043E\u0446\u0456 \u0432 \u0420\u0438\u043C\u0456. \u0417\u0431\u0435\u0440\u0456\u0433\u0430\u0454\u0442\u044C\u0441\u044F \u0432 \u0421\u0442\u0430\u0440\u0456\u0439 \u043F\u0456\u043D\u0430\u043A\u043E\u0442\u0435\u0446\u0456 (\u041C\u044E\u043D\u0445\u0435\u043D)."@uk . . "Ucieczka do Egiptu (obraz Adama Elsheimera 1609)"@pl . . "41"^^ . . . "The Flight into Egypt"@en . "La fuga in Egitto \u00E8 un dipinto di Adam Elsheimer. L'opera, considerata una delle pi\u00F9 rappresentative del pittore, fu composta nel 1609 ed \u00E8 conservata all'Alte Pinakothek di Monaco."@it . "The Flight into Egypt (Elsheimer)"@en . "\u0412\u0442\u0435\u0447\u0430 \u0432 \u0404\u0433\u0438\u043F\u0435\u0442 (\u043A\u0430\u0440\u0442\u0438\u043D\u0430 \u0415\u043B\u044C\u0441\u0433\u0430\u0439\u043C\u0435\u0440\u0430)"@uk . . . . . "Huida a Egipto es posiblemente la obra m\u00E1s conocida de Adam Elsheimer. Se trata de un peque\u00F1o cuadro al \u00F3leo sobre cobre, de un tama\u00F1o de 31 cm de alto por 41 cm de ancho. Se guarda en la Alte Pinakothek de M\u00FAnich (Alemania). Representa el descanso de la Sagrada Familia en su huida a Egipto, donde se refugiaron de la persecuci\u00F3n de Herodes. Este tema se sol\u00EDa tratar en un ambiente diurno, con un tranquilo paisaje. Elsheimer hace algo diferente, que es crear una escena nocturna. As\u00ED la noche sirve como manto protector que ampara la huida. De hecho, se considera que es el primer paisaje a la luz de la luna de la pintura occidental. El paisaje apenas se ve, ya que la masa boscosa es de color negro. Hay cuatro fuentes de luz: a la izquierda, los pastores que tienen encendida una hoguera, cuyas llamaradas ascienden al cielo; en el centro la Sagrada Familia, iluminada por la antorcha que mantiene baja San Jos\u00E9 y que d\u00E9bilmente ilumina a las figuras sagradas; la tercera es la luna, que se ve en el cielo; y su reflejo en el agua del r\u00EDo ser\u00EDa el cuarto punto de luz. En el cielo se dibuja la V\u00EDa L\u00E1ctea, la primera vez en la historia del arte que aparece de manera tan naturalista. Es este enorme espacio dedicado al cielo lo que hace especial esta obra, que ocupe tanto y que se haya preocupado por representar de manera precisa las constelaciones, como la Osa Mayor, y la V\u00EDa L\u00E1ctea. Ya no es un espacio negro punteado de estrellas, sino el verdadero espacio visible en la noche."@es . . . . . . "La Fuite en \u00C9gypte est une peinture de cabinet d'Adam Elsheimer r\u00E9alis\u00E9e en 1609 alors que l'artiste r\u00E9sidait \u00E0 Rome."@fr . . . "\u00AB\u0411\u0435\u0433\u0441\u0442\u0432\u043E \u0432 \u0415\u0433\u0438\u043F\u0435\u0442\u00BB (\u043D\u0435\u043C. Flucht nach \u00C4gypten) \u2014 \u043A\u0430\u0440\u0442\u0438\u043D\u0430 \u0410\u0434\u0430\u043C\u0430 \u042D\u043B\u044C\u0441\u0445\u0430\u0439\u043C\u0435\u0440\u0430."@ru . . "in"@en . . . . . . "1117516564"^^ . . "The Flight into Egypt is an oil-on-copper cabinet painting by the German artist Adam Elsheimer dating from about 1609, while he was in Rome. It is thought to be the first naturalistic rendering of the night sky in Renaissance art. At Elsheimer's death in Rome in 1610, this picture was hanging in his bedroom.Like many other artists before and after him, Elsheimer has depicted the biblical Flight into Egypt, in which Joseph, Mary, and Jesus seek refuge from possible persecution by Herod. For its innovative fusing of religious and landscape elements, and its detailed juxtaposition of light and darkness, The Flight into Egypt is one of Elsheimer's most well-known and lauded works. It is also likely his last painting, for he died a year later. Elsheimer's treatment is unique in placing the Holy Family in a nocturnal setting, true to the biblical description. The darkness creates opposing feelings of intimacy and fear of the unknown. The painting channels the mysteries of night, pondered by humans for centuries, into this moment of the Holy Family seeking refuge. There are four sources of light in the painting: the Moon is accurately depicted and reflects off the calm water. There is a fire near the shepherds at left, where the family is headed. At the centre of the composition, Joseph holds a torch that illuminates Mary and the infant, who are riding an ass. The heavily treed landscape behind them is almost black, its outline forming a diagonal across the sky and completely containing the foreground figures. The diagonal is echoed in the night sky by the intricate band of the Milky Way, and detailed configurations of stars are seen, including Ursa Major at far left. Elsheimer is thought to be the first painter to accurately depict constellations. Another readily identifiable constellation is Leo, above the Holy Family, with its brightest star, Regulus, in the centre of the picture. It has been proposed that Elsheimer reworked the painting in 1610, after the publication of Galileo's Sidereus Nuncius, which showed the Milky Way as composed of individual stars and showed the Moon's surface in unprecedented detail. This hypothesis has been contested by Elsheimer scholar Keith Andrews. In addition to disclosing Elsheimer's interest in scientific topics, the appearance of the Milky Way has a spiritual connotation\u2014it symbolized the path to heaven beginning in the Middle Ages. Elsheimer's sky, wrote art historian R.H. Wilenski, \"is no longer a blackcloth but a symbol for boundless space\"."@en . "La Fuite en \u00C9gypte (Elsheimer)"@fr .