. . . . . "132.0"^^ . . . . . . . "1111825763"^^ . . . "\u300E\u96A0\u3057\u5263 \u9B3C\u306E\u722A\u300F\uFF08\u304B\u304F\u3057\u3051\u3093 \u304A\u306B\u306E\u3064\u3081\uFF09\u306F\u3001\u85E4\u6CA2\u5468\u5E73\u4F5C\u306E\u77ED\u7DE8\u6642\u4EE3\u5C0F\u8AAC\u3092\u539F\u4F5C\u3068\u3059\u308B\u65E5\u672C\u6620\u753B\u3002\u672C\u9805\u3067\u306F\u3001\u5C71\u7530\u6D0B\u6B21\u76E3\u7763\u30FB\u6C38\u702C\u6B63\u654F\u4E3B\u6F14\u30672004\u5E7410\u670830\u65E5\u306B\u516C\u958B\u3055\u308C\u305F\u6620\u753B\u306E\u8A18\u8FF0\u3092\u4E2D\u5FC3\u3068\u3059\u308B\u3002"@ja . . . . . . . . "\u300A\u96B1\u528D \u9B3C\u722A\u300B\uFF08\u65E5\u8BED\uFF1A\u96A0\u3057\u5263 \u9B3C\u306E\u722A\uFF09\uFF0C\u70BA\u65E5\u672C\u4F5C\u5BB6\u85E4\u6FA4\u5468\u5E73\u5C0F\u8AAA\u3002\u5C0E\u6F14\u5C71\u7530\u6D0B\u6B21\u6839\u636E\u5C0F\u8BF4\u6539\u7F16\u7684\u96FB\u5F71\u7248\uFF0C\u7531\u6C38\u702C\u6B63\u654F\u4E3B\u6F14\uFF0C\u4E8E2004\u5E74\u4E0A\u6620\u3002"@zh . . . "8043781.0"^^ . . . . . . . . . . . . . . . . . "\uC228\uACA8\uC9C4 \uAC80, \uC624\uB2C8\uB178\uCE20\uBA54"@ko . . . . . "7361525"^^ . . . . . . . . . . . . . "8724"^^ . "7920.0"^^ . . "The Hidden Blade (\u96A0\u3057\u5263 \u9B3C\u306E\u722A, Kakushi ken: Oni no tsume, literally \"Hidden Blade: Oni's Claw\") is a 2004 film set in 1860s Japan, directed by Yoji Yamada. The plot revolves around several samurai during a time of change in the ruling and class structures of Japan. The film was written by Yamada with and, like its predecessor The Twilight Samurai (2002), based on a short story by Sh\u016Bhei Fujisawa. The soundtrack is an original composition by Isao Tomita."@en . . . . "The Hidden Blade"@en . . . . "Kakushi ken oni no tsume"@it . . . . . . . . . . . "The Hidden Blade"@en . . "La Servante et le Samoura\u00EF (\u96A0\u3057\u5263 \u9B3C\u306E\u722A, Kakushi-ken: Oni no tsume) est un film japonais r\u00E9alis\u00E9 par Y\u014Dji Yamada, sorti en 2004. Ce film appartient \u00E0 une trilogie dont Le Samoura\u00EF du cr\u00E9puscule constitue le premier volet, le troisi\u00E8me opus \u00E9tant Amour et Honneur."@fr . . . . "\u300E\u96A0\u3057\u5263 \u9B3C\u306E\u722A\u300F\uFF08\u304B\u304F\u3057\u3051\u3093 \u304A\u306B\u306E\u3064\u3081\uFF09\u306F\u3001\u85E4\u6CA2\u5468\u5E73\u4F5C\u306E\u77ED\u7DE8\u6642\u4EE3\u5C0F\u8AAC\u3092\u539F\u4F5C\u3068\u3059\u308B\u65E5\u672C\u6620\u753B\u3002\u672C\u9805\u3067\u306F\u3001\u5C71\u7530\u6D0B\u6B21\u76E3\u7763\u30FB\u6C38\u702C\u6B63\u654F\u4E3B\u6F14\u30672004\u5E7410\u670830\u65E5\u306B\u516C\u958B\u3055\u308C\u305F\u6620\u753B\u306E\u8A18\u8FF0\u3092\u4E2D\u5FC3\u3068\u3059\u308B\u3002"@ja . . . "The Hidden Blade"@de . . . . "\u300A\u96B1\u528D \u9B3C\u722A\u300B\uFF08\u65E5\u8BED\uFF1A\u96A0\u3057\u5263 \u9B3C\u306E\u722A\uFF09\uFF0C\u70BA\u65E5\u672C\u4F5C\u5BB6\u85E4\u6FA4\u5468\u5E73\u5C0F\u8AAA\u3002\u5C0E\u6F14\u5C71\u7530\u6D0B\u6B21\u6839\u636E\u5C0F\u8BF4\u6539\u7F16\u7684\u96FB\u5F71\u7248\uFF0C\u7531\u6C38\u702C\u6B63\u654F\u4E3B\u6F14\uFF0C\u4E8E2004\u5E74\u4E0A\u6620\u3002"@zh . . . . . . . . "\u0421\u043A\u0440\u044B\u0442\u044B\u0439 \u043A\u043B\u0438\u043D\u043E\u043A"@ru . . "\u00AB\u0421\u043A\u0440\u044B\u0442\u044B\u0439 \u043A\u043B\u0438\u043D\u043E\u043A\u00BB \u0438\u043B\u0438 \u00AB\u0421\u043F\u0440\u044F\u0442\u0430\u043D\u043D\u044B\u0439 \u043C\u0435\u0447: \u043A\u043E\u0433\u043E\u0442\u044C \u0434\u0435\u043C\u043E\u043D\u0430\u00BB \u2014 \u044F\u043F\u043E\u043D\u0441\u043A\u0438\u0439 \u0444\u0438\u043B\u044C\u043C 2004 \u0433\u043E\u0434\u0430 \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440\u0430 \u0401\u0434\u0437\u0438 \u042F\u043C\u0430\u0434\u044B, \u043E\u0441\u043D\u043E\u0432\u0430\u043D\u043D\u044B\u0439 \u043D\u0430 \u0438\u0441\u0442\u043E\u0440\u0438\u0447\u0435\u0441\u043A\u043E\u043C \u0440\u043E\u043C\u0430\u043D\u0435 . \u042D\u0442\u043E \u0432\u0442\u043E\u0440\u043E\u0439 \u0444\u0438\u043B\u044C\u043C \u0442\u0440\u0438\u043B\u043E\u0433\u0438\u0438 \u043E \u0441\u0430\u043C\u0443\u0440\u0430\u044F\u0445 \u044F\u043F\u043E\u043D\u0441\u043A\u043E\u0433\u043E \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440\u0430 \u0401\u0434\u0437\u0438 \u042F\u043C\u0430\u0434\u044B. \u041F\u0435\u0440\u0432\u044B\u0439 \u0444\u0438\u043B\u044C\u043C \u0442\u0440\u0438\u043B\u043E\u0433\u0438\u0438 \u2014 \u0421\u0443\u043C\u0435\u0440\u0435\u0447\u043D\u044B\u0439 \u0441\u0430\u043C\u0443\u0440\u0430\u0439 (2002), \u0442\u0440\u0435\u0442\u0438\u0439 \u2014 \u041B\u044E\u0431\u043E\u0432\u044C \u0438 \u0447\u0435\u0441\u0442\u044C (2006).\u0414\u0435\u0439\u0441\u0442\u0432\u0438\u0435 \u0444\u0438\u043B\u044C\u043C\u0430 \u043F\u0440\u043E\u0438\u0441\u0445\u043E\u0434\u0438\u0442 \u0432\u043E \u0432\u0442\u043E\u0440\u043E\u0439 \u043F\u043E\u043B\u043E\u0432\u0438\u043D\u0435 XIX \u0432\u0435\u043A\u0430 \u0438, \u043A\u0430\u043A \u0432\u043E \u0432\u0441\u0435\u0445 \u0444\u0438\u043B\u044C\u043C\u0430\u0445 \u0442\u0440\u0438\u043B\u043E\u0433\u0438\u0438, \u043F\u043E\u043A\u0430\u0437\u0430\u043D \u0431\u044B\u0442 \u043D\u0435\u0431\u043E\u0433\u0430\u0442\u044B\u0445 \u0441\u0430\u043C\u0443\u0440\u0430\u0435\u0432. \u0413\u043B\u0430\u0432\u043D\u044B\u0439 \u0433\u0435\u0440\u043E\u0439 \u2014 \u041C\u0443\u043D\u044D\u0434\u0437\u043E \u041A\u0430\u0442\u0430\u0433\u0438\u0440\u0438, \u0441\u0430\u043C\u0443\u0440\u0430\u0439 \u043D\u0438\u0437\u043A\u043E\u0433\u043E \u0440\u0430\u043D\u0433\u0430, \u043F\u0440\u043E\u0445\u043E\u0434\u044F\u0449\u0438\u0439 \u0441\u0442\u0440\u043E\u0435\u0432\u0443\u044E \u043F\u043E\u0434\u0433\u043E\u0442\u043E\u0432\u043A\u0443."@ru . . . . "\u00AB\u0421\u043A\u0440\u044B\u0442\u044B\u0439 \u043A\u043B\u0438\u043D\u043E\u043A\u00BB \u0438\u043B\u0438 \u00AB\u0421\u043F\u0440\u044F\u0442\u0430\u043D\u043D\u044B\u0439 \u043C\u0435\u0447: \u043A\u043E\u0433\u043E\u0442\u044C \u0434\u0435\u043C\u043E\u043D\u0430\u00BB \u2014 \u044F\u043F\u043E\u043D\u0441\u043A\u0438\u0439 \u0444\u0438\u043B\u044C\u043C 2004 \u0433\u043E\u0434\u0430 \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440\u0430 \u0401\u0434\u0437\u0438 \u042F\u043C\u0430\u0434\u044B, \u043E\u0441\u043D\u043E\u0432\u0430\u043D\u043D\u044B\u0439 \u043D\u0430 \u0438\u0441\u0442\u043E\u0440\u0438\u0447\u0435\u0441\u043A\u043E\u043C \u0440\u043E\u043C\u0430\u043D\u0435 . \u042D\u0442\u043E \u0432\u0442\u043E\u0440\u043E\u0439 \u0444\u0438\u043B\u044C\u043C \u0442\u0440\u0438\u043B\u043E\u0433\u0438\u0438 \u043E \u0441\u0430\u043C\u0443\u0440\u0430\u044F\u0445 \u044F\u043F\u043E\u043D\u0441\u043A\u043E\u0433\u043E \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440\u0430 \u0401\u0434\u0437\u0438 \u042F\u043C\u0430\u0434\u044B. \u041F\u0435\u0440\u0432\u044B\u0439 \u0444\u0438\u043B\u044C\u043C \u0442\u0440\u0438\u043B\u043E\u0433\u0438\u0438 \u2014 \u0421\u0443\u043C\u0435\u0440\u0435\u0447\u043D\u044B\u0439 \u0441\u0430\u043C\u0443\u0440\u0430\u0439 (2002), \u0442\u0440\u0435\u0442\u0438\u0439 \u2014 \u041B\u044E\u0431\u043E\u0432\u044C \u0438 \u0447\u0435\u0441\u0442\u044C (2006).\u0414\u0435\u0439\u0441\u0442\u0432\u0438\u0435 \u0444\u0438\u043B\u044C\u043C\u0430 \u043F\u0440\u043E\u0438\u0441\u0445\u043E\u0434\u0438\u0442 \u0432\u043E \u0432\u0442\u043E\u0440\u043E\u0439 \u043F\u043E\u043B\u043E\u0432\u0438\u043D\u0435 XIX \u0432\u0435\u043A\u0430 \u0438, \u043A\u0430\u043A \u0432\u043E \u0432\u0441\u0435\u0445 \u0444\u0438\u043B\u044C\u043C\u0430\u0445 \u0442\u0440\u0438\u043B\u043E\u0433\u0438\u0438, \u043F\u043E\u043A\u0430\u0437\u0430\u043D \u0431\u044B\u0442 \u043D\u0435\u0431\u043E\u0433\u0430\u0442\u044B\u0445 \u0441\u0430\u043C\u0443\u0440\u0430\u0435\u0432. \u0413\u043B\u0430\u0432\u043D\u044B\u0439 \u0433\u0435\u0440\u043E\u0439 \u2014 \u041C\u0443\u043D\u044D\u0434\u0437\u043E \u041A\u0430\u0442\u0430\u0433\u0438\u0440\u0438, \u0441\u0430\u043C\u0443\u0440\u0430\u0439 \u043D\u0438\u0437\u043A\u043E\u0433\u043E \u0440\u0430\u043D\u0433\u0430, \u043F\u0440\u043E\u0445\u043E\u0434\u044F\u0449\u0438\u0439 \u0441\u0442\u0440\u043E\u0435\u0432\u0443\u044E \u043F\u043E\u0434\u0433\u043E\u0442\u043E\u0432\u043A\u0443."@ru . . "Kakushi ken oni no tsume (\u96A0\u3057\u5263 \u9B3C\u306E\u722A Kakushi ken: Oni no tsume?, letteralmente \"Lama nascosta: artiglio del demone\") \u00E8 un film del 2004 diretto da Y\u014Dji Yamada. \u00C8 il secondo capitolo della , basata sui racconti di Sh\u016Bhei Fujisawa, iniziata con The Twilight Samurai (2002) e proseguita con Love and Honor (2006)."@it . . . . "\uC228\uACA8\uC9C4 \uAC80, \uC624\uB2C8\uB178\uCE20\uBA54(&\u96A0\u3057\u5263 \u9B3C\u306E\u722A, The Hidden Blade)\uB294 \uC77C\uBCF8\uC5D0\uC11C \uC81C\uC791\uB41C \uC57C\uB9C8\uB2E4 \uC694\uC9C0 \uAC10\uB3C5\uC758 2004\uB144 \uBA5C\uB85C/\uB85C\uB9E8\uC2A4, \uB4DC\uB77C\uB9C8 \uC601\uD654\uC774\uB2E4. \uB4F1\uC774 \uC8FC\uC5F0\uC73C\uB85C \uCD9C\uC5F0\uD558\uC600\uACE0 \uB4F1\uC774 \uC81C\uC791\uC5D0 \uCC38\uC5EC\uD558\uC600\uB2E4."@ko . . . "The Hidden Blade, auch Das verborgene Schwert, (jap. \u96A0\u3057\u5263 \u9B3C\u306E\u722A, Kakushi Ken: Oni no Tsume, dt. \u201EDas verborgene Schwert: Die Klauen des D\u00E4mons\u201C) ist ein japanisches Historiendrama von Regisseur Y\u014Dji Yamada aus dem Jahr 2004, das auf einer Kurzgeschichte gleichen Namens aus Sh\u016Bhei Fujisawas Kakushi Ken Sh\u016Bf\u016Bsh\u014D (\u96A0\u3057\u5263\u79CB\u98A8\u6284) basiert. Im Mittelpunkt der Handlung stehen mehrere Samurai in der Zeit der \u00D6ffnung Japans gegen\u00FCber dem Ausland und damit der Beendigung der Isolationspolitik. Der Film ist ein Teil von Yamadas sogenannter \u201ESamurai-Trilogie\u201C, die folgende Werke umfasst: Samurai der D\u00E4mmerung (2002), The Hidden Blade (2004) und Love and Honor \u2013 Bushi no ichibun (2006). Entgegen den \u00FCblichen Genrethemen wie dem Heldentum fokussiert Yamada in den drei Inszenierungen auf Samurai, die, von Schicksalsschl\u00E4gen gebeutelt, in Armut und beruflicher Stagnation leben. Der Samuraifilm lief im Wettbewerb der 55. Berlinale, wo er am 15. Februar 2005 auch seine Deutschland-Premiere erlebte. Die Erstausstrahlung im deutschen Free-TV erfolgte am 21. Januar 2010 unter dem Titel Das verborgene Schwert."@de . "\u96B1\u528D\u9B3C\u722A"@zh . . . "Kakushi ken oni no tsume (\u96A0\u3057\u5263 \u9B3C\u306E\u722A Kakushi ken: Oni no tsume?, letteralmente \"Lama nascosta: artiglio del demone\") \u00E8 un film del 2004 diretto da Y\u014Dji Yamada. \u00C8 il secondo capitolo della , basata sui racconti di Sh\u016Bhei Fujisawa, iniziata con The Twilight Samurai (2002) e proseguita con Love and Honor (2006)."@it . "8043781.0"^^ . . . . . . . "La Servante et le Samoura\u00EF"@fr . . . "The Hidden Blade"@en . . . . "7920.0"^^ . . "La Servante et le Samoura\u00EF (\u96A0\u3057\u5263 \u9B3C\u306E\u722A, Kakushi-ken: Oni no tsume) est un film japonais r\u00E9alis\u00E9 par Y\u014Dji Yamada, sorti en 2004. Ce film appartient \u00E0 une trilogie dont Le Samoura\u00EF du cr\u00E9puscule constitue le premier volet, le troisi\u00E8me opus \u00E9tant Amour et Honneur."@fr . . . . . . . . "The Hidden Blade, auch Das verborgene Schwert, (jap. \u96A0\u3057\u5263 \u9B3C\u306E\u722A, Kakushi Ken: Oni no Tsume, dt. \u201EDas verborgene Schwert: Die Klauen des D\u00E4mons\u201C) ist ein japanisches Historiendrama von Regisseur Y\u014Dji Yamada aus dem Jahr 2004, das auf einer Kurzgeschichte gleichen Namens aus Sh\u016Bhei Fujisawas Kakushi Ken Sh\u016Bf\u016Bsh\u014D (\u96A0\u3057\u5263\u79CB\u98A8\u6284) basiert. Im Mittelpunkt der Handlung stehen mehrere Samurai in der Zeit der \u00D6ffnung Japans gegen\u00FCber dem Ausland und damit der Beendigung der Isolationspolitik."@de . . . . . "DVD cover"@en . . . "The Hidden Blade (\u96A0\u3057\u5263 \u9B3C\u306E\u722A, Kakushi ken: Oni no tsume, literally \"Hidden Blade: Oni's Claw\") is a 2004 film set in 1860s Japan, directed by Yoji Yamada. The plot revolves around several samurai during a time of change in the ruling and class structures of Japan. The film was written by Yamada with and, like its predecessor The Twilight Samurai (2002), based on a short story by Sh\u016Bhei Fujisawa. The soundtrack is an original composition by Isao Tomita."@en . . . . . . "Japan"@en . . . . . "\u96A0\u3057\u5263 \u9B3C\u306E\u722A"@ja . . . . . . . . . .