. "Print"@en . . . . . . . "1951"^^ . "\u300A\uBC18\uD56D\uD558\uB294 \uC778\uAC04\u300B(L'Homme R\u00E9volt\u00E9)\uC740 \uC54C\uBCA0\uB974 \uCE74\uBB88\uAC00 1951\uB144\uC5D0 \uCD9C\uD310\uD55C \uCC45\uC774\uB2E4. \uC774 \uCC45\uC740 \uCE74\uBB88\uC758 \uC774\uB860\uC801 \uC800\uC791\uC73C\uB85C\uC11C \uC804\uC791\uC778 \u300A\uC2DC\uC9C0\uD504 \uC2E0\uD654\u300B\uB85C\uBD80\uD130\uC758 \uBC1C\uC804\uC744 \uBCF4\uC5EC\uC8FC\uACE0 \uB3D9\uC2DC\uC5D0 \uC720\uB7FD \uC0AC\uC0C1\uC758 \uBCC0\uCC9C\uC744 \uAC1C\uAD00\uD558\uC5EC \uD604\uB300 \uC138\uACC4\uC758 \uC778\uAC04\uC758 \uC874\uC7AC \uBC29\uC2DD\uC744 \uB17C\uD55C \uBB38\uBA85 \uBE44\uD3C9\uC774\uAE30\uB3C4 \uD558\uB2E4. \uC804\uC791\uC5D0\uC11C \uC778\uAC04\uC758 \uC870\uAC74\uC758 \uBD80\uC870\uB9AC\uC131, \uACE7 \uD589\uB3D9\uC744 \uC778\uB3C4\uD558\uB294 \uD615\uC774\uC0C1\uD559\uC801 \uADFC\uAC70\uB85C\uC11C\uC758 \uAC00\uCE58\uAE30\uC900\uC758 \uBD80\uC7AC\uB97C \uC778\uC815\uD55C \uCE74\uBB88\uB294, \uBD80\uC870\uB9AC \uAC00\uC6B4\uB370\uC11C \uC808\uB9DD\uC744 \uACAC\uB514\uB294 \uC0DD\uC744 \uAE0D\uC815\uD558\uACE0 \uC790\uC0B4\uACFC \uC0B4\uC778\uC744 \uB3D9\uC2DC\uC5D0 \uBC30\uCC99\uD558\uB294 \uC0DD\uC758 \uC5F0\uB300\uC5D0\uC11C \uBAA8\uB784\uC744 \uAD6C\uD588\uC73C\uB098, \uC774 \uCC45\uC5D0\uC11C\uB294 \uC6B0\uC120 \uB370\uCE74\uB974\uD2B8\uC758 \uBC29\uBC95\uC801 \uD68C\uC758\uCC98\uB7FC \uC77C\uCCB4\uB97C \uBC31\uC9C0\uB85C \uB3CC\uB9AC\uB294 \uBD80\uC870\uB9AC\uC758 \uACBD\uD5D8\uC744 \uD1B5\uD574\uC11C \uC774\uC5D0 \uB300\uD55C \uBC18\uD56D\uC744 \uCD5C\uCD08\uC758 \uBA85\uC99D\uC73C\uB85C \uC138\uC6B4\uB2E4. \uBC18\uD56D\uC774\uC57C\uB9D0\uB85C \uCD5C\uCD08\uC758 \uAC00\uCE58\uC6D0\uCC9C\uC73C\uB85C\uC11C \uC8FC\uC778\uC5D0\uAC8C \uBC18\uD56D\uD558\uB294 \uB178\uC608\uB294 \uC778\uAC04\uC758 \uAD8C\uB9AC\uB97C \uC694\uAD6C\uD558\uACE0 \uC8FC\uC778\uC73C\uB85C\uC11C\uC758 \uC8FC\uC778\uC744 \uBD80\uC815\uD558\uC9C0\uB9CC, \uC774 \uBD80\uC815\uC5D0\uB294 \uC6D0\uB798 \uAE0D\uC815\uD574\uC57C \uD560 \uAC83\uC774 \uB530\uB974\uACE0 \uC788\uB2E4. \uADF8\uB7EC\uB098 \uB9CC\uC77C \uBC18\uB300\uC790\uAC00 \uAE0D\uC815\uACFC \uBD80\uC815\uC758 \uAE34\uC7A5\uC5D0 \uC9C0\uCCD0\uC11C \uC778\uAC04\uC758 \uC870\uAC74 \uC790\uCCB4\uB97C \uC804\uC801\uC73C\uB85C \uCC3D\uC870\uD558\uB824\uACE0 \uD558\uBA74, \uADF8\uAC83\uC740 \uD615\uC774\uC0C1\uD559\uC801 \uBC18\uD56D\uC774 \uB418\uACE0 \uC5EC\uAE30\uC5D0\uC11C \uB2C8\uD790\uB9AC\uC998\uC774 \uC2DC\uC791\uB41C\uB2E4. \uC774\uAC83\uC740 \uADFC\uB300\uC758 \uC5EC\uB7EC \uC0AC\uC0C1\uACFC \uD568\uAED8 \uC9C0\uBC30\uC801\uC73C\uB85C \uB098\uD0C0\uB098\uACE0, \uC5ED\uC0AC\uC5D0 \uC788\uC5B4\uC11C\uB294 \uC804\uCCB4\uC131(\u5168\u9AD4\u6027)\uC744 \uC694\uAD6C\uD558\uB294 \uD601\uBA85\uB0B4\uC5D0\uC11C \uB17C\uB9AC\uC801 \uADC0\uACB0\uC744 \uBC1C\uACAC\uD55C\uB2E4. \uCE74\uBB88\uC5D0 \uC758\uD558\uBA74 \uB9C8\uB974\uD06C\uC2A4\uC8FC\uC758\uB3C4 \uBAA8\uB4E0 \uACF5\uD3EC\uC815\uCE58\uC640 \uB9C8\uCC2C\uAC00\uC9C0\uB85C \uC608\uC5B8\uC801 \uAD50\uC758(\u8C6B\u8A00\u7684\u654E\u7FA9)\uB85C\uC11C \uC0B4\uC778\uC744 \uC815\uB2F9\uD654\uD558\uAC8C \uB418\uC5C8\uB294\uB370 \uADF8 \uC720\uB798\uB294 \uD55C\uACC4\uB97C \uB118\uC740 \uC804\uC801 \uBD80\uC815, \uACE7 \uB2C8\uD790\uB9AC\uC998\uC5D0 \uC788\uC5C8\uB2E4. \uCC3D\uC870\uC801\uC778 \uBC18\uD56D\uC774\uB780 \uD55C\uACC4\uB97C \uC790\uAC01\uD558\uB294 \uAC83, \uC911\uC6A9\uC758 \uC639\uD638\uC5D0 \uC9C0\uB098\uC9C0 \uC54A\uC73C\uBA70, \uC774\uB7EC\uD55C \uC790\uAC01\uC774 \uCE74\uBB88\uAC00 \uB9D0\uD558\uB294 '\uC815\uC624(\u6B63\u5348)\uC758 \uC0AC\uC0C1'\uC778 \uAC83\uC774\uB2E4."@ko . . . "\u0627\u0644\u0625\u0646\u0633\u0627\u0646 \u0627\u0644\u0645\u062A\u0645\u0631\u062F (\u0628\u0627\u0644\u0641\u0631\u0646\u0633\u064A\u0629: L'Homme r\u00E9volt\u00E9)\u200F \u0643\u062A\u0627\u0628 \u0643\u062A\u0628\u0647 \u0627\u0644\u0641\u064A\u0644\u0633\u0648\u0641 \u0627\u0644\u0641\u0631\u0646\u0633\u064A \u0623\u0644\u0628\u064A\u0631 \u0643\u0627\u0645\u0648\u060C \u0627\u0644\u0630\u064A \u064A\u0639\u0627\u0645\u0644 \u0643\u0644 \u0645\u0646 \u0627\u0644\u0645\u064A\u062A\u0627\u0641\u064A\u0632\u064A\u0642\u064A \u0648\u0627\u0644\u062A\u0637\u0648\u0631 \u0627\u0644\u062A\u0627\u0631\u064A\u062E\u064A \u0644\u0644\u062A\u0645\u0631\u062F \u0648 \u0627\u0644\u062B\u0648\u0631\u0629 \u0641\u064A \u0627\u0644\u0645\u062C\u062A\u0645\u0639\u0627\u062A\u060C \u0648\u062E\u0627\u0635\u0629 \u0623\u0648\u0631\u0648\u0628\u0627 \u0627\u0644\u063A\u0631\u0628\u064A\u0629."@ar . . . . . . "\u00AB\u0411\u0443\u043D\u0442\u0456\u0432\u043D\u0430 \u043B\u044E\u0434\u0438\u043D\u0430\u00BB (\u0444\u0440. L'Homme r\u00E9volt\u00E9) \u2014 \u0435\u0441\u0435 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u044C\u043A\u043E\u0433\u043E \u043F\u0438\u0441\u044C\u043C\u0435\u043D\u043D\u0438\u043A\u0430 \u0410\u043B\u044C\u0431\u0435\u0440\u0430 \u041A\u0430\u043C\u044E, \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u0435 \u0443 1951 \u0440\u043E\u0446\u0456, \u0432 \u044F\u043A\u043E\u043C\u0443 \u0432\u0456\u043D \u0430\u043D\u0430\u043B\u0456\u0437\u0443\u0454 \u043C\u0435\u0442\u0430\u0444\u0456\u0437\u0438\u0447\u043D\u0438\u0439 \u0442\u0430 \u0456\u0441\u0442\u043E\u0440\u0438\u0447\u043D\u0438\u0439 \u0440\u043E\u0437\u0432\u0438\u0442\u043E\u043A \u043F\u043E\u0432\u0441\u0442\u0430\u043D\u044C \u0456 \u0440\u0435\u0432\u043E\u043B\u044E\u0446\u0456\u0439 \u0443 \u0440\u0456\u0437\u043D\u0438\u0445 \u0441\u0443\u0441\u043F\u0456\u043B\u044C\u0441\u0442\u0432\u0430\u0445, \u0433\u043E\u043B\u043E\u0432\u043D\u043E \u0443 \u0417\u0430\u0445\u0456\u0434\u043D\u0456\u0439 \u0404\u0432\u0440\u043E\u043F\u0456. \u0414\u043E\u0441\u043B\u0456\u0434\u0436\u0443\u044E\u0447\u0438 \u043A\u043E\u043D\u0446\u0435\u043F\u0446\u0456\u0457 \u0440\u0456\u0437\u043D\u0438\u0445 \u043F\u0438\u0441\u044C\u043C\u0435\u043D\u043D\u0438\u043A\u0456\u0432 \u0456 \u0442\u0432\u043E\u0440\u0446\u0456\u0432 \u2014 \u0415\u043F\u0456\u043A\u0443\u0440\u0430, \u041B\u0443\u043A\u0440\u0435\u0446\u0456\u044F, \u043C\u0430\u0440\u043A\u0456\u0437\u0430 \u0434\u0435 \u0421\u0430\u0434\u0430, \u0413\u0435\u0491\u0435\u043B\u044F, \u0414\u043E\u0441\u0442\u043E\u0454\u0432\u0441\u044C\u043A\u043E\u0433\u043E, \u041D\u0456\u0446\u0448\u0435, \u0410\u043D\u0434\u0440\u0435 \u0411\u0440\u0435\u0442\u043E\u043D\u0430, \u2015 \u041A\u0430\u043C\u044E \u043D\u0430\u043C\u0430\u0433\u0430\u0454\u0442\u044C\u0441\u044F \u0432\u0438\u0432\u0435\u0441\u0442\u0438 \u043F\u043E\u0440\u0442\u0440\u0435\u0442 \u0431\u0443\u043D\u0442\u0456\u0432\u043D\u0438\u043A\u0430 \u0432 \u0456\u0441\u0442\u043E\u0440\u0438\u0447\u043D\u043E\u043C\u0443 \u0442\u0430 \u0445\u0443\u0434\u043E\u0436\u043D\u044C\u043E\u043C\u0443 \u0430\u0441\u043F\u0435\u043A\u0442\u0430\u0445. \u041A\u0430\u043C\u044E \u043F\u043E\u0447\u0430\u0432 \u0440\u043E\u0431\u043E\u0442\u0443 \u043D\u0430\u0434 \u0435\u0441\u0435 \u0432 \u043B\u044E\u0442\u043E\u043C\u0443 1950 \u0440\u043E\u043A\u0443, \u0430 \u0437\u0430\u0432\u0435\u0440\u0448\u0438\u0432 \u043E\u0441\u043D\u043E\u0432\u043D\u0438\u0439 \u0442\u0435\u043A\u0441\u0442 \u043A\u043D\u0438\u0433\u0438 \u0443 \u0431\u0435\u0440\u0435\u0437\u043D\u0456 1951. \u041E\u043A\u0440\u0435\u043C\u0456 \u0433\u043B\u0430\u0432\u0438 \u2014 \u043F\u0440\u043E \u041D\u0456\u0446\u0448\u0435 \u0456 \u041B\u043E\u0442\u0440\u0435\u0430\u043C\u043E\u043D\u0430 \u2015 \u0431\u0443\u043B\u043E \u043D\u0430\u0434\u0440\u0443\u043A\u043E\u0432\u0430\u043D\u043E \u0449\u0435 \u0434\u043E \u0432\u0438\u0445\u043E\u0434\u0443 \u043A\u043D\u0438\u0433\u0438 \u0443 \u0436\u0443\u0440\u043D\u0430\u043B\u0430\u0445. \u041F\u0435\u0440\u0448\u0430 \u043F\u0443\u0431\u043B\u0456\u043A\u0430\u0446\u0456\u044F \u043A\u043D\u0438\u0433\u0438 \u0432\u0456\u0434\u0431\u0443\u043B\u0430\u0441\u044F \u0443 \u0442\u043E\u043C\u0443 \u0436 1951-\u043C\u0443 \u0440\u043E\u0446\u0456 \u0443 \u0432\u0438\u0434\u0430\u0432\u043D\u0438\u0446\u0442\u0432\u0456 \u00AB\u0413\u0430\u043B\u043B\u0456\u043C\u0430\u0440\u00BB. \u0423\u043A\u0440\u0430\u0457\u043D\u0441\u044C\u043A\u043E\u044E \u043C\u043E\u0432\u043E\u044E \u0442\u0432\u0456\u0440 \u0431\u0443\u043B\u043E \u043D\u0430\u0434\u0440\u0443\u043A\u043E\u0432\u0430\u043D\u043E \u0432\u0438\u0434\u0430\u0432\u043D\u0438\u0446\u0442\u0432\u043E\u043C \u0424\u043E\u043B\u0456\u043E \u0443 \u0425\u0430\u0440\u043A\u043E\u0432\u0456 \u0443 1997 \u0440\u043E\u0446\u0456 \u0432 \u0441\u0435\u0440\u0456\u0457 \u00AB\u0412\u0438\u0431\u0440\u0430\u043D\u0456 \u0442\u0432\u043E\u0440\u0438 \u0443 \u0442\u0440\u044C\u043E\u0445 \u0442\u043E\u043C\u0430\u0445\u00BB. \u0415\u0441\u0435 \u0443\u0432\u0456\u0439\u0448\u043B\u043E \u0434\u043E 3-\u0433\u043E \u0442\u043E\u043C\u0443."@uk . . "\u0627\u0644\u0625\u0646\u0633\u0627\u0646 \u0627\u0644\u0645\u062A\u0645\u0631\u062F (\u0628\u0627\u0644\u0641\u0631\u0646\u0633\u064A\u0629: L'Homme r\u00E9volt\u00E9)\u200F \u0643\u062A\u0627\u0628 \u0643\u062A\u0628\u0647 \u0627\u0644\u0641\u064A\u0644\u0633\u0648\u0641 \u0627\u0644\u0641\u0631\u0646\u0633\u064A \u0623\u0644\u0628\u064A\u0631 \u0643\u0627\u0645\u0648\u060C \u0627\u0644\u0630\u064A \u064A\u0639\u0627\u0645\u0644 \u0643\u0644 \u0645\u0646 \u0627\u0644\u0645\u064A\u062A\u0627\u0641\u064A\u0632\u064A\u0642\u064A \u0648\u0627\u0644\u062A\u0637\u0648\u0631 \u0627\u0644\u062A\u0627\u0631\u064A\u062E\u064A \u0644\u0644\u062A\u0645\u0631\u062F \u0648 \u0627\u0644\u062B\u0648\u0631\u0629 \u0641\u064A \u0627\u0644\u0645\u062C\u062A\u0645\u0639\u0627\u062A\u060C \u0648\u062E\u0627\u0635\u0629 \u0623\u0648\u0631\u0648\u0628\u0627 \u0627\u0644\u063A\u0631\u0628\u064A\u0629."@ar . . . . "El hombre rebelde es un tratado filos\u00F3fico de Albert Camus sobre la rebeld\u00EDa, o sobre c\u00F3mo y por qu\u00E9 a lo largo de la historia el hombre se levanta contra Dios y contra su amo. Publicado en 1951, examina tanto la rebeld\u00EDa como la revuelta, que para Camus deben ser vistas como un mismo fen\u00F3meno manifestado en el \u00E1mbito personal y social respectivamente. Est\u00E1 dividida en tres partes. La primera ilustra a partir de autores de la literatura como el Marqu\u00E9s de Sade y artistas como los rom\u00E1nticos y surrealistas, la llamada \"rebeli\u00F3n metaf\u00EDsica\". El segundo apartado titulado \"La rebeli\u00F3n hist\u00F3rica\" describe los movimientos de la emancipaci\u00F3n social que se alimentaron gracias al conocimiento de las categor\u00EDas del sistema de Hegel. El anarquismo y las luchas sociales posteriores tendr\u00E1n as\u00ED lugar en una comprensi\u00F3n de la rebeld\u00EDa y la emancipaci\u00F3n del hombre en su condici\u00F3n de siervo. Por \u00FAltimo la obra dedicar\u00E1 una reflexi\u00F3n a la relaci\u00F3n entre \"arte y rebeli\u00F3n\". En cada uno de estos apartados se abordan y detallan las distintas formas de la rebeli\u00F3n contra los valores y principios que se han aceptado como inmutables. Dios, moral y principios, se ponen en cuesti\u00F3n en el acto de la rebeld\u00EDa a favor de una comprensi\u00F3n diferente, la cual ofrezca un sentido ajeno al de los principios superiores o divinos. Para Camus no es la \"revoluci\u00F3n\" sino la rebeli\u00F3n constante el esp\u00EDritu que mueve al hombre cr\u00EDtico, humanista y emancipador, previniendo de la tiran\u00EDa en nombre de la libertad. Una de las frases m\u00E1s conocidas del libro es la siguiente, que se encuentra al inicio de la obra: \u00BFQu\u00E9 es un hombre rebelde? Un hombre que dice no. Pero negar no es renunciar: es tambi\u00E9n un hombre que dice s\u00ED desde su primer movimiento. (...) El rebelde (es decir, el que se vuelve o revuelve contra algo) da media vuelta. Marchaba bajo el l\u00E1tigo del amo y he aqu\u00ED que hace frente. Opone lo que es preferible a lo que no lo es. Camus apela a considerar la validez humanista de la \"\u00E9tica de la acci\u00F3n\" (los m\u00E9todos compatibles con los objetivos). Otros temas que trabaja en este libro son que, la novela es en realidad la m\u00E1s elevada forma de rebeld\u00EDa, y el romanticismo es m\u00E1s puro que cualquier conformismo. Con respecto a su pensamiento pol\u00EDtico en este libro afirmar\u00E1 la superioridad del individuo ejerciendo su poder a trav\u00E9s de asociaciones libres, haciendo un alegato a favor del anarquismo y explicando su superioridad sobre el marxismo como forma de rebeli\u00F3n. [...] el sindicato contra el partido, el municipio contra el Estado, el individualismo solidario contra la sociedad de masas."@es . . "O homem revoltado (em franc\u00EAs, L'homme r\u00E9volt\u00E9) \u00E9 um ensaio filos\u00F3fico escrito por Albert Camus e publicado em 1951. O livro analisa o conceito da Revolta de um ponto de vista hist\u00F3rico. Analisando suas caracter\u00EDsticas e seus desvirtuamentos. A revolta para Camus tem uma dupla significa\u00E7\u00E3o. N\u00E3o \u00E9 apenas hist\u00F3rica (apesar do seu ensaio ser hist\u00F3rico, ou seja, analisa as manifesta\u00E7\u00F5es hist\u00F3ricas da revolta), a revolta encontra algo de irredut\u00EDvel \u00E0 hist\u00F3ria."@pt . . . . . . "Cz\u0142owiek zbuntowany (fr. L\u2019Homme Revolt\u00E9) \u2013 licz\u0105cy ponad 300 stron esej, napisany przez Alberta Camusa w 1951 roku, kt\u00F3rego tematem jest historycznie nakre\u015Blony rozw\u00F3j buntu i rewolucji w spo\u0142ecze\u0144stwach Europy. Esej Camusa bierze na warsztat pisarzy i artyst\u00F3w tak r\u00F3\u017Cnych jak Epikur i Lukrecjusz, Markiz de Sade, Georg Wilhelm Friedrich Hegel, Fiodor Dostojewski, Friedrich Nietzsche, Max Stirner, Andr\u00E9 Breton i inni. Jest to w spos\u00F3b zintegrowany nakre\u015Blony portret historycznego cz\u0142owieka w procesie buntu. Badaj\u0105c zar\u00F3wno idee rebelii i buntu, kt\u00F3re mog\u0105 by\u0107 postrzegane jako elementy tego samego zjawiska w ramach osobistych i spo\u0142ecznych, Camus analizuje kilka postaci \u201Ekontrkultury\u201D i ruchy kontrkulturowe w zachodniej my\u015Bli i sztuce, zwracaj\u0105c uwag\u0119 na znaczenie w og\u00F3lnym rozwoju my\u015Bli re"@pl . . . . . . . . . . "The Rebel"@en . . . . . . . . . . . . . . . "L'Homme r\u00E9volt\u00E9"@en . . "France"@en . . . "978"^^ . "The Rebel (book)"@en . . . "Der Mensch in der Revolte (franz\u00F6sisch L\u2019homme r\u00E9volt\u00E9), erschienen 1951, ist eine Sammlung philosophisch-politischer Essays des franz\u00F6sischen Philosophen und Schriftstellers Albert Camus. Im Unterschied zum vorangegangenen Essay Der Mythos des Sisyphos will Camus hier nicht nur \u201Edas \u00DCbel, welches ein Einzelner erlitt\u201C schildern, sondern die Entwicklung des Nihilismus zur \u201Ekollektiven Pest\u201C in Philosophie, Politik und politischer Theorie protokollieren. Ausgangspunkt hierf\u00FCr ist wie schon fr\u00FCher seine Philosophie des Absurden."@de . "The Rebel"@en . . . . . . "L'home revoltat (en franc\u00E8s: L'Homme r\u00E9volt\u00E9) \u00E9s un tractat filos\u00F2fic d'Albert Camus sobre la rebel\u00B7lia, o sobre com i per qu\u00E8 al llarg de la hist\u00F2ria l'\u00E9sser hum\u00E0 s'aixeca contra el d\u00E9u o l'amo. Publicat el 1951, examina tant la rebel\u00B7lia com la revolta, que per a Camus han de ser vistes com un mateix fenomen manifestat en l'\u00E0mbit personal i social respectivament. Una de les frases m\u00E9s conegudes del llibre \u00E9s la seg\u00FCent, que es troba a l'inici de l'obra:"@ca . "\u300A\u53CD\u6297\u8005\u300B (\u6CD5\u8A9E\uFF1AL'Homme r\u00E9volt\u00E9)\u662F\u6CD5\u56FD\u4F5C\u5BB6\u963F\u5C14\u8D1D\u00B7\u52A0\u7F2A\u7684\u4E00\u90E8\u6563\u6587\u4F5C\u54C1\uFF0C\u51FA\u7248\u4E8E1951\u5E74\u3002\u6587\u4E2D\u4ECE\u5F62\u800C\u4E0A\u5B78\u548C\u5386\u53F2\u4E24\u4E2A\u89D2\u5EA6\u8BA8\u8BBA\u4E3E\u4E8B\u548C\u9769\u547D\uFF0C\u5C24\u5176\u662F\u897F\u6B27\u793E\u4F1A\u3002\u52A0\u7F2A\u7EFC\u5408\u7814\u7A76\u4E86\u8BB8\u591A\u4F5C\u5BB6\u548C\u827A\u672F\u5BB6\uFF0C\u4F8B\u5982\u4F0A\u58C1\u9E20\u9C81\u3001\u5362\u514B\u83B1\u4FEE\u3001\u8428\u5FB7\u4FAF\u7235\u3001\u9ED1\u683C\u5C14\u3001\u9640\u601D\u59A5\u8036\u592B\u65AF\u57FA\u3001\u5C3C\u91C7\u3001\u9EA6\u514B\u65AF\u00B7\u65BD\u8482\u7EB3\u3001\u5B89\u5FB7\u70C8\u00B7\u5E03\u52D2\u4E1C\u7B49\u4EBA\uFF0C\u5728\u9769\u547D\u4E2D\u7684\u5386\u53F2\u3002\u52A0\u7F2A\u8003\u5BDF\u4E86\u897F\u65B9\u601D\u60F3\u53F2\u548C\u827A\u672F\u53F2\u4E0A\u7684\u4E00\u4E9B\u53CD\u6587\u5316\u4EBA\u7269\u548C\u8FD0\u52A8\uFF0C\u6307\u51FA\u5B83\u4EEC\u90FD\u5BF9\u9769\u547D\u601D\u60F3\u548C\u54F2\u5B66\u7684\u5168\u9762\u53D1\u5C55\u53D1\u6325\u4E86\u91CD\u8981\u4F5C\u7528\u3002\u8FD9\u90E8\u4F5C\u54C1\u4E00\u76F4\u5E7F\u53D7\u6B22\u8FCE\uFF0C\u5F71\u54CD\u4E86\u73B0\u4EE3\u54F2\u5B66\u5BB6\u548C\u4F5C\u5BB6\uFF0C\u5982\u4FDD\u7F57\u00B7\u4F2F\u66FC\u7B49\u4EBA\u3002 \u5F17\u96F7\u5FB7\u00B7\u7F57\u68EE\u7814\u7A76\u4E86\u897F\u8499\u5A1C\u00B7\u97E6\u4F0A\u7684\u601D\u60F3\u5BF9\u52A0\u7F2A\u300A\u53CD\u6297\u8005\u300B\u7684\u5F71\u54CD\uFF0C\u800C\u4E54\u6CBB\u00B7\u83F2\u52D2\u5206\u6790\u4E86\u52A0\u7F2A\u4E0E\u5C3C\u91C7\u54F2\u5B66\u7684\u76F8\u4F3C\u4E4B\u5904\u3002"@zh . . "L'Homme r\u00E9volt\u00E9 est un essai r\u00E9dig\u00E9 par Albert Camus et publi\u00E9 en 1951. Il fait suite \u00E0 son exploration de la \u00AB n\u00E9gation \u00BB, notamment avec un Mythe de Sisyphe qui traitait principalement du caract\u00E8re absurde de l'existence \u00E0 travers le th\u00E8me du suicide. Avec L'Homme r\u00E9volt\u00E9, Camus se concentre au contraire sur le positif et le d\u00E9passement de l'absurde. Il y distingue notamment la r\u00E9volte \u2014 un refus positif \u2014 et les r\u00E9volutions qui, perdant de vue leur r\u00E9volte initiale, sont tomb\u00E9es dans le nihilisme, ont sacrifi\u00E9 le r\u00E9el au profit de l'id\u00E9ologie, et rationalis\u00E9 le meurtre."@fr . "898990"^^ . "\u00AB\u0411\u0443\u043D\u0442\u0443\u044E\u0449\u0438\u0439 \u0447\u0435\u043B\u043E\u0432\u0435\u043A\u00BB (\u0444\u0440. L'Homme r\u00E9volt\u00E9) \u2014 \u044D\u0441\u0441\u0435 \u0410\u043B\u044C\u0431\u0435\u0440\u0430 \u041A\u0430\u043C\u044E, \u043E\u043F\u0443\u0431\u043B\u0438\u043A\u043E\u0432\u0430\u043D\u043D\u043E\u0435 \u0432 1951 \u0433\u043E\u0434\u0443, \u0432 \u043A\u043E\u0442\u043E\u0440\u043E\u043C \u0430\u043D\u0430\u043B\u0438\u0437\u0438\u0440\u0443\u0435\u0442\u0441\u044F \u043C\u0435\u0442\u0430\u0444\u0438\u0437\u0438\u0447\u0435\u0441\u043A\u043E\u0435 \u0438 \u0438\u0441\u0442\u043E\u0440\u0438\u0447\u0435\u0441\u043A\u043E\u0435 \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u0435 \u0432\u043E\u0441\u0441\u0442\u0430\u043D\u0438\u044F \u0438 \u0440\u0435\u0432\u043E\u043B\u044E\u0446\u0438\u0438 \u0432 \u043E\u0431\u0449\u0435\u0441\u0442\u0432\u0430\u0445 \u0417\u0430\u043F\u0430\u0434\u043D\u043E\u0439 \u0415\u0432\u0440\u043E\u043F\u044B \u0438 \u0420\u043E\u0441\u0441\u0438\u0438. \u041F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0435 \u044F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u0435\u043C \u0438\u0434\u0435\u0439 \u00AB\u041C\u0438\u0444\u0430 \u043E \u0421\u0438\u0437\u0438\u0444\u0435\u00BB, \u043F\u0435\u0440\u0435\u0445\u043E\u0434\u044F \u043E\u0442 \u043F\u0440\u043E\u0431\u043B\u0435\u043C \u0441\u0430\u043C\u043E\u0443\u0431\u0438\u0439\u0441\u0442\u0432\u0430 \u0438 \u0430\u0431\u0441\u0443\u0440\u0434\u0430 \u043A \u043F\u0440\u043E\u0431\u043B\u0435\u043C\u0430\u043C \u0443\u0431\u0438\u0439\u0441\u0442\u0432\u0430 \u0438 \u0431\u0443\u043D\u0442\u0430. \u041A\u0430\u043C\u044E \u043F\u0438\u0441\u0430\u043B \u0442\u0440\u0443\u0434 \u0432\u043E \u043C\u043D\u043E\u0433\u043E\u043C \u0441 \u0446\u0435\u043B\u044C\u044E \u043E\u0441\u043C\u044B\u0441\u043B\u0435\u043D\u0438\u044F \u0441\u043E\u0431\u044B\u0442\u0438\u0439 \u0441\u0432\u043E\u0435\u0439 \u044D\u043F\u043E\u0445\u0438, \u0445\u0430\u0440\u0430\u043A\u0442\u0435\u0440\u0438\u0437\u0443\u044E\u0449\u0438\u0445\u0441\u044F \u043E\u0442\u0441\u0443\u0442\u0441\u0442\u0432\u0438\u0435\u043C \u043F\u043E\u043D\u044F\u0442\u0438\u044F \u043C\u0435\u0440\u044B."@ru . "Cover of the first edition"@en . . . . "\uBC18\uD56D\uD558\uB294 \uC778\uAC04"@ko . . . . . . . "Anthony Bower"@en . . . . . . . "\u300A\u53CD\u6297\u8005\u300B (\u6CD5\u8A9E\uFF1AL'Homme r\u00E9volt\u00E9)\u662F\u6CD5\u56FD\u4F5C\u5BB6\u963F\u5C14\u8D1D\u00B7\u52A0\u7F2A\u7684\u4E00\u90E8\u6563\u6587\u4F5C\u54C1\uFF0C\u51FA\u7248\u4E8E1951\u5E74\u3002\u6587\u4E2D\u4ECE\u5F62\u800C\u4E0A\u5B78\u548C\u5386\u53F2\u4E24\u4E2A\u89D2\u5EA6\u8BA8\u8BBA\u4E3E\u4E8B\u548C\u9769\u547D\uFF0C\u5C24\u5176\u662F\u897F\u6B27\u793E\u4F1A\u3002\u52A0\u7F2A\u7EFC\u5408\u7814\u7A76\u4E86\u8BB8\u591A\u4F5C\u5BB6\u548C\u827A\u672F\u5BB6\uFF0C\u4F8B\u5982\u4F0A\u58C1\u9E20\u9C81\u3001\u5362\u514B\u83B1\u4FEE\u3001\u8428\u5FB7\u4FAF\u7235\u3001\u9ED1\u683C\u5C14\u3001\u9640\u601D\u59A5\u8036\u592B\u65AF\u57FA\u3001\u5C3C\u91C7\u3001\u9EA6\u514B\u65AF\u00B7\u65BD\u8482\u7EB3\u3001\u5B89\u5FB7\u70C8\u00B7\u5E03\u52D2\u4E1C\u7B49\u4EBA\uFF0C\u5728\u9769\u547D\u4E2D\u7684\u5386\u53F2\u3002\u52A0\u7F2A\u8003\u5BDF\u4E86\u897F\u65B9\u601D\u60F3\u53F2\u548C\u827A\u672F\u53F2\u4E0A\u7684\u4E00\u4E9B\u53CD\u6587\u5316\u4EBA\u7269\u548C\u8FD0\u52A8\uFF0C\u6307\u51FA\u5B83\u4EEC\u90FD\u5BF9\u9769\u547D\u601D\u60F3\u548C\u54F2\u5B66\u7684\u5168\u9762\u53D1\u5C55\u53D1\u6325\u4E86\u91CD\u8981\u4F5C\u7528\u3002\u8FD9\u90E8\u4F5C\u54C1\u4E00\u76F4\u5E7F\u53D7\u6B22\u8FCE\uFF0C\u5F71\u54CD\u4E86\u73B0\u4EE3\u54F2\u5B66\u5BB6\u548C\u4F5C\u5BB6\uFF0C\u5982\u4FDD\u7F57\u00B7\u4F2F\u66FC\u7B49\u4EBA\u3002 \u5F17\u96F7\u5FB7\u00B7\u7F57\u68EE\u7814\u7A76\u4E86\u897F\u8499\u5A1C\u00B7\u97E6\u4F0A\u7684\u601D\u60F3\u5BF9\u52A0\u7F2A\u300A\u53CD\u6297\u8005\u300B\u7684\u5F71\u54CD\uFF0C\u800C\u4E54\u6CBB\u00B7\u83F2\u52D2\u5206\u6790\u4E86\u52A0\u7F2A\u4E0E\u5C3C\u91C7\u54F2\u5B66\u7684\u76F8\u4F3C\u4E4B\u5904\u3002"@zh . "El hombre rebelde"@es . . . . . . . . . . . "The Rebel (French: L'Homme r\u00E9volt\u00E9) is a 1951 book-length essay by Albert Camus, which treats both the metaphysical and the historical development of rebellion and revolution in societies, especially Western Europe. Examining both rebellion and revolt, which may be seen as the same phenomenon in personal and social frames, Camus examines several 'countercultural' figures and movements from the history of Western thought and art, noting the importance of each in the overall development of revolutionary thought and philosophy. He analyses the decreasing social importance of the king, god and of virtue and the development of nihilism. It can be seen as a sequel to The Myth of Sisyphus, where he ponders the meaning of life, because it answers the same question, but offers an alternative solution."@en . . "11363"^^ . . . . . . "El hombre rebelde es un tratado filos\u00F3fico de Albert Camus sobre la rebeld\u00EDa, o sobre c\u00F3mo y por qu\u00E9 a lo largo de la historia el hombre se levanta contra Dios y contra su amo. Publicado en 1951, examina tanto la rebeld\u00EDa como la revuelta, que para Camus deben ser vistas como un mismo fen\u00F3meno manifestado en el \u00E1mbito personal y social respectivamente. Una de las frases m\u00E1s conocidas del libro es la siguiente, que se encuentra al inicio de la obra: [...] el sindicato contra el partido, el municipio contra el Estado, el individualismo solidario contra la sociedad de masas."@es . "L'uomo in rivolta. Saggi (L'Homme r\u00E9volt\u00E9. Essais) \u00E8 un saggio di Albert Camus pubblicato nel 1951 presso Gallimard (Parigi), dove egli confronta l'idea di rivoluzione, intesa come promozione di valori umani e rivolta contro l'assurdo, con la storia e il presente dei movimenti rivoluzionari."@it . "L'uomo in rivolta"@it . . "L'Homme r\u00E9volt\u00E9 est un essai r\u00E9dig\u00E9 par Albert Camus et publi\u00E9 en 1951. Il fait suite \u00E0 son exploration de la \u00AB n\u00E9gation \u00BB, notamment avec un Mythe de Sisyphe qui traitait principalement du caract\u00E8re absurde de l'existence \u00E0 travers le th\u00E8me du suicide. Avec L'Homme r\u00E9volt\u00E9, Camus se concentre au contraire sur le positif et le d\u00E9passement de l'absurde. Il y distingue notamment la r\u00E9volte \u2014 un refus positif \u2014 et les r\u00E9volutions qui, perdant de vue leur r\u00E9volte initiale, sont tomb\u00E9es dans le nihilisme, ont sacrifi\u00E9 le r\u00E9el au profit de l'id\u00E9ologie, et rationalis\u00E9 le meurtre."@fr . . . "L'Homme r\u00E9volt\u00E9"@en . "\u0411\u0443\u043D\u0442\u0443\u044E\u0449\u0438\u0439 \u0447\u0435\u043B\u043E\u0432\u0435\u043A"@ru . . "L'Homme r\u00E9volt\u00E9"@fr . . . . "\u00AB\u0411\u0443\u043D\u0442\u0443\u044E\u0449\u0438\u0439 \u0447\u0435\u043B\u043E\u0432\u0435\u043A\u00BB (\u0444\u0440. L'Homme r\u00E9volt\u00E9) \u2014 \u044D\u0441\u0441\u0435 \u0410\u043B\u044C\u0431\u0435\u0440\u0430 \u041A\u0430\u043C\u044E, \u043E\u043F\u0443\u0431\u043B\u0438\u043A\u043E\u0432\u0430\u043D\u043D\u043E\u0435 \u0432 1951 \u0433\u043E\u0434\u0443, \u0432 \u043A\u043E\u0442\u043E\u0440\u043E\u043C \u0430\u043D\u0430\u043B\u0438\u0437\u0438\u0440\u0443\u0435\u0442\u0441\u044F \u043C\u0435\u0442\u0430\u0444\u0438\u0437\u0438\u0447\u0435\u0441\u043A\u043E\u0435 \u0438 \u0438\u0441\u0442\u043E\u0440\u0438\u0447\u0435\u0441\u043A\u043E\u0435 \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u0435 \u0432\u043E\u0441\u0441\u0442\u0430\u043D\u0438\u044F \u0438 \u0440\u0435\u0432\u043E\u043B\u044E\u0446\u0438\u0438 \u0432 \u043E\u0431\u0449\u0435\u0441\u0442\u0432\u0430\u0445 \u0417\u0430\u043F\u0430\u0434\u043D\u043E\u0439 \u0415\u0432\u0440\u043E\u043F\u044B \u0438 \u0420\u043E\u0441\u0441\u0438\u0438. \u041F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0435 \u044F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u0435\u043C \u0438\u0434\u0435\u0439 \u00AB\u041C\u0438\u0444\u0430 \u043E \u0421\u0438\u0437\u0438\u0444\u0435\u00BB, \u043F\u0435\u0440\u0435\u0445\u043E\u0434\u044F \u043E\u0442 \u043F\u0440\u043E\u0431\u043B\u0435\u043C \u0441\u0430\u043C\u043E\u0443\u0431\u0438\u0439\u0441\u0442\u0432\u0430 \u0438 \u0430\u0431\u0441\u0443\u0440\u0434\u0430 \u043A \u043F\u0440\u043E\u0431\u043B\u0435\u043C\u0430\u043C \u0443\u0431\u0438\u0439\u0441\u0442\u0432\u0430 \u0438 \u0431\u0443\u043D\u0442\u0430. \u041A\u0430\u043C\u044E \u043F\u0438\u0441\u0430\u043B \u0442\u0440\u0443\u0434 \u0432\u043E \u043C\u043D\u043E\u0433\u043E\u043C \u0441 \u0446\u0435\u043B\u044C\u044E \u043E\u0441\u043C\u044B\u0441\u043B\u0435\u043D\u0438\u044F \u0441\u043E\u0431\u044B\u0442\u0438\u0439 \u0441\u0432\u043E\u0435\u0439 \u044D\u043F\u043E\u0445\u0438, \u0445\u0430\u0440\u0430\u043A\u0442\u0435\u0440\u0438\u0437\u0443\u044E\u0449\u0438\u0445\u0441\u044F \u043E\u0442\u0441\u0443\u0442\u0441\u0442\u0432\u0438\u0435\u043C \u043F\u043E\u043D\u044F\u0442\u0438\u044F \u043C\u0435\u0440\u044B."@ru . "L'home revoltat"@ca . "Cz\u0142owiek zbuntowany (fr. L\u2019Homme Revolt\u00E9) \u2013 licz\u0105cy ponad 300 stron esej, napisany przez Alberta Camusa w 1951 roku, kt\u00F3rego tematem jest historycznie nakre\u015Blony rozw\u00F3j buntu i rewolucji w spo\u0142ecze\u0144stwach Europy. Esej Camusa bierze na warsztat pisarzy i artyst\u00F3w tak r\u00F3\u017Cnych jak Epikur i Lukrecjusz, Markiz de Sade, Georg Wilhelm Friedrich Hegel, Fiodor Dostojewski, Friedrich Nietzsche, Max Stirner, Andr\u00E9 Breton i inni. Jest to w spos\u00F3b zintegrowany nakre\u015Blony portret historycznego cz\u0142owieka w procesie buntu. Badaj\u0105c zar\u00F3wno idee rebelii i buntu, kt\u00F3re mog\u0105 by\u0107 postrzegane jako elementy tego samego zjawiska w ramach osobistych i spo\u0142ecznych, Camus analizuje kilka postaci \u201Ekontrkultury\u201D i ruchy kontrkulturowe w zachodniej my\u015Bli i sztuce, zwracaj\u0105c uwag\u0119 na znaczenie w og\u00F3lnym rozwoju my\u015Bli rewolucyjnej i filozofii buntu. Praca wci\u0105\u017C cieszy si\u0119 ci\u0105g\u0142ym zainteresowaniem, wp\u0142ywaj\u0105c na wsp\u00F3\u0142czesnych filozof\u00F3w i pisarzy, takich jak i inni. Pierwsze t\u0142umaczenie na j\u0119zyk polski ukaza\u0142o si\u0119 nak\u0142adem Instytutu Literackiego w Pary\u017Cu w 1958 roku, za\u015B w komunistycznej Polsce w formie okrojonej bez rozdzia\u0142\u00F3w dotycz\u0105cych krytyki systemu marksistowskiego w zbiorze \"Eseje\" w 1973 roku."@pl . . . . . "French"@en . . . . . . . . "\u0627\u0644\u0625\u0646\u0633\u0627\u0646 \u0627\u0644\u0645\u062A\u0645\u0631\u062F"@ar . . . . "1110283516"^^ . "\u0411\u0443\u043D\u0442\u0456\u0432\u043D\u0430 \u043B\u044E\u0434\u0438\u043D\u0430"@uk . "\u300A\uBC18\uD56D\uD558\uB294 \uC778\uAC04\u300B(L'Homme R\u00E9volt\u00E9)\uC740 \uC54C\uBCA0\uB974 \uCE74\uBB88\uAC00 1951\uB144\uC5D0 \uCD9C\uD310\uD55C \uCC45\uC774\uB2E4. \uC774 \uCC45\uC740 \uCE74\uBB88\uC758 \uC774\uB860\uC801 \uC800\uC791\uC73C\uB85C\uC11C \uC804\uC791\uC778 \u300A\uC2DC\uC9C0\uD504 \uC2E0\uD654\u300B\uB85C\uBD80\uD130\uC758 \uBC1C\uC804\uC744 \uBCF4\uC5EC\uC8FC\uACE0 \uB3D9\uC2DC\uC5D0 \uC720\uB7FD \uC0AC\uC0C1\uC758 \uBCC0\uCC9C\uC744 \uAC1C\uAD00\uD558\uC5EC \uD604\uB300 \uC138\uACC4\uC758 \uC778\uAC04\uC758 \uC874\uC7AC \uBC29\uC2DD\uC744 \uB17C\uD55C \uBB38\uBA85 \uBE44\uD3C9\uC774\uAE30\uB3C4 \uD558\uB2E4. \uC804\uC791\uC5D0\uC11C \uC778\uAC04\uC758 \uC870\uAC74\uC758 \uBD80\uC870\uB9AC\uC131, \uACE7 \uD589\uB3D9\uC744 \uC778\uB3C4\uD558\uB294 \uD615\uC774\uC0C1\uD559\uC801 \uADFC\uAC70\uB85C\uC11C\uC758 \uAC00\uCE58\uAE30\uC900\uC758 \uBD80\uC7AC\uB97C \uC778\uC815\uD55C \uCE74\uBB88\uB294, \uBD80\uC870\uB9AC \uAC00\uC6B4\uB370\uC11C \uC808\uB9DD\uC744 \uACAC\uB514\uB294 \uC0DD\uC744 \uAE0D\uC815\uD558\uACE0 \uC790\uC0B4\uACFC \uC0B4\uC778\uC744 \uB3D9\uC2DC\uC5D0 \uBC30\uCC99\uD558\uB294 \uC0DD\uC758 \uC5F0\uB300\uC5D0\uC11C \uBAA8\uB784\uC744 \uAD6C\uD588\uC73C\uB098, \uC774 \uCC45\uC5D0\uC11C\uB294 \uC6B0\uC120 \uB370\uCE74\uB974\uD2B8\uC758 \uBC29\uBC95\uC801 \uD68C\uC758\uCC98\uB7FC \uC77C\uCCB4\uB97C \uBC31\uC9C0\uB85C \uB3CC\uB9AC\uB294 \uBD80\uC870\uB9AC\uC758 \uACBD\uD5D8\uC744 \uD1B5\uD574\uC11C \uC774\uC5D0 \uB300\uD55C \uBC18\uD56D\uC744 \uCD5C\uCD08\uC758 \uBA85\uC99D\uC73C\uB85C \uC138\uC6B4\uB2E4. \uBC18\uD56D\uC774\uC57C\uB9D0\uB85C \uCD5C\uCD08\uC758 \uAC00\uCE58\uC6D0\uCC9C\uC73C\uB85C\uC11C \uC8FC\uC778\uC5D0\uAC8C \uBC18\uD56D\uD558\uB294 \uB178\uC608\uB294 \uC778\uAC04\uC758 \uAD8C\uB9AC\uB97C \uC694\uAD6C\uD558\uACE0 \uC8FC\uC778\uC73C\uB85C\uC11C\uC758 \uC8FC\uC778\uC744 \uBD80\uC815\uD558\uC9C0\uB9CC, \uC774 \uBD80\uC815\uC5D0\uB294 \uC6D0\uB798 \uAE0D\uC815\uD574\uC57C \uD560 \uAC83\uC774 \uB530\uB974\uACE0 \uC788\uB2E4. \uADF8\uB7EC\uB098 \uB9CC\uC77C \uBC18\uB300\uC790\uAC00 \uAE0D\uC815\uACFC \uBD80\uC815\uC758 \uAE34\uC7A5\uC5D0 \uC9C0\uCCD0\uC11C \uC778\uAC04\uC758 \uC870\uAC74 \uC790\uCCB4\uB97C \uC804\uC801\uC73C\uB85C \uCC3D\uC870\uD558\uB824\uACE0 \uD558\uBA74, \uADF8\uAC83\uC740 \uD615\uC774\uC0C1\uD559\uC801 \uBC18\uD56D\uC774 \uB418\uACE0 \uC5EC\uAE30\uC5D0\uC11C \uB2C8\uD790\uB9AC\uC998\uC774 \uC2DC\uC791\uB41C\uB2E4. \uC774\uAC83\uC740 \uADFC\uB300\uC758 \uC5EC\uB7EC \uC0AC\uC0C1\uACFC \uD568\uAED8 \uC9C0\uBC30\uC801\uC73C\uB85C \uB098\uD0C0\uB098\uACE0, \uC5ED\uC0AC\uC5D0 \uC788\uC5B4\uC11C\uB294 \uC804\uCCB4\uC131(\u5168\u9AD4\u6027)\uC744 \uC694\uAD6C\uD558\uB294 \uD601\uBA85\uB0B4\uC5D0\uC11C \uB17C\uB9AC\uC801 \uADC0\uACB0\uC744 \uBC1C\uACAC\uD55C\uB2E4. \uCE74\uBB88\uC5D0 \uC758\uD558\uBA74 \uB9C8\uB974\uD06C\uC2A4\uC8FC\uC758\uB3C4 \uBAA8\uB4E0 \uACF5\uD3EC\uC815\uCE58\uC640 \uB9C8\uCC2C\uAC00\uC9C0\uB85C \uC608\uC5B8\uC801 \uAD50\uC758(\u8C6B\u8A00\u7684\u654E\u7FA9)\uB85C\uC11C \uC0B4\uC778\uC744 \uC815\uB2F9\uD654\uD558\uAC8C \uB418\uC5C8\uB294\uB370 \uADF8 \uC720\uB798\uB294 \uD55C\uACC4\uB97C \uB118\uC740 \uC804\uC801 \uBD80\uC815, \uACE7 \uB2C8\uD790\uB9AC\uC998\uC5D0 \uC788\uC5C8\uB2E4. \uCC3D\uC870\uC801\uC778 \uBC18\uD56D\uC774\uB780 \uD55C\uACC4\uB97C \uC790\uAC01\uD558\uB294 \uAC83, \uC911\uC6A9\uC758 \uC639\uD638\uC5D0 \uC9C0\uB098\uC9C0 \uC54A\uC73C\uBA70, \uC774\uB7EC\uD55C \uC790\uAC01\uC774 \uCE74\uBB88\uAC00 \uB9D0\uD558\uB294 '\uC815\uC624(\u6B63\u5348)\uC758 \uC0AC\uC0C1'\uC778 \uAC83\uC774\uB2E4."@ko . "Der Mensch in der Revolte"@de . . . . . "The Rebel (French: L'Homme r\u00E9volt\u00E9) is a 1951 book-length essay by Albert Camus, which treats both the metaphysical and the historical development of rebellion and revolution in societies, especially Western Europe."@en . "L'uomo in rivolta. Saggi (L'Homme r\u00E9volt\u00E9. Essais) \u00E8 un saggio di Albert Camus pubblicato nel 1951 presso Gallimard (Parigi), dove egli confronta l'idea di rivoluzione, intesa come promozione di valori umani e rivolta contro l'assurdo, con la storia e il presente dei movimenti rivoluzionari."@it . . "Cz\u0142owiek zbuntowany"@pl . . . . "\u53CD\u6297\u8005"@zh . . . . . . . . . . . "\u00AB\u0411\u0443\u043D\u0442\u0456\u0432\u043D\u0430 \u043B\u044E\u0434\u0438\u043D\u0430\u00BB (\u0444\u0440. L'Homme r\u00E9volt\u00E9) \u2014 \u0435\u0441\u0435 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u044C\u043A\u043E\u0433\u043E \u043F\u0438\u0441\u044C\u043C\u0435\u043D\u043D\u0438\u043A\u0430 \u0410\u043B\u044C\u0431\u0435\u0440\u0430 \u041A\u0430\u043C\u044E, \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u0435 \u0443 1951 \u0440\u043E\u0446\u0456, \u0432 \u044F\u043A\u043E\u043C\u0443 \u0432\u0456\u043D \u0430\u043D\u0430\u043B\u0456\u0437\u0443\u0454 \u043C\u0435\u0442\u0430\u0444\u0456\u0437\u0438\u0447\u043D\u0438\u0439 \u0442\u0430 \u0456\u0441\u0442\u043E\u0440\u0438\u0447\u043D\u0438\u0439 \u0440\u043E\u0437\u0432\u0438\u0442\u043E\u043A \u043F\u043E\u0432\u0441\u0442\u0430\u043D\u044C \u0456 \u0440\u0435\u0432\u043E\u043B\u044E\u0446\u0456\u0439 \u0443 \u0440\u0456\u0437\u043D\u0438\u0445 \u0441\u0443\u0441\u043F\u0456\u043B\u044C\u0441\u0442\u0432\u0430\u0445, \u0433\u043E\u043B\u043E\u0432\u043D\u043E \u0443 \u0417\u0430\u0445\u0456\u0434\u043D\u0456\u0439 \u0404\u0432\u0440\u043E\u043F\u0456. \u0414\u043E\u0441\u043B\u0456\u0434\u0436\u0443\u044E\u0447\u0438 \u043A\u043E\u043D\u0446\u0435\u043F\u0446\u0456\u0457 \u0440\u0456\u0437\u043D\u0438\u0445 \u043F\u0438\u0441\u044C\u043C\u0435\u043D\u043D\u0438\u043A\u0456\u0432 \u0456 \u0442\u0432\u043E\u0440\u0446\u0456\u0432 \u2014 \u0415\u043F\u0456\u043A\u0443\u0440\u0430, \u041B\u0443\u043A\u0440\u0435\u0446\u0456\u044F, \u043C\u0430\u0440\u043A\u0456\u0437\u0430 \u0434\u0435 \u0421\u0430\u0434\u0430, \u0413\u0435\u0491\u0435\u043B\u044F, \u0414\u043E\u0441\u0442\u043E\u0454\u0432\u0441\u044C\u043A\u043E\u0433\u043E, \u041D\u0456\u0446\u0448\u0435, \u0410\u043D\u0434\u0440\u0435 \u0411\u0440\u0435\u0442\u043E\u043D\u0430, \u2015 \u041A\u0430\u043C\u044E \u043D\u0430\u043C\u0430\u0433\u0430\u0454\u0442\u044C\u0441\u044F \u0432\u0438\u0432\u0435\u0441\u0442\u0438 \u043F\u043E\u0440\u0442\u0440\u0435\u0442 \u0431\u0443\u043D\u0442\u0456\u0432\u043D\u0438\u043A\u0430 \u0432 \u0456\u0441\u0442\u043E\u0440\u0438\u0447\u043D\u043E\u043C\u0443 \u0442\u0430 \u0445\u0443\u0434\u043E\u0436\u043D\u044C\u043E\u043C\u0443 \u0430\u0441\u043F\u0435\u043A\u0442\u0430\u0445."@uk . "L'home revoltat (en franc\u00E8s: L'Homme r\u00E9volt\u00E9) \u00E9s un tractat filos\u00F2fic d'Albert Camus sobre la rebel\u00B7lia, o sobre com i per qu\u00E8 al llarg de la hist\u00F2ria l'\u00E9sser hum\u00E0 s'aixeca contra el d\u00E9u o l'amo. Publicat el 1951, examina tant la rebel\u00B7lia com la revolta, que per a Camus han de ser vistes com un mateix fenomen manifestat en l'\u00E0mbit personal i social respectivament. Est\u00E0 dividida en tres parts. La primera il\u00B7lustra a partir d'autors de la literatura com el Marqu\u00E8s de Sade i artistes com els rom\u00E0ntics i surrealistes, l'anomenada \"rebel\u00B7li\u00F3 metaf\u00EDsica\". El segon apartat, titulat \"La rebel\u00B7li\u00F3 hist\u00F2rica\", descriu els moviments de l'emancipaci\u00F3 social que es van alimentar gr\u00E0cies al coneixement de les categories del sistema de Hegel. L'anarquisme i les lluites socials posteriors tindran aix\u00ED lloc en una comprensi\u00F3 de la rebel\u00B7lia i l'emancipaci\u00F3 de l'\u00E9sser hum\u00E0 en la seva condici\u00F3 de servent. Finalment, l'obra dedicar\u00E0 una reflexi\u00F3 a la relaci\u00F3 entre \"art i rebel\u00B7li\u00F3\". En cadascun d'aquests apartats, s'aborden i es fan complexes les diferents formes de la rebel\u00B7li\u00F3 contra els valors i principis que s'han acceptat com a immutables. D\u00E9u, moral i principis, es posen en q\u00FCesti\u00F3 en l'acte de la a favor d'una comprensi\u00F3 diferent, la qual ofereix un sentit ali\u00E8 al dels principis superiors o divins. Per a Camus, no \u00E9s la \"revoluci\u00F3\" sin\u00F3 la rebel\u00B7li\u00F3 constant l'esperit que mou l'individu cr\u00EDtic, humanista i emancipador, prevenint de la tirania en nom de la llibertat. Una de les frases m\u00E9s conegudes del llibre \u00E9s la seg\u00FCent, que es troba a l'inici de l'obra: Camus apel\u00B7la a considerar la validesa humanista de l'\"\" (els m\u00E8todes compatibles amb els objectius). Altres temes que treballa en aquest llibre s\u00F3n que la novel\u00B7la \u00E9s en realitat la m\u00E9s elevada forma de rebel\u00B7lia, i el romanticisme \u00E9s m\u00E9s pur que qualsevol conformisme. Pel que fa al seu pensament pol\u00EDtic, en aquest llibre afirmar\u00E0 la superioritat de l'individu exercint el seu poder mitjan\u00E7ant associacions lliures, fent un al\u00B7legat a favor de l'anarquisme i explicant la seva superioritat sobre el marxisme com a forma de rebel\u00B7li\u00F3."@ca . . . . . . . . . "L'homme r\u00E9volt\u00E9"@pt . . . . . "O homem revoltado (em franc\u00EAs, L'homme r\u00E9volt\u00E9) \u00E9 um ensaio filos\u00F3fico escrito por Albert Camus e publicado em 1951. O livro analisa o conceito da Revolta de um ponto de vista hist\u00F3rico. Analisando suas caracter\u00EDsticas e seus desvirtuamentos. A revolta para Camus tem uma dupla significa\u00E7\u00E3o. N\u00E3o \u00E9 apenas hist\u00F3rica (apesar do seu ensaio ser hist\u00F3rico, ou seja, analisa as manifesta\u00E7\u00F5es hist\u00F3ricas da revolta), a revolta encontra algo de irredut\u00EDvel \u00E0 hist\u00F3ria. As manifesta\u00E7\u00F5es hist\u00F3ricas analisadas por Camus s\u00E3o muitas e de v\u00E1rios per\u00EDodos hist\u00F3ricos. Seja a Assim denominada Revolta Metaf\u00EDsica de Epicuro e Lucr\u00E9cio na antiguidade, seja na nega\u00E7\u00E3o absoluta do Marqu\u00EAs de Sade. Ou na afirma\u00E7\u00E3o do \u00DAnico de Max Stirner colocado na mesma se\u00E7\u00E3o que Nietzsche. Ele observa e analisa essas manifesta\u00E7\u00F5es tamb\u00E9m na poesia e na pr\u00F3pria revolu\u00E7\u00E3o. Seja na revolta dos escravos liderados por Esp\u00E1rtaco ou na revolu\u00E7\u00E3o que deu origem a URSS, e seus desdobramentos. Passando claro, pelas id\u00E9ias e pela efetiva\u00E7\u00E3o da Revolu\u00E7\u00E3o Francesa."@pt . . "Der Mensch in der Revolte (franz\u00F6sisch L\u2019homme r\u00E9volt\u00E9), erschienen 1951, ist eine Sammlung philosophisch-politischer Essays des franz\u00F6sischen Philosophen und Schriftstellers Albert Camus. Im Unterschied zum vorangegangenen Essay Der Mythos des Sisyphos will Camus hier nicht nur \u201Edas \u00DCbel, welches ein Einzelner erlitt\u201C schildern, sondern die Entwicklung des Nihilismus zur \u201Ekollektiven Pest\u201C in Philosophie, Politik und politischer Theorie protokollieren. Ausgangspunkt hierf\u00FCr ist wie schon fr\u00FCher seine Philosophie des Absurden."@de . . . . .