. . . . "Rela\u00E7\u00E3o entre as artes e a pol\u00EDtica"@pt . . . . . . . "A strong relationship between the arts and politics, particularly between various kinds of art and power, occurs across historical epochs and cultures. As they respond to contemporaneous events and politics, the arts take on political as well as social dimensions, becoming themselves a focus of controversy and even a force of political as well as social change. A widespread observation is that a great talent has a free spirit. For instance Pushkin, who some scholars regard as Russia's first great writer, attracted the mad irritation of the Russian officialdom and particularly of the Tsar, since he \"instead of being a good servant of the state in the rank and file of the administration and extolling conventional virtues in his vocational writings (if write he must), composed extremely arrogant and extremely independent and extremely wicked verse in which a dangerous freedom of thought was evident in the novelty of his versification, in the audacity of his sensual fancy, and in his propensity for making fun of major and minor tyrants.\""@en . "\u0648\u064F\u062C\u062F\u062A \u0627\u0644\u0639\u0644\u0627\u0642\u0629 \u0627\u0644\u0642\u0648\u064A\u0629 \u0628\u064A\u0646 \u0627\u0644\u0641\u0646\u0648\u0646 \u0648\u0627\u0644\u0633\u064A\u0627\u0633\u0629\u060C \u0644\u0627 \u0633\u064A\u0645\u0627 \u0628\u064A\u0646 \u0645\u062E\u062A\u0644\u0641 \u0623\u0646\u0648\u0627\u0639 \u0627\u0644\u0641\u0646 \u0648\u0627\u0644\u0633\u0644\u0637\u0629\u060C \u0639\u0628\u0631 \u0627\u0644\u062D\u0642\u0628 \u0627\u0644\u062A\u0627\u0631\u064A\u062E\u064A\u0629 \u0648\u0627\u0644\u062B\u0642\u0627\u0641\u0627\u062A. \u0648\u0641\u064A \u062D\u064A\u0646 \u064A\u0633\u062A\u062C\u064A\u0628 \u0627\u0644\u0641\u0646 \u0644\u0644\u0623\u062D\u062F\u0627\u062B \u0648\u0627\u0644\u0633\u064A\u0627\u0633\u0627\u062A \u0627\u0644\u0645\u0639\u0627\u0635\u0631\u0629\u060C \u0641\u0625\u0646\u0647 \u064A\u062A\u062E\u0630 \u0623\u0628\u0639\u0627\u062F\u064B\u0627 \u0633\u064A\u0627\u0633\u064A\u0629 \u0648\u0627\u062C\u062A\u0645\u0627\u0639\u064A\u0629 \u0639\u0644\u0649 \u062D\u062F \u0633\u0648\u0627\u0621\u060C \u0644\u064A\u0635\u0628\u062D \u0641\u064A \u062D\u062F \u0630\u0627\u062A\u0647 \u0645\u062D\u0648\u0631\u064B\u0627 \u0644\u0644\u062C\u062F\u0644 \u0628\u0644 \u0648\u0642\u0648\u0629 \u0644\u0644\u062A\u063A\u064A\u064A\u0631 \u0627\u0644\u0633\u064A\u0627\u0633\u064A \u0648\u0627\u0644\u0627\u062C\u062A\u0645\u0627\u0639\u064A. \u0648\u0645\u0646 \u0627\u0644\u0645\u0644\u0627\u062D\u0638 \u0639\u0644\u0649 \u0646\u0637\u0627\u0642 \u0648\u0627\u0633\u0639 \u0623\u0646 \u0627\u0644\u0645\u0648\u0647\u0628\u0629 \u0627\u0644\u0639\u0638\u064A\u0645\u0629 \u062A\u062A\u0645\u062A\u0639 \u0628\u0631\u0648\u062D \u062D\u0631\u0629. \u0641\u0639\u0644\u0649 \u0633\u0628\u064A\u0644 \u0627\u0644\u0645\u062B\u0627\u0644 \u0628\u0648\u0634\u0643\u064A\u0646\u060C \u0627\u0644\u0630\u064A \u064A\u0639\u062F\u0647 \u0628\u0639\u0636 \u0627\u0644\u0639\u0644\u0645\u0627\u0621 \u0623\u0648\u0644 \u0643\u0627\u062A\u0628 \u0639\u0638\u064A\u0645 \u0641\u064A \u0631\u0648\u0633\u064A\u0627\u060C \u0623\u062B\u0627\u0631 \u063A\u0636\u0628 \u0627\u0644\u0645\u0648\u0638\u0641\u064A\u0646 \u0627\u0644\u0631\u0648\u0633\u060C \u0644\u0627 \u0633\u064A\u0645\u0627 \u0627\u0644\u0642\u064A\u0635\u0631\u060C \u063A\u0636\u0628\u0627\u064B \u0634\u062F\u064A\u062F\u0627\u064B \u0644\u0623\u0646\u0647 \u00AB\u0628\u062F\u0644\u0627\u064B \u0645\u0646 \u0623\u0646 \u064A\u0643\u0648\u0646 \u062E\u0627\u062F\u0645\u0627\u064B \u062C\u064A\u062F\u0627\u064B \u0644\u0644\u062F\u0648\u0644\u0629 \u0641\u064A \u0627\u0644\u0625\u062F\u0627\u0631\u0629 \u0627\u0644\u0639\u0627\u0645\u0629 \u0648\u064A\u0645\u062A\u062F\u062D \u0641\u0636\u0627\u0626\u0644 \u062A\u0642\u0644\u064A\u062F\u064A\u0629 \u0641\u064A \u0643\u062A\u0627\u0628\u0627\u062A\u0647 \u0627\u0644\u0645\u0647\u0646\u064A\u0629 (\u0625\u0646 \u0643\u0627\u0646 \u0639\u0644\u064A\u0647 \u0623\u0646 \u064A\u0643\u062A\u0628)\u060C \u0641\u0642\u062F \u0623\u0644\u064E\u0651\u0641 \u0623\u0628\u064A\u0627\u062A \u0634\u0639\u0631 \u0628\u0627\u0644\u063A\u0629 \u0627\u0644\u063A\u0637\u0631\u0633\u0629 \u0648\u0634\u062F\u064A\u062F\u0629 \u0627\u0644\u0627\u0633\u062A\u0642\u0644\u0627\u0644 \u0648\u0627\u0644\u0636\u0631\u0631 \u062A\u062A\u062C\u0644\u0649 \u0641\u064A\u0647\u0627 \u062D\u0631\u064A\u0629 \u0627\u0644\u0641\u0643\u0631 \u0627\u0644\u062E\u0637\u0631\u0629 \u0641\u064A \u062D\u062F\u0627\u062B\u0629 \u062A\u0641\u0643\u064A\u0643\u0647 \u0648\u0641\u064A \u062C\u0631\u0623\u0629 \u062E\u064A\u0627\u0644\u0647 \u0627\u0644\u062D\u0633\u064A\u060C \u0648\u0641\u064A \u0645\u064A\u0644\u0647 \u0644\u0644\u0633\u062E\u0631\u064A\u0629 \u0645\u0646 \u0627\u0644\u0637\u063A\u0627\u0629 \u0627\u0644\u0643\u0628\u0627\u0631 \u0648\u0627\u0644\u0635\u063A\u0627\u0631\u00BB."@ar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "35258"^^ . . . . . . . . . . . "\u0648\u064F\u062C\u062F\u062A \u0627\u0644\u0639\u0644\u0627\u0642\u0629 \u0627\u0644\u0642\u0648\u064A\u0629 \u0628\u064A\u0646 \u0627\u0644\u0641\u0646\u0648\u0646 \u0648\u0627\u0644\u0633\u064A\u0627\u0633\u0629\u060C \u0644\u0627 \u0633\u064A\u0645\u0627 \u0628\u064A\u0646 \u0645\u062E\u062A\u0644\u0641 \u0623\u0646\u0648\u0627\u0639 \u0627\u0644\u0641\u0646 \u0648\u0627\u0644\u0633\u0644\u0637\u0629\u060C \u0639\u0628\u0631 \u0627\u0644\u062D\u0642\u0628 \u0627\u0644\u062A\u0627\u0631\u064A\u062E\u064A\u0629 \u0648\u0627\u0644\u062B\u0642\u0627\u0641\u0627\u062A. \u0648\u0641\u064A \u062D\u064A\u0646 \u064A\u0633\u062A\u062C\u064A\u0628 \u0627\u0644\u0641\u0646 \u0644\u0644\u0623\u062D\u062F\u0627\u062B \u0648\u0627\u0644\u0633\u064A\u0627\u0633\u0627\u062A \u0627\u0644\u0645\u0639\u0627\u0635\u0631\u0629\u060C \u0641\u0625\u0646\u0647 \u064A\u062A\u062E\u0630 \u0623\u0628\u0639\u0627\u062F\u064B\u0627 \u0633\u064A\u0627\u0633\u064A\u0629 \u0648\u0627\u062C\u062A\u0645\u0627\u0639\u064A\u0629 \u0639\u0644\u0649 \u062D\u062F \u0633\u0648\u0627\u0621\u060C \u0644\u064A\u0635\u0628\u062D \u0641\u064A \u062D\u062F \u0630\u0627\u062A\u0647 \u0645\u062D\u0648\u0631\u064B\u0627 \u0644\u0644\u062C\u062F\u0644 \u0628\u0644 \u0648\u0642\u0648\u0629 \u0644\u0644\u062A\u063A\u064A\u064A\u0631 \u0627\u0644\u0633\u064A\u0627\u0633\u064A \u0648\u0627\u0644\u0627\u062C\u062A\u0645\u0627\u0639\u064A."@ar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "A strong relationship between the arts and politics, particularly between various kinds of art and power, occurs across historical epochs and cultures. As they respond to contemporaneous events and politics, the arts take on political as well as social dimensions, becoming themselves a focus of controversy and even a force of political as well as social change."@en . . . "Atrav\u00E9s das \u00E9pocas hist\u00F3ricas, entre as mais variadas culturas, \u00E9 percept\u00EDvel uma forte rela\u00E7\u00E3o entre a arte e a pol\u00EDtica. Como se desenvolve esta rela\u00E7\u00E3o depende muito de movimentos pol\u00EDticos e culturais de cada \u00E9poca. N\u00E3o \u00E9 raro que arte e os donos do poder andem de m\u00E3os dadas, seja por necessidade, seja por conveni\u00EAncia. Foi comum a pr\u00E1tica do Mecenato, que financiava artistas, melhorava a reputa\u00E7\u00E3o e ainda promoviam os interesses pol\u00EDticos daqueles que pagavam; outros artistas, por\u00E9m, se alinhavam aos regimes no poder, como na Alemanha Nazista. Em outros momentos, os artistas tiveram posi\u00E7\u00F5es independentes dos governos, arriscando at\u00E9 mesmo a pr\u00F3pria vida em favor dos ideais, como V\u00EDctor Jara durante a Ditadura militar chilena, por exemplo. \u00C0 medida com que o tempo passa as artes assumem dimens\u00F5es pol\u00EDticas e sociais, tornando-se um foco de controv\u00E9rsia e at\u00E9 uma for\u00E7a de mudan\u00E7a pol\u00EDtica e social. Alguns exemplos de obras com cr\u00EDticas pol\u00EDticas s\u00E3o: \"A morte de Marat\", \"Tr\u00EAs de Maio de 1808\", \"Tampouco\", entres outros. Uma observa\u00E7\u00E3o generalizada \u00E9 que um grande talento tem esp\u00EDrito livre. Por exemplo, Pushkin, que alguns estudiosos consideram o primeiro grande escritor da R\u00FAssia, atraiu a irrita\u00E7\u00E3o louca do oficialismo russo e particularmente do czar, j\u00E1 que ele \"em vez de ser um bom servo do estado no ranking e arquivo do administra\u00E7\u00E3o e louvando virtudes convencionais em seus escritos vocacionais (se for necess\u00E1rio escrever), comp\u00F4s versos extremamente arrogantes e extremamente independentes e extremamente perversos, nos quais uma perigosa liberdade de pensamento era evidente na novidade de sua versifica\u00E7\u00E3o, na aud\u00E1cia de sua fantasia sensual, e em sua propens\u00E3o a tirar sarro dos tiranos maiores e menores \"."@pt . . . . . "1118970478"^^ . . . . "The arts and politics"@en . . . . . . . . . . . . . . . . . "Poets are the unacknowledged legislators of the world."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "21342679"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "A Defence of Poetry"@en . . . . . . . . . . . . . . . . . . . . "\u0627\u0644\u0641\u0646\u0648\u0646 \u0648\u0627\u0644\u0633\u064A\u0627\u0633\u0629"@ar . . . . . . "Atrav\u00E9s das \u00E9pocas hist\u00F3ricas, entre as mais variadas culturas, \u00E9 percept\u00EDvel uma forte rela\u00E7\u00E3o entre a arte e a pol\u00EDtica. Como se desenvolve esta rela\u00E7\u00E3o depende muito de movimentos pol\u00EDticos e culturais de cada \u00E9poca. N\u00E3o \u00E9 raro que arte e os donos do poder andem de m\u00E3os dadas, seja por necessidade, seja por conveni\u00EAncia. Foi comum a pr\u00E1tica do Mecenato, que financiava artistas, melhorava a reputa\u00E7\u00E3o e ainda promoviam os interesses pol\u00EDticos daqueles que pagavam; outros artistas, por\u00E9m, se alinhavam aos regimes no poder, como na Alemanha Nazista. Em outros momentos, os artistas tiveram posi\u00E7\u00F5es independentes dos governos, arriscando at\u00E9 mesmo a pr\u00F3pria vida em favor dos ideais, como V\u00EDctor Jara durante a Ditadura militar chilena, por exemplo."@pt . . . . . . . . . .