. . "Los poemas sinf\u00F3nicos de Richard Strauss se se\u00F1alan como el punto culminante de la m\u00FAsica program\u00E1tica en la \u00FAltima parte del siglo XIX, ampliando sus l\u00EDmites y llevando el concepto de realismo en la m\u00FAsica a un nivel sin precedentes. En estas obras, ampli\u00F3 la gama expresiva de la m\u00FAsica al representar temas que muchas veces se consideraban inadecuados para la representaci\u00F3n musical. Como se\u00F1ala Hugh MacDonald en el New Grove Dictionary of Music and Musicians, \"en los a\u00F1os previos a la Primera Guerra Mundial, estas obras se consideraban a la vanguardia de lo moderno\". \u200B"@es . . . "1004083087"^^ . . . . . . "7274"^^ . . . . . . . . . "22081703"^^ . "Los poemas sinf\u00F3nicos de Richard Strauss se se\u00F1alan como el punto culminante de la m\u00FAsica program\u00E1tica en la \u00FAltima parte del siglo XIX, ampliando sus l\u00EDmites y llevando el concepto de realismo en la m\u00FAsica a un nivel sin precedentes. En estas obras, ampli\u00F3 la gama expresiva de la m\u00FAsica al representar temas que muchas veces se consideraban inadecuados para la representaci\u00F3n musical. Como se\u00F1ala Hugh MacDonald en el New Grove Dictionary of Music and Musicians, \"en los a\u00F1os previos a la Primera Guerra Mundial, estas obras se consideraban a la vanguardia de lo moderno\". \u200B"@es . . "The tone poems of Richard Strauss are noted as the high point of program music in the latter part of the 19th century, extending its boundaries and taking the concept of realism in music to an unprecedented level. In these works, he widened the expressive range of music while depicting subjects many times thought unsuitable for musical depiction. As Hugh MacDonald points out in the New Grove Dictionary of Music and Musicians, \"In the years prior to World War I these works were held to be in the vanguard of modernism.\""@en . . . . . . . . . . . . . . . "The tone poems of Richard Strauss are noted as the high point of program music in the latter part of the 19th century, extending its boundaries and taking the concept of realism in music to an unprecedented level. In these works, he widened the expressive range of music while depicting subjects many times thought unsuitable for musical depiction. As Hugh MacDonald points out in the New Grove Dictionary of Music and Musicians, \"In the years prior to World War I these works were held to be in the vanguard of modernism.\""@en . . . . . . . "Poemas sinf\u00F3nicos (Strauss)"@es . . . "Tone poems (Strauss)"@en . . . . . . . . . . . . . . . . . .