. "\u039F \u03A4\u03C3\u03BF\u03C5\u03BA\u03B9\u03CC\u03BA\u03B1 \u0393\u03BF\u03C3\u03B9\u03C4\u03CC\u03C3\u03B9 (1839 - 1892) (\u03B9\u03B1\u03C0\u03C9\u03BD\u03B9\u03BA\u03AC: \u6708\u5CA1 \u82B3\u5E74\u200E \u03AE \u03A4\u03AC\u03B9\u03C3\u03BF \u0393\u03BF\u03C3\u03B9\u03C4\u03CC\u03C3\u03B9 \u5927\u8607 \u82B3\u5E74) \u03AE\u03C4\u03B1\u03BD \u03C3\u03B7\u03BC\u03B1\u03BD\u03C4\u03B9\u03BA\u03CC\u03C2 \u0399\u03AC\u03C0\u03C9\u03BD\u03B1\u03C2 \u03BA\u03B1\u03BB\u03BB\u03B9\u03C4\u03AD\u03C7\u03BD\u03B7\u03C2 \u03C4\u03B7\u03C2 \u03C0\u03B1\u03C1\u03B1\u03B4\u03BF\u03C3\u03B9\u03B1\u03BA\u03AE\u03C2 \u03BE\u03C5\u03BB\u03BF\u03B3\u03C1\u03B1\u03C6\u03AF\u03B1\u03C2 \u03BF\u03C5\u03BA\u03AF\u03B3\u03B9\u03BF-\u03B5. \u0398\u03B5\u03C9\u03C1\u03B5\u03AF\u03C4\u03B1\u03B9 \u03C9\u03C2 \u03AD\u03BD\u03B1\u03C2 \u03B1\u03C0\u03CC \u03C4\u03BF\u03C5\u03C2 \u03C0\u03C1\u03C9\u03C4\u03BF\u03C0\u03CC\u03C1\u03BF\u03C5\u03C2 \u03C4\u03B7\u03C2 \u03C4\u03AD\u03C7\u03BD\u03B7\u03C2 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\u03AC\u03BB\u03BB\u03BF\u03B9 \u03C3\u03C5\u03BC\u03C0\u03B1\u03C4\u03C1\u03B9\u03CE\u03C4\u03B5\u03C2 \u03C4\u03BF\u03C5, \u03B1\u03BD\u03B7\u03C3\u03C5\u03C7\u03BF\u03CD\u03C3\u03B5 \u03B9\u03B4\u03B9\u03B1\u03AF\u03C4\u03B5\u03C1\u03B1 \u03B3\u03B9\u03B1 \u03C4\u03B7\u03BD \u03B5\u03BE\u03B1\u03C6\u03AC\u03BD\u03B9\u03C3\u03B7 \u03C4\u03B7\u03C2 \u03BC\u03B5\u03B3\u03AC\u03BB\u03B7\u03C2 \u0393\u03B9\u03B1\u03C0\u03C9\u03BD\u03AD\u03B6\u03B9\u03BA\u03B7\u03C2 \u03C0\u03B1\u03C1\u03AC\u03B4\u03BF\u03C3\u03B7\u03C2 \u03BA\u03B1\u03B9 \u03B1\u03C6\u03B9\u03AD\u03C1\u03C9\u03C3\u03B5 \u03C4\u03B7 \u03B6\u03C9\u03AE \u03C4\u03BF\u03C5 \u03C3\u03C4\u03B7\u03BD \u03B5\u03C0\u03B9\u03B2\u03AF\u03C9\u03C3\u03AE \u03C4\u03B7\u03C2. \u0395\u03C1\u03B3\u03AC\u03C3\u03C4\u03B7\u03BA\u03B5 \u03C3\u03B5 \u03CC\u03BB\u03B7 \u03C4\u03B7 \u03B6\u03C9\u03AE \u03C4\u03BF\u03C5 \u03BC\u03B5 \u03C0\u03B1\u03C1\u03B1\u03B4\u03BF\u03C3\u03B9\u03B1\u03BA\u03BF\u03CD\u03C2 \u03BC\u03B5\u03B8\u03CC\u03B4\u03BF\u03C5\u03C2 \u03B6\u03C9\u03B3\u03C1\u03B1\u03C6\u03B9\u03BA\u03AE\u03C2 \u03B1\u03BD\u03C4\u03AF\u03B8\u03B5\u03C4\u03B1 \u03BC\u03B5 \u03C4\u03B7\u03BD \u03C7\u03CE\u03C1\u03B1 \u03C4\u03BF\u03C5 \u03C0\u03BF\u03C5 \u03C3\u03C4\u03B7\u03BD \u03B5\u03C0\u03BF\u03C7\u03AE \u03C4\u03BF\u03C5 \u03B5\u03C0\u03B9\u03B4\u03CC\u03B8\u03B7\u03BA\u03B5 \u03C3\u03B5 \u03BC\u03AF\u03B1 \u03AC\u03BA\u03C1\u03B9\u03C4\u03B7 \u03BC\u03AF\u03BC\u03B7\u03C3\u03B7 \u03C4\u03B7\u03C2 \u0394\u03CD\u03C3\u03B7\u03C2 \u03CC\u03C0\u03C9\u03C2 \u03BC\u03B5 \u03C4\u03B7 \u03C6\u03C9\u03C4\u03BF\u03B3\u03C1\u03B1\u03C6\u03AF\u03B1 \u03BA\u03B1\u03B9 \u03C4\u03B7 \u03BB\u03B9\u03B8\u03BF\u03B3\u03C1\u03B1\u03C6\u03AF\u03B1. \u039A\u03B1\u03C4\u03CC\u03C1\u03B8\u03C9\u03C3\u03B5 \u03CC\u03BC\u03C9\u03C2 \u03C0\u03B1\u03C1\u03AC \u03C4\u03B7\u03BD \u03AC\u03BD\u03B9\u03C3\u03B7 \u03BC\u03AC\u03C7\u03B7 \u03BC\u03B5 \u03C4\u03B7\u03BD \u03B1\u03BD\u03AC\u03C0\u03C4\u03C5\u03BE\u03B7 \u03C4\u03B7\u03C2 \u03C4\u03B5\u03C7\u03BD\u03BF\u03BB\u03BF\u03B3\u03AF\u03B1\u03C2 \u03BD\u03B1 \u03B1\u03BD\u03B1\u03B3\u03AC\u03B3\u03B5\u03B9 \u03C4\u03B7\u03BD \u03C4\u03AD\u03C7\u03BD\u03B7 \u03BF\u03C5\u03BA\u03AF\u03B3\u03B9\u03BF-\u03B5 \u03C3\u03B5 \u03BD\u03AD\u03B1 \u03B5\u03C0\u03AF\u03C0\u03B5\u03B4\u03B1 \u03C0\u03C1\u03B9\u03BD \u03C0\u03B5\u03B8\u03AC\u03BD\u03B5\u03B9. \u0397 \u03BA\u03B1\u03BB\u03BB\u03B9\u03C4\u03B5\u03C7\u03BD\u03B9\u03BA\u03AE \u03C4\u03BF\u03C5 \u03BA\u03BB\u03B7\u03C1\u03BF\u03BD\u03BF\u03BC\u03B9\u03AC \u03B4\u03C5\u03C3\u03C4\u03C5\u03C7\u03CE\u03C2 \u03B4\u03B5\u03BD \u03C3\u03C5\u03BD\u03B5\u03C7\u03AF\u03C3\u03C4\u03B7\u03BA\u03B5 \u03BC\u03B5\u03C4\u03AC \u03C4\u03BF \u03B8\u03AC\u03BD\u03B1\u03C4\u03CC \u03C4\u03BF\u03C5. \u0397 \u03C6\u03AE\u03BC\u03B7 \u03C4\u03BF\u03C5 \u03CC\u03BC\u03C9\u03C2 \u03C9\u03C2 \u03BA\u03B1\u03BB\u03BB\u03B9\u03C4\u03AD\u03C7\u03BD\u03B7 \u03C3\u03C5\u03BD\u03AD\u03C7\u03B9\u03C3\u03B5 \u03BC\u03B5\u03C4\u03AC \u03C4\u03BF \u03B8\u03AC\u03BD\u03B1\u03C4\u03CC \u03C4\u03BF\u03C5 \u03BD\u03B1 \u03BC\u03B5\u03B3\u03B1\u03BB\u03CE\u03BD\u03B5\u03B9 \u03B5\u03BD\u03C4\u03CC\u03C2 \u03BA\u03B1\u03B9 \u03B5\u03BA\u03C4\u03CC\u03C2 \u0399\u03B1\u03C0\u03C9\u03BD\u03AF\u03B1\u03C2, \u03BA\u03B1\u03B9 \u03C3\u03AE\u03BC\u03B5\u03C1\u03B1 \u03B8\u03B5\u03C9\u03C1\u03B5\u03AF\u03C4\u03B1\u03B9 \u03BF \u03C0\u03B9\u03BF \u03C3\u03B7\u03BC\u03B1\u03BD\u03C4\u03B9\u03BA\u03CC\u03C2 \u03BA\u03B1\u03BB\u03BB\u03B9\u03C4\u03AD\u03C7\u03BD\u03B7\u03C2 \u03C4\u03B7\u03C2 \u03B5\u03C0\u03BF\u03C7\u03AE\u03C2 \u03C4\u03BF\u03C5."@el . . . . . . . . . . . . "Yoshitoshi"@es . . . . . . "Tsukioka Yoshitoshi (em japon\u00EAs: \u6708\u5CA1 \u82B3\u5E74;1839 - 1892), tamb\u00E9m conhecido como Taiso Yoshitoshi \u5927\u8607 \u82B3\u5E74, foi um artista japon\u00EAs. \u00C9 amplamente reconhecido como o \u00FAltimo grande mestre e um dos inovadores do g\u00EAnero ukiyo-e de pintura e xilogravura. Sua carreira percorreu duas eras: os \u00FAltimos anos do per\u00EDodo Edo e os primeiros anos da modernidade japonesa ap\u00F3s a restaura\u00E7\u00E3o Meiji. Yoshitoshi produzia em ampla variedade tem\u00E1tica, entre paisagens, personagens hist\u00F3ricos e teatrais, figuras femininas, editoriais, entre outros. Embora tenha enlouquecido pouco antes de sua morte, \u00E9 sabido que deixou como legado cerca de oitenta disc\u00EDpulos."@pt . . . . . . . . . . . . . . . . . "Tsukioka Yoshitoshi (\u6708\u5CA1 \u82B3\u5E74) aussi connu sous le nom de Taiso Yoshitoshi (\u5927\u8607 \u82B3\u5E74) est n\u00E9 \u00E0 Edo le 30 avril 1839 et mort le 9 juin 1892. Il est le dernier grand ma\u00EEtre \u2014 et l\u2019un des plus grands g\u00E9nies innovateurs et cr\u00E9atifs \u2014 des estampes japonaises ukiyo-e."@fr . . "Tsukioka Yoshitoshi"@en . . . . . . . . . . . . . "Tsukioka Yoshitoshi (Japon\u00E9s: \u6708\u5CA1 \u82B3\u5E74 ''Tsukioka Yoshitoshi''?), tambi\u00E9n conocido como Taiso Yoshitoshi (Japon\u00E9s: \u5927\u8607 \u82B3\u5E74 ''Taiso Yoshitoshi''?) (30 de abril de 1839 \u2013 9 de junio de 1892) fue un artista japon\u00E9s de finales del periodo Edo y principios del Meiji especializado en el grabado ukiyo-e.\u200B Yositoshi fue uno de los artistas de xilograf\u00EDa del siglo XIX m\u00E1s reconocidos en Jap\u00F3n. Lleg\u00F3 a aparecer en la lista de los cinco mejores maestros de ukiyo-e del periodo Meiji publicada en la Lista de los maestros art\u00EDsticos del Jap\u00F3n Imperial (Japon\u00E9s: \u7687\u56FD\u66F8\u753B\u540D\u5BB6\u4E00\u89A7; Hepburn:K\u014Dkoku shoga meika ichiran?).\u200BNaci\u00F3 en la ciudad de Edo el 30 de abril de 1839.\u200B Solo conoci\u00F3 a su padre, el comerciante Owariya Kinzaburo, con el que vivi\u00F3 durante su infancia hasta que se traslad\u00F3 con su t\u00EDo Tsukioka Sessai de quien hered\u00F3 el nombre.\u200B En 1871 cay\u00F3 en una depresi\u00F3n que le impidi\u00F3 trabajar durante un a\u00F1o sumi\u00E9ndole en un estado de extrema pobreza.\u200B Volvi\u00F3 a caer enfermo en 1873 y sigui\u00F3 sufriendo problemas econ\u00F3micos a pesar de su renovada actividad art\u00EDstica desde 1874.\u200B En los siguientes a\u00F1os comenz\u00F3 a recibir m\u00E1s encargos mejorando as\u00ED su situaci\u00F3n econ\u00F3mica y en 1877 consigui\u00F3 reunir suficiente dinero para comprar una residencia en el centro de Tokio gracias al \u00E9xito de sus grabados sobre la Rebeli\u00F3n_de_Satsuma (Japon\u00E9s: \u897F\u5357\u6226\u4E89; Hepburn:Seinan Sens\u014D?)(1877).\u200B A lo largo de su vida Yoshitoshi vivi\u00F3 con diferentes amantes. En 1880 conoci\u00F3 a la geisha Sakamaki Taiko con la que se traslad\u00F3 a vivir a donde se casaron en 1884.\u200B Durante estos a\u00F1os fue contratado de forma permanente por el Peri\u00F3dico gratiuto (Japon\u00E9s: \u7E6A\u5165\u81EA\u7531\u65B0\u805E; Hepburn:E iri jiy\u016B shimbun?) consiguiendo as\u00ED una fuente estable de ingresos.\u200B En 1891 comenz\u00F3 a sufrir demencia y fue ingresado en diferentes psiqui\u00E1tricos sin llegar a recuperarse.\u200B Muri\u00F3 con cincuenta y tres (53) a\u00F1os el 9 de junio de 1892 en la ciudad de Tokio cuando estaba preparando su \u00FAltima serie de grabados titulada Nuevas formas de treinta y seis esp\u00EDritus (Japon\u00E9s: \u65B0\u5F62\u4E09\u5341\u516D\u602A\u64B0; Hepburn:Shingata sanj\u016Brokkaisen?). \u200B"@es . "\u0426\u0443\u043A\u0456\u043E\u0301\u043A\u0430 \u0419\u043E\u0441\u0456\u0442\u043E\u0301\u0441\u0456 (*\u6708\u5CA1 \u82B3\u5E74, 30 \u043A\u0432\u0456\u0442\u043D\u044F 1839 \u2014 9 \u0447\u0435\u0440\u0432\u043D\u044F 1892) \u2014 \u044F\u043F\u043E\u043D\u0441\u044C\u043A\u0438\u0439 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A \u043A\u0456\u043D\u0446\u044F \u0434\u043E\u0431\u0438 \u0415\u0434\u043E \u0456 \u043F\u043E\u0447\u0430\u0442\u043A\u0443 \u043F\u0435\u0440\u0456\u043E\u0434\u0443 \u041C\u0435\u0439\u0434\u0437\u0456. \u0412\u0456\u0434\u043E\u043C\u0438\u0439 \u0442\u0430\u043A\u043E\u0436 \u044F\u043A \u0422\u0430\u0439\u0441\u043E \u0419\u043E\u0441\u0456\u0442\u043E\u0441\u0456, \u041C\u0430\u0439\u0436\u0435 \u0441\u0430\u043C\u043E\u0441\u0442\u0456\u0439\u043D\u043E \u0441\u043F\u0440\u0438\u044F\u0432 \u0432\u0456\u0434\u0440\u043E\u0434\u0436\u0435\u043D\u043D\u044E \u0442\u0440\u0430\u0434\u0438\u0446\u0456\u0439\u043D\u043E\u0433\u043E \u0436\u0430\u043D\u0440\u0443 \u0443\u043A\u0456\u0439\u043E-\u0435."@uk . . "Tsukioka Yoshitoshi"@en . . . . . . "Tsukioka Yoshitoshi (\u6708\u5CA1 \u82B3\u5E74) aussi connu sous le nom de Taiso Yoshitoshi (\u5927\u8607 \u82B3\u5E74) est n\u00E9 \u00E0 Edo le 30 avril 1839 et mort le 9 juin 1892. Il est le dernier grand ma\u00EEtre \u2014 et l\u2019un des plus grands g\u00E9nies innovateurs et cr\u00E9atifs \u2014 des estampes japonaises ukiyo-e. Sa carri\u00E8re comporte deux p\u00E9riodes : les derni\u00E8res ann\u00E9es du syst\u00E8me f\u00E9odal japonais, et les premi\u00E8res ann\u00E9es du nouveau Japon moderne. Comme beaucoup de Japonais, alors qu\u2019il \u00E9tait int\u00E9ress\u00E9 par toutes les nouveaut\u00E9s venant du reste du monde, avec le temps, il se pr\u00E9occupa de plus en plus de la perte de nombreuses choses remarquables provenant du Japon traditionnel, telles que les estampes traditionnelles. \u00C0 la fin de son \u0153uvre, Yoshitoshi \u00E9tait en lutte permanente contre le temps et la technologie. Alors qu\u2019il travaillait d\u2019une mani\u00E8re ancestrale, le Japon adoptait les m\u00E9thodes de reproduction de masse venant de l\u2019Occident, telles que la photographie et la lithographie. N\u00E9anmoins, dans un Japon qui tournait le dos \u00E0 son propre pass\u00E9, il \u00E9tait presque, tout seul, parvenu \u00E0 pousser la peinture traditionnelle japonaise \u00E0 un meilleur rang, avant qu\u2019elle ne mour\u00FBt d\u00E9finitivement avec lui."@fr . "Tsukioka Yoshitoshi (Japon\u00E9s: \u6708\u5CA1 \u82B3\u5E74 ''Tsukioka Yoshitoshi''?), tambi\u00E9n conocido como Taiso Yoshitoshi (Japon\u00E9s: \u5927\u8607 \u82B3\u5E74 ''Taiso Yoshitoshi''?) (30 de abril de 1839 \u2013 9 de junio de 1892) fue un artista japon\u00E9s de finales del periodo Edo y principios del Meiji especializado en el grabado ukiyo-e.\u200B Yositoshi fue uno de los artistas de xilograf\u00EDa del siglo XIX m\u00E1s reconocidos en Jap\u00F3n. Lleg\u00F3 a aparecer en la lista de los cinco mejores maestros de ukiyo-e del periodo Meiji publicada en la Lista de los maestros art\u00EDsticos del Jap\u00F3n Imperial (Japon\u00E9s: \u7687\u56FD\u66F8\u753B\u540D\u5BB6\u4E00\u89A7; Hepburn:K\u014Dkoku shoga meika ichiran?).\u200BNaci\u00F3 en la ciudad de Edo el 30 de abril de 1839.\u200B Solo conoci\u00F3 a su padre, el comerciante Owariya Kinzaburo, con el que vivi\u00F3 durante su infancia hasta que se traslad\u00F3 con su t\u00EDo Tsukioka Sessai de qui"@es . . "\u6708\u5CA1 \u82B3\u5E74\uFF08\u3064\u304D\u304A\u304B \u3088\u3057\u3068\u3057\u3001\u5929\u4FDD10\u5E743\u670817\u65E5\u30081839\u5E744\u670830\u65E5\u3009- \u660E\u6CBB25\u5E74\u30081892\u5E74\u30096\u67089\u65E5\uFF09\u306F\u3001\u5E55\u672B\u304B\u3089\u660E\u6CBB\u4E2D\u671F\u306B\u304B\u3051\u3066\u6D3B\u52D5\u3057\u305F\u6D6E\u4E16\u7D75\u5E2B\u3002\u59D3\u306F\u5409\u5CA1\uFF08\u3088\u3057\u304A\u304B\uFF09\u3001\u5F8C\u306B\u6708\u5CA1\u3002\u672C\u540D\u306F\u6708\u5CA1 \u7C73\u6B21\u90CE\uFF08\u3064\u304D\u304A\u304B \u3088\u306D\u3058\u308D\u3046\uFF09\u3002\u753B\u53F7\u306F\u3001\u4E00\u9B41\u658E \u82B3\u5E74\uFF08\u3044\u3063\u304B\u3044\u3055\u3044 \u3088\u3057\u3068\u3057\uFF09\u3001\u9B41\u658E\uFF08\u304B\u3044\u3055\u3044\uFF09\u3001\u7389\u685C\u697C\uFF08\u304E\u3087\u304F\u304A\u3046\u308D\u3046\uFF09\u3001\u5480\u83EF\u4EAD\uFF08\u305D\u304B\u3066\u3044\uFF09\u3001\u5B50\u82F1\uFF08\u3057\u3048\u3044\uFF09\u3002\u6700\u5F8C\u306F\u5927\u8607 \u82B3\u5E74\uFF08\u305F\u3044\u305D \u3088\u3057\u3068\u3057\uFF09\u3092\u7528\u3044\u305F\u3002 \u6CB3\u934B\u6681\u658E\u3001\u843D\u5408\u82B3\u5E7E\u3001\u6B4C\u5DDD\u82B3\u85E4\u3089\u306F\u6B4C\u5DDD\u56FD\u82B3\u306B\u5E2B\u4E8B\u3057\u305F\u5144\u5F1F\u5F1F\u5B50\u306E\u95A2\u4FC2\u306B\u3042\u308A\u3001\u7279\u306B\u843D\u5408\u82B3\u5E7E\u306F\u7AF6\u4F5C\u3082\u3057\u305F\u597D\u6575\u624B\u3067\u3042\u3063\u305F\u3002\u307E\u305F\u3001\u591A\u304F\u306E\u6D6E\u4E16\u7D75\u5E2B\u3084\u65E5\u672C\u753B\u5BB6\u3068\u305D\u306E\u4ED6\u306E\u753B\u5BB6\u304C\u3001\u82B3\u5E74\u9580\u4E0B\u3082\u3057\u304F\u306F\u5F7C\u306E\u753B\u7CFB\u306B\u540D\u3092\u9023\u306D\u3066\u3044\u308B\uFF08\uFF09\u3002"@ja . "Tsukioka Yoshitoshi (em japon\u00EAs: \u6708\u5CA1 \u82B3\u5E74;1839 - 1892), tamb\u00E9m conhecido como Taiso Yoshitoshi \u5927\u8607 \u82B3\u5E74, foi um artista japon\u00EAs. \u00C9 amplamente reconhecido como o \u00FAltimo grande mestre e um dos inovadores do g\u00EAnero ukiyo-e de pintura e xilogravura. Sua carreira percorreu duas eras: os \u00FAltimos anos do per\u00EDodo Edo e os primeiros anos da modernidade japonesa ap\u00F3s a restaura\u00E7\u00E3o Meiji. Yoshitoshi produzia em ampla variedade tem\u00E1tica, entre paisagens, personagens hist\u00F3ricos e teatrais, figuras femininas, editoriais, entre outros. Embora tenha enlouquecido pouco antes de sua morte, \u00E9 sabido que deixou como legado cerca de oitenta disc\u00EDpulos."@pt . . "Yoshitoshi"@in . . . . "Tsukioka Yoshitoshi (Japans: \u6708\u5CA1 \u82B3\u5E74), ook wel bekend als Taiso Yoshitoshi (\u5927\u8607 \u82B3\u5E74) (Edo, 30 april 1839 - (Tokio), 9 juni 1892), was een Japans prentkunstenaar. Hij wordt beschouwd als de laatste grootmeester van de Ukiyo-e traditie van blokdrukkunst en de belangrijkste leerling van zijn meester (1798-1861)."@nl . . . "\u0426\u0443\u043A\u0438\u043E\u043A\u0430 \u0401\u0441\u0438\u0442\u043E\u0441\u0438"@ru . . . . . . . "Tsukiyoka Yoshitoshi (Edo, 30 aprile 1839 \u2013 Tokyo, 9 giugno 1892) \u00E8 stato un incisore, pittore, poeta e calligrafo giapponese.Molto famoso in patria, si fece conoscere anche in Europa. \u00C8 conosciuto per essere stato l'ultimo grande maestro dell'ukiyo-e, il genere di incisione colorata su legno che eseguiva utilizzando la tecnica chiamata nishiki-e. La sua vita \u00E8 forse sintetizzata meglio da John Stevenson: La sua reputazione ha continuato a crescere, sia in Occidente che tra i giovani giapponesi, ed \u00E8 ora quasi universalmente riconosciuto come il pi\u00F9 grande artista giapponese della sua era."@it . "Tsukioka Yoshitoshi"@nl . . . . "\u0426\u0443\u043A\u0438\u043E\u043A\u0430 \u0401\u0441\u0438\u0442\u043E\u0441\u0438 (\u0422\u0430\u0439\u0441\u043E \u0401\u0441\u0438\u0442\u043E\u0441\u0438) (\u044F\u043F. \u6708\u5CA1\u82B3\u5E74; 30 \u0430\u043F\u0440. 1839 \u2013 9 \u0438\u044E\u043D. 1892) \u2013 \u044F\u043F\u043E\u043D\u0441\u043A\u0438\u0439 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A. \u0421\u0447\u0438\u0442\u0430\u0435\u0442\u0441\u044F \u043F\u043E\u0441\u043B\u0435\u0434\u043D\u0438\u043C \u0432\u0435\u043B\u0438\u043A\u0438\u043C \u043C\u0430\u0441\u0442\u0435\u0440\u043E\u043C \u0433\u0440\u0430\u0432\u044E\u0440 \u0432 \u0436\u0430\u043D\u0440\u0435 \u0443\u043A\u0438\u0451-\u044D. \u0415\u0433\u043E \u0434\u0435\u044F\u0442\u0435\u043B\u044C\u043D\u043E\u0441\u0442\u044C \u043F\u0440\u0438\u0448\u043B\u0430\u0441\u044C \u043D\u0430 \u0434\u0432\u0435 \u044D\u0440\u044B \u2013 \u043F\u043E\u0441\u043B\u0435\u0434\u043D\u0438\u0435 \u0433\u043E\u0434\u044B \u044D\u043F\u043E\u0445\u0438 \u042D\u0434\u043E \u0438 \u043F\u043E\u0441\u043B\u0435\u0434\u0443\u044E\u0449\u0443\u044E \u044D\u043F\u043E\u0445\u0443 \u041C\u044D\u0439\u0434\u0437\u0438. \u041A\u0430\u043A \u0438 \u043C\u043D\u043E\u0433\u0438\u0435 \u044F\u043F\u043E\u043D\u0446\u044B \u0442\u043E\u0439 \u044D\u043F\u043E\u0445\u0438, \u0401\u0441\u0438\u0442\u043E\u0441\u0438 \u0438\u043D\u0442\u0435\u0440\u0435\u0441\u043E\u0432\u0430\u043B\u0441\u044F \u0437\u0430\u043F\u0430\u0434\u043D\u044B\u043C\u0438 \u043D\u043E\u0432\u0448\u0435\u0441\u0442\u0432\u0430\u043C\u0438, \u043E\u0434\u043D\u0430\u043A\u043E \u043F\u043E\u0437\u0434\u043D\u0435\u0435 \u0441\u0442\u0430\u043B \u0441\u0435\u0440\u044C\u0451\u0437\u043D\u043E \u043E\u0431\u0435\u0441\u043F\u043E\u043A\u043E\u0435\u043D \u0443\u0442\u0440\u0430\u0442\u043E\u0439 \u043C\u043D\u043E\u0433\u0438\u0445 \u0430\u0441\u043F\u0435\u043A\u0442\u043E\u0432 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043E\u043D\u043D\u043E\u0439 \u044F\u043F\u043E\u043D\u0441\u043A\u043E\u0439 \u043A\u0443\u043B\u044C\u0442\u0443\u0440\u044B, \u0432 \u0442\u043E\u043C \u0447\u0438\u0441\u043B\u0435 \u0443\u043F\u0430\u0434\u043A\u043E\u043C \u043D\u0430\u043F\u0440\u0430\u0432\u043B\u0435\u043D\u0438\u044F \u0443\u043A\u0438\u0451-\u044D."@ru . . . . . . . . . "1892-06-09"^^ . "30"^^ . . . . . . . . . . . "\u0426\u0443\u043A\u0438\u043E\u043A\u0430 \u0401\u0441\u0438\u0442\u043E\u0441\u0438 (\u0422\u0430\u0439\u0441\u043E \u0401\u0441\u0438\u0442\u043E\u0441\u0438) (\u044F\u043F. \u6708\u5CA1\u82B3\u5E74; 30 \u0430\u043F\u0440. 1839 \u2013 9 \u0438\u044E\u043D. 1892) \u2013 \u044F\u043F\u043E\u043D\u0441\u043A\u0438\u0439 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A. \u0421\u0447\u0438\u0442\u0430\u0435\u0442\u0441\u044F \u043F\u043E\u0441\u043B\u0435\u0434\u043D\u0438\u043C \u0432\u0435\u043B\u0438\u043A\u0438\u043C \u043C\u0430\u0441\u0442\u0435\u0440\u043E\u043C \u0433\u0440\u0430\u0432\u044E\u0440 \u0432 \u0436\u0430\u043D\u0440\u0435 \u0443\u043A\u0438\u0451-\u044D. \u0415\u0433\u043E \u0434\u0435\u044F\u0442\u0435\u043B\u044C\u043D\u043E\u0441\u0442\u044C \u043F\u0440\u0438\u0448\u043B\u0430\u0441\u044C \u043D\u0430 \u0434\u0432\u0435 \u044D\u0440\u044B \u2013 \u043F\u043E\u0441\u043B\u0435\u0434\u043D\u0438\u0435 \u0433\u043E\u0434\u044B \u044D\u043F\u043E\u0445\u0438 \u042D\u0434\u043E \u0438 \u043F\u043E\u0441\u043B\u0435\u0434\u0443\u044E\u0449\u0443\u044E \u044D\u043F\u043E\u0445\u0443 \u041C\u044D\u0439\u0434\u0437\u0438. \u041A\u0430\u043A \u0438 \u043C\u043D\u043E\u0433\u0438\u0435 \u044F\u043F\u043E\u043D\u0446\u044B \u0442\u043E\u0439 \u044D\u043F\u043E\u0445\u0438, \u0401\u0441\u0438\u0442\u043E\u0441\u0438 \u0438\u043D\u0442\u0435\u0440\u0435\u0441\u043E\u0432\u0430\u043B\u0441\u044F \u0437\u0430\u043F\u0430\u0434\u043D\u044B\u043C\u0438 \u043D\u043E\u0432\u0448\u0435\u0441\u0442\u0432\u0430\u043C\u0438, \u043E\u0434\u043D\u0430\u043A\u043E \u043F\u043E\u0437\u0434\u043D\u0435\u0435 \u0441\u0442\u0430\u043B \u0441\u0435\u0440\u044C\u0451\u0437\u043D\u043E \u043E\u0431\u0435\u0441\u043F\u043E\u043A\u043E\u0435\u043D \u0443\u0442\u0440\u0430\u0442\u043E\u0439 \u043C\u043D\u043E\u0433\u0438\u0445 \u0430\u0441\u043F\u0435\u043A\u0442\u043E\u0432 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043E\u043D\u043D\u043E\u0439 \u044F\u043F\u043E\u043D\u0441\u043A\u043E\u0439 \u043A\u0443\u043B\u044C\u0442\u0443\u0440\u044B, \u0432 \u0442\u043E\u043C \u0447\u0438\u0441\u043B\u0435 \u0443\u043F\u0430\u0434\u043A\u043E\u043C \u043D\u0430\u043F\u0440\u0430\u0432\u043B\u0435\u043D\u0438\u044F \u0443\u043A\u0438\u0451-\u044D."@ru . . . . . . . . "2"^^ . . . . . . "Yoshitoshi"@pt . . . . . . . . "Tsukioka Yoshitoshi (1839 - 9 Juni 1892) (Jepang: \u6708\u5CA1 \u82B3\u5E74; juga disebut Taiso Yoshitoshi \u5927\u8607 \u82B3\u5E74) adalah seorang artis Jepang. Ia secara luas diakui sebagai ahli Ukiyo-e terakhir. Kariernya ada selama dua era - tahun terakhir kuno, dan tahun pertama Jepang modern baru."@in . . "Sakamaki Taiko"@en . . . . . . "23137"^^ . "1892-06-09"^^ . . . . . . . "1884"^^ . . . . . "\u6708\u5188\u82B3\u5E74"@zh . . "Tsukioka Yoshitoshi (1839 - 9 Juni 1892) (Jepang: \u6708\u5CA1 \u82B3\u5E74; juga disebut Taiso Yoshitoshi \u5927\u8607 \u82B3\u5E74) adalah seorang artis Jepang. Ia secara luas diakui sebagai ahli Ukiyo-e terakhir. Kariernya ada selama dua era - tahun terakhir kuno, dan tahun pertama Jepang modern baru."@in . "Tsukioka Yoshitoshi"@en . . . . . . . "Tsukioka Yoshitoshi (Japanese: \u6708\u5CA1 \u82B3\u5E74; also named Taiso Yoshitoshi \u5927\u8607 \u82B3\u5E74; 30 April 1839 \u2013 9 June 1892) was a Japanese printmaker. Yoshitoshi has widely been recognized as the last great master of the ukiyo-e genre of woodblock printing and painting. He is also regarded as one of the form's greatest innovators. His career spanned two eras \u2013 the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing."@en . . "\u0393\u03B9\u03BF\u03C3\u03B9\u03C4\u03CC\u03C3\u03B9"@el . . . . . . . . "\u039F \u03A4\u03C3\u03BF\u03C5\u03BA\u03B9\u03CC\u03BA\u03B1 \u0393\u03BF\u03C3\u03B9\u03C4\u03CC\u03C3\u03B9 (1839 - 1892) (\u03B9\u03B1\u03C0\u03C9\u03BD\u03B9\u03BA\u03AC: \u6708\u5CA1 \u82B3\u5E74\u200E \u03AE \u03A4\u03AC\u03B9\u03C3\u03BF \u0393\u03BF\u03C3\u03B9\u03C4\u03CC\u03C3\u03B9 \u5927\u8607 \u82B3\u5E74) \u03AE\u03C4\u03B1\u03BD \u03C3\u03B7\u03BC\u03B1\u03BD\u03C4\u03B9\u03BA\u03CC\u03C2 \u0399\u03AC\u03C0\u03C9\u03BD\u03B1\u03C2 \u03BA\u03B1\u03BB\u03BB\u03B9\u03C4\u03AD\u03C7\u03BD\u03B7\u03C2 \u03C4\u03B7\u03C2 \u03C0\u03B1\u03C1\u03B1\u03B4\u03BF\u03C3\u03B9\u03B1\u03BA\u03AE\u03C2 \u03BE\u03C5\u03BB\u03BF\u03B3\u03C1\u03B1\u03C6\u03AF\u03B1\u03C2 \u03BF\u03C5\u03BA\u03AF\u03B3\u03B9\u03BF-\u03B5. \u0398\u03B5\u03C9\u03C1\u03B5\u03AF\u03C4\u03B1\u03B9 \u03C9\u03C2 \u03AD\u03BD\u03B1\u03C2 \u03B1\u03C0\u03CC \u03C4\u03BF\u03C5\u03C2 \u03C0\u03C1\u03C9\u03C4\u03BF\u03C0\u03CC\u03C1\u03BF\u03C5\u03C2 \u03C4\u03B7\u03C2 \u03C4\u03AD\u03C7\u03BD\u03B7\u03C2 \u03C4\u03BF\u03C5. \u0397 \u03BA\u03B1\u03C1\u03B9\u03AD\u03C1\u03B1 \u03C4\u03BF\u03C5 \u03B4\u03B9\u03AE\u03C1\u03BA\u03B5\u03C3\u03B5 \u03BA\u03B1\u03C4\u03AC \u03C4\u03B7 \u03B4\u03B9\u03AC\u03C1\u03BA\u03B5\u03B9\u03B1 \u03B4\u03CD\u03BF \u03C3\u03B7\u03BC\u03B1\u03BD\u03C4\u03B9\u03BA\u03CE\u03BD \u03C0\u03B5\u03C1\u03B9\u03CC\u03B4\u03C9\u03BD \u03C4\u03B7\u03C2 \u0399\u03B1\u03C0\u03C9\u03BD\u03B9\u03BA\u03AE\u03C2 \u03B9\u03C3\u03C4\u03BF\u03C1\u03AF\u03B1\u03C2 \u03C4\u03B1 \u03C4\u03B5\u03BB\u03B5\u03C5\u03C4\u03B1\u03AF\u03B1 \u03C7\u03C1\u03CC\u03BD\u03B9\u03B1 \u03C4\u03B7\u03C2 \u03C6\u03B5\u03BF\u03C5\u03B4\u03B1\u03C1\u03C7\u03B9\u03BA\u03AE\u03C2 \u0399\u03B1\u03C0\u03C9\u03BD\u03AF\u03B1\u03C2 \u03BA\u03B1\u03B9 \u03C4\u03B1 \u03C0\u03C1\u03CE\u03C4\u03B1 \u03C7\u03C1\u03CC\u03BD\u03B9\u03B1 \u03C4\u03B7\u03C2 \u03BD\u03AD\u03B1\u03C2 \u03BC\u03BF\u03BD\u03C4\u03AD\u03C1\u03BD\u03B1\u03C2 \u0399\u03B1\u03C0\u03C9\u03BD\u03AF\u03B1\u03C2. \u038C\u03C0\u03C9\u03C2 \u03AC\u03BB\u03BB\u03BF\u03B9 \u03C3\u03C5\u03BC\u03C0\u03B1\u03C4\u03C1\u03B9\u03CE\u03C4\u03B5\u03C2 \u03C4\u03BF\u03C5, \u03B1\u03BD\u03B7\u03C3\u03C5\u03C7\u03BF\u03CD\u03C3\u03B5 \u03B9\u03B4\u03B9\u03B1\u03AF\u03C4\u03B5\u03C1\u03B1 \u03B3\u03B9\u03B1 \u03C4\u03B7\u03BD \u03B5\u03BE\u03B1\u03C6\u03AC\u03BD\u03B9\u03C3\u03B7 \u03C4\u03B7\u03C2 \u03BC\u03B5\u03B3\u03AC\u03BB\u03B7\u03C2 \u0393\u03B9\u03B1\u03C0\u03C9\u03BD\u03AD\u03B6\u03B9\u03BA\u03B7\u03C2 \u03C0\u03B1\u03C1\u03AC\u03B4\u03BF\u03C3\u03B7\u03C2 \u03BA\u03B1\u03B9 \u03B1\u03C6\u03B9\u03AD\u03C1\u03C9\u03C3\u03B5 \u03C4\u03B7 \u03B6\u03C9\u03AE \u03C4\u03BF\u03C5 \u03C3\u03C4\u03B7\u03BD \u03B5\u03C0\u03B9\u03B2\u03AF\u03C9\u03C3\u03AE \u03C4\u03B7\u03C2. \u0395\u03C1\u03B3\u03AC\u03C3\u03C4\u03B7\u03BA\u03B5 \u03C3\u03B5 \u03CC\u03BB\u03B7 \u03C4\u03B7 \u03B6\u03C9\u03AE \u03C4\u03BF\u03C5 \u03BC\u03B5 \u03C0\u03B1\u03C1\u03B1\u03B4\u03BF\u03C3\u03B9\u03B1\u03BA\u03BF\u03CD\u03C2 \u03BC\u03B5\u03B8\u03CC\u03B4\u03BF\u03C5\u03C2 \u03B6\u03C9\u03B3\u03C1\u03B1\u03C6\u03B9\u03BA\u03AE\u03C2 \u03B1\u03BD\u03C4\u03AF\u03B8\u03B5\u03C4\u03B1 \u03BC\u03B5 \u03C4\u03B7\u03BD \u03C7\u03CE\u03C1\u03B1 \u03C4\u03BF\u03C5 \u03C0\u03BF\u03C5 \u03C3\u03C4\u03B7\u03BD \u03B5\u03C0\u03BF\u03C7\u03AE \u03C4\u03BF\u03C5 \u03B5\u03C0\u03B9\u03B4\u03CC\u03B8\u03B7\u03BA\u03B5 \u03C3\u03B5 \u03BC\u03AF\u03B1 \u03AC\u03BA\u03C1\u03B9\u03C4\u03B7 \u03BC\u03AF\u03BC\u03B7\u03C3\u03B7 \u03C4\u03B7\u03C2 \u0394\u03CD\u03C3\u03B7\u03C2 \u03CC\u03C0\u03C9\u03C2 \u03BC\u03B5 \u03C4\u03B7 \u03C6\u03C9\u03C4\u03BF\u03B3\u03C1\u03B1\u03C6\u03AF\u03B1 \u03BA\u03B1\u03B9 \u03C4\u03B7 \u03BB\u03B9\u03B8\u03BF\u03B3\u03C1\u03B1\u03C6\u03AF\u03B1. \u039A\u03B1\u03C4\u03CC\u03C1\u03B8\u03C9\u03C3\u03B5 \u03CC\u03BC\u03C9\u03C2 \u03C0\u03B1\u03C1\u03AC \u03C4\u03B7\u03BD \u03AC\u03BD\u03B9\u03C3\u03B7 \u03BC\u03AC\u03C7\u03B7 \u03BC\u03B5 \u03C4\u03B7\u03BD \u03B1\u03BD\u03AC\u03C0\u03C4\u03C5\u03BE\u03B7 \u03C4\u03B7\u03C2 \u03C4\u03B5\u03C7\u03BD\u03BF\u03BB\u03BF\u03B3\u03AF\u03B1\u03C2 \u03BD\u03B1 \u03B1\u03BD\u03B1"@el . . . "\u6708\u5188\u82B3\u5E74\uFF08\u65E5\u8BED\uFF1A\u6708\u5CA1 \u82B3\u5E74\uFF0F\u3064\u304D\u304A\u304B \u3088\u3057\u3068\u3057 Tsukioka Yoshitoshi\uFF0C1839\u5E744\u670830\u65E5\uFF08\u5929\u4FDD10\u5E74\u65E7\u53863\u670817\u65E5\uFF09\uFF0D1892\u5E74\uFF08\u660E\u6CBB25\u5E74\uFF096\u67089\u65E5\uFF09\uFF0C\u65E5\u672C\u7684\u753B\u5BB6\uFF0C\u5E55\u672B\u81F3\u660E\u6CBB\u524D\u671F\u6D3B\u52D5\u7684\u6D6E\u4E16\u7ED8\u756B\u5E2B\u3002\u59D3\u5409\u5CA1\uFF08\u3088\u3057\u304A\u304B\uFF09\u3001\u540E\u59D3\u6708\u5CA1\u3002\u672C\u540D\u7C73\u6B21\u90CE\uFF08\u3088\u306D\u3058\u308D\u3046\uFF09\u3002\u753B\u53F7\u4E00\u9B41\u658B\u82B3\u5E74\uFF08\u3044\u3063\u304B\u3044\u3055\u3044 \u3088\u3057\u3068\u3057\uFF09\u3001\u9B41\u9F4B\uFF08\u304B\u3044\u3055\u3044\uFF09\u3001\u7389\u6A31\u697C\uFF08\u304E\u3087\u304F\u304A\u3046\u308D\u3046\uFF09\u3001\u5480\u83EF\u4EAD\uFF08\u305D\u304B\u3066\u3044\uFF09\u3001\u5B50\u82F1\u3001\u6700\u5F8C\u91C7\u7528\u5927\u8607\u82B3\u5E74\uFF08\u65E5\u8BED\uFF1A\u5927\u8607 \u82B3\u5E74\uFF0F\u305F\u3044\u305D \u3088\u3057\u3068\u3057 Taiso Yoshitoshi\uFF09\u3002 \u5E08\u4ECE\u6B4C\u5DDD\u56FD\u82B3\uFF0C\u4E0E\u6CB3\u9505\u6653\u658B\u3001\u843D\u5408\u82B3\u5E7E\u3001\u7B49\u4E3A\u5E08\u5144\u5F1F\u5173\u7CFB\u3002\u7279\u522B\u662F\u843D\u5408\u82B3\u5E7E\u540E\u6210\u4E3A\u7ADE\u4E89\u5BF9\u624B\u3002 \u6708\u5188\u82B3\u5E74\u521B\u4F5C\u4E86\u6B77\u53F2\u7E6A\u3001\u7F8E\u4EBA\u756B\u3001\u5F79\u8005\u7E6A\u3001\u98A8\u4FD7\u756B\u3001\u53E4\u5178\u756B\u3001\u5408\u6230\u7E6A\u7B49\u591A\u7A2E\u591A\u6A23\u6D6E\u4E16\u7E6A\u4F5C\u54C1\uFF0C\u5728\u5404\u9886\u57DF\u8868\u73B0\u51FA\u5176\u72EC\u7279\u7684\u753B\u98A8\u3002\u591A\u6570\u4F5C\u54C1\u4E2D\u4EE5\u5E26\u6709\u5F3A\u70C8\u51B2\u51FB\u6027\u7684\u201C\u7121\u60E8\u7E6A\u201D\u8457\u79F0\uFF0C\u4ED6\u4E5F\u56E0\u6B64\u88AB\u79F0\u4E3A\u201C\u8840\u307E\u307F\u308C\u82B3\u5E74\u201D\u3002\u6B64\u65F6\u7684\u65E5\u672C\u5F00\u59CB\u5927\u91CF\u91C7\u7528\u897F\u65B9\u7684\u651D\u5F71\u4E0E\u5E73\u7248\u5370\u5237\u6280\u672F\uFF0C\u6D6E\u4E16\u7ED8\u7684\u9700\u6C42\u4E0B\u964D\uFF0C\u800C\u6708\u5188\u82B3\u5E74\u4ECD\u575A\u6301\u4E0D\u61C8\u5730\u521B\u4F5C\u5E76\u8BD5\u56FE\u8BA9\u6D6E\u4E16\u7ED8\u8FBE\u5230\u4E00\u4E2A\u65B0\u7684\u6C34\u5E73\uFF0C\u5176\u95E8\u4E0B\u57F9\u517B\u51FA\u4E00\u5927\u6279\u4ECE\u4E8B\u65E5\u672C\u753B\u4E0E\u897F\u6D0B\u753B\u521B\u4F5C\u7684\u753B\u5BB6\uFF0C\u56E0\u6B64\u4ED6\u5E38\u88AB\u79F0\u4F5C\u201C\u6700\u540E\u7684\u6D6E\u4E16\u7ED8\u5E08\u201D\u3002"@zh . . . . . . "Yoshitoshi"@it . . . . . . . "Tsukioka 1882"@en . . "Tsukioka Yoshitoshi (jap. \u6708\u5CA1 \u82B3\u5E74; * 1839 in Edo; \u2020 9. Juni 1892; sp\u00E4ter Taiso Yoshitoshi \u5927\u8607 \u82B3\u5E74) war einer der letzten gro\u00DFen Meister und einer der gro\u00DFen innovativen und kreativen Geister des klassischen japanischen Farbholzschnitts, besonders des Ukiyo-e. Yoshitoshis Wirken erstreckte sich von den letzten Jahren des feudalen Japan bis zu den ersten Jahren des modernen Japan. Wie viele andere Japaner war auch er an Dingen und Entwicklungen aus der \u00FCbrigen Welt interessiert, sorgte sich aber mit der Zeit zunehmend \u00FCber den Verlust japanischer Traditionen, zu denen der klassische Farbholzschnitt geh\u00F6rte. W\u00E4hrend er auf althergebrachte Weise arbeitete, \u00FCbernahm Japan die im Westen \u00FCblichen Methoden der Massenreproduktion wie Fotografie und Lithographie. Yoshitoshi gelang es im Laufe seiner Karriere, nahezu im Alleingang den traditionellen japanischen Farbholzschnitt auf ein neues Niveau zu heben, bevor er mit ihm faktisch aufh\u00F6rte zu existieren. Yoshitoshis Bedeutung wurde von John Stevenson folgenderma\u00DFen charakterisiert: \u201EYoshitoshis Mut, Voraussicht und Charakterst\u00E4rke hauchten Ukiyo-e eine weitere Generation lang Leben ein und erleuchteten es mit einem letzten Ausbruch von Herrlichkeit.\u201C"@de . . . . "\u6708\u5CA1 \u82B3\u5E74\uFF08\u3064\u304D\u304A\u304B \u3088\u3057\u3068\u3057\u3001\u5929\u4FDD10\u5E743\u670817\u65E5\u30081839\u5E744\u670830\u65E5\u3009- \u660E\u6CBB25\u5E74\u30081892\u5E74\u30096\u67089\u65E5\uFF09\u306F\u3001\u5E55\u672B\u304B\u3089\u660E\u6CBB\u4E2D\u671F\u306B\u304B\u3051\u3066\u6D3B\u52D5\u3057\u305F\u6D6E\u4E16\u7D75\u5E2B\u3002\u59D3\u306F\u5409\u5CA1\uFF08\u3088\u3057\u304A\u304B\uFF09\u3001\u5F8C\u306B\u6708\u5CA1\u3002\u672C\u540D\u306F\u6708\u5CA1 \u7C73\u6B21\u90CE\uFF08\u3064\u304D\u304A\u304B \u3088\u306D\u3058\u308D\u3046\uFF09\u3002\u753B\u53F7\u306F\u3001\u4E00\u9B41\u658E \u82B3\u5E74\uFF08\u3044\u3063\u304B\u3044\u3055\u3044 \u3088\u3057\u3068\u3057\uFF09\u3001\u9B41\u658E\uFF08\u304B\u3044\u3055\u3044\uFF09\u3001\u7389\u685C\u697C\uFF08\u304E\u3087\u304F\u304A\u3046\u308D\u3046\uFF09\u3001\u5480\u83EF\u4EAD\uFF08\u305D\u304B\u3066\u3044\uFF09\u3001\u5B50\u82F1\uFF08\u3057\u3048\u3044\uFF09\u3002\u6700\u5F8C\u306F\u5927\u8607 \u82B3\u5E74\uFF08\u305F\u3044\u305D \u3088\u3057\u3068\u3057\uFF09\u3092\u7528\u3044\u305F\u3002 \u6CB3\u934B\u6681\u658E\u3001\u843D\u5408\u82B3\u5E7E\u3001\u6B4C\u5DDD\u82B3\u85E4\u3089\u306F\u6B4C\u5DDD\u56FD\u82B3\u306B\u5E2B\u4E8B\u3057\u305F\u5144\u5F1F\u5F1F\u5B50\u306E\u95A2\u4FC2\u306B\u3042\u308A\u3001\u7279\u306B\u843D\u5408\u82B3\u5E7E\u306F\u7AF6\u4F5C\u3082\u3057\u305F\u597D\u6575\u624B\u3067\u3042\u3063\u305F\u3002\u307E\u305F\u3001\u591A\u304F\u306E\u6D6E\u4E16\u7D75\u5E2B\u3084\u65E5\u672C\u753B\u5BB6\u3068\u305D\u306E\u4ED6\u306E\u753B\u5BB6\u304C\u3001\u82B3\u5E74\u9580\u4E0B\u3082\u3057\u304F\u306F\u5F7C\u306E\u753B\u7CFB\u306B\u540D\u3092\u9023\u306D\u3066\u3044\u308B\uFF08\uFF09\u3002"@ja . . "Tsukioka Yoshitoshi (Japans: \u6708\u5CA1 \u82B3\u5E74), ook wel bekend als Taiso Yoshitoshi (\u5927\u8607 \u82B3\u5E74) (Edo, 30 april 1839 - (Tokio), 9 juni 1892), was een Japans prentkunstenaar. Hij wordt beschouwd als de laatste grootmeester van de Ukiyo-e traditie van blokdrukkunst en de belangrijkste leerling van zijn meester (1798-1861)."@nl . . . . . . . . . "\u6708\u5188\u82B3\u5E74\uFF08\u65E5\u8BED\uFF1A\u6708\u5CA1 \u82B3\u5E74\uFF0F\u3064\u304D\u304A\u304B \u3088\u3057\u3068\u3057 Tsukioka Yoshitoshi\uFF0C1839\u5E744\u670830\u65E5\uFF08\u5929\u4FDD10\u5E74\u65E7\u53863\u670817\u65E5\uFF09\uFF0D1892\u5E74\uFF08\u660E\u6CBB25\u5E74\uFF096\u67089\u65E5\uFF09\uFF0C\u65E5\u672C\u7684\u753B\u5BB6\uFF0C\u5E55\u672B\u81F3\u660E\u6CBB\u524D\u671F\u6D3B\u52D5\u7684\u6D6E\u4E16\u7ED8\u756B\u5E2B\u3002\u59D3\u5409\u5CA1\uFF08\u3088\u3057\u304A\u304B\uFF09\u3001\u540E\u59D3\u6708\u5CA1\u3002\u672C\u540D\u7C73\u6B21\u90CE\uFF08\u3088\u306D\u3058\u308D\u3046\uFF09\u3002\u753B\u53F7\u4E00\u9B41\u658B\u82B3\u5E74\uFF08\u3044\u3063\u304B\u3044\u3055\u3044 \u3088\u3057\u3068\u3057\uFF09\u3001\u9B41\u9F4B\uFF08\u304B\u3044\u3055\u3044\uFF09\u3001\u7389\u6A31\u697C\uFF08\u304E\u3087\u304F\u304A\u3046\u308D\u3046\uFF09\u3001\u5480\u83EF\u4EAD\uFF08\u305D\u304B\u3066\u3044\uFF09\u3001\u5B50\u82F1\u3001\u6700\u5F8C\u91C7\u7528\u5927\u8607\u82B3\u5E74\uFF08\u65E5\u8BED\uFF1A\u5927\u8607 \u82B3\u5E74\uFF0F\u305F\u3044\u305D \u3088\u3057\u3068\u3057 Taiso Yoshitoshi\uFF09\u3002 \u5E08\u4ECE\u6B4C\u5DDD\u56FD\u82B3\uFF0C\u4E0E\u6CB3\u9505\u6653\u658B\u3001\u843D\u5408\u82B3\u5E7E\u3001\u7B49\u4E3A\u5E08\u5144\u5F1F\u5173\u7CFB\u3002\u7279\u522B\u662F\u843D\u5408\u82B3\u5E7E\u540E\u6210\u4E3A\u7ADE\u4E89\u5BF9\u624B\u3002 \u6708\u5188\u82B3\u5E74\u521B\u4F5C\u4E86\u6B77\u53F2\u7E6A\u3001\u7F8E\u4EBA\u756B\u3001\u5F79\u8005\u7E6A\u3001\u98A8\u4FD7\u756B\u3001\u53E4\u5178\u756B\u3001\u5408\u6230\u7E6A\u7B49\u591A\u7A2E\u591A\u6A23\u6D6E\u4E16\u7E6A\u4F5C\u54C1\uFF0C\u5728\u5404\u9886\u57DF\u8868\u73B0\u51FA\u5176\u72EC\u7279\u7684\u753B\u98A8\u3002\u591A\u6570\u4F5C\u54C1\u4E2D\u4EE5\u5E26\u6709\u5F3A\u70C8\u51B2\u51FB\u6027\u7684\u201C\u7121\u60E8\u7E6A\u201D\u8457\u79F0\uFF0C\u4ED6\u4E5F\u56E0\u6B64\u88AB\u79F0\u4E3A\u201C\u8840\u307E\u307F\u308C\u82B3\u5E74\u201D\u3002\u6B64\u65F6\u7684\u65E5\u672C\u5F00\u59CB\u5927\u91CF\u91C7\u7528\u897F\u65B9\u7684\u651D\u5F71\u4E0E\u5E73\u7248\u5370\u5237\u6280\u672F\uFF0C\u6D6E\u4E16\u7ED8\u7684\u9700\u6C42\u4E0B\u964D\uFF0C\u800C\u6708\u5188\u82B3\u5E74\u4ECD\u575A\u6301\u4E0D\u61C8\u5730\u521B\u4F5C\u5E76\u8BD5\u56FE\u8BA9\u6D6E\u4E16\u7ED8\u8FBE\u5230\u4E00\u4E2A\u65B0\u7684\u6C34\u5E73\uFF0C\u5176\u95E8\u4E0B\u57F9\u517B\u51FA\u4E00\u5927\u6279\u4ECE\u4E8B\u65E5\u672C\u753B\u4E0E\u897F\u6D0B\u753B\u521B\u4F5C\u7684\u753B\u5BB6\uFF0C\u56E0\u6B64\u4ED6\u5E38\u88AB\u79F0\u4F5C\u201C\u6700\u540E\u7684\u6D6E\u4E16\u7ED8\u5E08\u201D\u3002"@zh . "\u0426\u0443\u043A\u0456\u043E\u043A\u0430 \u0419\u043E\u0441\u0456\u0442\u043E\u0441\u0456"@uk . . . . "1118618420"^^ . "Tsukioka Yoshitoshi (Japanese: \u6708\u5CA1 \u82B3\u5E74; also named Taiso Yoshitoshi \u5927\u8607 \u82B3\u5E74; 30 April 1839 \u2013 9 June 1892) was a Japanese printmaker. Yoshitoshi has widely been recognized as the last great master of the ukiyo-e genre of woodblock printing and painting. He is also regarded as one of the form's greatest innovators. His career spanned two eras \u2013 the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing. By the end of his career, Yoshitoshi was in an almost single-handed struggle against time and technology. As he worked on in the old manner, Japan was adopting Western mass reproduction methods like photography and lithography. Nonetheless, in a Japan that was turning away from its own past, he almost singlehandedly managed to push the traditional Japanese woodblock print to a new level, before it effectively died with him. His life was summed up by : Yoshitoshi's courage, vision and force of character gave ukiyo-e another generation of life, and illuminated it with one last burst of glory. \u2014\u2009John Stevenson, Yoshitoshi's One Hundred Aspects of the Moon, 1992 His reputation has only continued to grow, both in the West, and among younger Japanese, and he is now almost universally recognized as the greatest Japanese artist of his era."@en . . . "Yoshitoshi"@ca . . . . . . . "300333"^^ . . ""@en . . . "Tsukioka Yoshitoshi (jap. \u6708\u5CA1 \u82B3\u5E74; * 1839 in Edo; \u2020 9. Juni 1892; sp\u00E4ter Taiso Yoshitoshi \u5927\u8607 \u82B3\u5E74) war einer der letzten gro\u00DFen Meister und einer der gro\u00DFen innovativen und kreativen Geister des klassischen japanischen Farbholzschnitts, besonders des Ukiyo-e. Yoshitoshis Bedeutung wurde von John Stevenson folgenderma\u00DFen charakterisiert: \u201EYoshitoshis Mut, Voraussicht und Charakterst\u00E4rke hauchten Ukiyo-e eine weitere Generation lang Leben ein und erleuchteten es mit einem letzten Ausbruch von Herrlichkeit.\u201C"@de . . . "\u6708\u5CA1\u82B3\u5E74"@ja . . . "Tsukioka Yoshitoshi"@de . "\u0426\u0443\u043A\u0456\u043E\u0301\u043A\u0430 \u0419\u043E\u0441\u0456\u0442\u043E\u0301\u0441\u0456 (*\u6708\u5CA1 \u82B3\u5E74, 30 \u043A\u0432\u0456\u0442\u043D\u044F 1839 \u2014 9 \u0447\u0435\u0440\u0432\u043D\u044F 1892) \u2014 \u044F\u043F\u043E\u043D\u0441\u044C\u043A\u0438\u0439 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A \u043A\u0456\u043D\u0446\u044F \u0434\u043E\u0431\u0438 \u0415\u0434\u043E \u0456 \u043F\u043E\u0447\u0430\u0442\u043A\u0443 \u043F\u0435\u0440\u0456\u043E\u0434\u0443 \u041C\u0435\u0439\u0434\u0437\u0456. \u0412\u0456\u0434\u043E\u043C\u0438\u0439 \u0442\u0430\u043A\u043E\u0436 \u044F\u043A \u0422\u0430\u0439\u0441\u043E \u0419\u043E\u0441\u0456\u0442\u043E\u0441\u0456, \u041C\u0430\u0439\u0436\u0435 \u0441\u0430\u043C\u043E\u0441\u0442\u0456\u0439\u043D\u043E \u0441\u043F\u0440\u0438\u044F\u0432 \u0432\u0456\u0434\u0440\u043E\u0434\u0436\u0435\u043D\u043D\u044E \u0442\u0440\u0430\u0434\u0438\u0446\u0456\u0439\u043D\u043E\u0433\u043E \u0436\u0430\u043D\u0440\u0443 \u0443\u043A\u0456\u0439\u043E-\u0435."@uk . . . "Tsukiyoka Yoshitoshi (Edo, 30 aprile 1839 \u2013 Tokyo, 9 giugno 1892) \u00E8 stato un incisore, pittore, poeta e calligrafo giapponese.Molto famoso in patria, si fece conoscere anche in Europa. \u00C8 conosciuto per essere stato l'ultimo grande maestro dell'ukiyo-e, il genere di incisione colorata su legno che eseguiva utilizzando la tecnica chiamata nishiki-e. Grazie al suo talento, Yoshitoshi fu molto apprezzato durante l'era Meiji. Ebbe come soggetti temi che fino ad allora non avevano avuto molta diffusione, come quelli rappresentati con le serie dei fantasmi o le cosiddette \"stampe di sangue\". Le serie pi\u00F9 famose di Yoshitoshi furono i Cento aspetti della Luna, del 1880, i Ventotto omicidi famosi con poesia, Lo specchio dei generali famosi e Le nuove forme dei trentasei fantasmi, la serie che fu pubblicizzata dopo la morte dell'artista. Rispetto ai suoi colleghi artisti Yoshitoshi ha creato stampe pi\u00F9 efficaci nello svolgere il loro dovere di sconvolgere, impressionare, e rappresentare il disagio che le lotte interne stavano scatenando nel paese durante il periodo di passaggio tra l'epoca Tokugawa e l'epoca Meiji. E come molti giapponesi, Yoshitoshi era interessato alle novit\u00E0 dal resto del mondo, ma con il tempo divenne sempre pi\u00F9 preoccupato della perdita di molti aspetti della cultura giapponese tradizionale, tra cui l'arte della xilografia, o arte dei blocchi di legno. Per questo motivo, negli ultimi anni di vita, aiutato dagli amici, attori del teatro kabuki, cerc\u00F2 di rivitalizzare l'arte tradizionale giapponese. Mentre egli continuava a lavorare alla vecchia maniera, infatti, il Giappone stava adottando i metodi di riproduzione di massa occidentali come la fotografia e la litografia. Nondimeno, in un paese che si stava allontanando dal suo passato, Yoshitoshi riusc\u00EC praticamente da solo a riportare a nuovi fasti la xilografia tradizionale giapponese, prima che questa morisse definitivamente con lui. La sua vita \u00E8 forse sintetizzata meglio da John Stevenson: La sua reputazione ha continuato a crescere, sia in Occidente che tra i giovani giapponesi, ed \u00E8 ora quasi universalmente riconosciuto come il pi\u00F9 grande artista giapponese della sua era."@it . . "Tsukioka Yoshitoshi (\u6708\u5CA1 \u82B3\u5E74; 1839 \u2013 9 de juny, 1892), tamb\u00E9 anomenat Taiso Yoshitoshi, va ser un gravador japon\u00E8s. Se'l reconeix \u00E0mpliament com l'\u00FAltim gran mestre de l'ukiyo-e, un tipus de xilografia japonesa. A m\u00E9s, tamb\u00E9 se'l considera un dels m\u00E9s grans innovadors d'aquest g\u00E8nere. La seva carrera va abastar dues \u00E8poques: els \u00FAltims anys del Jap\u00F3 feudal i els primers anys del Jap\u00F3 modern de despr\u00E9s de la restauraci\u00F3 Meiji. Com molts japonesos, a Yoshitoshi, l'interessaven les novetats que venien de la resta del m\u00F3n, per\u00F2 amb el temps es va anar preocupant cada cop m\u00E9s per la p\u00E8rdua de molts aspectes clau de la cultura tradicional japonesa, entre aquests la xilografia. Cap al final de la seva carrera, Yoshitoshi es trobava pr\u00E0cticament sol en la seva lluita contra el temps i la tecnologia. Mentre continuava treballant a la manera antiga, el Jap\u00F3 anava adoptant els m\u00E8todes de reproducci\u00F3 massius occidentals, com la fotografia i la litografia. Tanmateix, en un Jap\u00F3 que s'estava apartant del seu propi passat, Yoshitoshi, gaireb\u00E9 tot sol, va aconseguir dur la xilografia japonesa a un nou nivell. De fet, va morir amb ell. El millor resum de la seva vida potser el va fer : El coratge, la visi\u00F3 i la for\u00E7a de car\u00E0cter de Yoshitoshi van donar a l'ukiyo-e una altra generaci\u00F3 de vida, i el va il\u00B7luminar amb una \u00FAltima salva de gl\u00F2ria.\u2014John Stevenson, Yoshitoshi's One Hundred Aspects of the Moon, 1992. La seva reputaci\u00F3 no ha fet m\u00E9s que cr\u00E9ixer, tant a Occident com entre els japonesos joves, i ara se'l reconeix universalment com el m\u00E9s gran artista japon\u00E8s de la seva \u00E8poca."@ca . . . . . . . . "Tsukioka Yoshitoshi (\u6708\u5CA1 \u82B3\u5E74; 1839 \u2013 9 de juny, 1892), tamb\u00E9 anomenat Taiso Yoshitoshi, va ser un gravador japon\u00E8s. Se'l reconeix \u00E0mpliament com l'\u00FAltim gran mestre de l'ukiyo-e, un tipus de xilografia japonesa. A m\u00E9s, tamb\u00E9 se'l considera un dels m\u00E9s grans innovadors d'aquest g\u00E8nere. La seva carrera va abastar dues \u00E8poques: els \u00FAltims anys del Jap\u00F3 feudal i els primers anys del Jap\u00F3 modern de despr\u00E9s de la restauraci\u00F3 Meiji. Com molts japonesos, a Yoshitoshi, l'interessaven les novetats que venien de la resta del m\u00F3n, per\u00F2 amb el temps es va anar preocupant cada cop m\u00E9s per la p\u00E8rdua de molts aspectes clau de la cultura tradicional japonesa, entre aquests la xilografia."@ca . . . . . . . "Yoshitoshi"@fr . . .