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"in"@en . . . "Oil-on-canvas"@en . . . . . . . . . . . "Whistlejacket \u00E4r en oljem\u00E5lning av den engelske konstn\u00E4ren George Stubbs. Den m\u00E5lades omkring 1762 och ing\u00E5r sedan 1997 i National Gallerys samlingar i London. M\u00E5lningen f\u00F6rest\u00E4ller kappl\u00F6pningsh\u00E4sten Whistlejacket, en fuxhingst av rasen engelskt fullblod som f\u00F6ddes 1749 i Belsay Castle. Han stammade fr\u00E5n Godolphin Arabian och s\u00E5ldes efter d\u00F6d 1757 till Charles Watson-Wentworth, 2:e markis av Rockingham. Whistlejacket blev ber\u00F6md efter att ha segrat i ett fyramilslopp i York i augusti 1759 i ett starkt startf\u00E4lt. D\u00E4refter pensionerades Whistlejacket och blev portr\u00E4tterad av Stubbs; markisen av Rockingham best\u00E4llde inte mindre \u00E4n tolv m\u00E5lningar av Stubbs \u2013 alla med h\u00E4stmotiv. Den anses vara en av de viktigaste m\u00E5lningarna i Storbritannien under 1700-talet och Stubbs fr\u00E4msta m\u00E4sterverk. Han var k\u00E4nd f\u00F6r sina realistiska h\u00E4stportr\u00E4tt med stark individuell karakterisering. Han \u00E4gnade sig \u00E5t noggranna anatomiska studier och bokstavligen dissekerade h\u00E4star f\u00F6r att skriva boken The anatomy of the Horse 1766. Det som g\u00F6r m\u00E5lningen ovanlig \u00E4r de monumentala m\u00E5tten (296 x 248 cm) och den enf\u00E4rgade bakgrunden; att h\u00E4sten \u00E4r avbildad i naturlig storlek och utan ryttare."@sv . . "246.4"^^ . "Whistlejacket"@en . "Whistlejacket est une peinture \u00E0 l'huile, un portrait de cheval r\u00E9alis\u00E9 par George Stubbs entre 1761 et 1762. Elle montre le cheval de course du . L'immensit\u00E9 de la toile, l'absence d'arri\u00E8re plan, et l'attention de Stubbs pour les moindres d\u00E9tails de l'apparence du cheval donnent \u00E0 ce portrait une pr\u00E9sence physique puissante. Il a \u00E9t\u00E9 d\u00E9crit dans The Independent comme \u00AB un pur-sang d'une beaut\u00E9 parfaite."@fr . . "cm"@en . . . "Whistlejacket \u00E9 uma pintura a \u00F3leo feita por George Stubbs entre 1761 e 1762. O trabalho representa um cavalode corrida. A imensid\u00E3o da tela, a aus\u00EAncia de fundo e a aten\u00E7\u00E3o de Stubbs para com os detalhes da apar\u00EAncia do cavalo conferem \u00E0 obra uma poderosa presen\u00E7a f\u00EDsica. Ela foi descrita pelo The Independent como \"um puro-sangue de beleza perfeita\"."@pt . . "97"^^ . . . . . . . . . . . . . . "115"^^ . "14719"^^ . . . "6300393"^^ . . . . "Whistlejacket"@pt . . . . . . . . . . . . . . . . . . "292"^^ . . . . . . . . "Whistlejacket"@ca . . . . . . . "Whistlejacket \u00E9s una pintura a l'oli dels volts de 1762 realitzada per l'artista brit\u00E0nic George Stubbs que mostra el cavall de curses del Marqu\u00E8s de Rockingham encabritat a mida pr\u00E0cticament real sobre un fons llis. La tela \u00E9s de grans dimensions i nom\u00E9s s'hi presenta el corser i algunes ombres discretes. Stubbs va tenir molta cura en els detalls de l'aparen\u00E7a del sol\u00EDpede. Va ser descrit al The Independent com \"un paradigma de la bellesa impecable d'un pura sang \u00E0rab\". La fam\u00EDlia Fitzwilliam va ser l'hereva de Rockingham, el qual mor\u00ED sense descend\u00E8ncia, i va retenir la pintura fins al 1997, quan la National Gallery de Londres, amb l'ajuda del , va adquirir-la per 11 milions de lliures esterlines."@ca . "National Gallery, London"@en . "Whistlejacket_by_George_Stubbs_edit.jpg"@en . . . . . . . . . . . . "Whistlejacket"@it . "Whistlejacket"@en . . . . . . . "Whistlejacket"@fr . . . . . . . . "Whistlejacket"@sv . "Whistlejacket is an oil on canvas painting from about 1762 by the British artist George Stubbs showing the Marquess of Rockingham's racehorse approximately at life-size, rearing up against a plain background. The canvas is large, lacks any other content except some discreet shadows, and Stubbs has paid precise attention to the details of the horse's appearance. It has been described in The Independent as \"a paradigm of the flawless beauty of an Arabian thoroughbred\". The Fitzwilliam family, heirs of the childless Rockingham, retained the painting until 1997 when funding from the Heritage Lottery Fund allowed the National Gallery, London to acquire it for \u00A311 million. Stubbs was a specialist equine artist who in 1762 was invited by Rockingham to spend \"some months\" at Wentworth Woodhouse in Yorkshire, his main country house. Stubbs had painted many horse portraits, with and without human figures, but the heroic scale and lack of background of Whistlejacket are \"unprecedented\" in his work and equine portraits in general and \"contemporaries were so astonished that a single horse should command a huge canvas that legends quickly developed\" explaining why the painting was unfinished, none of which seem plausible or supported by the evidence to modern art historians. In fact Stubbs's earliest canvases on his visit in 1762 included a pair of much smaller paintings of groups of standing horses, one including Whistlejacket, in a horizontal format \"like a classical frieze\" with a similar honey beige background broken only by small shadows at the feet. It would seem likely that leaving the portraits without the usual landscape background was Rockingham's idea. Stubbs depicts Whistlejacket rising to a levade, but with his head turned towards the viewer, in a pose comparable to a number of earlier monumental equestrian portraits, including examples by Rubens and Vel\u00E1zquez, but in these the emphasis is on the rider. Here the horse is alone and in a natural state, producing a \"romantic study in solitude and liberty\". Like many of Stubbs's other paintings of horses and other animals in the wild, including several versions of a horse attacked by a lion perched on its back, the painting is an early intimation of Romanticism, as well as a challenge to the lowly place animal painting occupied in the hierarchy of genres. To a greater degree than any earlier painter, Stubbs produced genuinely individual portraits of specific horses, paying intimate attention to details of their form. Minute blemishes, veins, and the muscles flexing just below the surface of the skin are all visible and reproduced with great care and realism. Whistlejacket had already retired after a fairly successful racing career, but was painted in this unusual form to show \"a supremely beautiful specimen of the pure-bred Arabian horse at its finest\"."@en . . "Whistlejacket \u00E8 un dipinto a olio su tela (292\u00D7246,4 cm) di George Stubbs, databile al 1762 circa e conservato nella National Gallery di Londra."@it . . . . . . "Whistlejacket \u00E8 un dipinto a olio su tela (292\u00D7246,4 cm) di George Stubbs, databile al 1762 circa e conservato nella National Gallery di Londra."@it . . "Whistlejacket \u00E9 uma pintura a \u00F3leo feita por George Stubbs entre 1761 e 1762. O trabalho representa um cavalode corrida. A imensid\u00E3o da tela, a aus\u00EAncia de fundo e a aten\u00E7\u00E3o de Stubbs para com os detalhes da apar\u00EAncia do cavalo conferem \u00E0 obra uma poderosa presen\u00E7a f\u00EDsica. Ela foi descrita pelo The Independent como \"um puro-sangue de beleza perfeita\"."@pt . . . "\u0648\u064A\u0633\u0644 \u062C\u0627\u0643\u064A\u062A (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Whistlejacket)\u200F \u0639\u0628\u0627\u0631\u0629 \u0639\u0646 \u0644\u0648\u062D\u0629 \u0632\u064A\u062A\u064A\u0629 \u0645\u0646 \u0639\u0627\u0645 1762 \u0628\u0631\u064A\u0634\u0629 \u0627\u0644\u0641\u0646\u0627\u0646 \u0627\u0644\u0628\u0631\u064A\u0637\u0627\u0646\u064A \u062C\u0648\u0631\u062C \u0633\u062A\u0627\u0628\u0633\u060C \u062A\u0635\u0648\u0631 \u0641\u0631\u0633 \u0627\u0644\u0633\u0628\u0627\u0642 \u00AB\u0645\u0631\u0643\u064A\u0632\u00BB \u0627\u0644\u062D\u0635\u0627\u0646 \u0627\u0644\u062E\u0627\u0635 \u0628\u0645\u0627\u0631\u0643\u064A\u0632 \u0631\u0648\u0643\u0646\u063A\u0647\u0627\u0645 \u0628\u0627\u0644\u062D\u062C\u0645 \u0627\u0644\u0637\u0628\u064A\u0639\u064A \u062A\u0642\u0631\u064A\u0628\u064B\u0627 \u0639\u0644\u0649 \u062E\u0644\u0641\u064A\u0629 \u0641\u0631\u0627\u063A\u0629. \u0627\u0644\u0642\u0645\u0627\u0634 \u0643\u0628\u064A\u0631\u060C \u0648\u064A\u0641\u062A\u0642\u0631 \u0625\u0644\u0649 \u0623\u064A \u0645\u062D\u062A\u0648\u0649 \u0622\u062E\u0631 \u0628\u0627\u0633\u062A\u062B\u0646\u0627\u0621 \u0628\u0639\u0636 \u0627\u0644\u0638\u0644\u0627\u0644 \u0627\u0644\u0633\u0631\u064A\u0629\u060C \u0628\u062D\u064A\u062B \u0623\u0648\u0644\u0649 \u0633\u062A\u0627\u0628\u0633 \u0627\u0647\u062A\u0645\u0627\u0645\u064B\u0627 \u062F\u0642\u064A\u0642\u064B\u0627 \u0628\u062A\u0641\u0627\u0635\u064A\u0644 \u0645\u0638\u0647\u0631 \u0627\u0644\u062D\u0635\u0627\u0646. \u062A\u0645 \u0648\u0635\u0641\u0647 \u0641\u064A \u0635\u062D\u064A\u0641\u0629 \u0627\u0644\u0625\u0646\u062F\u0628\u0646\u062F\u0646\u062A \u0628\u0623\u0646\u0647 \u00AB\u0646\u0645\u0648\u0630\u062C \u0644\u0644\u062C\u0645\u0627\u0644 \u0627\u0644\u062E\u0627\u0644\u064A \u0645\u0646 \u0627\u0644\u0639\u064A\u0648\u0628 \u0644\u0633\u0644\u0627\u0644\u0629 \u0639\u0631\u0628\u064A\u0629 \u0623\u0635\u064A\u0644\u0629\u00BB. \u0627\u062D\u062A\u0641\u0638\u062A \u0648\u0631\u062B\u0629 \u0631\u0648\u0643\u064A\u0646\u062C\u0647\u0627\u0645 \u0628\u0627\u0644\u0644\u0648\u062D\u0629 \u062D\u062A\u0649 \u0639\u0627\u0645 1997 \u0639\u0646\u062F\u0645\u0627 \u0633\u0645\u062D \u062A\u0645\u0648\u064A\u0644 \u0645\u0646 \u0635\u0646\u062F\u0648\u0642 \u0627\u0644\u062A\u0631\u0627\u062B \u0644\u0644\u0645\u0639\u0631\u0636 \u0627\u0644\u0648\u0637\u0646\u064A \u0641\u064A \u0644\u0646\u062F\u0646 \u0628\u0627\u0644\u062D\u0635\u0648\u0644 \u0639\u0644\u064A\u0647\u0627 \u0645\u0642\u0627\u0628\u0644 11 \u0645\u0644\u064A\u0648\u0646 \u062C\u0646\u064A\u0647 \u0625\u0633\u062A\u0631\u0644\u064A\u0646\u064A."@ar . . . . . . . . . . . "Whistlejacket is an oil on canvas painting from about 1762 by the British artist George Stubbs showing the Marquess of Rockingham's racehorse approximately at life-size, rearing up against a plain background. The canvas is large, lacks any other content except some discreet shadows, and Stubbs has paid precise attention to the details of the horse's appearance. It has been described in The Independent as \"a paradigm of the flawless beauty of an Arabian thoroughbred\". The Fitzwilliam family, heirs of the childless Rockingham, retained the painting until 1997 when funding from the Heritage Lottery Fund allowed the National Gallery, London to acquire it for \u00A311 million."@en . . "Whistlejacket est une peinture \u00E0 l'huile, un portrait de cheval r\u00E9alis\u00E9 par George Stubbs entre 1761 et 1762. Elle montre le cheval de course du . L'immensit\u00E9 de la toile, l'absence d'arri\u00E8re plan, et l'attention de Stubbs pour les moindres d\u00E9tails de l'apparence du cheval donnent \u00E0 ce portrait une pr\u00E9sence physique puissante. Il a \u00E9t\u00E9 d\u00E9crit dans The Independent comme \u00AB un pur-sang d'une beaut\u00E9 parfaite."@fr . . . "Whistlejacket"@en . "Whistlejacket \u00E9s una pintura a l'oli dels volts de 1762 realitzada per l'artista brit\u00E0nic George Stubbs que mostra el cavall de curses del Marqu\u00E8s de Rockingham encabritat a mida pr\u00E0cticament real sobre un fons llis. La tela \u00E9s de grans dimensions i nom\u00E9s s'hi presenta el corser i algunes ombres discretes. Stubbs va tenir molta cura en els detalls de l'aparen\u00E7a del sol\u00EDpede. Va ser descrit al The Independent com \"un paradigma de la bellesa impecable d'un pura sang \u00E0rab\". La fam\u00EDlia Fitzwilliam va ser l'hereva de Rockingham, el qual mor\u00ED sense descend\u00E8ncia, i va retenir la pintura fins al 1997, quan la National Gallery de Londres, amb l'ajuda del , va adquirir-la per 11 milions de lliures esterlines. Stubbs era un especialista artista de tem\u00E0tica eq\u00FCestre que va ser convidat per Rockingham a passar uns mesos a la de Yorkshire, la seva casa de camp principal, el 1762. L'autor havia pintat diversos quadres de cavalls, amb i sense figures humanes, encara que no de l'escala del Whistlejacket ni amb aquest fons erm. No hi havia precedents en la seva obra ni tampoc en quadres de corsers en general que mostressin \"un sol cavall\" comandant \"un enorme llen\u00E7\" i per aquest motiu r\u00E0pidament es desenvoluparen llegendes que intentaven explicar per qu\u00E8 el quadre estava inacabat, encara que els historiadors d'art modern no consideren cap d'elles versemblant. De fet, entre els primers llen\u00E7os de Stubbs de la seva estada el 1762 hi havia un parell de pintures molt m\u00E9s petites de grups de cavalls, on en una d'elles apareix el Whistlejacket, de format horitzontal \"com un fris cl\u00E0ssic\" amb un fons de color beige i nom\u00E9s estroncat per ombres petites als peus. Per tant, sembla que Rockingham va deixar deliberadament el quadre amb l'animal sol, sense un paisatge de fons."@ca . . . . . "\u0648\u064A\u0633\u0644 \u062C\u0627\u0643\u064A\u062A (\u0644\u0648\u062D\u0629)"@ar . . "1091813706"^^ . "Whistlejacket \u00E4r en oljem\u00E5lning av den engelske konstn\u00E4ren George Stubbs. Den m\u00E5lades omkring 1762 och ing\u00E5r sedan 1997 i National Gallerys samlingar i London. M\u00E5lningen f\u00F6rest\u00E4ller kappl\u00F6pningsh\u00E4sten Whistlejacket, en fuxhingst av rasen engelskt fullblod som f\u00F6ddes 1749 i Belsay Castle. Han stammade fr\u00E5n Godolphin Arabian och s\u00E5ldes efter d\u00F6d 1757 till Charles Watson-Wentworth, 2:e markis av Rockingham. Whistlejacket blev ber\u00F6md efter att ha segrat i ett fyramilslopp i York i augusti 1759 i ett starkt startf\u00E4lt. D\u00E4refter pensionerades Whistlejacket och blev portr\u00E4tterad av Stubbs; markisen av Rockingham best\u00E4llde inte mindre \u00E4n tolv m\u00E5lningar av Stubbs \u2013 alla med h\u00E4stmotiv."@sv . . . .