. . "William Patrick Roberts"@en . . . "William Roberts (konstn\u00E4r)"@sv . . . . . . . "\u0423\u0438\u043B\u044C\u044F\u043C \u041F\u0430\u0442\u0440\u0438\u043A \u0420\u043E\u0431\u0435\u0440\u0442\u0441 (\u0430\u043D\u0433\u043B. William Roberts, 5 \u0438\u044E\u043D\u044F 1895 \u041B\u043E\u043D\u0434\u043E\u043D \u2014 20 \u044F\u043D\u0432\u0430\u0440\u044F 1980) \u2014 \u0430\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u0438\u0439 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A."@ru . . . . . . "William Roberts (mal\u00ED\u0159)"@cs . . . "William Roberts, f\u00F6dd 5 juni 1895 i Hackney, London, d\u00F6d 20 januari 1980, var en engelsk m\u00E5lare. \u00C5r 1914 ansl\u00F6t han till vorticismen, en delvis abstrakt brittisk konstr\u00F6relse med fokus p\u00E5 geometriska former och stiliserade figurer. Efter f\u00F6rsta v\u00E4rldskriget, d\u00E4r Roberts hade arbetat som krigskonstn\u00E4r, blev hans uttryck mer figurativt och fick rundare former. Roberts m\u00E5lade ofta grupper av m\u00E4nniskor i vardagssituationer. Till hans mest k\u00E4nda verk h\u00F6r The first German gas attack at Ypres fr\u00E5n 1918 och The Vorticists at the Restaurant de la Tour Eiffel, spring 1915 fr\u00E5n 1962, den senare en tillbakablick p\u00E5 de forna vorticistkollegernas umg\u00E4nge. \u00C5r 1956 h\u00F6ll Tate Gallery en utst\u00E4llning om vorticismen. I samband med detta h\u00E4vdade Wyndham Lewis att ordet vorticism i praktiken endast hade syftat p\u00E5 Lewis sj\u00E4lv och det han hade varit upptagen av under en viss period. Roberts reagerade p\u00E5 detta genom att skriva en rad stridsskrifter, utgivna 1956\u20131958, d\u00E4r han tillbakavisade Lewis' p\u00E5st\u00E5enden. \u00C5r 1974 skrev Roberts dock en ytterligare skrift, d\u00E4r han h\u00F6ll med om att etiketten vorticism endast b\u00F6r anv\u00E4ndas om Lewis' verk, medan andra verk som tillskrivits r\u00F6relsen b\u00F6r r\u00E4knas till kubismen."@sv . . . . . . . . . . . . . . . . . . . . "William Patrick Roberts"@en . . . "William Roberts, f\u00F6dd 5 juni 1895 i Hackney, London, d\u00F6d 20 januari 1980, var en engelsk m\u00E5lare. \u00C5r 1914 ansl\u00F6t han till vorticismen, en delvis abstrakt brittisk konstr\u00F6relse med fokus p\u00E5 geometriska former och stiliserade figurer. Efter f\u00F6rsta v\u00E4rldskriget, d\u00E4r Roberts hade arbetat som krigskonstn\u00E4r, blev hans uttryck mer figurativt och fick rundare former. Roberts m\u00E5lade ofta grupper av m\u00E4nniskor i vardagssituationer. Till hans mest k\u00E4nda verk h\u00F6r The first German gas attack at Ypres fr\u00E5n 1918 och The Vorticists at the Restaurant de la Tour Eiffel, spring 1915 fr\u00E5n 1962, den senare en tillbakablick p\u00E5 de forna vorticistkollegernas umg\u00E4nge."@sv . . . . . . . . "William Roberts"@en . . . . . "\u0420\u043E\u0431\u0435\u0440\u0442\u0441, \u0423\u0438\u043B\u044C\u044F\u043C (\u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A)"@ru . . . . . "William Roberts RA (* 5. Juni 1895 in London; \u2020 20. Januar 1980 in London) war ein britischer Maler des Kubismus und Mitbegr\u00FCnder des Vortizismus."@de . . . . . . . . . . "William Patrick Roberts RA (5. \u010Dervna 1895 \u2013 20. ledna 1980) byl britsk\u00FD abstraktn\u00ED mal\u00ED\u0159."@cs . . . . . . "28490"^^ . . . . . . . . . "1895-06-05"^^ . . . . . "William Roberts (painter)"@en . . . . . . . . . . . . . . . . . . . . . "\u0648\u0644\u064A\u0627\u0645 \u0628\u0627\u062A\u0631\u0643 \u0631\u0648\u0628\u0631\u062A\u0633 \u0648\u0644\u062F \u0641\u064A \u0627\u0644\u062E\u0627\u0645\u0633 \u0645\u0646 \u064A\u0648\u0646\u064A\u0648 \u0639\u0627\u0645 1895 \u0648\u0643\u0627\u0646 \u0641\u0646\u0627\u0646 \u0628\u0631\u064A\u0637\u0627\u0646\u064A \u0641\u064A \u0627\u0644\u0633\u0646\u0648\u0627\u062A \u0645\u0627 \u0642\u0628\u0644 \u0627\u0644\u062D\u0631\u0628 \u0627\u0644\u0639\u0627\u0644\u0645\u064A\u0629 \u0627\u0644\u0623\u0648\u0644\u0649 \u0643\u0627\u0646 \u0631\u0648\u0628\u0631\u062A \u0645\u0646 \u0627\u0644\u0623\u0648\u0627\u0626\u0644 \u0645\u0646 \u0628\u064A\u0646 \u0627\u0644\u0641\u0646\u0627\u0646\u064A\u0646 \u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632 \u0641\u064A \u0627\u0633\u062A\u062E\u062F\u0627\u0645 \u0627\u0644\u0635\u0648\u0631 \u0627\u0644\u0645\u062C\u0631\u062F\u0629 \u0648\u0628\u0639\u062F \u0645\u0631\u0648\u0631 \u0633\u0646\u0648\u0627\u062A \u0648\u0635\u0641 \u0646\u0647\u062C\u0647 \u0643\u0623\u062D\u062F \u0645\u0646 \u0627\u0644\u0641\u0646\u0648\u0646 \u0627\u0644\u062A\u0643\u0639\u064A\u0628\u064A\u0629 \u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629. \u062E\u062F\u0645 \u0643\u0627\u0636\u0627\u0628\u0637 \u0645\u062F\u0641\u0639\u064A \u0641\u064A \u0627\u0644\u0636\u0641\u0629 \u0627\u0644\u063A\u0631\u0628\u064A\u0629. \u062B\u0645 \u0623\u0635\u0628\u062D \u0631\u0648\u0628\u0631\u062A \u0641\u0646\u0627\u0646 \u062D\u0631\u0628 \u0631\u0633\u0645\u064A \u0641\u064A 1819.\u0631\u0648\u0628\u0631\u062A \u0643\u0627\u0646 \u0623\u0648\u0644 \u0631\u062C\u0644 \u0641\u064A \u0645\u0639\u0631\u0636 \u0627\u0644\u062A\u0634\u064A\u0646\u0644 \u0641\u064A \u0644\u0646\u062F\u0646 \u0639\u0627\u0645 1923\u0648 \u0642\u062F \u062A\u0645 \u0627\u0642\u062A\u0646\u0627\u0621 \u0639\u062F\u062F \u0645\u0646 \u0644\u0648\u062D\u0627\u062A\u0647 \u0644\u0644\u0642\u0631\u0646 \u0627\u0644\u0639\u0634\u0631\u064A\u0646 \u0644\u0635\u0627\u0644\u062D \u0645\u062C\u062A\u0645\u0639 \u0627\u0644\u0641\u0646 \u0627\u0644\u0645\u0639\u0627\u0635\u0631 \u0641\u064A \u0627\u0644\u0645\u0639\u0627\u0631\u0636 \u0627\u0644\u0631\u064A\u0641\u064A\u0629 \u0641\u064A \u0628\u0631\u064A\u0637\u0627\u0646\u064A\u0627 \u0641\u064A 1930 \u0648\u0643\u0627\u0646 \u0645\u0646 \u0627\u0644\u0645\u0645\u0643\u0646 \u0623\u0646 \u064A\u062D\u062F\u062B \u062C\u062F\u0627\u0644\u0627 \u0628\u0633\u0628\u0628 \u0627\u0646 \u0631\u0648\u0628\u0631\u062A \u0643\u0627\u0646 \u0639\u0644\u0649 \u0627\u0644\u0642\u0645\u0629 \u0641\u0646\u064A\u0627 \u0644\u0643\u0646 \u0639\u0644\u0649 \u0627\u0644\u0631\u063A\u0645 \u0645\u0646 \u0627\u0646 \u0623\u0639\u0645\u0627\u0644\u0647 \u0639\u0631\u0636\u062A \u0628\u0627 \u0627\u0646\u062A\u0638\u0627\u0645 \u0641\u064A \u0644\u0646\u062F\u0646 \u0639\u0644\u0649 \u0646\u062D\u0648 \u0645\u062A\u0632\u0627\u064A\u062F \u062F\u0648\u0644\u064A\u0627 \u0627\u0644\u0627 \u0627\u0646\u0647 \u0643\u0627\u0646 \u064A\u0646\u0627\u0636\u0644 \u0645\u0627\u0644\u064A\u0627 \u0648\u0642\u062F \u0623\u0635\u0628\u062D \u0648\u0636\u0639\u0647 \u0627\u0633\u0648\u0627 \u0628\u062A\u0632\u0627\u0645\u0646\u0647 \u0645\u0639 \u0627\u0644\u062D\u0631\u0628 \u0627\u0644\u0639\u0627\u0644\u0645\u064A\u0629 \u0627\u0644\u062B\u0627\u0646\u064A\u0629 \u0644\u0643\u0646 \u0630\u0644\u0643 \u0644\u0645 \u064A\u062C\u0639\u0644\u0647 \u0639\u0627\u062C\u0632\u0627 \u0639\u0646 \u062F\u0641\u0639 \u0639\u0645\u0648\u0644\u0647 \u0628\u0635\u0641\u062A\u0647 \u0641\u0646\u0627\u0646 \u062D\u0631\u0628"@ar . . . . . . . . . . . . . . . . . . . . . "William Roberts RA (* 5. Juni 1895 in London; \u2020 20. Januar 1980 in London) war ein britischer Maler des Kubismus und Mitbegr\u00FCnder des Vortizismus."@de . . . . "1980-01-20"^^ . . . . . . . . . . "Hackney, London, England"@en . "William Roberts (Maler)"@de . . . . "William Roberts"@en . . . . . . . . "1041762"^^ . . . . . . . "William Patrick Roberts RA (5 June 1895 \u2013 20 January 1980) was a British artist. In the years before the First World War Roberts was a pioneer, among English artists, in his use of abstract images. In later years he described his approach as that of an \"English Cubist\". In the First World War he served as a gunner on the Western Front, and in 1918 became an official war artist. Roberts's first one-man show was at the Chenil Gallery in London in 1923, and a number of his paintings from the twenties were purchased by the Contemporary Art Society for provincial galleries in the UK. In the 1930s it could be argued that Roberts was artistically at the top of his game; but, although his work was exhibited regularly in London and, increasingly, internationally, he always struggled financially. Th"@en . . . . . . . . . . . "1980-01-20"^^ . . . . . . "1895-06-05"^^ . . . . . . . . . . . "William Roberts"@en . "\u0423\u0438\u043B\u044C\u044F\u043C \u041F\u0430\u0442\u0440\u0438\u043A \u0420\u043E\u0431\u0435\u0440\u0442\u0441 (\u0430\u043D\u0433\u043B. William Roberts, 5 \u0438\u044E\u043D\u044F 1895 \u041B\u043E\u043D\u0434\u043E\u043D \u2014 20 \u044F\u043D\u0432\u0430\u0440\u044F 1980) \u2014 \u0430\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u0438\u0439 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A."@ru . . . . . . . "William Patrick Roberts RA (5. \u010Dervna 1895 \u2013 20. ledna 1980) byl britsk\u00FD abstraktn\u00ED mal\u00ED\u0159."@cs . "\u0648\u0644\u064A\u0627\u0645 \u0628\u0627\u062A\u0631\u0643 \u0631\u0648\u0628\u0631\u062A\u0633 \u0648\u0644\u062F \u0641\u064A \u0627\u0644\u062E\u0627\u0645\u0633 \u0645\u0646 \u064A\u0648\u0646\u064A\u0648 \u0639\u0627\u0645 1895 \u0648\u0643\u0627\u0646 \u0641\u0646\u0627\u0646 \u0628\u0631\u064A\u0637\u0627\u0646\u064A \u0641\u064A \u0627\u0644\u0633\u0646\u0648\u0627\u062A \u0645\u0627 \u0642\u0628\u0644 \u0627\u0644\u062D\u0631\u0628 \u0627\u0644\u0639\u0627\u0644\u0645\u064A\u0629 \u0627\u0644\u0623\u0648\u0644\u0649 \u0643\u0627\u0646 \u0631\u0648\u0628\u0631\u062A \u0645\u0646 \u0627\u0644\u0623\u0648\u0627\u0626\u0644 \u0645\u0646 \u0628\u064A\u0646 \u0627\u0644\u0641\u0646\u0627\u0646\u064A\u0646 \u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632 \u0641\u064A \u0627\u0633\u062A\u062E\u062F\u0627\u0645 \u0627\u0644\u0635\u0648\u0631 \u0627\u0644\u0645\u062C\u0631\u062F\u0629 \u0648\u0628\u0639\u062F \u0645\u0631\u0648\u0631 \u0633\u0646\u0648\u0627\u062A \u0648\u0635\u0641 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"1091818582"^^ . . "William Patrick Roberts RA (5 June 1895 \u2013 20 January 1980) was a British artist. In the years before the First World War Roberts was a pioneer, among English artists, in his use of abstract images. In later years he described his approach as that of an \"English Cubist\". In the First World War he served as a gunner on the Western Front, and in 1918 became an official war artist. Roberts's first one-man show was at the Chenil Gallery in London in 1923, and a number of his paintings from the twenties were purchased by the Contemporary Art Society for provincial galleries in the UK. In the 1930s it could be argued that Roberts was artistically at the top of his game; but, although his work was exhibited regularly in London and, increasingly, internationally, he always struggled financially. This situation became worse during the Second World War \u2013 although Roberts did carry out some commissions as a war artist. Roberts is probably best remembered for the large, complex and colourful compositions that he exhibited annually at the Royal Academy summer exhibition from the 1950s until his death. He had a major retrospective at the Tate Gallery in 1965, and was elected a full member of the Royal Academy in 1966. There has recently been a revival of interest in the work of this artist who always worked outside the mainstream."@en . . . . . . . "\u0648\u0644\u064A\u0627\u0645 \u0631\u0648\u0628\u0631\u062A"@ar . . . . . . . . . .