. "1106377339"^^ . . . "1976-12-21"^^ . . . . . . . . . . . . "Women Artists: 1550-1950"@en . . . . "--10-01"^^ . . . . . . . . . . "Women Artists: 1550-1950 (en fran\u00E7ais \u00AB Femmes artistes : 1550-1950 \u00BB) est une exposition artistique consacr\u00E9e aux femmes artistes, pr\u00E9sent\u00E9e initialement au mus\u00E9e d'Art du comt\u00E9 de Los Angeles du 23 d\u00E9cembre 1976 au 13 mars 1977. L'\u00E9v\u00E8nement, d'ampleur internationale, est organis\u00E9 par les historiennes de l'art Linda Nochlin et Ann Sutherland Harris."@fr . . "The first international exhibition of art by female artists opened on December 21, 1976 at a time when the Feminist Art Movement was gaining in support and momentum. The show was curated by Professors Ann Sutherland Harris and Linda Nochlin and included eighty-three artists from twelve countries. The four-city exhibition was organized by the Los Angeles County Museum of Art and was on view there from December 21, 1976 through March 1977. The exhibition went on to show at the University Art Museum in Austin, Texas and then to the Carnegie Museum of Art in Pittsburgh, Pennsylvania, after which it completed its run at the Brooklyn Museum in New York. The Alcoa Foundation and the National Endowment for the Arts provided grants for the exhibition. The show became an important event in the histo"@en . . . . "Women Artists: 1550-1950 (en fran\u00E7ais \u00AB Femmes artistes : 1550-1950 \u00BB) est une exposition artistique consacr\u00E9e aux femmes artistes, pr\u00E9sent\u00E9e initialement au mus\u00E9e d'Art du comt\u00E9 de Los Angeles du 23 d\u00E9cembre 1976 au 13 mars 1977. L'\u00E9v\u00E8nement, d'ampleur internationale, est organis\u00E9 par les historiennes de l'art Linda Nochlin et Ann Sutherland Harris."@fr . . "Women Artists: 1550-1950"@es . . . . . . . . . . . . "Women Artist: 1550-1950 fue la primera exposici\u00F3n de mujeres artistas que se celebr\u00F3 a nivel internacional. Se inaugur\u00F3 el 21 de diciembre de 1976 \u200B en un momento en que el abordaje del arte desde la perspectiva feminista estaba ganando apoyo e impulso. La muestra fue comisariada por las profesoras Ann Sutherland Harris y Linda Nochlin e incluy\u00F3 ochenta y tres artistas de doce pa\u00EDses."@es . . . . "The first international art exhibition made up entirely of art created by professional female artists."@en . . . . . . . . . . . . "The first international exhibition of art by female artists opened on December 21, 1976 at a time when the Feminist Art Movement was gaining in support and momentum. The show was curated by Professors Ann Sutherland Harris and Linda Nochlin and included eighty-three artists from twelve countries. The four-city exhibition was organized by the Los Angeles County Museum of Art and was on view there from December 21, 1976 through March 1977. The exhibition went on to show at the University Art Museum in Austin, Texas and then to the Carnegie Museum of Art in Pittsburgh, Pennsylvania, after which it completed its run at the Brooklyn Museum in New York. The Alcoa Foundation and the National Endowment for the Arts provided grants for the exhibition. The show became an important event in the history of art, introducing viewers, who were accustomed to a history of art dominated by men, to the important contributions of women artists. However, the show consisted almost entirely of white female artists. The show only included one artist of color, Frida Kahlo, and no black artists."@en . . . . . . . "Women Artist: 1550-1950 fue la primera exposici\u00F3n de mujeres artistas que se celebr\u00F3 a nivel internacional. Se inaugur\u00F3 el 21 de diciembre de 1976 \u200B en un momento en que el abordaje del arte desde la perspectiva feminista estaba ganando apoyo e impulso. La muestra fue comisariada por las profesoras Ann Sutherland Harris y Linda Nochlin e incluy\u00F3 ochenta y tres artistas de doce pa\u00EDses. La exposici\u00F3n se celebr\u00F3 en primer lugar en el Museo de Arte del Condado de Los \u00C1ngeles, entre diciembre de 1976 y marzo de 1977. Posteriormente, se traslad\u00F3 al Museo de Arte de la Universidad de Austin, Texas, despu\u00E9s al Museo de Arte Carnegie en Pittsburgh, Pensilvania y, finalmente, complet\u00F3 su recorrido en el Museo de Brooklyn de Nueva York.\u200B La Fundaci\u00F3n Alcoa y el National Endowment for the Arts aportaron fondos para la exposici\u00F3n.\u200B Esta muestra se convirti\u00F3 en un hito fundamental para la historia del arte, presentando a un p\u00FAblico acostumbrado a un relato hist\u00F3rico dominado por los hombres, a las importantes contribuciones de las mujeres artistas. Adem\u00E1s, fue el punto de partida para investigar y visibilizar la vida y obra de numerosas artistas hasta entonces desconocidas. Libros como Mujer, arte y sociedad de Whitney Chadwick y otros manuales posteriores sobre mujeres artistas tuvieron en el cat\u00E1logo de la exposici\u00F3n su referencia fundamental.\u200B"@es . . . . . "Los Angeles County Museum of Art, Los Angeles, California; University Art Museum, Austin, Texas; Carnegie Museum of Art, Pittsburgh, Pennsylvania; Brooklyn Museum, Brooklyn, New York"@en . . "48213170"^^ . "4980"^^ . . "The exhibition Women Artists: 1550-1950 at the Brooklyn Museum, New York"@en . . "Women Artists: 1550-1950"@fr . . . . . "Women Artists: 1550-1950"@en . .