"10391760"^^ . . "#FBF5DF"@en . "right"@en . . . . . . . . . . . . . . "1117785756"^^ . . . . . . . . . . . . . . . . . "Pre-Raphaelites: Curator's choice \u2013 Ford Madox Brown's Work, Tate Gallery"@en . . . . . "19243"^^ . . "Manchester, England"@en . . . . . . . . . . "Work (Manchester)"@en . . . . . "210"^^ . . . . "99.90000000000001"^^ . . . . "Arbete (engelska: Work) \u00E4r en oljem\u00E5lning av den engelske konstn\u00E4ren Ford Madox Brown. Den m\u00E5lades 1852\u20131865 och \u00E4r sedan 1885 utst\u00E4lld p\u00E5 Manchester Art Gallery. Det finns \u00E4ven en mindre version fr\u00E5n 1863 som ing\u00E5r Birmingham Museum and Art Gallerys samlingar sedan 1927. B\u00E5da versionerna har en v\u00E4lvd \u00F6verdel."@sv . . . . . . . . . . . . . . . . . . . "\u00AB\u0422\u0440\u0443\u0434\u00BB (\u0430\u043D\u0433\u043B. Work) \u2014 \u043A\u0430\u0440\u0442\u0438\u043D\u0430 \u0430\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u043E\u0433\u043E \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A\u0430 \u0424\u043E\u0440\u0434\u0430 \u041C\u044D\u0434\u043E\u043A\u0441\u0430 \u0411\u0440\u0430\u0443\u043D\u0430, \u0430\u043B\u043B\u0435\u0433\u043E\u0440\u0438\u044F \u0432\u0438\u043A\u0442\u043E\u0440\u0438\u0430\u043D\u0441\u043A\u043E\u0433\u043E \u043E\u0431\u0449\u0435\u0441\u0442\u0432\u0430, \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043E\u043D\u043D\u043E \u0441\u0447\u0438\u0442\u0430\u0435\u0442\u0441\u044F \u0432\u0435\u0440\u0448\u0438\u043D\u043E\u0439 \u0435\u0433\u043E \u0442\u0432\u043E\u0440\u0447\u0435\u0441\u0442\u0432\u0430."@ru . . "400"^^ . . . . . . . . . . "Work (1852\u20131865) is a painting by Ford Madox Brown that is generally considered to be his most important achievement. It exists in two versions. The painting attempts to portray, both literally and analytically, the totality of the Victorian social system and the transition from a rural to an urban economy. Brown began the painting in 1852 and completed it in 1865, when he set up a special exhibition to show it along with several of his other works. He wrote a detailed catalogue explaining the significance of the picture."@en . . "Work (painting)"@en . . . . "right"@en . "68.40000000000001"^^ . . . . . . . . . . "Arbete (m\u00E5lning)"@sv . . . "in"@en . . . . . . . . "Work"@en . . . . . . "53.9"^^ . . . . "cm"@en . . "\u00AB\u0422\u0440\u0443\u0434\u00BB (\u0430\u043D\u0433\u043B. Work) \u2014 \u043A\u0430\u0440\u0442\u0438\u043D\u0430 \u0430\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u043E\u0433\u043E \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A\u0430 \u0424\u043E\u0440\u0434\u0430 \u041C\u044D\u0434\u043E\u043A\u0441\u0430 \u0411\u0440\u0430\u0443\u043D\u0430, \u0430\u043B\u043B\u0435\u0433\u043E\u0440\u0438\u044F \u0432\u0438\u043A\u0442\u043E\u0440\u0438\u0430\u043D\u0441\u043A\u043E\u0433\u043E \u043E\u0431\u0449\u0435\u0441\u0442\u0432\u0430, \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043E\u043D\u043D\u043E \u0441\u0447\u0438\u0442\u0430\u0435\u0442\u0441\u044F \u0432\u0435\u0440\u0448\u0438\u043D\u043E\u0439 \u0435\u0433\u043E \u0442\u0432\u043E\u0440\u0447\u0435\u0441\u0442\u0432\u0430."@ru . . . . "Work (1852\u20131865) is a painting by Ford Madox Brown that is generally considered to be his most important achievement. It exists in two versions. The painting attempts to portray, both literally and analytically, the totality of the Victorian social system and the transition from a rural to an urban economy. Brown began the painting in 1852 and completed it in 1865, when he set up a special exhibition to show it along with several of his other works. He wrote a detailed catalogue explaining the significance of the picture. The painting was commissioned by Thomas Plint, a well-known collector of Pre-Raphaelite art, who died before its completion. A second version, smaller at 684 \u00D7 990 mm, was commissioned in 1859 and completed in 1863. This is now in the Birmingham Museum and Art Gallery. It is closely similar, though for the lady with a blue parasol the face of Maria Leathart, the commissioner's wife, replaces that of Mrs Brown in the Manchester version. The picture depicts a group of so-called \"navvies\" digging up the road to build a tunnel. It is typically assumed that this was part of the extensions of London's sewerage system, which were being undertaken to deal with the threat of typhus and cholera. The workers are in the centre of the painting. On either side of them are individuals who are either unemployed or represent the leisured classes. Behind the workers are two wealthy figures on horseback, whose progress along the road has been halted by the excavations. The painting also portrays an election campaign, evidenced by posters and people carrying sandwich boards with the name of the candidate \"Bobus\". A poster also draws attention to the potential presence of a burglar. The setting is an accurate depiction of The Mount on Heath Street in Hampstead, London, where a side road rises up above the main road and runs alongside it. Brown made a detailed study of the location in 1852."@en . . . . . . . . . "Birmingham, England"@en . . "Ford Madox Brown - Work - artchive.com.jpg"@en . "77.90000000000001"^^ . . . "Arbete (engelska: Work) \u00E4r en oljem\u00E5lning av den engelske konstn\u00E4ren Ford Madox Brown. Den m\u00E5lades 1852\u20131865 och \u00E4r sedan 1885 utst\u00E4lld p\u00E5 Manchester Art Gallery. Det finns \u00E4ven en mindre version fr\u00E5n 1863 som ing\u00E5r Birmingham Museum and Art Gallerys samlingar sedan 1927. B\u00E5da versionerna har en v\u00E4lvd \u00F6verdel. Brown b\u00F6rjade arbetet med motivet n\u00E4r han sommaren 1852 p\u00E5 plats gjorde n\u00E5gra skisser av en grupp m\u00E4nniskor p\u00E5 Heath Street i Hampstead i norra London. Hans syfte var att visa en tv\u00E4rsnitt av det moderna samh\u00E4llet med tilltagande urbanisering och klassklyftor i det viktorianska England. Han ville skildra olika aspekter av arbete: arbetarklassen, \u00F6verklassen som inte beh\u00F6ver arbeta och de arbetsl\u00F6sa. Centralt i den solbelysta f\u00F6rgrunden syns fyra f\u00F6r\u00E4ldral\u00F6sa barn och ett antal arbetare som gr\u00E4ver upp en v\u00E4g f\u00F6r utl\u00E4ggning av avloppsr\u00F6r. Tre personer, en blomsterf\u00F6rs\u00E4ljare och tv\u00E5 v\u00E4lbest\u00E4llda damer, f\u00F6rs\u00F6ker ta sig f\u00F6rbi till v\u00E4nster; i bakgrunden sp\u00E4rras v\u00E4gen f\u00F6r en gentleman och hans dotter som kommer ridande. Till h\u00F6ger har konstn\u00E4ren avbildat Thomas Carlyle och Frederick Denison Maurice, som liksom konstn\u00E4ren engagerade sig f\u00F6r sociala fr\u00E5gor i samh\u00E4llsdebatten. Vid sidan av gatan, i m\u00E5lningens h\u00F6gerkant, ligger arbetsl\u00F6sa och sover. Manchesterversionen best\u00E4lldes av T. E. Plint 1856 (Brown hade redan f\u00E4rdiga skisser d\u00E5) och den mindre Birminghamversionen av James Leathart 1859. Brown arbetade l\u00E5ngsamt och Plint hann avlida innan hans tavla var f\u00E4rdig. De b\u00E5da tavlorna \u00E4r mycket snarlika, en skillnad \u00E4r dock kvinnan till v\u00E4nster med parasoll. I Manchesterversionen \u00E4r det konstn\u00E4rens fru som st\u00E5tt modell f\u00F6r henne; i Birminghamversionen \u00E4r det i st\u00E4llet best\u00E4llarens fru Maria Leathart."@sv . . . "1865"^^ . . "Work (Birmingham)"@en . "Ford Madox Brown - Work - Google Art Project.jpg"@en . . . "\u0422\u0440\u0443\u0434 (\u043A\u0430\u0440\u0442\u0438\u043D\u0430)"@ru . "1863"^^ . . . . . . . . .