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England's Triumph, Or, The Kingdom's Joy for the proclaiming of King William and His Royal Consort, Queen Mary, in the Throne of England, on the 13th. of this instant February. 1688, or simply England's Triumph, is an English broadside ballad composed in 1689. As the title suggests, the ballad takes as its primary focus the coronation of William III of England and his consort Mary II of England, which took place in February 1689 (even though the ballad claims it took place in 1688. This is most likely a typographical error on the part of the composer or the printer). William III and Mary II's coregency marked the end of the Glorious Revolution and the reign of James II of England. The coregency also brought about a shift in the religious paradigm of 17th-century England, which was Roman Ca

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  • England's Triumph (en)
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  • England's Triumph, Or, The Kingdom's Joy for the proclaiming of King William and His Royal Consort, Queen Mary, in the Throne of England, on the 13th. of this instant February. 1688, or simply England's Triumph, is an English broadside ballad composed in 1689. As the title suggests, the ballad takes as its primary focus the coronation of William III of England and his consort Mary II of England, which took place in February 1689 (even though the ballad claims it took place in 1688. This is most likely a typographical error on the part of the composer or the printer). William III and Mary II's coregency marked the end of the Glorious Revolution and the reign of James II of England. The coregency also brought about a shift in the religious paradigm of 17th-century England, which was Roman Ca (en)
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  • England's Triumph, Or, The Kingdom's Joy for the proclaiming of King William and His Royal Consort, Queen Mary, in the Throne of England, on the 13th. of this instant February. 1688, or simply England's Triumph, is an English broadside ballad composed in 1689. As the title suggests, the ballad takes as its primary focus the coronation of William III of England and his consort Mary II of England, which took place in February 1689 (even though the ballad claims it took place in 1688. This is most likely a typographical error on the part of the composer or the printer). William III and Mary II's coregency marked the end of the Glorious Revolution and the reign of James II of England. The coregency also brought about a shift in the religious paradigm of 17th-century England, which was Roman Catholic when James II sat upon the throne. Indeed, the ballad comments on the "vile pop'ry" that ruled the throne prior to the rule of William III, which saw the restoration of Protestant liberty. Extant copies of the ballad are available at Magdalene College, Cambridge in the Pepys Library. Alternatively, online facsimiles of the ballad are available online for public consumption. (en)
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