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The jadagan (Khakas: чадыған, chadyghan, Russian: чатхан, çatkhan, or Siberian harp) is a wooden board zither of the Khakass Turkic people of Russian Siberia, usually with 6 or 7 strings stretched across movable bridges and tuned a fourth or fifth apart. The body is hollowed out from underneath like an upturned trough. It has a convex surface and an end bent towards the ground. The strings are plucked and the sound is very smooth. The instrument was considered to be sacrosanct and playing it was a rite bound to taboos. The instrument was mainly used at court and in monasteries, since strings symbolised the twelve levels of the palace hierarchy.

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rdf:type
rdfs:label
  • Jadagan (en)
rdfs:comment
  • The jadagan (Khakas: чадыған, chadyghan, Russian: чатхан, çatkhan, or Siberian harp) is a wooden board zither of the Khakass Turkic people of Russian Siberia, usually with 6 or 7 strings stretched across movable bridges and tuned a fourth or fifth apart. The body is hollowed out from underneath like an upturned trough. It has a convex surface and an end bent towards the ground. The strings are plucked and the sound is very smooth. The instrument was considered to be sacrosanct and playing it was a rite bound to taboos. The instrument was mainly used at court and in monasteries, since strings symbolised the twelve levels of the palace hierarchy. (en)
name
  • Jadagan (en)
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background
  • string (en)
classification
  • *String instruments *Box zither (en)
related
  • *Yatga *koto *Guzheng *Zither *Se *Gayageum *Đàn tranh *Kanun (instrument) *Kanklės *Jetigen *Ajaeng *Yazheng (en)
has abstract
  • The jadagan (Khakas: чадыған, chadyghan, Russian: чатхан, çatkhan, or Siberian harp) is a wooden board zither of the Khakass Turkic people of Russian Siberia, usually with 6 or 7 strings stretched across movable bridges and tuned a fourth or fifth apart. The body is hollowed out from underneath like an upturned trough. It has a convex surface and an end bent towards the ground. The strings are plucked and the sound is very smooth. The instrument was considered to be sacrosanct and playing it was a rite bound to taboos. The instrument was mainly used at court and in monasteries, since strings symbolised the twelve levels of the palace hierarchy. (en)
developed
  • Antiquity (en)
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