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There have been a great number of anamorphic format trade names, for reasons of prestige, technology, or vanity. The basic 35 mm anamorphic format originally popularized as CinemaScope has been known by a number of other monikers. In some cases, these names actually refer to different lens designs and technologies implemented; however, the great majority are simply re-branded lenses originally known by another name. In recent decades, it has generally been considered a cliché throwback, and thus the generic name of anamorphic format has become predominant.

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  • Llista de formats anamòrfics (ca)
  • List of anamorphic format trade names (en)
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  • Hi ha hagut una gran quantitat de noms comercials en format anamòrfic, per motius de prestigi, tecnologia o vanitat. El format anamorfàtic bàsic de 35 mm es va popularitzar inicialment, ja que CinemaScope ha estat conegut per una sèrie d'altres monikers. En alguns casos, aquests noms realment es refereixen a diferents dissenys i tecnologies implementades; no obstant això, la gran majoria són simplement lents de marca reconegudes originalment per un altre nom. En les últimes dècades, generalment s'ha considerat un retrocés tòpic i, per tant, el nom genèric del format anamòrfic s'ha convertit en predominant. (ca)
  • There have been a great number of anamorphic format trade names, for reasons of prestige, technology, or vanity. The basic 35 mm anamorphic format originally popularized as CinemaScope has been known by a number of other monikers. In some cases, these names actually refer to different lens designs and technologies implemented; however, the great majority are simply re-branded lenses originally known by another name. In recent decades, it has generally been considered a cliché throwback, and thus the generic name of anamorphic format has become predominant. (en)
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  • Hi ha hagut una gran quantitat de noms comercials en format anamòrfic, per motius de prestigi, tecnologia o vanitat. El format anamorfàtic bàsic de 35 mm es va popularitzar inicialment, ja que CinemaScope ha estat conegut per una sèrie d'altres monikers. En alguns casos, aquests noms realment es refereixen a diferents dissenys i tecnologies implementades; no obstant això, la gran majoria són simplement lents de marca reconegudes originalment per un altre nom. En les últimes dècades, generalment s'ha considerat un retrocés tòpic i, per tant, el nom genèric del format anamòrfic s'ha convertit en predominant. Tots els noms comercials següents es refereixen al format modern de 35 mm d'anamòrfic SMPTE o el que es considerava l'estàndard en aquell moment. En termes genèrics, això significa una lent de d'anamorfosi 2× amb polarització negativa de 4-perf per a l'origen i la projecció de la imatge, i una relació d'aspecte de 2.35: 1 fins a 1970 (que requereix un empalmament especial i estret d'"assemblatge negatiu") i 2.39: 1 després de 1970 (utilitzant empalmaments convencionals d'"assemblatge negatiu"). El canvi de 2.35: 1 a 2.39: 1 (a vegades arrodonit a 2.4:1 o, matemàticament de forma incorrecta, a 2.40:1) es va dissenyar principalment per facilitar el "muntatge negatiu", i també per ocultar millor els empalmaments "assemblats negatius", que d'una altra manera pot aparèixer com un lleuger "flaix" a la vora superior del marc, durant un esqueig. El terme anamòrfic no s'hauria de considerar sinònim de pantalla ampla; VistaVision no era anamòrfic, i al moment del rodatge, també era Techniscope. (ca)
  • There have been a great number of anamorphic format trade names, for reasons of prestige, technology, or vanity. The basic 35 mm anamorphic format originally popularized as CinemaScope has been known by a number of other monikers. In some cases, these names actually refer to different lens designs and technologies implemented; however, the great majority are simply re-branded lenses originally known by another name. In recent decades, it has generally been considered a cliché throwback, and thus the generic name of anamorphic format has become predominant. All of the following trade names refer to the modern SMPTE-standard anamorphic 35 mm format or what was regarded as the standard at that time. Generically speaking, this means a 2× anamorphosis lens with 4-perf negative pulldown for both image origination and projection, and an aspect ratio of 2.35:1 until 1970 (requiring special, narrow "negative assembly" splices) and 2.39:1 after 1970 (using conventional "negative assembly" splices). The change from 2.35:1 to 2.39:1 (sometimes rounded to 2.4:1 or, mathematically incorrectly, to 2.40:1) was mainly intended to facilitate "negative assembly", and also to better hide "negative assembly" splices, which otherwise may appear as a slight "flash" at the upper edge of the frame, during a splice. The term anamorphic should not be considered synonymous with widescreen; VistaVision was non-anamorphic, and at the time of shooting, so was Techniscope. (en)
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