• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: Mozart (comédie musicale)     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatFrenchPlays, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: Thingyago:WikicatOperasyago:WikicatOperasByReynaldoHahnyago:Abstraction100002137yago:AuditoryCommunication107109019yago:ClassicalMusic107025900yago:Communication100033020yago:DramaticComposition107007684yago:ExpressiveStyle107066659yago:Music107020895yago:MusicGenre107071942yago:Opera107026352yago:Play107007945yago:Writing106362953yago:WrittenCommunication106349220yago:Wikicat1925Operasyago:Wikicat20th-centuryPlaysyago:WikicatFrench-languageOperasyago:WikicatFrenchPlays New Facet based on Instances of this Class

Mozart is a comédie musicale in three acts with music by Reynaldo Hahn and words by Sacha Guitry, a pastiche of the composer's early works to fit beside arias written for Yvonne Printemps (playing the title role as a breeches role). The story concerns the fictional adventures of Mozart on a visit to the French capital. After the success of L'amour masqué, Sacha Guitry wanted to collaborate again with Messager, but the older composer declined. Guitry wrote to Hahn, on holiday in Cannes, who seized the opportunity with great joy, and the collaboration was excellent.