About: The Art of Noises     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:Wikicat1916Books, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)
QRcode icon
http://dbpedia.demo.openlinksw.com/describe/?url=http%3A%2F%2Fdbpedia.org%2Fresource%2FThe_Art_of_Noises

The Art of Noises (Italian: L'arte dei Rumori) is a Futurist manifesto written by Luigi Russolo in a 1913 letter to friend and Futurist composer Francesco Balilla Pratella. In it, Russolo argues that the human ear has become accustomed to the speed, energy, and noise of the urban industrial soundscape; furthermore, this new sonic palette requires a new approach to musical instrumentation and composition. He proposes a number of conclusions about how electronics and other technology will allow futurist musicians to "substitute for the limited variety of timbres that the orchestra possesses today the infinite variety of timbres in noises, reproduced with appropriate mechanisms".

AttributesValues
rdf:type
rdfs:label
  • El arte de los ruidos (es)
  • L'Art des bruits (fr)
  • L'arte dei rumori (it)
  • The Art of Noises (en)
  • Искусство шумов (ru)
rdfs:comment
  • «Искусство шумов» (итал. L’arte dei Rumori) — манифест, написанный Луиджи Руссоло в 1913 году. Выполнен в форме письма, адресованного Франческо Балилле Прателле. Руссоло посетил оркестровый концерт футуристической музыки, организованный Прателлой в Римском оперном театре, и был впечатлён услышанным; вследствие этого ему пришла идея создания нового искусства, название которого вынесено в заголовок манифеста. (ru)
  • El arte de los ruidos (L'arte dei Rumori) es un manifiesto futurista escrito por Luigi Russolo en una carta escrita en 1913 a su amigo y compositor futurista Francesco Balilla Pratella. En él, Russolo considera que el oído humano se ha acostumbrado a la velocidad, la energía y el ruido del paisaje urbano e industrial. Además, esta nueva paleta sonora requiere de un nuevo acercamiento a la instrumentación y composición musical. Por ello propone un número de conclusiones acerca de como la electrónica y otras tecnologías podrán permitir a los músicos futuristas "sustituir la limitada variedad de timbres que una orquesta procesa hoy por una infinita variedad de timbres que se encuentran en los ruidos, reproducidos con los mecanismos apropiados".​ (es)
  • L'Art des bruits (L'arte dei rumori), sous-titré Manifeste futuriste (Manifesto futurista) est un manifeste futuriste écrit en 1913 par Luigi Russolo dans une lettre à son ami le compositeur futuriste Francesco Balilla Pratella. Pierre fondatrice du bruitisme, il est considéré comme l'un des textes les plus importants et les plus influents de l'esthétique musicale du XXe siècle ; comme l'affirme Philippe Robert à son propos : « Un grand fracas de tôle emboutie : voilà ce à quoi les bases du renouveau musical du XXe siècle ont en partie ressemblé ». (fr)
  • The Art of Noises (Italian: L'arte dei Rumori) is a Futurist manifesto written by Luigi Russolo in a 1913 letter to friend and Futurist composer Francesco Balilla Pratella. In it, Russolo argues that the human ear has become accustomed to the speed, energy, and noise of the urban industrial soundscape; furthermore, this new sonic palette requires a new approach to musical instrumentation and composition. He proposes a number of conclusions about how electronics and other technology will allow futurist musicians to "substitute for the limited variety of timbres that the orchestra possesses today the infinite variety of timbres in noises, reproduced with appropriate mechanisms". (en)
  • L'arte dei rumori è un manifesto futurista scritto da Luigi Russolo in una lettera del 1913 all'amico e compositore futurista Francesco Balilla Pratella. In esso Russolo sostiene che l'orecchio umano si è abituato alla velocità, all'energia e al rumore del paesaggio sonoro industriale urbano; inoltre, questa nuova tavolozza sonora richiede un nuovo approccio alla strumentazione e composizione musicale. Propone una serie di conclusioni su come l'elettronica e le altre tecnologie consentiranno ai musicisti futuristi di "sostituire" la limitata varietà di timbri che l'orchestra possiede oggi con la varietà infinita di timbri dei rumori, riprodotti con meccanismi appropriati". (it)
differentFrom
foaf:depiction
  • http://commons.wikimedia.org/wiki/Special:FilePath/Russolointonorumori.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Luigi_Russolo_and_assistant_Ugo_Piatti_in_their_Milan_studio_with_Intonarumori,_L’Arte_dei_rumori_(The_Art_of_Noises),_1913.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Risveglio_di_una_citta.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Intonarumori-concerto.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Intonarumori-interno.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Intonarumori-schema.gif
  • http://commons.wikimedia.org/wiki/Special:FilePath/The_Art_of_Noises.gif
dcterms:subject
Wikipage page ID
Wikipage revision ID
Link from a Wikipage to another Wikipage
Faceted Search & Find service v1.17_git139 as of Feb 29 2024


Alternative Linked Data Documents: ODE     Content Formats:   [cxml] [csv]     RDF   [text] [turtle] [ld+json] [rdf+json] [rdf+xml]     ODATA   [atom+xml] [odata+json]     Microdata   [microdata+json] [html]    About   
This material is Open Knowledge   W3C Semantic Web Technology [RDF Data] Valid XHTML + RDFa
OpenLink Virtuoso version 08.03.3330 as of Mar 19 2024, on Linux (x86_64-generic-linux-glibc212), Single-Server Edition (378 GB total memory, 67 GB memory in use)
Data on this page belongs to its respective rights holders.
Virtuoso Faceted Browser Copyright © 2009-2024 OpenLink Software