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The Five O'Clock Girl is a musical with a book by Guy Bolton and Fred Thompson, music by Harry Ruby, and lyrics by Bert Kalmar. It focuses on wealthy Beekman Place playboy Gerald Brooks and impoverished shopgirl Patricia Brown, who become acquainted with each other via a series of anonymous five o'clock phone conversations. A West End production opened at the London Hippodrome on March 21, 1929.

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  • The Five O'Clock Girl (fr)
  • The Five O'Clock Girl (en)
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  • The Five O'Clock Girl est une comédie musicale américaine produite à Broadway en 1927, avec un livret de Guy Bolton et Fred Thompson, sur une musique de Harry Ruby. La première représentation a eu lieu à New York au (en) le 10 octobre 1927. Le 16 avril 1928 elle est déplacée au Shubert Theatre où ont lieu un total de 280 représentations. Le metteur en scène est John Harwood et le chorégraphe est Jack Haskell. Une adaptation a été présentée à Londres à partir du 21 mars 1929. (fr)
  • The Five O'Clock Girl is a musical with a book by Guy Bolton and Fred Thompson, music by Harry Ruby, and lyrics by Bert Kalmar. It focuses on wealthy Beekman Place playboy Gerald Brooks and impoverished shopgirl Patricia Brown, who become acquainted with each other via a series of anonymous five o'clock phone conversations. A West End production opened at the London Hippodrome on March 21, 1929. (en)
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  • The Five O'Clock Girl (en)
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  • The Five O'Clock Girl (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/FiveOClockGirl.jpg
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  • Poster by Paul Chesney for the 1929 London Hippodrome production (en)
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  • The Five O'Clock Girl est une comédie musicale américaine produite à Broadway en 1927, avec un livret de Guy Bolton et Fred Thompson, sur une musique de Harry Ruby. La première représentation a eu lieu à New York au (en) le 10 octobre 1927. Le 16 avril 1928 elle est déplacée au Shubert Theatre où ont lieu un total de 280 représentations. Le metteur en scène est John Harwood et le chorégraphe est Jack Haskell. Elle a été adaptée au cinéma par Robert Z. Leonard pour la Metro-Goldwyn-Mayer, avec Marion Davies et Joel McCrea dans les rôles principaux, mais le film n'est jamais sorti en salles, parce que le producteur William Randolph Hearst avait décidé qu'il n'était pas satisfait du résultat. Une adaptation a été présentée à Londres à partir du 21 mars 1929. La pièce a été remontée à Broadway entre le 22 janvier et le 8 février 1981, avec Lisby Larson, Richard Ruth, Roger Rathburn, Dee Hoty, et Pat Stanley. (fr)
  • The Five O'Clock Girl is a musical with a book by Guy Bolton and Fred Thompson, music by Harry Ruby, and lyrics by Bert Kalmar. It focuses on wealthy Beekman Place playboy Gerald Brooks and impoverished shopgirl Patricia Brown, who become acquainted with each other via a series of anonymous five o'clock phone conversations. The original Broadway production opened at the 44th Street Theatre on October 10, 1927. On April 16, 1928, it transferred to the Shubert Theatre, where it completed its total run of 280 performances on June 2. Directed by John Harwood and choreographed by Jack Haskell, it starred Oscar Shaw as Gerald Brooks, Mary Eaton as Patricia Brown, Pert Kelton as Susan Snow, and Danny Dare as Ronnie Webb. Costume design was by Charles LeMaire, and Norman Bel Geddes was the scenic designer. A West End production opened at the London Hippodrome on March 21, 1929. The musical was staged at the Goodspeed Opera House in East Haddam, Connecticut and the Walnut Street Theatre in Philadelphia before returning to Broadway, where it ran for six previews and 14 performances at the Helen Hayes Theatre between January 22 and February 8, 1981. Directed by Sue Lawless and choreographed by Dan Siretta, the cast included Lisby Larson, Richard Ruth, Roger Rathburn, Dee Hoty, and Pat Stanley. In his review in The New York Times, Frank Rich called it "amiably silly" and said it "is not without passing interest as an arcane footnote to theatrical history, but as entertainment in 1981 it's a pretty slim affair." He added, "The show's book is tiresomely long, and its gags are unshucked corn. Pretty soon we're living just for the songs, and very few of them prove to be worth living for." (en)
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