About: Allegory of the Good and Bad Judge

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The Good and the Bad Judge is a c. 15th-century fresco panel decorating the audience chamber of the old town hall of the municipality of Reguengos de Monsaraz, a medieval town situated in the south of Portugal, near the border with Spain. The distinctiveness of its iconography makes it a unique and rare artwork in the context of European Renaissance painting. Recent insights link the painting to Diogo Lopes Rebelo's treatise De Republica Gubernanda per Regem (1496), underlying ethical and moral principles in government, dedicated to King Manuel I.

Attributes	Values
rdf:type	Thing schema:CreativeWork work wikidata:Q386724 artwork
rdfs:label	Allegory of the Good and Bad Judge (en)
rdfs:comment	The Good and the Bad Judge is a c. 15th-century fresco panel decorating the audience chamber of the old town hall of the municipality of Reguengos de Monsaraz, a medieval town situated in the south of Portugal, near the border with Spain. The distinctiveness of its iconography makes it a unique and rare artwork in the context of European Renaissance painting. Recent insights link the painting to Diogo Lopes Rebelo's treatise De Republica Gubernanda per Regem (1496), underlying ethical and moral principles in government, dedicated to King Manuel I. (en)
foaf:name	Allegory of the Good and Bad Judge (en)
foaf:depiction
dct:subject	15th-century allegorical paintings Portuguese paintings
Wikipage page ID	63725102 (xsd:integer)
Wikipage revision ID	1115740523 (xsd:integer)
Link from a Wikipage to another Wikipage	Sans-serif Beja, Portugal Denis of Portugal History of art House of Braganza Reguengos de Monsaraz Doublet (clothing) Palazzo Pubblico Lima de Freitas 15th century 1755 Lisbon earthquake Christ The Allegory of Good and Bad Government Gaol Giotto Monsaraz Montemor-o-Novo Corregedor Siena Houppelande Iconography Junta de freguesia Afonso IV of Portugal Ambrogio Lorenzetti Alpha and Omega Danse Macabre Foral Rib vault Hans Holbein the Younger Hypocrisy 15th-century allegorical paintings Portuguese paintings John II of Portugal Coat of arms of Portugal Heraldry Hermitage (religious retreat) Manuel I of Portugal Portugal Portuguese language Fidalgo Fresco Scrovegni Chapel Illuminated manuscript Pointed arch (architecture) Villein Overpainting Speech scroll Pantocrator
sameAs	Allegory of the Good and Bad Judge Allegory of the Good and Bad Judge
dbp:wikiPageUsesTemplate	dbt:Commons_category-inline dbt:Infobox_artwork dbt:Multiple_image dbt:Reflist
thumbnail	wiki-commons:Special:FilePath/O_Bom_e_o_Mau_Juiz_(Museu_do_Fresco,_Monsaraz).png?width=300
height metric	337 (xsd:integer)
other language	Portuguese language
other title	O Bom e o Mau Juiz (en)
width metric	306 (xsd:integer)
align	right (en)
artist	Master of Monsaraz-Beja (en)
city	Reguengos de Monsaraz Portugal
direction	horizontal (en)
footer	The corrupt judge being bribed is represented in a similar fashion in Hans Holbein's famous woodcut designs for his Danse Macabre series . (en)
image	Mau Juiz, pormenor2 .png (en) Hans Holbein - The Dance of Death- The Canon or Prebendary; The Judge - 1922.505 - Cleveland Museum of Art.jpg (en)
medium	Fresco
subject	Allegorical depictions of earthly justice and corruption (en)
title	Allegory of the Good and Bad Judge (en)
width	175 (xsd:integer) 238 (xsd:integer)
year	c. 15th century (en)
has abstract	The Good and the Bad Judge is a c. 15th-century fresco panel decorating the audience chamber of the old town hall of the municipality of Reguengos de Monsaraz, a medieval town situated in the south of Portugal, near the border with Spain. The distinctiveness of its iconography makes it a unique and rare artwork in the context of European Renaissance painting. It was inadvertently discovered during renovation work in 1958, having been concealed behind a wall. Because little historical documentation regarding the work exists, there has been speculation about its intended iconographic meaning; the most widely accepted theory is that it is an allegory of divine and earthly justice. Though its authorship remains unknown, it has been attributed to the "Master of Monsaraz-Beja", who was active in the region between the late 15th and the early 16th century, and to whom are also attributed the frescoes in the Hermitage of Saint Andrew (Ermida de Santo André), in Beja. The important art historian Túlio Espanca called this fresco an "extraordinary masterpiece", "unique in its profane theme" in the country. Some critics have drawn parallels between The Good and the Bad Judge, and Ambrogio Lorenzetti's The Allegory of Good and Bad Government (1338–9) in Siena's Palazzo Pubblico, and also Giotto's Scrovegni Chapel frescoes, namely the figures of Justice and Injustice (c. 1305), and Hans Holbein's famous Danse Macabre woodcuts (1526). Recent insights link the painting to Diogo Lopes Rebelo's treatise De Republica Gubernanda per Regem (1496), underlying ethical and moral principles in government, dedicated to King Manuel I. (en)
prov:wasDerivedFrom	wikipedia-en:Allegory_of_the_Good_and_Bad_Judge?oldid=1115740523&ns=0
page length (characters) of wiki page	11026 (xsd:nonNegativeInteger)
foaf:isPrimaryTopicOf	wikipedia-en:Allegory_of_the_Good_and_Bad_Judge
is foaf:primaryTopic of	wikipedia-en:Allegory_of_the_Good_and_Bad_Judge

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